...#.#..#. #.#.#####.
...####.## .####....#
#..#...##. ##...#...#
.#.##..#.# ..#..##..#
####.#.### #.##.#.#.#
....####.. @ .##.######
#...#...#. .LIZARDRY .#.##.....
##..##..## = ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ ####.#....
#.#.#.#.#. @@ THE ART OF C~NNECTING #...###...
########## . WITH THE OLD MIND ##..#..#..
#......... #.#.##.##.
##........ MY MIND IS BEING SKEWED. MI #####.##.#
..#....... SKELETON IS STRINGY AND OLD AND ALIEN .....##.##
#.##...... THE SITUATION IS LITERALLY #....#.##.
###.#..... PRESSED OUT THROUGH MY EYES, IT'S ##...###.#
...###.... ECHOING LIKE #.#..#..##
#..#..#... THE SUNSET OF THE ETERNAL .###.##.#.
##.##.##.. OCEAN .#..##.###
..##.##.#. PERSISTENTLY AGAINST MY EMULSION .##.#.##..
..#.##.### .#.####.#.
..###.##.. IT'S UNGRASPABLE TO ME, WHAT OTHER ####...###
#.#..##.#. HUMANS ARE DOING AND ABSTRACTING, #...#..#..
####.#.### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##..##.##.
#...####.. HOW LONG A TIME HAS PASSED, FOR THEM? ..#.#.##.#
.#..#...#. . ..#####.##
###.##..## . ... . ................ ¶¶¶¶¶¶¶ #.#....##.
#..##.#.#. CONTINUOUSLY I'M CROWDING THROUGH ####...#.#
.#.#.##### . THE FOURTH WALL ~OUTWARDS IS WHAT . ....#..###
######.... .. I'M THINKING BUT IT'S WRONG.. A NEW #...##.#..
#.....#... . . NARRATOR IS INTRODUCED, OCCASIONALLY ##..#.###.
##....##.. ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . #.#.###..#
..#...#.#. ~ ~ DOWN IN THE DRAGONS THROAT. .####..#.#
#.##..#### ~ ##...#.###
.##.#.#... ~ ..#..###..
.#.#####.. ..##.#..#.
.###....#. ..#.###.##
##..#...## ..###..##.
#.#.##..#. ..#..#.#.#
.####.#.## #.##.#####
##...####. .##.##....