THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE  WENT ON AN OUTING TO 
 THE GLASS  FACTORY  THAT BORE OUR FAMILY 
 NAME. IT HAD CHANGED  OWNERS MANY  TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR   A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END STATION  FOR 
 THE BUILDINGS THAT  SURVIVE:  A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME SINCE  MY  FAMILY 
 MADE  ANYTHING.  BY  MANY,  WE WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO  MAIN  FACTORY BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS,  MADE IN 
 YELLOW BRICK. LARGE  BUT NARROW WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE,  LARGE AND 
 LEADED, AND ASHEN.  A BIT TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE  IS PUBLICLY OPEN. THERE'S 
 A  MUSEUM, WITH WAX FIGURES OF  MY GREAT 
 GREAT GREAT  GRANDFATHER, OR  SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS)  LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS.  A LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK  OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR  A   LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER  THE   FLOOR.  NO 
 ELECTRIC  LIGHTS, BUT I CAN  SEE  BY THE 
 LIGHT  THAT SHINES  IN WHEREVER THE DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER,  THE GREATEST DIFFERENCE IS THE 
 HIGHER FLOORS: THIS BUILDING  HAS  NONE. 
 IT IS ONE MASSIVE  HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE  UP THERE 
 IS  SOME  GREAT  IRON  LATTICEWORK, FROM 
 WHERE  CHAINS ARE  SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS, IN  THE  MIDDLE  OF THE GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE. I SNEAK OVER  THERE, AND 
 TAKE A FEW  RELUCTANT STEPS.  AFTER JUST 
 A  REVOLUTION,  I NOTICE  THAT FOR  EACH 
 STEP THE BUILDING  STARTS TO  GLOW,  THE 
 BRICKS  TURNING  A  DARK  RED, AND  THEN 
 ORANGE, ALL  THE  PILED UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP READY TO  RUN DOWN AND OUT,  BUT 
 THERE'S SOMEONE  ELSE  ON  THE STAIRCASE 
 WITH   ME   NOW,  PRESSED   CLOSE.  HE'S 
 LOOKING  LIKE ME,  SHORT HAIR  AND  THIN 
 ARMS,  BUT WITH EARS  FROM SOME  ANIMAL, 
 AND  MORE DISTURBINGLY, COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY FEAR  HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS OPERATING  LEVERS  AND  DIALS SET 
 IN  THE CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN  ELEVATOR!   I  START   TO  RUN 
 DOWNWARDS,  BUT   NOW  THE   LIQUID  BOY 
 CREATURE  GRABS  HOLD  OF ME.  I  TRY TO 
 SHAKE HIM OFF, BUT HE'S  TOO STRONG, AND 
 PULLS   ME   BACK    UP    BESIDE   HIM. 
                                          
 THIS TIME,  I TURN  ANGRY INSTEAD.  WHAT 
 THE  HELL? WHO IS THIS GUY, ACTING  LIKE 
 THIS? I REACH OUT MY FREE  ARM  AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM  ON THE ARM,  FORCING  MY RELEASE. I 
 SHOVE HIM  OFF OF ME, AND  HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A   THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS  DROPPED AROUND ME.  BUT THE 
 ELEVATOR  ALSO  SPEEDS UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE   FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I  CLOSE MY EYES AND 
 CURL INTO  A BALL.  BUT  THEN, THE GLASS 
 BOY  SCREAMS,  A  PIERCING  SOUND   THAT 
 FORCES MY  EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO LIQUID,  HIS  BODY  POOLING 
 DOWN  IN HIS NOW  MASSIVE  TAIL, AND THE 
 TIP  OF IT SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT  FALLS  TOWARD   THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE  STAIRS, UNABLE TO 
 KEEP HIS  BODY UPRIGHT. CAN'T REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING  INTO DARK 
 PEARLS.  FINALLY, HE'S LOST  TOO MUCH OF 
 HIMSELF AND  THE  SCREAM  IS CUT  SHORT. 
 THE   LAST    OF    HIM   RAINS    DOWN. 
                                          
 I STILL  CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN  MY CAGE.  LOOKING UP,  I TRY  TO 
 MAKE  OUT  THE  CEILING, BUT IT'S ALL  A 
 WHIRLING  SEA OF COLOURS. BELOW ME GLOWS 
 THE  HELLFIRE OF  THE FACTORY WALLS, BUT 
 VERY  FAINT. I SIT  DOWN,  CURL BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE CLUNK  SHAKES  MY  ENTIRE BODY, 
 AND  SNAPS  ME  BACK  INTO  REALITY. I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL  MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME THE  LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I  SLOWLY   DISMOUNT  THE   STAIRS. 
                                          
 SHAKING AND  CRYING,  I MAKE MY WAY OVER 
 THE  FACTORY FLOOR, WADING  THROUGH DARK 
 GLASS MARBLES. A  QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S  SOMETHING FAINT  INSIDE 
 THEM.    EMBRYOS?    ARE   THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.