.¨.,~$&%£# #£%&$~,.¨.
..¨,/^§@§# #§@§^/,¨..
¨¨,..\\*&& &&*\\..,¨¨
.¨.~-*£&§# #§&£*-~.¨.
,¨,,¨=$%%£ £%%$=¨,,¨,
,,-\†@¤*@@ statuette @@*¤@†\-,,
..-~,«--†§ §†--«,~-..
,.,,,»*$§# £$*&*@*$&%*£%¤§£»==~=«~-&$¤¤£$£$£%%$¤$&$ #§$*»,,,.,
.,,,.-~;*£ %¤£&%*£%$ £*;~-.,,,.
¨¨¨,.~†§$¶ ¶$§†~.,¨¨¨
.¨...»*#@@ forests around my childhood home. thick @@#*»...¨.
¨:=:%@§@#@ pine arcades that were planted and @#@§@%:=:¨
¨.¨~=~§†$¤ forgotten. wild boars roaming ¤$†§~=~¨.¨
.~-;†=%§¤# underneath, sniffing at the ground. it #¤§%=†;-~.
¨.¨.--:^%£ is dark and moist, the canopy having £%^:--.¨.¨
,--**%@@## already soaked up all the sun. ##@@%**--,
,,«/%££# ##&££%/«,,
¨.¨,.=*$@# there's a river passing by, from east #@$*=.,¨.¨
,,.,-=†§£@ to west, getting broader and deeper and @£§†=-,.,,
,.»:$%#@@# slower as it goes. equisetum grow just #@@#%$:».,
.:~/$§&¶## where the pine hands start to let ##¶&§$/~:.
¨,~\$%¤@## through light, horsemint on the rocky ##@¤%$\~,¨
¨~-==*%§&¤ river bed. ¤&§%*==-~¨
.-~:*$## ###&$*:~-.
.,«^*&£¶## ; ##¶£&*^«,.
,--/$£#¶## ##¶#£$/--,
.^-†$¤£### the riverbanks reek of magic. tonight ###£¤$†-^.
..-^*$@@## they had been a swampworld with sylvan ##@@$*^-..
¨,=:$%#### water, stone rings and floating moss. ####%$:=,¨
,^===%@### you could've found me wallowing around ###@%===^,
,.¨..~*^§£ on the southern shores until i got £§^*~..¨.,
,-~*%*&@## bitten. ##@&*%*~-,
¨¨.¨.^~$@@ @@$~^.¨.¨¨
.,:~-§¤@§& but now i'm further back, on solid &§@¤§-~:,.
,,~†§$&£## ground, in shoulder-high grass, with an ##£&$§†~,,
,.=*$*@#¶# orange tin radio and a translucent #¶#@*$*=.,
..¨~»-==£§ umbrella which i'm sitting on. §£==-»~¨..
.:~=§$££## ##££$§=~:.
,,~/%&¤#@# \ #@#¤&%/~,,
,,~=$@## ###&@$=~,,
¨--^§§¶### somethings moving in the grass. it's ###¶§§^--¨
¨--:*$§@## invisible to my eyes but i can feel ##@§$*:--¨
,.¨=*§*##¤ through the ground just how large it is. ¤##*§*=¨.,
,.=/§£#@## ##@#£§/=.,
,:~^†%£#@# the soil is muddy. i slip when trying #@#£%†^~:,
.,.:/%$§%¤ to get up, still looking at the ¤%§$%/:.,.
.¨,¨.~~==£ direction of sound rather than at my £==~~.¨,¨.
..^%£§@### hands, who are busy putting things in ###@§£%^..
,.~^**£### my pockets. ###£**^~.,
^-\*££¶@## ##@¶££*\-^
..-^§%¤@@# then i run east toward my home. #@@¤%§^-..
¨,=/%%*§ #&§*%%/=,¨
¨-~;$*#&@# \ #@*$;~-¨
,~=:%@§¶@# #@¶§@%:=~,
..¨¨=-~†££ i am not followed, and slow down in the ££†~-=¨¨..
¨.¨~*;£@¶# clearing where you at first can spot #¶@£;*~¨.¨
,.»*$#@### the house, not yet really in the ###@#$*».,
..¨,:,:^£¤ backyard. from my pockets i retrieve my ¤£^:,:,¨..
,,,~~~;= radio (now dented) but also a small #&=;~~~,,,
¨.»/^£££#@ clay figure i've never seen before. it @#£££^/».¨
,-~\=¤%£@¤ must have been laying in the wet dirt, ¤@£%¤=\~-,
,,,,,¨-/§¶ and i must've picked it up with my ¶§/-¨,,,,,
,.»*^&¤#@# other belongings. #@#¤&^*».,
..,¨^~-†&@ @&†-~^¨,..
.-«^§¤&@## it's a statuette of a girl laying naked ##@&¤§^«-.
¨-»†=£££## on her stomach, feet in the air, ##£££=†»-¨
¨,~\%§£@## roughly seven centimeters long. it's ##@£§%\~,¨
.,«^*^*&&@ freshly made, not yet completely dried. @&&*^*^«,.
.~~†;=*%§¤ ¤§%*=;†~~.
¨¨,.~=«*$# my mom is here now. i ask her for some #$*«=~.,¨¨
.,=\=¤#¶## particle board for it to dry on, but ##¶#¤=\=,.
¨,===\^#¶# she is worried and wants me to #¶#^\===,¨
¨¨¨.¨~†£¤# throw it away. #¤£†~¨.¨¨¨
...¨¨.::£# #£::.¨¨...
,--/*@¤¶¶@ @¶¶¤@*/--,
.^»**¤¤@## ##@¤¤**»^.
¨,..-~~†%& &%†~~-..,¨
¨.»~»†%£¤¶ ¶¤£%†»~».¨
,,~:%@##@# #@##@%:~,,