..«*^£§¶@# #@¶§£^*«..
......«*^§ §^*«......
..«*^£§¶@# #@¶§£^*«..
..«*^£§¶@# #@¶§£^*«..
..«*^^£££§ §£££^^*«..
.....«^££§ ^^^^^^^^^^ §££^«.....
..«*^£££§¶ ¶§£££^*«..
..«*^£§@## LYRA EIGHT ##@§£^*«..
..«*^£§¶## ##¶§£^*«..
..«*^£££¶¶ .. ¶¶£££^*«..
....*^£§¶¶ . . ¶¶§£^*....
...«***£§¶ « « ¶§£***«...
..«*^£§@## * * ##@§£^*«..
..«*^§¶@## ^ ^ ##@¶§^*«..
..«*^£§¶@# #@¶§£^*«..
..«***^£¶@ CAVE SCULPTER @¶£^***«..
..«*^£§¶@# DREAM TO CHORD TRANSLATOR #@¶§£^*«..
..«*^£§¶@# #@¶§£^*«..
..«*^£§¶@# EIGHT VOICED BLEEDING FORTUNE TELLER #@¶§£^*«..
..«*^£§@## ##@§£^*«..
..«*^£§¶@# DUAL SELF-MODULATING DELAY LINE #@¶§£^*«..
......*^£§ SWITCH FOR "TOTAL FEEDBACK" §£^*......
..«*^£§¶@# #@¶§£^*«..
.....«*££¶ LICK THE CONTACT PADS ¶££*«.....
..«*^£§¶@@ @@¶§£^*«..
..«*^£§¶@# ^ ^ #@¶§£^*«..
.....«*£¶@ * * @¶£*«.....
..«*^£§¶@# « « #@¶§£^*«..
..«*^£¶@## . . ##@¶£^*«..
..«*^£§¶@# .. #@¶§£^*«..
..«*^^£§§§ §§§£^^*«..
.......*^§ GEARLIST . ANOTHER SYNTH §^*.......
.....«^^^§ §^^^«.....
..«*^^£§§@ ^^^^^^^^^^^^^^^^^^^^^^^^^ @§§£^^*«..
..«*^§¶@## ##@¶§^*«..
..«*^£§¶## ##¶§£^*«..
......*£¶¶ ¶¶£*......
..«*^£§¶@# #@¶§£^*«..
.....«**£§ §£**«.....