.,=/*%@@## ##@@%*/=,.
.,=/*@@### ###@@*/=,.
....,=*%@# #@%*=,....
.,=/*@@### ###@@*/=,.
.,=/*%@@## ##@@%*/=,.
....,=/%%@ # @%%/=,....
.,=/*%@@## .LIZARDRY ##@@%*/=,.
....=//%@# = @ #@ ### ################## #@%//=....
.,=/*%@@## ## THE ART OF C,NNECTING ##@@%*/=,.
.....,,/%@ . WITH THE OLD MIND @%/,,.....
.,=/*%@@## ##@@%*/=,.
.,=/*%@@## MY MIND IS BEING SKEWED. MI ##@@%*/=,.
...,=/%@@@ SKELETON IS STRINGY AND OLD AND ALIEN @@@%/=,...
.......=*@ THE SITUATION IS LITERALLY @*=.......
.,=/*%@@## PRESSED OUT THROUGH MY EYES, IT'S ##@@%*/=,.
...,==/*%@ ECHOING LIKE @%*/==,...
.,=/*%@### THE SUNSET OF THE ETERNAL ###@%*/=,.
...,,//*@# OCEAN #@*//,,...
.,=/*%@@## PERSISTENTLY AGAINST MY EMULSION ##@@%*/=,.
.,=/*%@@## ##@@%*/=,.
.,=/*%@@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@@%*/=,.
,=/*%@@### HUMANS ARE DOING AND ABSTRACTING, ###@@%*/=,
.,=/*@@### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@@*/=,.
.,=/*%@### HOW LONG A TIME HAS PASSED, FOR THEM? ###@%*/=,.
.,=/*%@@## . ##@@%*/=,.
......,/*@ . ... . ................ @@@@@@@ @*/,......
......=/%@ CONTINUOUSLY I'M CROWDING THROUGH @%/=......
.....==*%@ . THE FOURTH WALL ,OUTWARDS IS WHAT . @%*==.....
.....==*%@ .. I'M THINKING BUT IT'S WRONG.. A NEW @%*==.....
.,=/*%@@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@@%*/=,.
...==*%%@@ , , AWARE OF THE PREVIOUS ONE, DEEPER . @@%%*==...
...===//%@ , , DOWN IN THE DRAGONS THROAT. @%//===...
.,=/*%@### , ###@%*/=,.
.,=/*%@@## , ##@@%*/=,.
.....,/%@@ @@%/,.....
.,=/*%@@## ##@@%*/=,.
.,=/*%@@@# #@@@%*/=,.
.,=/*%@@@@ @@@@%*/=,.
.,=/*%@@## ##@@%*/=,.
.,=/*%@@## ##@@%*/=,.