,,-=^¤&### ###&¤^=-,,
,,,-=^¤&## ##&¤^=-,,,
,,-=^¤&### ###&¤^=-,,
,,,-=^¤&## ##&¤^=-,,,
,,-=^¤&### ###&¤^=-,,
,,,-=^¤&## # ##&¤^=-,,,
,,-=^¤&### ,LIZARDRY ###&¤^=-,,
,,,-=^¤&## - # ## ### ################## ##&¤^=-,,,
,,-=^¤&### ## THE ART OF C,NNECTING ###&¤^=-,,
,,,-=^¤&## , WITH THE OLD MIND ##&¤^=-,,,
,,-=^¤&### ###&¤^=-,,
,,,-=^¤&## MY MIND IS BEING SKEWED. MI ##&¤^=-,,,
,,-=^¤&### SKELETON IS STRINGY AND OLD AND ALIEN ###&¤^=-,,
,,,-=^¤&## THE SITUATION IS LITERALLY ##&¤^=-,,,
,,-=^¤&### PRESSED OUT THROUGH MY EYES, IT'S ###&¤^=-,,
,,,-=^¤&## ECHOING LIKE ##&¤^=-,,,
,,-=^¤&### THE SUNSET OF THE ETERNAL ###&¤^=-,,
,,,-=^¤&## OCEAN ##&¤^=-,,,
,,-=^¤&### PERSISTENTLY AGAINST MY EMULSION ###&¤^=-,,
,,,-=^¤&## ##&¤^=-,,,
,,-=^¤&### IT'S UNGRASPABLE TO ME, WHAT OTHER ###&¤^=-,,
,,,-=^¤&## HUMANS ARE DOING AND ABSTRACTING, ##&¤^=-,,,
,,-=^¤&### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###&¤^=-,,
,,,-=^¤&## HOW LONG A TIME HAS PASSED, FOR THEM? ##&¤^=-,,,
,,-=^¤&### , ###&¤^=-,,
,,,-=^¤&## , ,,, , ,,,,,,,,,,,,,,,, ####### ##&¤^=-,,,
,,-=^¤&### CONTINUOUSLY I'M CROWDING THROUGH ###&¤^=-,,
,,,-=^¤&## , THE FOURTH WALL ,OUTWARDS IS WHAT , ##&¤^=-,,,
,,-=^¤&### ,, I'M THINKING BUT IT'S WRONG.. A NEW ###&¤^=-,,
,,,-=^¤&## , , NARRATOR IS INTRODUCED, OCCASIONALLY ##&¤^=-,,,
,,-=^¤&### , , AWARE OF THE PREVIOUS ONE, DEEPER , ###&¤^=-,,
,,,-=^¤&## , , DOWN IN THE DRAGONS THROAT. ##&¤^=-,,,
,,-=^¤&### , ###&¤^=-,,
,,,-=^¤&## , ##&¤^=-,,,
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