@@¨@@¨@@¨¨ ¨¨@@@@@¨@¨
¨@¨¨@¨¨@¨@ ¨@¨@@@@¨@¨
@@¨@@¨@@¨¨ ¨@¨¨@@@¨@¨
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@@¨@@¨@@¨¨ ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ # ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ¨LIZARDRY ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ « ¶ #¶ ### ################## ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ## THE ART OF C^NNECTING ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ¨ WITH THE OLD MIND ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ MY MIND IS BEING SKEWED. MI ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ THE SITUATION IS LITERALLY ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ECHOING LIKE ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ THE SUNSET OF THE ETERNAL ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ OCEAN ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ PERSISTENTLY AGAINST MY EMULSION ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ HUMANS ARE DOING AND ABSTRACTING, ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ HOW LONG A TIME HAS PASSED, FOR THEM? ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ¨ ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¶¶¶¶¶¶¶ ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ¨ THE FOURTH WALL ^OUTWARDS IS WHAT ¨ ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ^ ^ DOWN IN THE DRAGONS THROAT. ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ^ ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ^ ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ¨@¨@¨@@¨@¨
@@¨@@¨@@¨¨ ¨@¨@¨¨@¨@¨
¨@¨¨@¨¨@¨@ ¨@¨@¨@@¨@¨