..,,.:£@¤£ £¤@£:.,,..
¨:=\$$££#@ @#££$$\=:¨
.^~«~«~*§# #§*~«~«~^.
,,«;§@£¶@# #@¶£@§;«,,
¨.«/£@¶@## ##@¶@£/«.¨
¨-«;†@@#@@ statuette @@#@@†;«-¨
,:==^££#@# #@#££^==:,
,,~;=£#### %@§¤§&&¤%¤¤$$%§£=»=~-~-«§¤$$%@$$$$££%§§& ####£=;~,,
,,,¨¨=;^ £$%&$%%$% #&^;=¨¨,,,
..=;%¤##@# #@##¤%;=..
¨~«†%%&§$£ forests around my childhood home. thick £$§&%%†«~¨
.,»;^¤¤¶## pine arcades that were planted and ##¶¤¤^;»,.
,-~===$*£§ forgotten. wild boars roaming §£*$===~-,
¨^=/*@@£## underneath, sniffing at the ground. it ##£@@*/=^¨
¨¨...¨,=^# is dark and moist, the canopy having #^=,¨...¨¨
..-\$*@¶## already soaked up all the sun. ##¶@*$\-..
.,~:=$§#@# #@#§$=:~,.
...,»;^@@# there's a river passing by, from east #@@^;»,...
¨~~\†£¤### to west, getting broader and deeper and ###¤£†\~~¨
.,~:†@£#¶£ slower as it goes. equisetum grow just £¶#£@†:~,.
.,=^=£@### where the pine hands start to let ###@£=^=,.
.~-=*&¤¤£# through light, horsemint on the rocky #£¤¤&*=-~.
¨:~†^$%£$& river bed. &$£%$^†~:¨
.,=†§$§#@@ @@#§$§†=,.
,.-^=$£¶## ^ ##¶£$=^-.,
,.:~***%$& &$%***~:.,
¨.¨.=~=:%¶ the riverbanks reek of magic. tonight ¶%:=~=.¨.¨
¨,~«\^*%%@ they had been a swampworld with sylvan @%%*^\«~,¨
.,»*=@## water, stone rings and floating moss. ##@#&=*»,.
¨,,-=^:%£@ you could've found me wallowing around @£%:^=-,,¨
,^=†*&@# on the southern shores until i got #@#&&*†=^,
¨~=:=$&£## bitten. ##£&$=:=~¨
,..,.,~=%@ @%=~,.,..,
,,.¨¨,~\†@ but now i'm further back, on solid @†\~,¨¨.,,
.¨,,^:$@#@ ground, in shoulder-high grass, with an @#@$:^,,¨.
.^»=$&@#@# orange tin radio and a translucent #@#@&$=»^.
,,»;%$#@@# umbrella which i'm sitting on. #@@#$%;»,,
¨.~^$$@@## ##@@$$^~.¨
,^=/^£#### \ ####£^/=^,
,¨.,.-†*¶£ £¶*†-.,.¨,
,.«:^$%&$& somethings moving in the grass. it's &$&%$^:«.,
.^-*%&§#@# invisible to my eyes but i can feel #@#§&%*-^.
¨¨,..¨,~*@ through the ground just how large it is. @*~,¨..,¨¨
¨:«;*%#@@# #@@#%*;«:¨
¨~=:%$%%*¶ the soil is muddy. i slip when trying ¶*%%$%:=~¨
,,»:*%&¶@@ to get up, still looking at the @@¶&%*:»,,
¨^~^=@£### direction of sound rather than at my ###£@=^~^¨
.,.^«\&§%¶ hands, who are busy putting things in ¶%§&\«^.,.
¨,,~:-^†%§ my pockets. §%†^-:~,,¨
,~;*&£#@## ##@#£&*;~,
,,»:%$§### then i run east toward my home. ###§$%:»,,
.:~^$&§¶@# #@¶§&$^~:.
¨,~†§@## \ ##@#&§†~,¨
.:~;%&¤£## ##£¤&%;~:.
.,~/%%&@@# i am not followed, and slow down in the #@@&%%/~,.
.,«=*§#### clearing where you at first can spot ####§*=«,.
¨^«:§§§### the house, not yet really in the ###§§§:«^¨
¨::«~^*@¤¤ backyard. from my pockets i retrieve my ¤¤@*^~«::¨
,¨.¨.«†^#@ radio (now dented) but also a small @#^†«.¨.¨,
¨~~/$@#### clay figure i've never seen before. it ####@$/~~¨
¨¨,^»«:†*¤ must have been laying in the wet dirt, ¤*†:«»^,¨¨
¨.¨,,~:=%# and i must've picked it up with my #%=:~,,¨.¨
.-«\^*## other belongings. ###&*^\«-.
¨¨:-:=^%%@ @%%^=:-:¨¨
.¨..»*%@¤# it's a statuette of a girl laying naked #¤@%*»..¨.
,¨,.=%$$$# on her stomach, feet in the air, #$$$%=.,¨,
.,~/%$§@£# roughly seven centimeters long. it's #£@§$%/~,.
¨~~\%$££## freshly made, not yet completely dried. ##££$%\~~¨
,..¨-~;@## ##@;~-¨..,
.,»:%$¤@@@ my mom is here now. i ask her for some @@@¤$%:»,.
¨.¨,=-*&¤@ particle board for it to dry on, but @¤&*-=,¨.¨
,¨..»»:%#¤ she is worried and wants me to ¤#%:»»..¨,
.,~\%££# throw it away. #£#&£%\~,.
.,¨«\^==&§ §&==^\«¨,.
.:~/%£&@## ##@&£%/~:.
.^-*%£@### ###@£%*-^.
.:»/%£#@@# #@@#£%/»:.
,:«\*@£¤ ¤£#&@*\«:,
.¨-=^;£#@# #@#£;^=-¨.