,,»/*@@### ###@@*/»,,
,,,,,»»/*@ @*/»»,,,,,
,,,,/*@@@@ @@@@*/,,,,
,,»/*@@@@# #@@@@*/»,,
,,»/*@#### ####@*/»,,
,,,,,,»**@ train dream @**»,,,,,,
,,»*@@#### ######,,,,,»,,,,##################### ####@@*»,,
,,»/*@@### /// ###@@*/»,,
,,,,,/*@@# » #@@*/,,,,,
,,»/*@@### » ###@@*/»,,
,,»/*@@### ###@@*/»,,
,,»/***@## (situation) ##@***/»,,
,,»/*@@### ###@@*/»,,
,,,»»**@@@ you find yourself in a rift - a @@@**»»,,,
,,,,,»**@@ clearing, narrow but immeasurably long. @@**»,,,,,
,,,,,»//@# to your sides are walls made of trees, #@//»,,,,,
,,,,,,,»*@ thick and ready to swallow you. the sun @*»,,,,,,,
,,»/*@@### is nowhere to be seen, but nontheless ###@@*/»,,
,,,,,/*@## it is very bright - the air feels light ##@*/,,,,,
,,»/*@@### blue, almost white. ###@@*/»,,
,,»/*@@### ###@@*/»,,
,,»///*@## along the span of the clearing lay two ##@*///»,,
,,»///@@## parallel silvery lines, dark hard ##@@///»,,
,,»/*@@### metal. somehow you can see how heavy ###@@*/»,,
,,»/*@@### they are. ###@@*/»,,
,,,,»/@@## ##@@/»,,,,
,,»/*@@### they emit a high pitched whine... ###@@*/»,,
,,»/*@@@@@ @@@@@*/»,,
,,»/*@@### » ###@@*/»,,
,,»/*@@### ,,*,, ###@@*/»,,
,,,,,,»*@# » #@*»,,,,,,
,,»/*@@### ###@@*/»,,
,,»/*@@### (situation) ###@@*/»,,
,,»/*@@### ###@@*/»,,
,,»/*@@### youre at the train station, on a ###@@*/»,,
,,»/*@@### catwalk above the rails. your train is ###@@*/»,,
,,,,,,,/@# late, or you are late to the train. #@/,,,,,,,
,,»/*@@### it's a summer afternoon and the station ###@@*/»,,
,,»/*@@### is busy, full of relaxed confidence. ###@@*/»,,
,,»/*@@### ###@@*/»,,
,,»/*@@### you're in high spirits, although a bit ###@@*/»,,
,,,,,»*@@@ stressed about the time, while moving @@@*»,,,,,
,,,,,///*@ up the stairs to your platform. the @*///,,,,,
,,»/***@## station is in several levels, all ##@***/»,,
,,»/*@@### placed within eachother by some ###@@*/»,,
,,,,,/@@## intelligent designer, and full of ##@@/,,,,,
,,»/*@@### stairs, elevators, shortcuts, ###@@*/»,,
,,»/*@@### bazaars... you sight your train through ###@@*/»,,
,,»/*@@@## some glass windows. it's... not where ##@@@*/»,,
,,,,»**@## it's supposed to be? ##@**»,,,,
,,»/*@@### ###@@*/»,,
,,»/*@@### » ###@@*/»,,
,,»/*@@### ,,@,, ###@@*/»,,
,,»/*@#### » ####@*/»,,
,,»/*@@### ###@@*/»,,
,,»//*@@@@ (situation) @@@@*//»,,
,,»/*@@### ###@@*/»,,
,,»/*@@### you're finally entering the city. while ###@@*/»,,
,,,,»»/@## it is indeed a very high speed train ##@/»»,,,,
,,»/***@@@ you're traveling in, the journey has @@@***/»,,
,,,,,,,/@# been long. but it's about to end! #@/,,,,,,,
,,,,»****@ @****»,,,,
,,,,,,»»*@ society is growing denser around you, @*»»,,,,,,
,,»/*@@### through the windows you see first small ###@@*/»,,
,,»»»»/@@@ shacks, built of metal and stone, then @@@/»»»»,,
,,,,,»/@## proper houses with mortar to keep them ##@/»,,,,,
,,,,,,»»*@ together... who in turn make way for @*»»,,,,,,
,,»/*@@### the industrial buildings, the urban ###@@*/»,,
,,/*@@#### maze, protective walls, jungle ####@@*/,,
,,,,////@# network... #@////,,,,
,,»/@@#### ####@@/»,,
,,»/*@@### the tracks leave the ground, which is ###@@*/»,,
,,,»»/*@## needed for other purposes. you are ##@*/»»,,,
,,»/*@@### carried gently, curving upwards until ###@@*/»,,
,,»/*@#### you're moving upward along the wall of ####@*/»,,
,,,,,»»/@# a building. it's made of slabby stone, #@/»»,,,,,
,,»/*@@### with great glassless window holes ###@@*/»,,
,,,,,»//@# looking out the way you came. it is #@//»,,,,,
,»/*@@#### pitch black inside. ####@@*/»,
,,»//*@@@# #@@@*//»,,
,,»/*@@### ###@@*/»,,
,,,»»/@@@# #@@@/»»,,,
,,»/*@@### ###@@*/»,,
,,,,»**@@@ @@@**»,,,,