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...¤.¤¤... # .¤¤...¤¤¤.
.....¤¤¤.. .LIZARDRY .¤¤¤..¤.¤¤
¤....¤.¤¤. ~ ¶ #¶ ### ################## .¤.¤¤...¤¤
¤¤.....¤¤¤ ## THE ART OF C^NNECTING ...¤¤¤..¤.
¤¤¤....¤.¤ . WITH THE OLD MIND ¤..¤.¤¤...
¤.¤¤.....¤ .¤...¤¤¤..
..¤¤¤....¤ MY MIND IS BEING SKEWED. MI ..¤..¤.¤¤.
..¤.¤¤.... SKELETON IS STRINGY AND OLD AND ALIEN ...¤...¤¤¤
¤...¤¤¤... THE SITUATION IS LITERALLY ....¤..¤.¤
¤¤..¤.¤¤.. PRESSED OUT THROUGH MY EYES, IT'S ¤....¤...¤
.¤¤...¤¤¤. ECHOING LIKE ¤¤....¤..¤
.¤¤¤..¤.¤¤ THE SUNSET OF THE ETERNAL .¤¤....¤..
.¤.¤¤...¤¤ OCEAN .¤¤¤....¤.
...¤¤¤..¤. PERSISTENTLY AGAINST MY EMULSION .¤.¤¤....¤
¤..¤.¤¤... ...¤¤¤....
.¤...¤¤¤.. IT'S UNGRASPABLE TO ME, WHAT OTHER ...¤.¤¤...
..¤..¤.¤¤. HUMANS ARE DOING AND ABSTRACTING, ¤....¤¤¤..
...¤...¤¤¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤¤...¤.¤¤.
....¤..¤.¤ HOW LONG A TIME HAS PASSED, FOR THEM? .¤¤....¤¤¤
¤....¤...¤ . .¤¤¤...¤.¤
¤¤....¤..¤ . ... . ................ ¶¶¶¶¶¶¶ .¤.¤¤....¤
.¤¤....¤.. CONTINUOUSLY I'M CROWDING THROUGH ...¤¤¤...¤
.¤¤¤....¤. . THE FOURTH WALL ^OUTWARDS IS WHAT . ¤..¤.¤¤...
.¤.¤¤....¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤¤...¤¤¤..
...¤¤¤.... . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤¤..¤.¤¤.
...¤.¤¤... ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ¤.¤¤...¤¤¤
¤....¤¤¤.. ^ ^ DOWN IN THE DRAGONS THROAT. ..¤¤¤..¤.¤
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