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#.#..#.#.#    #                                     #.#.#.#.#.
#.#.##.#.#              .LIZARDRY                   #.#.#.#.#.
#.#..#.#.# ~           @ #@ ###  ################## #.#.#.#.#.
#.#.##.#.# ##      THE ART OF C~NNECTING            #.#.#.#.#.
#.#..#.#.#        .    WITH THE OLD MIND            #.#.#.#.#.
#.#.##.#.#                                          #.#.#.#.#.
#.#..#.#.#             MY MIND IS BEING SKEWED. MI  #.#.#.#.#.
#.#.##.#.#  SKELETON IS STRINGY AND OLD AND ALIEN   #.#.#.#.#.
#.#..#.#.#             THE SITUATION IS LITERALLY   #.#.#.#.#.
#.#.##.#.# PRESSED OUT THROUGH MY EYES, IT'S        #.#.#.#.#.
#.#..#.#.# ECHOING LIKE                             #.#.#.#.#.
#.#.##.#.#             THE SUNSET OF THE ETERNAL    #.#.#.#.#.
#.#..#.#.# OCEAN                                    #.#.#.#.#.
#.#.##.#.#         PERSISTENTLY AGAINST MY EMULSION #.#.#.#.#.
#.#..#.#.#                                          #.#.#.#.#.
#.#.##.#.#    IT'S UNGRASPABLE TO ME, WHAT OTHER    #.#.#.#.#.
#.#..#.#.#   HUMANS ARE DOING AND ABSTRACTING,      #.#.#.#.#.
#.#.##.#.#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #.#.#.#.#.
#.#..#.#.# HOW LONG A TIME HAS PASSED, FOR THEM?    #.#.#.#.#.
#.#.##.#.#                                     .    #.#.#.#.#.
#.#..#.#.#  . ... .  ................   @@@@@@@     #.#.#.#.#.
#.#.##.#.#   CONTINUOUSLY I'M CROWDING THROUGH      #.#.#.#.#.
#.#..#.#.# . THE FOURTH WALL  ~OUTWARDS IS WHAT   . #.#.#.#.#.
#.#.##.#.# .. I'M THINKING BUT IT'S WRONG.. A NEW   #.#.#.#.#.
#.#..#.#.# . . NARRATOR IS INTRODUCED, OCCASIONALLY #.#.#.#.#.
#.#.##.#.# ~  ~ AWARE OF THE PREVIOUS ONE, DEEPER . #.#.#.#.#.
#.#..#.#.# ~   ~ DOWN IN THE DRAGONS THROAT.        #.#.#.#.#.
#.#.##.#.#      ~                                   #.#.#.#.#.
#.#..#.#.#       ~                                  #.#.#.#.#.
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