....^«^$$# #$$^«^....
...^«^$$## ##$$^«^...
..^«^$$### ###$$^«^..
.^«^$$#### ####$$^«^.
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...^«^$$## # ##$$^«^...
....^«^$$# .LIZARDRY #$$^«^....
.....^«^$$ « @ #@ ### ################## $$^«^.....
....^«^$$# ## THE ART OF C^NNECTING #$$^«^....
...^«^$$## . WITH THE OLD MIND ##$$^«^...
..^«^$$### ###$$^«^..
.^«^$$#### MY MIND IS BEING SKEWED. MI ####$$^«^.
..^«^$$### SKELETON IS STRINGY AND OLD AND ALIEN ###$$^«^..
...^«^$$## THE SITUATION IS LITERALLY ##$$^«^...
....^«^$$# PRESSED OUT THROUGH MY EYES, IT'S #$$^«^....
.....^«^$$ ECHOING LIKE $$^«^.....
....^«^$$# THE SUNSET OF THE ETERNAL #$$^«^....
...^«^$$## OCEAN ##$$^«^...
..^«^$$### PERSISTENTLY AGAINST MY EMULSION ###$$^«^..
.^«^$$#### ####$$^«^.
..^«^$$### IT'S UNGRASPABLE TO ME, WHAT OTHER ###$$^«^..
...^«^$$## HUMANS ARE DOING AND ABSTRACTING, ##$$^«^...
....^«^$$# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #$$^«^....
.....^«^$$ HOW LONG A TIME HAS PASSED, FOR THEM? $$^«^.....
....^«^$$# . #$$^«^....
...^«^$$## . ... . ................ @@@@@@@ ##$$^«^...
..^«^$$### CONTINUOUSLY I'M CROWDING THROUGH ###$$^«^..
.^«^$$#### . THE FOURTH WALL ^OUTWARDS IS WHAT . ####$$^«^.
..^«^$$### .. I'M THINKING BUT IT'S WRONG.. A NEW ###$$^«^..
...^«^$$## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##$$^«^...
....^«^$$# ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . #$$^«^....
.....^«^$$ ^ ^ DOWN IN THE DRAGONS THROAT. $$^«^.....
....^«^$$# ^ #$$^«^....
...^«^$$## ^ ##$$^«^...
..^«^$$### ###$$^«^..
.^«^$$#### ####$$^«^.
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