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&&...&.&&.    #                                     &...&&&.&&
..&..&&&.&              .LIZARDRY                   &&..&..&&.
..&&.&..&& -           @ #@ ###  ################## &.&.&&.&.&
&.&.&&&.&. ##      THE ART OF C,NNECTING            .&&&&.&&&&
.&&&&..&&&        .    WITH THE OLD MIND            .&...&&...
.&...&.&..                                          &&&..&.&..
.&&..&&&&.             MY MIND IS BEING SKEWED. MI  &..&.&&&&.
.&.&.&...&  SKELETON IS STRINGY AND OLD AND ALIEN   .&.&&&...&
&&&&&&&..&             THE SITUATION IS LITERALLY   .&&&..&..&
.......&.& PRESSED OUT THROUGH MY EYES, IT'S        &&..&.&&.&
&......&&& ECHOING LIKE                             &.&.&&&.&&
.&.....&..             THE SUNSET OF THE ETERNAL    &&&&&..&&.
.&&....&&. OCEAN                                    &....&.&.&
&&.&...&.&         PERSISTENTLY AGAINST MY EMULSION &&...&&&&&
..&&&..&&&                                          ..&..&....
..&..&.&..    IT'S UNGRASPABLE TO ME, WHAT OTHER    &.&&.&&...
..&&.&&&&.   HUMANS ARE DOING AND ABSTRACTING,      .&&.&&.&..
..&.&&...&  AND ABOVE ALL ELSE, WHAT TIME THEY USE? .&.&&.&&&.
..&&&.&..& HOW LONG A TIME HAS PASSED, FOR THEM?    &&&&.&&..&
&.&..&&&.&                                     .    &...&&.&.&
.&&&.&..&&  . ... .  ................   @@@@@@@     &&..&.&&&&
&&..&&&.&.   CONTINUOUSLY I'M CROWDING THROUGH      &.&.&&&...
&.&.&..&&& . THE FOURTH WALL  ,OUTWARDS IS WHAT   . &&&&&..&..
&&&&&&.&.. .. I'M THINKING BUT IT'S WRONG.. A NEW   .....&.&&.
&.....&&&. . . NARRATOR IS INTRODUCED, OCCASIONALLY .....&&&.&
.&....&..& ,  , AWARE OF THE PREVIOUS ONE, DEEPER . .....&..&&
&&&...&&.& ,   , DOWN IN THE DRAGONS THROAT.        .....&&.&.
&..&..&.&&      ,                                   .....&.&&&
.&.&&.&&&.       ,                                  &....&&&..
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