###¤**\«~, ,~«\**¤###
##***«~~,, ,,~~«***##
###¤**\«~, ,~«\**¤###
####¤**\«~ ~«\**¤####
¤*«««~,,,, ,,,,~«««*¤
#*\~,,,,,, delay delay d,la# ¤ *a, ~ ,# « ~ ,,,,,,~\*#
##***«~,,, ,,,~«***##
###¤**\«~, ,~«\**¤###
¤¤¤¤**\«~, ,~«\**¤¤¤¤
#*\~~,,,,, ,,,,,~~\*#
¤*«,,,,,,, "delay" means repetiton or likewise, ,,,,,,,«*¤
###¤**\«~, but it's mainly useless without ,~«\**¤###
###¤**\«~, feedback, ,~«\**¤###
#*\~~,,,,, to allow the delay to eat of it's own ,,,,,~~\*#
#¤*\~,,,,, tail, like one of those eaty serpents. ,,,,,~\*¤#
¤*«~~~~,,, thus: it's the serpent effect! ,,,~~~~«*¤
##****\«~, ,~«\****##
###¤**\«~, it's to be revered as a creator of ,~«\**¤###
###¤**\«~, ambience and of space, if you treat it ,~«\**¤###
##¤*\«~,,, right. a somewhat more solid and ,,,~«\*¤##
###¤**\«~, slippery sibling of reverb. ,~«\**¤###
##¤**\~,,, ,,,~\**¤##
###¤**\«~, ,~«\**¤###
###¤**\«~, ,~«\**¤###
###¤**\«~, ,~«\**¤###
###¤**\«~, ,~«\**¤###