&@††»,,,,, ,,,,,»††@&
##@@†»»,,, ,,,»»†@@##
&†**,,,,,, ,,,,,,**†&
###&@†*»,, ,,»*†@##
###&@†*»,, ,,»*†@##
##@†††*»,, # ,,»*†††@##
#@@*»,,,,, ,lizardry ,,,,,»*@@#
&†»»»»,,,, » # ## ### ################## ,,,,»»»»†&
&@***,,,,, ## the art of c,nnecting ,,,,,***@&
###&@†*»,, , with the old mind ,,»*†@##
###&@†*»,, ,,»*†@##
###&@†*»,, my mind is being skewed. mi ,,»*†@##
###&@†*»,, skeleton is stringy and old and alien ,,»*†@##
##@@*,,,,, the situation is literally ,,,,,*@@##
&†*,,,,,,, pressed out through my eyes, it's ,,,,,,,*†&
##&†††*»,, echoing like ,,»*†††#
###&@†*»,, the sunset of the eternal ,,»*†@##
###&@†*»,, ocean ,,»*†@##
###&@†*»,, persistently against my emulsion ,,»*†@##
####@†*»,, ,,»*†@####
###&@†*»,, it's ungraspable to me, what other ,,»*†@##
#&@***»»,, humans are doing and abstracting, ,,»»***@
#&@@@†*»,, and above all else, what time they use? ,,»*†@@@
###&@†*»,, how long a time has passed, for them? ,,»*†@##
###&@†*»,, , ,,»*†@##
###&@†*»,, , ,,, , ,,,,,,,,,,,,,,,, ####### ,,»*†@##
&†»,,,,,,, continuously i'm crowding through ,,,,,,,»†&
###&@†*»,, , the fourth wall ,outwards is what , ,,»*†@##
###&@†*»,, ,, i'm thinking but it's wrong.. a new ,,»*†@##
#&&&@†*»,, , , narrator is introduced, occasionally ,,»*†@&&
#@†*,,,,,, , , aware of the previous one, deeper , ,,,,,,*†@#
###&@†*»,, , , down in the dragons throat. ,,»*†@##
&@**»,,,,, , ,,,,,»**@&
&&@*»»,,,, , ,,,,»»*@&&
###&@†*»,, ,,»*†@##
###&@†*»,, ,,»*†@##
#&@†»,,,,, ,,,,,»†@
#&&&@†*»,, ,,»*†@&&
#&&&@†*»,, ,,»*†@&&
#&@@*»»»,, ,,»»»*@@