¤...¤¤..¤. .¤¤¤...¤..
¤¤..¤.¤.¤¤ .¤..¤..¤¤.
¤.¤.¤¤¤¤¤. .¤¤.¤¤.¤.¤
.¤¤¤¤....¤ .¤.¤¤.¤¤¤¤
¤¤...¤...¤ .¤¤¤.¤¤...
¤.¤..¤¤..¤ @ .¤..¤¤.¤..
¤¤¤¤.¤.¤.¤ .LIZARDRY .¤¤.¤.¤¤¤.
¤...¤¤¤¤¤¤ ~ # @# @@@ @@@@@@@@@@@@@@@@@@ .¤.¤¤¤¤..¤
.¤..¤..... @@ THE ART OF C^NNECTING ¤¤¤¤...¤.¤
¤¤¤.¤¤.... . WITH THE OLD MIND ¤...¤..¤¤¤
...¤¤.¤... ¤¤..¤¤.¤..
...¤.¤¤¤.. MY MIND IS BEING SKEWED. MI ..¤.¤.¤¤¤.
...¤¤¤..¤. SKELETON IS STRINGY AND OLD AND ALIEN ¤.¤¤¤¤¤..¤
¤..¤..¤.¤¤ THE SITUATION IS LITERALLY ¤¤¤....¤.¤
.¤.¤¤.¤¤¤. PRESSED OUT THROUGH MY EYES, IT'S ¤..¤...¤¤¤
¤¤¤¤.¤¤..¤ ECHOING LIKE .¤.¤¤..¤..
¤...¤¤.¤.¤ THE SUNSET OF THE ETERNAL ¤¤¤¤.¤.¤¤.
¤¤..¤.¤¤¤¤ OCEAN ¤...¤¤¤¤.¤
..¤.¤¤¤... PERSISTENTLY AGAINST MY EMULSION ¤¤..¤...¤¤
¤.¤¤¤..¤.. ..¤.¤¤..¤.
¤¤¤..¤.¤¤. IT'S UNGRASPABLE TO ME, WHAT OTHER ..¤¤¤.¤.¤¤
...¤.¤¤¤.¤ HUMANS ARE DOING AND ABSTRACTING, ..¤..¤¤¤¤.
...¤¤¤..¤¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..¤¤.¤...¤
¤..¤..¤.¤. HOW LONG A TIME HAS PASSED, FOR THEM? ¤.¤.¤¤¤..¤
.¤.¤¤.¤¤¤¤ . ¤¤¤¤¤..¤.¤
¤¤¤¤.¤¤... . ... . ................ ####### .....¤.¤¤¤
....¤¤.¤.. CONTINUOUSLY I'M CROWDING THROUGH ¤....¤¤¤..
....¤.¤¤¤. . THE FOURTH WALL ^OUTWARDS IS WHAT . ¤¤...¤..¤.
....¤¤¤..¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤.¤..¤¤.¤¤
¤...¤..¤.¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤¤¤.¤.¤¤.
¤¤..¤¤.¤¤¤ ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ¤...¤¤¤¤.¤
..¤.¤.¤¤.. ^ ^ DOWN IN THE DRAGONS THROAT. .¤..¤...¤¤
¤.¤¤¤¤¤.¤. ^ ¤¤¤.¤¤..¤.
¤¤¤....¤¤¤ ^ ¤..¤¤.¤.¤¤
...¤...¤.. ¤¤.¤.¤¤¤¤.
...¤¤..¤¤. ¤.¤¤¤¤...¤
¤..¤.¤.¤.¤ ¤¤¤...¤..¤
.¤.¤¤¤¤¤¤¤ ¤..¤..¤¤.¤
¤¤¤¤...... .¤.¤¤.¤.¤¤
....¤..... ¤¤¤¤.¤¤¤¤.