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##¶#¤**~^. .^~**¤#¶##
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##¶#¤**~^. .^~**¤#¶##
##¶#¤**~^. # .^~**¤#¶##
##¶#¤**~^. .LIZARDRY .^~**¤#¶##
##¶#¤**~^. ~ ¶ #¶ ### ################## .^~**¤#¶##
##¶#¤**~^. ## THE ART OF C^NNECTING .^~**¤#¶##
##¶#¤**~^. . WITH THE OLD MIND .^~**¤#¶##
##¶#¤**~^. .^~**¤#¶##
##¤**~~... MY MIND IS BEING SKEWED. MI ...~~**¤##
#**~...... SKELETON IS STRINGY AND OLD AND ALIEN ......~**#
¶¶¶#¤**~^. THE SITUATION IS LITERALLY .^~**¤#¶¶¶
##¶#¤**~^. PRESSED OUT THROUGH MY EYES, IT'S .^~**¤#¶##
##¶#¤**~^. ECHOING LIKE .^~**¤#¶##
###*~..... THE SUNSET OF THE ETERNAL .....~*###
###¶¤**~^. OCEAN .^~**¤¶###
##¶#¤**~^. PERSISTENTLY AGAINST MY EMULSION .^~**¤#¶##
##¶#¤**~^. .^~**¤#¶##
##¶#¤**~^. IT'S UNGRASPABLE TO ME, WHAT OTHER .^~**¤#¶##
####¤**~^. HUMANS ARE DOING AND ABSTRACTING, .^~**¤####
#***~^.... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ....^~***#
¶¶¤*~^.... HOW LONG A TIME HAS PASSED, FOR THEM? ....^~*¤¶¶
¶¤*~...... . ......~*¤¶
¶#¤*^..... . ... . ................ ¶¶¶¶¶¶¶ .....^*¤#¶
##¶#¤**~^. CONTINUOUSLY I'M CROWDING THROUGH .^~**¤#¶##
¶¶##¤**~^. . THE FOURTH WALL ^OUTWARDS IS WHAT . .^~**¤##¶¶
##*****~^. .. I'M THINKING BUT IT'S WRONG.. A NEW .^~*****##
#¤*~~..... . . NARRATOR IS INTRODUCED, OCCASIONALLY .....~~*¤#
##¶#¤**~^. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . .^~**¤#¶##
##¤¤*~^... ^ ^ DOWN IN THE DRAGONS THROAT. ...^~*¤¤##
##¶#¤**~^. ^ .^~**¤#¶##
##¶#¤**~^. ^ .^~**¤#¶##
##***~^... ...^~***##
##¶#¤**~^. .^~**¤#¶##
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