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.^=*§§####                                          ####§§*=^.
.^=*§§#¶##                                          ##¶#§§*=^.
.^=====§§#    #                                     #§§=====^.
.^=*§§#¶##              .LIZARDRY                   ##¶#§§*=^.
.....^*§§# =           ¶ #¶ ###  ################## #§§*^.....
....=§§### ##      THE ART OF C^NNECTING            ###§§=....
...^^==*§#        .    WITH THE OLD MIND            #§*==^^...
.^=*§§#¶##                                          ##¶#§§*=^.
.^=*§§#¶##             MY MIND IS BEING SKEWED. MI  ##¶#§§*=^.
....^=*§##  SKELETON IS STRINGY AND OLD AND ALIEN   ##§*=^....
.^=*§§#¶##             THE SITUATION IS LITERALLY   ##¶#§§*=^.
.^=*§§#¶## PRESSED OUT THROUGH MY EYES, IT'S        ##¶#§§*=^.
.^=*§§#¶## ECHOING LIKE                             ##¶#§§*=^.
..^^**§§§¶             THE SUNSET OF THE ETERNAL    ¶§§§**^^..
....^**§#¶ OCEAN                                    ¶#§**^....
.^=*§§#¶¶#         PERSISTENTLY AGAINST MY EMULSION #¶¶#§§*=^.
.^=*§§#¶##                                          ##¶#§§*=^.
.=*§§#¶###    IT'S UNGRASPABLE TO ME, WHAT OTHER    ###¶#§§*=.
.....=*§§¶   HUMANS ARE DOING AND ABSTRACTING,      ¶§§*=.....
...^*§§§##  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##§§§*^...
....^^=§## HOW LONG A TIME HAS PASSED, FOR THEM?    ##§=^^....
.^=*§§§§¶¶                                     .    ¶¶§§§§*=^.
.^=*§§#¶##  . ... .  ................   ¶¶¶¶¶¶¶     ##¶#§§*=^.
....==*§##   CONTINUOUSLY I'M CROWDING THROUGH      ##§*==....
...^**§§§# . THE FOURTH WALL  ^OUTWARDS IS WHAT   . #§§§**^...
.^=*§§#¶## .. I'M THINKING BUT IT'S WRONG.. A NEW   ##¶#§§*=^.
.^=*§§##¶¶ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¶¶##§§*=^.
.^=*§§#¶## ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . ##¶#§§*=^.
.^=**§§§§# ^   ^ DOWN IN THE DRAGONS THROAT.        #§§§§**=^.
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.^=*§§#¶##       ^                                  ##¶#§§*=^.
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.^=*§§#¶##                                          ##¶#§§*=^.
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