,,,-~*§# ##&§*~-,,,
,,,,-~*§ #&§*~-,,,,
,,,,,-~*§& &§*~-,,,,,
,,,,,,-~*§ §*~-,,,,,,
,,,,,-~*§& &§*~-,,,,,
,,,,-~*§ Delay Delay D,La# & *A, - ,# ~ - #&§*~-,,,,
,,,-~*§# ##&§*~-,,,
,,-~*§## ###&§*~-,,
,-~*§### ####&§*~-,
,,-~*§## ###&§*~-,,
,,,-~*§# "Delay" Means Repetiton Or Likewise, ##&§*~-,,,
,,,,-~*§ But It'S Mainly Useless Without #&§*~-,,,,
,,,,,-~*§& Feedback, &§*~-,,,,,
,,,,,,-~*§ To Allow The Delay To Eat Of It'S Own §*~-,,,,,,
,,,,,-~*§& Tail, Like One Of Those Eaty Serpents. &§*~-,,,,,
,,,,-~*§ Thus: It'S The Serpent Effect! #&§*~-,,,,
,,,-~*§# ##&§*~-,,,
,,-~*§## It'S To Be Revered As A Creator Of ###&§*~-,,
,-~*§### Ambience And Of Space, If You Treat It ####&§*~-,
,,-~*§## Right. A Somewhat More Solid And ###&§*~-,,
,,,-~*§# Slippery Sibling Of Reverb. ##&§*~-,,,
,,,,-~*§ #&§*~-,,,,
,,,,,-~*§& &§*~-,,,,,
,,,,,,-~*§ §*~-,,,,,,
,,,,,-~*§& &§*~-,,,,,
,,,,-~*§ #&§*~-,,,,