,,.«\*@¶@# #@¶@*\«.,,
¨~»\§£#### ####£§\»~¨
,,:-;=§### ###§=;-:,,
,¨.,~:†¤## ##¤†:~,.¨,
¨.,-\*@£## ##£@*\-,.¨
.,-\%¤#### statuette ####¤%\-,.
,.^~\*£#@# #@#£*\~^.,
¨¨¨.=\*&@@ %*@$£%&§@¤$§£££%~~~~=«~~%£%*$$$$¤%¤¤¤$§§ @@&*\=.¨¨¨
.¨~~==£@@# &&¤&£$£%¤ #@@£==~~¨.
,-~*†&¶@## ##@¶&†*~-,
..,«†%§@## forests around my childhood home. thick ##@§%†«,..
....-\§£## pine arcades that were planted and ##£§\-....
..,~†$@### forgotten. wild boars roaming ###@$†~,..
¨,-==¤#### underneath, sniffing at the ground. it ####¤==-,¨
.,,~:$@£## is dark and moist, the canopy having ##£@$:~,,.
,,,^~=%#@# already soaked up all the sun. #@#%=~^,,,
..,=:*@£@# #@£@*:=,..
..=^^¤¶### there's a river passing by, from east ###¶¤^^=..
.,:-*^#@## to west, getting broader and deeper and ##@#^*-:,.
,¨.-«=*¤@@ slower as it goes. equisetum grow just @@¤*=«-.¨,
..,~\^&£## where the pine hands start to let ##£&^\~,..
,.«/*#@@## through light, horsemint on the rocky ##@@#*/«.,
.,^»^†§£## river bed. ##£§†^»^,.
.¨¨,»:%£¶@ @¶£%:»,¨¨.
,.,«=†#@## = ##@#†=«,.,
.,=:%§#### ####§%:=,.
,¨^»\*§### the riverbanks reek of magic. tonight ###§*\»^¨,
.,,-~:$§@# they had been a swampworld with sylvan #@§$:~-,,.
.,-~:§£¶## water, stone rings and floating moss. ##¶£§:~-,.
,^~:$§@### you could've found me wallowing around ###@§$:~^,
,.:=^%¤¶@# on the southern shores until i got #@¶¤%^=:.,
,,,,~^%£#@ bitten. @#£%^~,,,,
¨,.~/*&£@# #@£&*/~.,¨
.,~/*§£@## but now i'm further back, on solid ##@£§*/~,.
,.~~/*&£## ground, in shoulder-high grass, with an ##£&*/~~.,
¨,,:-^§£¶@ orange tin radio and a translucent @¶£§^-:,,¨
¨,~~\§#¶## umbrella which i'm sitting on. ##¶#§\~~,¨
¨:«/§&@### ###@&§/«:¨
.,~-**#£@# † #@£#**-~,.
¨...«/*££@ @££*/«...¨
..-«:^&£@# somethings moving in the grass. it's #@£&^:«-..
,.»^*&£### invisible to my eyes but i can feel ###£&*^».,
¨,.~:†£### through the ground just how large it is. ###£†:~.,¨
...:«*†@## ##@†*«:...
¨.,~††@#@# the soil is muddy. i slip when trying #@#@††~,.¨
,^«/†¤@### to get up, still looking at the ###@¤†/«^,
¨.,»=†&£## direction of sound rather than at my ##£&†=»,.¨
.,,^~**§#@ hands, who are busy putting things in @#§**~^,,.
.¨.»†$§@## my pockets. ##@§$†».¨.
,:~;^¤#@## ##@#¤^;~:,
¨.~~/*@# then i run east toward my home. #@#&*/~~.¨
.¨.^»^†#£# #£#†^»^.¨.
¨,,»=%## ^ ###&%=»,,¨
.-»†=£¶@## ##@¶£=†»-.
¨,,«:%#£## i am not followed, and slow down in the ##£#%:«,,¨
,.,^«†%@## clearing where you at first can spot ##@%†«^,.,
¨.^~††&@## the house, not yet really in the ##@&††~^.¨
¨:-=%@#@## backyard. from my pockets i retrieve my ##@#@%=-:¨
¨.,-†%&¶## radio (now dented) but also a small ##¶&%†-,.¨
.,¨,«;^#£# clay figure i've never seen before. it #£#^;«,¨,.
,.,«=^£### must have been laying in the wet dirt, ###£^=«,.,
.--:*¤#### and i must've picked it up with my ####¤*:--.
¨,,»†%@@@# other belongings. #@@@%†»,,¨
.,,,~^%#@# #@#%^~,,,.
,..==$&@@# it's a statuette of a girl laying naked #@@&$==..,
.,«^*#¶### on her stomach, feet in the air, ###¶#*^«,.
,,:-=%¤### roughly seven centimeters long. it's ###¤%=-:,,
..¨:«\^#@@ freshly made, not yet completely dried. @@#^\«:¨..
¨,.~†*@# #@#&*†~.,¨
,,~:*#@@## my mom is here now. i ask her for some ##@@#*:~,,
,..=:%#¶@# particle board for it to dry on, but #@¶#%:=..,
,.,.~;%§£# she is worried and wants me to #£§%;~.,.,
¨¨,~^*£¶@# throw it away. #@¶£*^~,¨¨
.:~**£#### ####£**~:.
.¨-~\%@@## ##@@%\~-¨.
.¨¨^-/$§## ##§$/-^¨¨.
¨¨,»**@£@# #@£@**»,¨¨
¨-~/†@£### ###£@†/~-¨
,.^~^%££@# #@££%^~^.,