@¤§*^»~... ...~»^*§¤@
#@¤§*^»~.. ..~»^*§¤@#
##@¤§*^»~. .~»^*§¤@##
#@¤§*^»~.. ..~»^*§¤@#
@¤§*^»~... ...~»^*§¤@
¤§*^»~.... # ....~»^*§¤
@¤§*^»~... .LIZARDRY ...~»^*§¤@
#@¤§*^»~.. » @ #@ ### ################## ..~»^*§¤@#
##@¤§*^»~. ## THE ART OF C~NNECTING .~»^*§¤@##
#@¤§*^»~.. . WITH THE OLD MIND ..~»^*§¤@#
@¤§*^»~... ...~»^*§¤@
¤§*^»~.... MY MIND IS BEING SKEWED. MI ....~»^*§¤
@¤§*^»~... SKELETON IS STRINGY AND OLD AND ALIEN ...~»^*§¤@
#@¤§*^»~.. THE SITUATION IS LITERALLY ..~»^*§¤@#
##@¤§*^»~. PRESSED OUT THROUGH MY EYES, IT'S .~»^*§¤@##
#@¤§*^»~.. ECHOING LIKE ..~»^*§¤@#
@¤§*^»~... THE SUNSET OF THE ETERNAL ...~»^*§¤@
¤§*^»~.... OCEAN ....~»^*§¤
@¤§*^»~... PERSISTENTLY AGAINST MY EMULSION ...~»^*§¤@
#@¤§*^»~.. ..~»^*§¤@#
##@¤§*^»~. IT'S UNGRASPABLE TO ME, WHAT OTHER .~»^*§¤@##
#@¤§*^»~.. HUMANS ARE DOING AND ABSTRACTING, ..~»^*§¤@#
@¤§*^»~... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...~»^*§¤@
¤§*^»~.... HOW LONG A TIME HAS PASSED, FOR THEM? ....~»^*§¤
@¤§*^»~... . ...~»^*§¤@
#@¤§*^»~.. . ... . ................ @@@@@@@ ..~»^*§¤@#
##@¤§*^»~. CONTINUOUSLY I'M CROWDING THROUGH .~»^*§¤@##
#@¤§*^»~.. . THE FOURTH WALL ~OUTWARDS IS WHAT . ..~»^*§¤@#
@¤§*^»~... .. I'M THINKING BUT IT'S WRONG.. A NEW ...~»^*§¤@
¤§*^»~.... . . NARRATOR IS INTRODUCED, OCCASIONALLY ....~»^*§¤
@¤§*^»~... ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . ...~»^*§¤@
#@¤§*^»~.. ~ ~ DOWN IN THE DRAGONS THROAT. ..~»^*§¤@#
##@¤§*^»~. ~ .~»^*§¤@##
#@¤§*^»~.. ~ ..~»^*§¤@#
@¤§*^»~... ...~»^*§¤@
¤§*^»~.... ....~»^*§¤
@¤§*^»~... ...~»^*§¤@
#@¤§*^»~.. ..~»^*§¤@#
##@¤§*^»~. .~»^*§¤@##
#@¤§*^»~.. ..~»^*§¤@#