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..^~=§@¤@#    #                                     #@¤@§=~^..
.^~=§@¤@##              .LIZARDRY                   ##@¤@§=~^.
..^~=§@¤@# ~           @ #@ ###  ################## #@¤@§=~^..
.^~=§@¤@## ##      THE ART OF C^NNECTING            ##@¤@§=~^.
..^~=§@¤@#        .    WITH THE OLD MIND            #@¤@§=~^..
.^~=§@¤@##                                          ##@¤@§=~^.
..^~=§@¤@#             MY MIND IS BEING SKEWED. MI  #@¤@§=~^..
.^~=§@¤@##  SKELETON IS STRINGY AND OLD AND ALIEN   ##@¤@§=~^.
..^~=§@¤@#             THE SITUATION IS LITERALLY   #@¤@§=~^..
.^~=§@¤@## PRESSED OUT THROUGH MY EYES, IT'S        ##@¤@§=~^.
..^~=§@¤@# ECHOING LIKE                             #@¤@§=~^..
.^~=§@¤@##             THE SUNSET OF THE ETERNAL    ##@¤@§=~^.
..^~=§@¤@# OCEAN                                    #@¤@§=~^..
.^~=§@¤@##         PERSISTENTLY AGAINST MY EMULSION ##@¤@§=~^.
..^~=§@¤@#                                          #@¤@§=~^..
.^~=§@¤@##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##@¤@§=~^.
..^~=§@¤@#   HUMANS ARE DOING AND ABSTRACTING,      #@¤@§=~^..
.^~=§@¤@##  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@¤@§=~^.
..^~=§@¤@# HOW LONG A TIME HAS PASSED, FOR THEM?    #@¤@§=~^..
.^~=§@¤@##                                     .    ##@¤@§=~^.
..^~=§@¤@#  . ... .  ................   @@@@@@@     #@¤@§=~^..
.^~=§@¤@##   CONTINUOUSLY I'M CROWDING THROUGH      ##@¤@§=~^.
..^~=§@¤@# . THE FOURTH WALL  ^OUTWARDS IS WHAT   . #@¤@§=~^..
.^~=§@¤@## .. I'M THINKING BUT IT'S WRONG.. A NEW   ##@¤@§=~^.
..^~=§@¤@# . . NARRATOR IS INTRODUCED, OCCASIONALLY #@¤@§=~^..
.^~=§@¤@## ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . ##@¤@§=~^.
..^~=§@¤@# ^   ^ DOWN IN THE DRAGONS THROAT.        #@¤@§=~^..
.^~=§@¤@##      ^                                   ##@¤@§=~^.
..^~=§@¤@#       ^                                  #@¤@§=~^..
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