.~»;*%§### ###§%*;»~.
.....»*%## ##%*».....
....»»;%%§ §%%;»»....
.~»;*%§### ###§%*;»~.
.~»;*%§### ###§%*;»~.
......»*%# # #%*»......
.~»;*%§### .lizardry ###§%*;»~.
....~;;%§# » # ## ### ################## #§%;;~....
.~»;*%§### ## the art of c~nnecting ###§%*;»~.
.~»;*%%§## . with the old mind ##§%%*;»~.
......»*§§ §§*»......
.~»;*%§### my mind is being skewed. mi ###§%*;»~.
....~;;%§# skeleton is stringy and old and alien #§%;;~....
.~»;*%§### the situation is literally ###§%*;»~.
...~;**%%§ pressed out through my eyes, it's §%%**;~...
.......»*§ echoing like §*».......
.~»;*%§### the sunset of the eternal ###§%*;»~.
......»*§# ocean #§*»......
.~»;*%§### persistently against my emulsion ###§%*;»~.
.~»;*%§### ###§%*;»~.
.~»;**%§§§ it's ungraspable to me, what other §§§%**;»~.
.~»;*%§### humans are doing and abstracting, ###§%*;»~.
.....»*%%# and above all else, what time they use? #%%*».....
..~~»»;;*§ how long a time has passed, for them? §*;;»»~~..
.~»;*%§### . ###§%*;»~.
......»;%§ . ... . ................ ####### §%;»......
....~;*§## continuously i'm crowding through ##§*;~....
.~»;*%§### . the fourth wall ~outwards is what . ###§%*;»~.
.~»;*%§### .. i'm thinking but it's wrong.. a new ###§%*;»~.
.~»;*%§### . . narrator is introduced, occasionally ###§%*;»~.
.~»;*%§### ~ ~ aware of the previous one, deeper . ###§%*;»~.
.....»*§## ~ ~ down in the dragons throat. ##§*».....
.~»;*%§### ~ ###§%*;»~.
.~»;*%§### ~ ###§%*;»~.
....~»*%§# #§%*»~....
.~»;*%§§§# #§§§%*;»~.
.~»;*%§§## ##§§%*;»~.
.~»;*%§### ###§%*;»~.
.....»*%%§ §%%*».....
.~»;*§#### ####§*;»~.