.,~\^$¤@## ##@¤$^\~,.
.,~\^$¤¤¤# #¤¤¤$^\~,.
.....~\$¤# #¤$\~.....
.,~\^$¤@## ##@¤$^\~,.
.,~\^¤@### ###@¤^\~,.
.,~\^$@### # ###@$^\~,.
.,~\$¤@### .LIZARDRY ###@¤$\~,.
.,~~\\\$@@ ~ @ #@ ### ################## @@$\\\~~,.
.,~\^^^$¤¤ ## THE ART OF C,NNECTING ¤¤$^^^\~,.
.,~\^$¤@## . WITH THE OLD MIND ##@¤$^\~,.
.,~\^$¤@## ##@¤$^\~,.
.,~^$¤@### MY MIND IS BEING SKEWED. MI ###@¤$^~,.
.,~\^$¤@## SKELETON IS STRINGY AND OLD AND ALIEN ##@¤$^\~,.
.....~~\$@ THE SITUATION IS LITERALLY @$\~~.....
.,~^$¤@### PRESSED OUT THROUGH MY EYES, IT'S ###@¤$^~,.
..,~\\\$¤¤ ECHOING LIKE ¤¤$\\\~,..
.,~\^$¤@## THE SUNSET OF THE ETERNAL ##@¤$^\~,.
......,~^¤ OCEAN ¤^~,......
.,~\^$¤@## PERSISTENTLY AGAINST MY EMULSION ##@¤$^\~,.
....~\\\$@ @$\\\~....
.....~^$¤# IT'S UNGRASPABLE TO ME, WHAT OTHER #¤$^~.....
.,~\^$¤@## HUMANS ARE DOING AND ABSTRACTING, ##@¤$^\~,.
..,,~\\^¤# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #¤^\\~,,..
......~^¤# HOW LONG A TIME HAS PASSED, FOR THEM? #¤^~......
.....,\$¤# . #¤$\,.....
.,~\^$¤@## . ... . ................ @@@@@@@ ##@¤$^\~,.
.,~\^¤@### CONTINUOUSLY I'M CROWDING THROUGH ###@¤^\~,.
.,~\^$@### . THE FOURTH WALL ,OUTWARDS IS WHAT . ###@$^\~,.
.....,,~^¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤^~,,.....
.,~\^$¤@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@¤$^\~,.
...,\\\^^¤ , , AWARE OF THE PREVIOUS ONE, DEEPER . ¤^^\\\,...
.,~\^$¤@## , , DOWN IN THE DRAGONS THROAT. ##@¤$^\~,.
.,~\^$¤@## , ##@¤$^\~,.
.,~\^$¤@## , ##@¤$^\~,.
.....~\$¤¤ ¤¤$\~.....
......,~^¤ ¤^~,......
.,~^$¤@### ###@¤$^~,.
.,~\^$$$¤# #¤$$$^\~,.
.,~\^$¤@## ##@¤$^\~,.
.,~\^^$¤¤¤ ¤¤¤$^^\~,.