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.&.&.&.&.& # &..&..&.&&
.&.&.&.&.& .lizardry &.&&.&&..&
.&.&.&.&.& ยป @ #@ ### ################## &..&..&.&&
.&.&.&.&.& ## the art of c~nnecting &.&&.&&..&
.&.&.&.&.& . with the old mind &..&..&.&&
.&.&.&.&.& &.&&.&&..&
.&.&.&.&.& my mind is being skewed. mi &..&..&.&&
.&.&.&.&.& skeleton is stringy and old and alien &.&&.&&..&
.&.&.&.&.& the situation is literally &..&..&.&&
.&.&.&.&.& pressed out through my eyes, it's &.&&.&&..&
.&.&.&.&.& echoing like &..&..&.&&
.&.&.&.&.& the sunset of the eternal &.&&.&&..&
.&.&.&.&.& ocean &..&..&.&&
.&.&.&.&.& persistently against my emulsion &.&&.&&..&
.&.&.&.&.& &..&..&.&&
.&.&.&.&.& it's ungraspable to me, what other &.&&.&&..&
.&.&.&.&.& humans are doing and abstracting, &..&..&.&&
.&.&.&.&.& and above all else, what time they use? &.&&.&&..&
.&.&.&.&.& how long a time has passed, for them? &..&..&.&&
.&.&.&.&.& . &.&&.&&..&
.&.&.&.&.& . ... . ................ @@@@@@@ &..&..&.&&
.&.&.&.&.& continuously i'm crowding through &.&&.&&..&
.&.&.&.&.& . the fourth wall ~outwards is what . &..&..&.&&
.&.&.&.&.& .. i'm thinking but it's wrong.. a new &.&&.&&..&
.&.&.&.&.& . . narrator is introduced, occasionally &..&..&.&&
.&.&.&.&.& ~ ~ aware of the previous one, deeper . &.&&.&&..&
.&.&.&.&.& ~ ~ down in the dragons throat. &..&..&.&&
.&.&.&.&.& ~ &.&&.&&..&
.&.&.&.&.& ~ &..&..&.&&
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