¤£%=~.¨¨¨¨ ¨¨¨¨.~=%£¤
@¤£%=~.¨¨¨ ¨¨¨.~=%£¤@
#@¤£%=~.¨¨ ¨¨.~=%£¤@#
##@¤£%=~.¨ ¨.~=%£¤@##
#@¤£%=~.¨¨ ¨¨.~=%£¤@#
@¤£%=~.¨¨¨ @ ¨¨¨.~=%£¤@
¤£%=~.¨¨¨¨ ¨LIZARDRY ¨¨¨¨.~=%£¤
£%=~.¨¨¨¨¨ ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ¨¨¨¨¨.~=%£
%=~.¨¨¨¨¨¨ @@ THE ART OF C.NNECTING ¨¨¨¨¨¨.~=%
=~.¨¨¨¨¨¨¨ ¨ WITH THE OLD MIND ¨¨¨¨¨¨¨.~=
~.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.~
=~.¨¨¨¨¨¨¨ MY MIND IS BEING SKEWED. MI ¨¨¨¨¨¨¨.~=
%=~.¨¨¨¨¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨¨¨¨¨.~=%
£%=~.¨¨¨¨¨ THE SITUATION IS LITERALLY ¨¨¨¨¨.~=%£
¤£%=~.¨¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨¨.~=%£¤
@¤£%=~.¨¨¨ ECHOING LIKE ¨¨¨.~=%£¤@
#@¤£%=~.¨¨ THE SUNSET OF THE ETERNAL ¨¨.~=%£¤@#
##@¤£%=~.¨ OCEAN ¨.~=%£¤@##
#@¤£%=~.¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨.~=%£¤@#
@¤£%=~.¨¨¨ ¨¨¨.~=%£¤@
¤£%=~.¨¨¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨¨¨.~=%£¤
£%=~.¨¨¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨¨¨.~=%£
%=~.¨¨¨¨¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨¨¨¨.~=%
=~.¨¨¨¨¨¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨¨¨¨¨¨.~=
~.¨¨¨¨¨¨¨¨ ¨ ¨¨¨¨¨¨¨¨.~
=~.¨¨¨¨¨¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨¨¨¨¨¨¨.~=
%=~.¨¨¨¨¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨¨¨¨¨.~=%
£%=~.¨¨¨¨¨ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ¨¨¨¨¨.~=%£
¤£%=~.¨¨¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨¨¨.~=%£¤
@¤£%=~.¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨.~=%£¤@
#@¤£%=~.¨¨ . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨.~=%£¤@#
##@¤£%=~.¨ . . DOWN IN THE DRAGONS THROAT. ¨.~=%£¤@##
#@¤£%=~.¨¨ . ¨¨.~=%£¤@#
@¤£%=~.¨¨¨ . ¨¨¨.~=%£¤@
¤£%=~.¨¨¨¨ ¨¨¨¨.~=%£¤
£%=~.¨¨¨¨¨ ¨¨¨¨¨.~=%£
%=~.¨¨¨¨¨¨ ¨¨¨¨¨¨.~=%
=~.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.~=
~.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.~
=~.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.~=