.~-;*¤#@## ##@#¤*;-~.
,.--\†£@## ##@£†\--.,
.,~*^#@@## ##@@#^*~,.
,¨-~/*@### ###@*/~-¨,
.~~†=##@## ##@##=†~~.
..,»*=#@## statuette ##@#=*»,..
,,«\*§£@## ##@£§*\«,,
,¨.«^$£@@# §&£@$£§$$&£¤§%%§~==»~~-«£%§$$@&£¤¤££%¤&¤ #@@£$^«.¨,
¨-~†*### @¤¤£&&&¤% ####&*†~-¨
...«\*¤### ###¤*\«...
¨:«*$&¶@## forests around my childhood home. thick ##@¶&$*«:¨
,¨,»;$#¶@# pine arcades that were planted and #@¶#$;»,¨,
¨.~†%##### forgotten. wild boars roaming #####%†~.¨
¨..«†^£@@# underneath, sniffing at the ground. it #@@£^†«..¨
¨:~:§£#### is dark and moist, the canopy having ####£§:~:¨
,.^=/*&@## already soaked up all the sun. ##@&*/=^.,
¨.~†=&@### ###@&=†~.¨
,..~*§@@## there's a river passing by, from east ##@@§*~..,
,.»=%£¶@## to west, getting broader and deeper and ##@¶£%=».,
,,.~=*&¶@# slower as it goes. equisetum grow just #@¶&*=~.,,
.-»=§£@### where the pine hands start to let ###@£§=»-.
.,:-/=##@# through light, horsemint on the rocky #@##=/-:,.
,.«:*##### river bed. #####*:«.,
¨,~»;$£¶@# #@¶£$;»~,¨
,^~**@## : ##@#&**~^,
,.-~*%§### ###§%*~-.,
,^»:^@@### the riverbanks reek of magic. tonight ###@@^:»^,
,¨~=**@£## they had been a swampworld with sylvan ##£@**=~¨,
,,~\$@£### water, stone rings and floating moss. ###£@$\~,,
,¨^~;§#£## you could've found me wallowing around ##£#§;~^¨,
..~:^§@@## on the southern shores until i got ##@@§^:~..
.¨:=/^@@@# bitten. #@@@^/=:¨.
¨:=:*&¶### ###¶&*:=:¨
¨,,~\%§#@# but now i'm further back, on solid #@#§%\~,,¨
.^»:*£@### ground, in shoulder-high grass, with an ###@£*:»^.
..--\†¤¶@# orange tin radio and a translucent #@¶¤†\--..
.,-*$#£@## umbrella which i'm sitting on. ##@£#$*-,.
¨,-==§#£## ##£#§==-,¨
¨:-:$&¶### ^ ###¶&$:-:¨
.,^===## ###&===^,.
,~-=^§@### somethings moving in the grass. it's ###@§^=-~,
..~»=*£@## invisible to my eyes but i can feel ##@£*=»~..
¨^~=*&£@## through the ground just how large it is. ##@£&*=~^¨
,,,~;%§@## ##@§%;~,,,
¨.«:§@@### the soil is muddy. i slip when trying ###@@§:«.¨
..,~\*&@## to get up, still looking at the ##@&*\~,..
¨,=†$@@@## direction of sound rather than at my ##@@@$†=,¨
..-=\^## hands, who are busy putting things in ###&^\=-..
.:-\†@#### my pockets. ####@†\-:.
..:»\†£### ###£†\»:..
¨.=;%§@### then i run east toward my home. ###@§%;=.¨
¨.,»=*¤¶@# #@¶¤*=»,.¨
¨,-=%£#### ^ ####£%=-,¨
,.:~*§¤@## ##@¤§*~:.,
.,«^*@## i am not followed, and slow down in the ##@#&*^«,.
¨,,~*=¤£@# clearing where you at first can spot #@£¤=*~,,¨
¨.==§¤@### the house, not yet really in the ###@¤§==.¨
,,^«†%@@## backyard. from my pockets i retrieve my ##@@%†«^,,
.^»/†@¶@## radio (now dented) but also a small ##@¶@†/»^.
¨¨,-:^¤### clay figure i've never seen before. it ###¤^:-,¨¨
..~*%¤¶### must have been laying in the wet dirt, ###¶¤%*~..
,¨,-*%£### and i must've picked it up with my ###£%*-,¨,
¨^«*%¤#### other belongings. ####¤%*«^¨
.,~«\%££## ##££%\«~,.
.^~\%¤#@## it's a statuette of a girl laying naked ##@#¤%\~^.
.,-«==@¶@# on her stomach, feet in the air, #@¶@==«-,.
.,»;$£#### roughly seven centimeters long. it's ####£$;»,.
¨¨-=\%#@## freshly made, not yet completely dried. ##@#%\=-¨¨
.^~/%@#### ####@%/~^.
¨.,-/†£#@# my mom is here now. i ask her for some #@#£†/-,.¨
,,«\*§#### particle board for it to dry on, but ####§*\«,,
.¨,=*%£#@# she is worried and wants me to #@#£%*=,¨.
¨:»†%§£@## throw it away. ##@£§%†»:¨
,,~=\*£### ###£*\=~,,
.-~/*&£@## ##@£&*/~-.
.,.«^*§### ###§*^«.,.
..»†*@¶@## ##@¶@*†»..
,,,«*%¤### ###¤%*«,,,
¨-«:§§#### ####§§:«-¨