###@%^;».. ..»;^%@###
@^;»...... ......»;^@
###@%^;».. ..»;^%@###
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###@%^;».. ..»;^%@###
####%^;».. # ..»;^%####
###@%^;».. .LIZARDRY ..»;^%@###
@%^;;»»... » # ## ### ################## ...»»;;^%@
#@%^^»»».. ## THE ART OF C.NNECTING ..»»»^^%@#
@@%%^».... . WITH THE OLD MIND ....»^%%@@
###@%^;».. ..»;^%@###
###@%^;».. MY MIND IS BEING SKEWED. MI ..»;^%@###
###@%^;».. SKELETON IS STRINGY AND OLD AND ALIEN ..»;^%@###
###@%^;».. THE SITUATION IS LITERALLY ..»;^%@###
###@%^;».. PRESSED OUT THROUGH MY EYES, IT'S ..»;^%@###
@%;....... ECHOING LIKE .......;%@
###@%^;».. THE SUNSET OF THE ETERNAL ..»;^%@###
####@%^;.. OCEAN ..;^%@####
#@@%;;.... PERSISTENTLY AGAINST MY EMULSION ....;;%@@#
###@%^;».. ..»;^%@###
###@%^;».. IT'S UNGRASPABLE TO ME, WHAT OTHER ..»;^%@###
##%^;;;».. HUMANS ARE DOING AND ABSTRACTING, ..»;;;^%##
@@%;;».... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ....»;;%@@
###@%^;».. HOW LONG A TIME HAS PASSED, FOR THEM? ..»;^%@###
@^^»...... . ......»^^@
###@%^;».. . ... . ................ ####### ..»;^%@###
###@%^;».. CONTINUOUSLY I'M CROWDING THROUGH ..»;^%@###
#@@%^»»... . THE FOURTH WALL .OUTWARDS IS WHAT . ...»»^%@@#
#%%;»..... .. I'M THINKING BUT IT'S WRONG.. A NEW .....»;%%#
####%^;».. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..»;^%####
#@%%^;;».. . . AWARE OF THE PREVIOUS ONE, DEEPER . ..»;;^%%@#
###@%^;».. . . DOWN IN THE DRAGONS THROAT. ..»;^%@###
@^;;...... . ......;;^@
@@%;;;.... . ....;;;%@@
###@%^;».. ..»;^%@###
#@%%%^;».. ..»;^%%%@#
###@%^;».. ..»;^%@###
###@%^;».. ..»;^%@###
##%%^;;».. ..»;;^%%##
####%^;».. ..»;^%####