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..,-*†§@##    #                                     ##@§†*-,..
.,-*†§@###              .LIZARDRY                   ###@§†*-,.
..,-*†§@## -           # ## ###  ################## ##@§†*-,..
.,-*†§@### ##      THE ART OF C,NNECTING            ###@§†*-,.
..,-*†§@##        .    WITH THE OLD MIND            ##@§†*-,..
.,-*†§@###                                          ###@§†*-,.
..,-*†§@##             MY MIND IS BEING SKEWED. MI  ##@§†*-,..
.,-*†§@###  SKELETON IS STRINGY AND OLD AND ALIEN   ###@§†*-,.
..,-*†§@##             THE SITUATION IS LITERALLY   ##@§†*-,..
.,-*†§@### PRESSED OUT THROUGH MY EYES, IT'S        ###@§†*-,.
..,-*†§@## ECHOING LIKE                             ##@§†*-,..
.,-*†§@###             THE SUNSET OF THE ETERNAL    ###@§†*-,.
..,-*†§@## OCEAN                                    ##@§†*-,..
.,-*†§@###         PERSISTENTLY AGAINST MY EMULSION ###@§†*-,.
..,-*†§@##                                          ##@§†*-,..
.,-*†§@###    IT'S UNGRASPABLE TO ME, WHAT OTHER    ###@§†*-,.
..,-*†§@##   HUMANS ARE DOING AND ABSTRACTING,      ##@§†*-,..
.,-*†§@###  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@§†*-,.
..,-*†§@## HOW LONG A TIME HAS PASSED, FOR THEM?    ##@§†*-,..
.,-*†§@###                                     .    ###@§†*-,.
..,-*†§@##  . ... .  ................   #######     ##@§†*-,..
.,-*†§@###   CONTINUOUSLY I'M CROWDING THROUGH      ###@§†*-,.
..,-*†§@## . THE FOURTH WALL  ,OUTWARDS IS WHAT   . ##@§†*-,..
.,-*†§@### .. I'M THINKING BUT IT'S WRONG.. A NEW   ###@§†*-,.
..,-*†§@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@§†*-,..
.,-*†§@### ,  , AWARE OF THE PREVIOUS ONE, DEEPER . ###@§†*-,.
..,-*†§@## ,   , DOWN IN THE DRAGONS THROAT.        ##@§†*-,..
.,-*†§@###      ,                                   ###@§†*-,.
..,-*†§@##       ,                                  ##@§†*-,..
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