¨,~^*&§@@# #@@§&*^~,¨
¨¨,~^*&§@@ @@§&*^~,¨¨
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¨¨,~^*&§@@ @@§&*^~,¨¨
¨,~^*&§@@# #@@§&*^~,¨
¨¨,~^*&§@@ @ @@§&*^~,¨¨
¨¨¨,~^*&§@ ¨LIZARDRY @§&*^~,¨¨¨
¨¨,~^*&§@@ ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ @@§&*^~,¨¨
¨,~^*&§@@# @@ THE ART OF C,NNECTING #@@§&*^~,¨
¨¨,~^*&§@@ ¨ WITH THE OLD MIND @@§&*^~,¨¨
¨¨¨,~^*&§@ @§&*^~,¨¨¨
¨¨,~^*&§@@ MY MIND IS BEING SKEWED. MI @@§&*^~,¨¨
¨,~^*&§@@# SKELETON IS STRINGY AND OLD AND ALIEN #@@§&*^~,¨
¨¨,~^*&§@@ THE SITUATION IS LITERALLY @@§&*^~,¨¨
¨¨¨,~^*&§@ PRESSED OUT THROUGH MY EYES, IT'S @§&*^~,¨¨¨
¨¨,~^*&§@@ ECHOING LIKE @@§&*^~,¨¨
¨,~^*&§@@# THE SUNSET OF THE ETERNAL #@@§&*^~,¨
¨¨,~^*&§@@ OCEAN @@§&*^~,¨¨
¨¨¨,~^*&§@ PERSISTENTLY AGAINST MY EMULSION @§&*^~,¨¨¨
¨¨,~^*&§@@ @@§&*^~,¨¨
¨,~^*&§@@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@@§&*^~,¨
¨¨,~^*&§@@ HUMANS ARE DOING AND ABSTRACTING, @@§&*^~,¨¨
¨¨¨,~^*&§@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @§&*^~,¨¨¨
¨¨,~^*&§@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@§&*^~,¨¨
¨,~^*&§@@# ¨ #@@§&*^~,¨
¨¨,~^*&§@@ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ @@§&*^~,¨¨
¨¨¨,~^*&§@ CONTINUOUSLY I'M CROWDING THROUGH @§&*^~,¨¨¨
¨¨,~^*&§@@ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ @@§&*^~,¨¨
¨,~^*&§@@# ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW #@@§&*^~,¨
¨¨,~^*&§@@ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY @@§&*^~,¨¨
¨¨¨,~^*&§@ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ @§&*^~,¨¨¨
¨¨,~^*&§@@ , , DOWN IN THE DRAGONS THROAT. @@§&*^~,¨¨
¨,~^*&§@@# , #@@§&*^~,¨
¨¨,~^*&§@@ , @@§&*^~,¨¨
¨¨¨,~^*&§@ @§&*^~,¨¨¨
¨¨,~^*&§@@ @@§&*^~,¨¨
¨,~^*&§@@# #@@§&*^~,¨
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¨¨,~^*&§@@ @@§&*^~,¨¨