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###&§^/~~¨ # ¨~~/^§&###
&^//~~¨¨¨¨ ¨LIZARDRY ¨¨¨¨~~//^&
&&&&§^/~~¨ ~ # ## ### ################## ¨~~/^§&&&&
##§§/~¨¨¨¨ ## THE ART OF C~NNECTING ¨¨¨¨~/§§##
#&&^^~~~~¨ ¨ WITH THE OLD MIND ¨~~~~^^&&#
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###&§^/~~¨ MY MIND IS BEING SKEWED. MI ¨~~/^§&###
&§^/~¨¨¨¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨¨¨¨~/^§&
###&§^/~~¨ THE SITUATION IS LITERALLY ¨~~/^§&###
###&§^/~~¨ PRESSED OUT THROUGH MY EYES, IT'S ¨~~/^§&###
&§^/~¨¨¨¨¨ ECHOING LIKE ¨¨¨¨¨~/^§&
###&§^/~~¨ THE SUNSET OF THE ETERNAL ¨~~/^§&###
&§§/~~¨¨¨¨ OCEAN ¨¨¨¨~~/§§&
###&§^/~~¨ PERSISTENTLY AGAINST MY EMULSION ¨~~/^§&###
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###&§^/~~¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨~~/^§&###
&§§§^~~¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨~~^§§§&
###&§^/~~¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨~~/^§&###
###&§^/~~¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨~~/^§&###
#&^//~~~~¨ ¨ ¨~~~~//^&#
###&§^/~~¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ¨~~/^§&###
####&§^/~¨ CONTINUOUSLY I'M CROWDING THROUGH ¨~/^§&####
##&&§^/~~¨ ¨ THE FOURTH WALL ~OUTWARDS IS WHAT ¨ ¨~~/^§&&##
&^^^~¨¨¨¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨¨¨¨~^^^&
####&§^~~¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨~~^§&####
###&§^/~~¨ ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨~~/^§&###
###&§^/~~¨ ~ ~ DOWN IN THE DRAGONS THROAT. ¨~~/^§&###
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#&§§^^/~~¨ ¨~~/^^§§&#
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