..-»**§¤¶# #¶¤§**»-..
...-»**§¤¶ ¶¤§**»-...
..-»**§¤¶# #¶¤§**»-..
.-»**§¤¶## ##¶¤§**»-.
..-»**§¤¶# #¶¤§**»-..
...-»**§¤¶ # ¶¤§**»-...
..-»**§¤¶# .lizardry #¶¤§**»-..
.-»**§¤¶## » ¶ #¶ ### ################## ##¶¤§**»-.
..-»**§¤¶# ## the art of c-nnecting #¶¤§**»-..
...-»**§¤¶ . with the old mind ¶¤§**»-...
..-»**§¤¶# #¶¤§**»-..
.-»**§¤¶## my mind is being skewed. mi ##¶¤§**»-.
..-»**§¤¶# skeleton is stringy and old and alien #¶¤§**»-..
...-»**§¤¶ the situation is literally ¶¤§**»-...
..-»**§¤¶# pressed out through my eyes, it's #¶¤§**»-..
.-»**§¤¶## echoing like ##¶¤§**»-.
..-»**§¤¶# the sunset of the eternal #¶¤§**»-..
...-»**§¤¶ ocean ¶¤§**»-...
..-»**§¤¶# persistently against my emulsion #¶¤§**»-..
.-»**§¤¶## ##¶¤§**»-.
..-»**§¤¶# it's ungraspable to me, what other #¶¤§**»-..
...-»**§¤¶ humans are doing and abstracting, ¶¤§**»-...
..-»**§¤¶# and above all else, what time they use? #¶¤§**»-..
.-»**§¤¶## how long a time has passed, for them? ##¶¤§**»-.
..-»**§¤¶# . #¶¤§**»-..
...-»**§¤¶ . ... . ................ ¶¶¶¶¶¶¶ ¶¤§**»-...
..-»**§¤¶# continuously i'm crowding through #¶¤§**»-..
.-»**§¤¶## . the fourth wall -outwards is what . ##¶¤§**»-.
..-»**§¤¶# .. i'm thinking but it's wrong.. a new #¶¤§**»-..
...-»**§¤¶ . . narrator is introduced, occasionally ¶¤§**»-...
..-»**§¤¶# - - aware of the previous one, deeper . #¶¤§**»-..
.-»**§¤¶## - - down in the dragons throat. ##¶¤§**»-.
..-»**§¤¶# - #¶¤§**»-..
...-»**§¤¶ - ¶¤§**»-...
..-»**§¤¶# #¶¤§**»-..
.-»**§¤¶## ##¶¤§**»-.
..-»**§¤¶# #¶¤§**»-..
...-»**§¤¶ ¶¤§**»-...
..-»**§¤¶# #¶¤§**»-..
.-»**§¤¶## ##¶¤§**»-.