¨,,.¨«$£## ##£$«¨.,,¨
¨,~†%¤#¶## ##¶#¤%†~,¨
¨.~;$#¶@## ##@¶#$;~.¨
¨,¨-=$%*#@ @#*%$=-¨,¨
¨-=;$§¤@## ##@¤§$;=-¨
,¨.,^~=-$¤ statuette ¤$-=~^,.¨,
,,==$$¤£¶¶ ¶¶£¤$$==,,
.:«=†%£*@@ %$¤&*£@£*&&@$¤$%~~»»«~»«$¤&¤**%§$@$$£%¤¤ @@*£%†=«:.
..=^§*&¶@# %£@¤%$£$£ #@¶&*§^=..
,,,..~^¤@@ @@¤^~..,,,
,.-/*£¤@## forests around my childhood home. thick ##@¤£*/-.,
,^~;%&§£## pine arcades that were planted and ##£§&%;~^,
.-«^=¤¤@## forgotten. wild boars roaming ##@¤¤=^«-.
.-~=£§#@## underneath, sniffing at the ground. it ##@#§£=~-.
,,,¨-:$%¤¶ is dark and moist, the canopy having ¶¤%$:-¨,,,
,-»^%£££## already soaked up all the sun. ##£££%^»-,
¨-»†§#¶@## ##@¶#§†»-¨
,^»^*$£@## there's a river passing by, from east ##@£$*^»^,
.~~:$$@### to west, getting broader and deeper and ###@$$:~~.
¨,-=†¤##@# slower as it goes. equisetum grow just #@##¤†=-,¨
.,~^%£@@## where the pine hands start to let ##@@£%^~,.
¨.«\$%£### through light, horsemint on the rocky ###£%$\«.¨
¨.,.~†*¤#@ river bed. @#¤*†~.,.¨
¨¨.~†%§&¤@ @¤&§%†~.¨¨
¨,~^¤¤£### ^ ###£¤¤^~,¨
..,.~*†=¤¤ ¤¤=†*~.,..
,,-*$%¤¶## the riverbanks reek of magic. tonight ##¶¤%$*-,,
¨,¨,.«†§¤# they had been a swampworld with sylvan #¤§†«.,¨,¨
..,.~*&$%@ water, stone rings and floating moss. @%$&*~.,..
¨,¨¨¨~^%£¶ you could've found me wallowing around ¶£%^~¨¨¨,¨
¨~~:*¤## on the southern shores until i got ###&¤*:~~¨
,,-;†£¤¶@# bitten. #@¶¤£†;-,,
....¨~^^¤£ £¤^^~¨....
.:«*^†*£§£ but now i'm further back, on solid £§£*†^*«:.
,.«/*$@##@ ground, in shoulder-high grass, with an @##@$*/«.,
¨,,¨¨~/£&@ orange tin radio and a translucent @&£/~¨¨,,¨
¨.«;^:=# umbrella which i'm sitting on. ##&=:^;«.¨
¨:»;%&&£@# #@£&&%;»:¨
.:~*§%*%@# ^ #@%*%§*~:.
.^-^$¤#### ####¤$^-^.
¨.=^†&@### somethings moving in the grass. it's ###@&†^=.¨
,,===&£¶## invisible to my eyes but i can feel ##¶£&===,,
..¨,..-;%@ through the ground just how large it is. @%;-..,¨..
,^«\^¤£@## ##@£¤^\«^,
.--^%%@### the soil is muddy. i slip when trying ###@%%^--.
¨~==§&£@£# to get up, still looking at the #£@£&§==~¨
..,-~^=*$@ direction of sound rather than at my @$*=^~-,..
¨-~;%£&@## hands, who are busy putting things in ##@&£%;~-¨
.«†%@&@### my pockets. ###@&@%†«.
.~~*:\==#@ @#==\:*~~.
,^~~~^*@ then i run east toward my home. @#&*^~~~^,
¨.»^†§¤#@# #@#¤§†^».¨
.:«=:=*£¶@ = @¶£*=:=«:.
.~«/%*$$#¶ ¶#$$*%/«~.
,.,..::%¤£ i am not followed, and slow down in the £¤%::..,.,
.^»=*&§¶#@ clearing where you at first can spot @#¶§&*=»^.
.-»;^$@@@# the house, not yet really in the #@@@$^;»-.
,:~†^@¤¶## backyard. from my pockets i retrieve my ##¶¤@^†~:,
,~~†*£¤#@# radio (now dented) but also a small #@#¤£*†~~,
¨,-;†$@#¶£ clay figure i've never seen before. it £¶#@$†;-,¨
.,,«~*§%§@ must have been laying in the wet dirt, @§%§*~«,,.
¨.~†*&§¶## and i must've picked it up with my ##¶§&*†~.¨
.~=:%%@# other belongings. #@#&%%:=~.
¨-=^^&@@## ##@@&^^=-¨
¨~«/*$&@@# it's a statuette of a girl laying naked #@@&$*/«~¨
.:~=*$@£#£ on her stomach, feet in the air, £#£@$*=~:.
.¨.¨,-*=@# roughly seven centimeters long. it's #@=*-,¨.¨.
,^~:†=*$¤# freshly made, not yet completely dried. #¤$*=†:~^,
¨^-^§&£@ @£#&&§^-^¨
,.~*§&§#@@ my mom is here now. i ask her for some @@#§&§*~.,
.,«^^;;§## particle board for it to dry on, but ##§;;^^«,.
,:-^*&&¶£¶ she is worried and wants me to ¶£¶&&*^-:,
.,-;$*&&&@ throw it away. @&&&*$;-,.
.,-;*¤¤@## ##@¤¤*;-,.
.^~\*@§@@# #@@§@*\~^.
¨~«*%*£@## ##@£*%*«~¨
.,~*%*&£## ##£&*%*~,.
.:-;%§&@## ##@&§%;-:.
,:-==%***@ @***%==-:,