.....»^& #&&^».....
.^»^%&§### ###§&%^»^.
..^^^^&&&§ §&&&^^^^..
.....»%% #&%%».....
.^»^%&§### ###§&%^»^.
.^»^%&§### # ###§&%^»^.
.^»^%&§### .LIZARDRY ###§&%^»^.
....»»^& » # ## ### ################## #&&^»»....
.^»^%&§### ## THE ART OF C^NNECTING ###§&%^»^.
.^»^%&§### . WITH THE OLD MIND ###§&%^»^.
.^»^%&§### ###§&%^»^.
.^»^%&§### MY MIND IS BEING SKEWED. MI ###§&%^»^.
...»^^^&&§ SKELETON IS STRINGY AND OLD AND ALIEN §&&^^^»...
.^»^%&§### THE SITUATION IS LITERALLY ###§&%^»^.
.^»^%&§### PRESSED OUT THROUGH MY EYES, IT'S ###§&%^»^.
.^»^%&§### ECHOING LIKE ###§&%^»^.
.^»^%%%% THE SUNSET OF THE ETERNAL #&%%%%^»^.
....^^^&§# OCEAN #§&^^^....
...»»%%&§# PERSISTENTLY AGAINST MY EMULSION #§&%%»»...
....^^%%§# #§%%^^....
.....»^^&§ IT'S UNGRASPABLE TO ME, WHAT OTHER §&^^».....
...»»%&&&§ HUMANS ARE DOING AND ABSTRACTING, §&&&%»»...
......»^&§ AND ABOVE ALL ELSE, WHAT TIME THEY USE? §&^»......
..^»»»%&&§ HOW LONG A TIME HAS PASSED, FOR THEM? §&&%»»»^..
.^»^%&§### . ###§&%^»^.
.^»^%&§### . ... . ................ ####### ###§&%^»^.
.^»^%&§§## CONTINUOUSLY I'M CROWDING THROUGH ##§§&%^»^.
^»^%&§#### . THE FOURTH WALL ^OUTWARDS IS WHAT . ####§&%^»^
.^»^%&§### .. I'M THINKING BUT IT'S WRONG.. A NEW ###§&%^»^.
.^»»»^%&§§ . . NARRATOR IS INTRODUCED, OCCASIONALLY §§&%^»»»^.
.^»^%&§### ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ###§&%^»^.
.^»^%&&&&§ ^ ^ DOWN IN THE DRAGONS THROAT. §&&&&%^»^.
.^»^%&§§## ^ ##§§&%^»^.
.^»^%§#### ^ ####§%^»^.
.^»^%&§### ###§&%^»^.
...»^%&# ##&&%^»...
...»»%%# ##&%%»»...
..^^^^^^ #&^^^^^^..
.^»^^^&§## ##§&^^^»^.
.^»^%&§### ###§&%^»^.