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##@&£%/~..    #                                     ..~/%£&@##
#@&£%/~...              .LIZARDRY                   ...~/%£&@#
@&£%/~.... ~           @ #@ ###  ################## ....~/%£&@
&£%/~..... ##      THE ART OF C.NNECTING            .....~/%£&
£%/~......        .    WITH THE OLD MIND            ......~/%£
%/~.......                                          .......~/%
/~........             MY MIND IS BEING SKEWED. MI  ........~/
~.........  SKELETON IS STRINGY AND OLD AND ALIEN   .........~
..........             THE SITUATION IS LITERALLY   ..........
~......... PRESSED OUT THROUGH MY EYES, IT'S        .........~
/~........ ECHOING LIKE                             ........~/
%/~.......             THE SUNSET OF THE ETERNAL    .......~/%
£%/~...... OCEAN                                    ......~/%£
&£%/~.....         PERSISTENTLY AGAINST MY EMULSION .....~/%£&
@&£%/~....                                          ....~/%£&@
#@&£%/~...    IT'S UNGRASPABLE TO ME, WHAT OTHER    ...~/%£&@#
##@&£%/~..   HUMANS ARE DOING AND ABSTRACTING,      ..~/%£&@##
#@&£%/~...  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...~/%£&@#
@&£%/~.... HOW LONG A TIME HAS PASSED, FOR THEM?    ....~/%£&@
&£%/~.....                                     .    .....~/%£&
£%/~......  . ... .  ................   @@@@@@@     ......~/%£
%/~.......   CONTINUOUSLY I'M CROWDING THROUGH      .......~/%
/~........ . THE FOURTH WALL  .OUTWARDS IS WHAT   . ........~/
~......... .. I'M THINKING BUT IT'S WRONG.. A NEW   .........~
.......... . . NARRATOR IS INTRODUCED, OCCASIONALLY ..........
~......... .  . AWARE OF THE PREVIOUS ONE, DEEPER . .........~
/~........ .   . DOWN IN THE DRAGONS THROAT.        ........~/
%/~.......      .                                   .......~/%
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