&&&&¨&&¨&¨ &&&&&&¨¨¨¨
¨¨¨&&¨&&&& ¨¨¨¨¨&¨¨¨&
¨¨&¨&&¨¨¨& ¨¨¨¨&&¨¨&&
¨&&&¨&¨¨&¨ ¨¨¨&¨&¨&¨&
&¨¨&&&¨&&¨ ¨¨&&&&&&&&
&¨&¨¨&&¨&¨ delay delay d¨la# & %a¨ . ¨@ « . ¨&¨¨¨¨¨¨¨¨
&&&¨&¨&&&¨ &&¨¨¨¨¨¨¨&
¨¨&&&&¨¨&¨ ¨&¨¨¨¨¨¨&¨
¨&¨¨¨&¨&&¨ &&¨¨¨¨¨&&¨
&&¨¨&&&¨&¨ ¨&¨¨¨¨&¨&¨
¨&¨&¨¨&&&& "delay" means repetiton or likewise, &&¨¨¨&&&&&
&&&&¨&¨¨¨¨ but it's mainly useless without ¨&¨¨&¨¨¨¨&
¨¨¨&&&¨¨¨& feedback, &&¨&&¨¨¨&¨
¨¨&¨¨&¨¨&¨ to allow the delay to eat of it's own ¨&&¨&¨¨&&¨
¨&&¨&&¨&&& tail, like one of those eaty serpents. &¨&&&¨&¨&¨
&¨&&¨&&¨¨& thus: it's the serpent effect! &&¨¨&&&&&¨
&&¨&&¨&¨&¨ ¨&¨&¨¨¨¨&&
¨&&¨&&&&&¨ it's to be revered as a creator of &&&&¨¨¨&¨¨
&¨&&¨¨¨¨&& ambience and of space, if you treat it ¨¨¨&¨¨&&¨¨
&&¨&¨¨¨&¨& right. a somewhat more solid and ¨¨&&¨&¨&¨&
¨&&&¨¨&&&¨ slippery sibling of reverb. ¨&¨&&&&&&¨
&¨¨&¨&¨¨&¨ &&&¨¨¨¨¨&¨
&¨&&&&¨&&¨ ¨¨&¨¨¨¨&&&
&&¨¨¨&&¨&¨ ¨&&¨¨¨&¨¨¨
¨&¨¨&¨&&&¨ &¨&¨¨&&¨¨&
&&¨&&&¨¨&¨ &&&¨&¨&¨&&