.,~;*£#@## ##@#£*;~,.
..,~;*£#@# #@#£*;~,..
...,~;*£#@ @#£*;~,...
....,~;*£# #£*;~,....
.....,~;*£ £*;~,.....
......,~;* @ *;~,......
.....,~;*£ .lizardry £*;~,.....
....,~;*£# ~ £ @£ @@@ @@@@@@@@@@@@@@@@@@ #£*;~,....
...,~;*£#@ @@ the art of c,nnecting @#£*;~,...
..,~;*£#@# . with the old mind #@#£*;~,..
.,~;*£#@## ##@#£*;~,.
..,~;*£#@# my mind is being skewed. mi #@#£*;~,..
...,~;*£#@ skeleton is stringy and old and alien @#£*;~,...
....,~;*£# the situation is literally #£*;~,....
.....,~;*£ pressed out through my eyes, it's £*;~,.....
......,~;* echoing like *;~,......
.....,~;*£ the sunset of the eternal £*;~,.....
....,~;*£# ocean #£*;~,....
...,~;*£#@ persistently against my emulsion @#£*;~,...
..,~;*£#@# #@#£*;~,..
.,~;*£#@## it's ungraspable to me, what other ##@#£*;~,.
..,~;*£#@# humans are doing and abstracting, #@#£*;~,..
...,~;*£#@ and above all else, what time they use? @#£*;~,...
....,~;*£# how long a time has passed, for them? #£*;~,....
.....,~;*£ . £*;~,.....
......,~;* . ... . ................ £££££££ *;~,......
.....,~;*£ continuously i'm crowding through £*;~,.....
....,~;*£# . the fourth wall ,outwards is what . #£*;~,....
...,~;*£#@ .. i'm thinking but it's wrong.. a new @#£*;~,...
..,~;*£#@# . . narrator is introduced, occasionally #@#£*;~,..
.,~;*£#@## , , aware of the previous one, deeper . ##@#£*;~,.
..,~;*£#@# , , down in the dragons throat. #@#£*;~,..
...,~;*£#@ , @#£*;~,...
....,~;*£# , #£*;~,....
.....,~;*£ £*;~,.....
......,~;* *;~,......
.....,~;*£ £*;~,.....
....,~;*£# #£*;~,....
...,~;*£#@ @#£*;~,...
..,~;*£#@# #@#£*;~,..