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....~;^£@@ ## The Art Of C~Nnecting @@£^;~....
.~;^&£@### . With The Old Mind ###@£&^;~.
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.~~~-;^£@# My Mind Is Being Skewed. Mi #@£^;-~~~.
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....~;&££@ The Situation Is Literally @££&;~....
....~-;^£@ Pressed Out Through My Eyes, It'S @£^;-~....
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.~-;^&£@## The Sunset Of The Eternal ##@£&^;-~.
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.~-;^&£@## Persistently Against My Emulsion ##@£&^;-~.
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.~-;^&££@@ It'S Ungraspable To Me, What Other @@££&^;-~.
.~-;^&£@## HumanS Are Doing And Abstracting, ##@£&^;-~.
.~-;^&£@## And Above All Else, What Time They Use? ##@£&^;-~.
.~-;^&£@## How Long A Time Has Passed, For Them? ##@£&^;-~.
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.~-;^&£££# Continuously I'M Crowding Through #£££&^;-~.
...~-;;&@# . The Fourth wall ~Outwards Is What . #@&;;-~...
.~----;;^£ .. I'M Thinking But It'S Wrong.. A New £^;;----~.
.~-;^&£@## . . Narrator Is Introduced, Occasionally ##@£&^;-~.
.~-;^&£££@ ~ ~ Aware Of The Previous One, Deeper . @£££&^;-~.
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