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,,=\\\%£££    #                                     £££%\\\=,,
,,=\*%%££¶              ,lizardry                   ¶££%%*\=,,
,,,,\\%%%¶ =           ¶ #¶ ###  ################## ¶%%%\\,,,,
,,=\*%¶### ##      the art of c,nnecting            ###¶%*\=,,
,,=\*%£¶##        ,    with the old mind            ##¶£%*\=,,
,,=*%£¶###                                          ###¶£%*=,,
,,,,,,\%¶¶             my mind is being skewed. mi  ¶¶%\,,,,,,
,,,====*%£  skeleton is stringy and old and alien   £%*====,,,
,,=\*%£¶##             the situation is literally   ##¶£%*\=,,
,,,,=**%££ pressed out through my eyes, it's        ££%**=,,,,
,,,,,=**££ echoing like                             ££**=,,,,,
,,=\*%£¶¶#             the sunset of the eternal    #¶¶£%*\=,,
,,=\*%£¶## ocean                                    ##¶£%*\=,,
,,=\*%£¶##         persistently against my emulsion ##¶£%*\=,,
,,=\*%£¶##                                          ##¶£%*\=,,
,,=\*%£¶##    it's ungraspable to me, what other    ##¶£%*\=,,
,,=\*%£¶##   humans are doing and abstracting,      ##¶£%*\=,,
,,=\*%%£¶#  and above all else, what time they use? #¶£%%*\=,,
,,=\*%£¶## how long a time has passed, for them?    ##¶£%*\=,,
,,=\*%£¶##                                     ,    ##¶£%*\=,,
,,=\\\%£££  , ,,, ,  ,,,,,,,,,,,,,,,,   ¶¶¶¶¶¶¶     £££%\\\=,,
,,=\*%£###   continuously i'm crowding through      ###£%*\=,,
,,,,,=*£¶¶ , the fourth wall  ,outwards is what   , ¶¶£*=,,,,,
,,,,,,\\*£ ,, i'm thinking but it's wrong.. a new   £*\\,,,,,,
,,=\*%£¶## , , narrator is introduced, occasionally ##¶£%*\=,,
,,,===**£# ,  , aware of the previous one, deeper , #£**===,,,
,,,=\*%%¶¶ ,   , down in the dragons throat.        ¶¶%%*\=,,,
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