.,»/%&¤@## ##@¤&%/»,.
.,»/%&¤@## ##@¤&%/»,.
......»%¤¤ ¤¤%»......
.,»/%&¤@## ##@¤&%/»,.
.,»/%&¤¤@@ @@¤¤&%/»,.
.,»/%&¤@## # ##@¤&%/»,.
.,»/%&¤@## .LIZARDRY ##@¤&%/»,.
......,/&¤ » @ #@ ### ################## ¤&/,......
.,»/%&¤@## ## THE ART OF C,NNECTING ##@¤&%/»,.
.,»/%&¤@## . WITH THE OLD MIND ##@¤&%/»,.
.,»/%&¤@## ##@¤&%/»,.
.,»/%&¤@## MY MIND IS BEING SKEWED. MI ##@¤&%/»,.
.,»/%&¤@## SKELETON IS STRINGY AND OLD AND ALIEN ##@¤&%/»,.
.,»/%&¤### THE SITUATION IS LITERALLY ###¤&%/»,.
.,»/%&¤@## PRESSED OUT THROUGH MY EYES, IT'S ##@¤&%/»,.
.,»/%&¤¤¤@ ECHOING LIKE @¤¤¤&%/»,.
.,»/%¤@### THE SUNSET OF THE ETERNAL ###@¤%/»,.
....»/%%¤@ OCEAN @¤%%/»....
.,»/%&¤@## PERSISTENTLY AGAINST MY EMULSION ##@¤&%/»,.
.,»/%&¤@## ##@¤&%/»,.
.,»/%&¤@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@¤&%/»,.
.,»/%&¤@## HUMANS ARE DOING AND ABSTRACTING, ##@¤&%/»,.
.,»/%&¤@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@¤&%/»,.
....»%%&¤@ HOW LONG A TIME HAS PASSED, FOR THEM? @¤&%%»....
...»»/&&@@ . @@&&/»»...
.,»/%&&&¤@ . ... . ................ @@@@@@@ @¤&&&%/»,.
.,»/%&¤¤¤¤ CONTINUOUSLY I'M CROWDING THROUGH ¤¤¤¤&%/»,.
.,»/%&¤¤@@ . THE FOURTH WALL ,OUTWARDS IS WHAT . @@¤¤&%/»,.
.,,»/%%¤@@ .. I'M THINKING BUT IT'S WRONG.. A NEW @@¤%%/»,,.
...,»/%&¤# . . NARRATOR IS INTRODUCED, OCCASIONALLY #¤&%/»,...
.,»/%&¤@## , , AWARE OF THE PREVIOUS ONE, DEEPER . ##@¤&%/»,.
....,,//%¤ , , DOWN IN THE DRAGONS THROAT. ¤%//,,....
...,»%%¤¤¤ , ¤¤¤%%»,...
.,»/%&¤@## , ##@¤&%/»,.
....»»/&@@ @@&/»»....
.,»/%&¤@## ##@¤&%/»,.
.,»/%&¤@## ##@¤&%/»,.
.....,/%¤¤ ¤¤%/,.....
.,»////&¤# #¤&////»,.
....»%&&¤@ @¤&&%»....