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..¤¤.¤.¤¤¤ .LIZARDRY ..¤¤¤¤.¤..
.¤.¤¤¤¤..¤ » ¶ #¶ ### ################## .¤...¤¤¤..
¤¤¤...¤.¤. ## THE ART OF C,NNECTING ¤¤..¤..¤..
..¤..¤¤¤¤. . WITH THE OLD MIND .¤.¤¤.¤¤.¤
.¤¤.¤...¤. ¤¤¤.¤¤.¤¤¤
¤.¤¤¤..¤¤. MY MIND IS BEING SKEWED. MI ..¤¤.¤¤..¤
¤¤..¤.¤.¤¤ SKELETON IS STRINGY AND OLD AND ALIEN .¤.¤¤.¤.¤.
.¤.¤¤¤¤¤.. THE SITUATION IS LITERALLY ¤¤¤.¤¤¤¤¤¤
¤¤¤....¤.¤ PRESSED OUT THROUGH MY EYES, IT'S ..¤¤.....¤
..¤...¤¤¤. ECHOING LIKE .¤.¤....¤.
.¤¤..¤..¤¤ THE SUNSET OF THE ETERNAL ¤¤¤¤...¤¤.
¤.¤.¤¤.¤.¤ OCEAN ...¤..¤.¤.
¤¤¤¤.¤¤¤¤¤ PERSISTENTLY AGAINST MY EMULSION ..¤¤.¤¤¤¤¤
...¤¤..... .¤.¤¤.....
..¤.¤..... IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤¤.¤.....
.¤¤¤¤....¤ HUMANS ARE DOING AND ABSTRACTING, ..¤¤¤.....
¤...¤...¤¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? .¤..¤.....
¤..¤¤..¤.. HOW LONG A TIME HAS PASSED, FOR THEM? ¤¤.¤¤....¤
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¤¤¤¤¤¤.¤.¤ . ... . ................ ¶¶¶¶¶¶¶ ¤.¤¤¤..¤¤¤
.....¤¤¤¤¤ CONTINUOUSLY I'M CROWDING THROUGH ¤¤..¤.¤...
....¤....¤ . THE FOURTH WALL ,OUTWARDS IS WHAT . .¤.¤¤¤¤...
...¤¤...¤. .. I'M THINKING BUT IT'S WRONG.. A NEW ¤¤¤...¤...
..¤.¤..¤¤. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..¤..¤¤...
.¤¤¤¤.¤.¤. , , AWARE OF THE PREVIOUS ONE, DEEPER . .¤¤.¤.¤...
¤...¤¤¤¤¤¤ , , DOWN IN THE DRAGONS THROAT. ¤.¤¤¤¤¤...
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