.,~~:::*§§ §§*:::~~,.
....,~:§*§ §*§:~,....
.....,:**@ @**:,.....
...,~~§§§@ @§§§~~,...
...~~:§§*§ §*§§:~~...
.,~:§**§@# # #@§**§:~,.
.,~:§*§@## .lizardry ##@§*§:~,.
...,::::§§ ~ @ #@ ### ################## §§::::,...
.,,,::§§@@ ## the art of c,nnecting @@§§::,,,.
.,~:§§***@ . with the old mind @***§§:~,.
.,~:§*§@## ##@§*§:~,.
.,~:§*§@## my mind is being skewed. mi ##@§*§:~,.
.,~:§§@### skeleton is stringy and old and alien ###@§§:~,.
.,~:§*§§@# the situation is literally #@§§*§:~,.
..,,,~:§§@ pressed out through my eyes, it's @§§:~,,,..
....,,~§§§ echoing like §§§~,,....
.,~:§*§@## the sunset of the eternal ##@§*§:~,.
.,~:§*§@## ocean ##@§*§:~,.
.,~:§*§@## persistently against my emulsion ##@§*§:~,.
,~:§*§@### ###@§*§:~,
.,~:§*§§§# it's ungraspable to me, what other #§§§*§:~,.
.....~:*§# humans are doing and abstracting, #§*:~.....
.,~:§*@### and above all else, what time they use? ###@*§:~,.
...~~~§§*§ how long a time has passed, for them? §*§§~~~...
...~~:§§§@ . @§§§:~~...
.,~:§*§@@@ . ... . ................ @@@@@@@ @@@§*§:~,.
.....,~§§# continuously i'm crowding through #§§~,.....
.....,,:*@ . the fourth wall ,outwards is what . @*:,,.....
....~::§§§ .. i'm thinking but it's wrong.. a new §§§::~....
.~:§*§@### . . narrator is introduced, occasionally ###@§*§:~.
....~:*§@@ , , aware of the previous one, deeper . @@§*:~....
.,~:§*§@## , , down in the dragons throat. ##@§*§:~,.
.,~:§*§@## , ##@§*§:~,.
.,~:§*§@## , ##@§*§:~,.
.....,:*@# #@*:,.....
.,~:§*§@## ##@§*§:~,.
.,~:§§§*§§ §§*§§§:~,.
.,~:§*§@## ##@§*§:~,.
.,~:§*§@## ##@§*§:~,.
.,~:§*§@## ##@§*§:~,.