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,,«\§§@§#@    @                                     @#§@§§\«,,
,,,,«\\\@#              ,LIZARDRY                   #@\\\«,,,,
,,«\§@§#@@ «           # @# @@@  @@@@@@@@@@@@@@@@@@ @@#§@§\«,,
,,,,,,««§§ @@      THE ART OF C,NNECTING            §§««,,,,,,
,,,,,,,«§§        ,    WITH THE OLD MIND            §§«,,,,,,,
,,«\§@§#@#                                          #@#§@§\«,,
,,«\§@§#@#             MY MIND IS BEING SKEWED. MI  #@#§@§\«,,
,,,,,,««§§  SKELETON IS STRINGY AND OLD AND ALIEN   §§««,,,,,,
,,,,,,\§@#             THE SITUATION IS LITERALLY   #@§\,,,,,,
,,«\§@§#@# PRESSED OUT THROUGH MY EYES, IT'S        #@#§@§\«,,
,,«\§@§#@@ ECHOING LIKE                             @@#§@§\«,,
,,«\§@@@§@             THE SUNSET OF THE ETERNAL    @§@@@§\«,,
,,«\§@§#@# OCEAN                                    #@#§@§\«,,
,,,,«\§§§§         PERSISTENTLY AGAINST MY EMULSION §§§§\«,,,,
,,,,,«§§§@                                          @§§§«,,,,,
,,«\§@§#@#    IT'S UNGRASPABLE TO ME, WHAT OTHER    #@#§@§\«,,
,,«\§@§###   HUMANS ARE DOING AND ABSTRACTING,      ###§@§\«,,
,,,,,,«§@#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@§«,,,,,,
,,,«««§@@# HOW LONG A TIME HAS PASSED, FOR THEM?    #@@§«««,,,
,,,,,,,\§§                                     ,    §§\,,,,,,,
,,«\§@§#@#  , ,,, ,  ,,,,,,,,,,,,,,,,   #######     #@#§@§\«,,
,,«\§@§#@#   CONTINUOUSLY I'M CROWDING THROUGH      #@#§@§\«,,
,,«\§@§#@# , THE FOURTH WALL  ,OUTWARDS IS WHAT   , #@#§@§\«,,
,,«\§@§### ,, I'M THINKING BUT IT'S WRONG.. A NEW   ###§@§\«,,
,,«\§@§#@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@#§@§\«,,
,,,,,«§§§§ ,  , AWARE OF THE PREVIOUS ONE, DEEPER , §§§§«,,,,,
,,«\§@§§#@ ,   , DOWN IN THE DRAGONS THROAT.        @#§§@§\«,,
,,«\§@§§#@      ,                                   @#§§@§\«,,
,,«\§@§#@#       ,                                  #@#§@§\«,,
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