,,,,,-/=@@ @@=/-,,,,,
,,,,-/=@@# #@@=/-,,,,
,,,-/=@@## ##@@=/-,,,
,,-/=@@### ###@@=/-,,
,,,-/=@@## ##@@=/-,,,
,,,,-/=@@# Delay Delay D,La# @ =A, , ,# - , #@@=/-,,,,
,,,,,-/=@@ @@=/-,,,,,
,,,,,,-/=@ @=/-,,,,,,
,,,,,-/=@@ @@=/-,,,,,
,,,,-/=@@# #@@=/-,,,,
,,,-/=@@## "Delay" Means Repetiton Or Likewise, ##@@=/-,,,
,,-/=@@### But It'S Mainly Useless Without ###@@=/-,,
,,,-/=@@## Feedback, ##@@=/-,,,
,,,,-/=@@# To Allow The Delay To Eat Of It'S Own #@@=/-,,,,
,,,,,-/=@@ Tail, Like One Of Those Eaty Serpents. @@=/-,,,,,
,,,,,,-/=@ Thus: It'S The Serpent Effect! @=/-,,,,,,
,,,,,-/=@@ @@=/-,,,,,
,,,,-/=@@# It'S To Be Revered As A Creator Of #@@=/-,,,,
,,,-/=@@## Ambience And Of Space, If You Treat It ##@@=/-,,,
,,-/=@@### Right. A Somewhat More Solid And ###@@=/-,,
,,,-/=@@## Slippery Sibling Of Reverb. ##@@=/-,,,
,,,,-/=@@# #@@=/-,,,,
,,,,,-/=@@ @@=/-,,,,,
,,,,,,-/=@ @=/-,,,,,,
,,,,,-/=@@ @@=/-,,,,,
,,,,-/=@@# #@@=/-,,,,