,^«**@#### ####@**«^,
,,^«**@### ###@**«^,,
,^«**@#### ####@**«^,
,,^«**@### ###@**«^,,
,^«**@#### ####@**«^,
,,^«**@### # ###@**«^,,
,^«**@#### ,LIZARDRY ####@**«^,
,,^«**@### « # ## ### ################## ###@**«^,,
,^«**@#### ## THE ART OF C^NNECTING ####@**«^,
,,^«**@### , WITH THE OLD MIND ###@**«^,,
,^«**@#### ####@**«^,
,,^«**@### MY MIND IS BEING SKEWED. MI ###@**«^,,
,^«**@#### SKELETON IS STRINGY AND OLD AND ALIEN ####@**«^,
,,^«**@### THE SITUATION IS LITERALLY ###@**«^,,
,^«**@#### PRESSED OUT THROUGH MY EYES, IT'S ####@**«^,
,,^«**@### ECHOING LIKE ###@**«^,,
,^«**@#### THE SUNSET OF THE ETERNAL ####@**«^,
,,^«**@### OCEAN ###@**«^,,
,^«**@#### PERSISTENTLY AGAINST MY EMULSION ####@**«^,
,,^«**@### ###@**«^,,
,^«**@#### IT'S UNGRASPABLE TO ME, WHAT OTHER ####@**«^,
,,^«**@### HUMANS ARE DOING AND ABSTRACTING, ###@**«^,,
,^«**@#### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ####@**«^,
,,^«**@### HOW LONG A TIME HAS PASSED, FOR THEM? ###@**«^,,
,^«**@#### , ####@**«^,
,,^«**@### , ,,, , ,,,,,,,,,,,,,,,, ####### ###@**«^,,
,^«**@#### CONTINUOUSLY I'M CROWDING THROUGH ####@**«^,
,,^«**@### , THE FOURTH WALL ^OUTWARDS IS WHAT , ###@**«^,,
,^«**@#### ,, I'M THINKING BUT IT'S WRONG.. A NEW ####@**«^,
,,^«**@### , , NARRATOR IS INTRODUCED, OCCASIONALLY ###@**«^,,
,^«**@#### ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , ####@**«^,
,,^«**@### ^ ^ DOWN IN THE DRAGONS THROAT. ###@**«^,,
,^«**@#### ^ ####@**«^,
,,^«**@### ^ ###@**«^,,
,^«**@#### ####@**«^,
,,^«**@### ###@**«^,,
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