....==**¤§ §¤**==....
....=**§§# #§§**=....
.^=**¤¤¤¤§ §¤¤¤¤**=^.
.^=**¤§### ###§¤**=^.
.^=**¤§### ###§¤**=^.
.^^=***¤¤# # #¤¤***=^^.
.^=**¤§### .LIZARDRY ###§¤**=^.
....^^=*¤§ = # ## ### ################## §¤*=^^....
.^=***¤§§# ## THE ART OF C^NNECTING #§§¤***=^.
.^=**¤§### . WITH THE OLD MIND ###§¤**=^.
.^=**¤§### ###§¤**=^.
.^=**¤¤§§§ MY MIND IS BEING SKEWED. MI §§§¤¤**=^.
.^=**¤¤¤## SKELETON IS STRINGY AND OLD AND ALIEN ##¤¤¤**=^.
.^=**¤§### THE SITUATION IS LITERALLY ###§¤**=^.
.^=**¤§### PRESSED OUT THROUGH MY EYES, IT'S ###§¤**=^.
....==**¤§ ECHOING LIKE §¤**==....
....====*§ THE SUNSET OF THE ETERNAL §*====....
.^=**¤§### OCEAN ###§¤**=^.
.^=**¤§### PERSISTENTLY AGAINST MY EMULSION ###§¤**=^.
.^=**¤¤§## ##§¤¤**=^.
.^=**¤§§§# IT'S UNGRASPABLE TO ME, WHAT OTHER #§§§¤**=^.
.^=****§§§ HUMANS ARE DOING AND ABSTRACTING, §§§****=^.
.^=**¤§### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###§¤**=^.
.^=**¤§### HOW LONG A TIME HAS PASSED, FOR THEM? ###§¤**=^.
....^^**¤§ . §¤**^^....
.^=**¤§### . ... . ................ ####### ###§¤**=^.
.^=**¤§### CONTINUOUSLY I'M CROWDING THROUGH ###§¤**=^.
.^=**¤§§## . THE FOURTH WALL ^OUTWARDS IS WHAT . ##§§¤**=^.
.^=**¤§### .. I'M THINKING BUT IT'S WRONG.. A NEW ###§¤**=^.
.^=***¤§§# . . NARRATOR IS INTRODUCED, OCCASIONALLY #§§¤***=^.
.....^*¤§# ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . #§¤*^.....
.....=**¤§ ^ ^ DOWN IN THE DRAGONS THROAT. §¤**=.....
....=***¤# ^ #¤***=....
.^=**¤§### ^ ###§¤**=^.
.^=****§§# #§§****=^.
.^=**¤§### ###§¤**=^.
.....^*¤## ##¤*^.....
.^=*¤§#### ####§¤*=^.
.^=**¤§### ###§¤**=^.
..^=***¤## ##¤***=^..