.@@@.@.@.. .@.@@@.@@@
@..@@@@@.@ @@@..@@..@
@.@....@@. ..@.@.@.@.
@@@...@.@. .@@@@@@@@@
..@..@@@@@ @.........
.@@.@....@ TIME TO ..####.##.###.#####..ICK @.........
@.@@@...@@ =.... # TIME TO GET QUICK # ....= @.........
@@..@..@.@ ..####.##.###.#####.. @........@
.@.@@.@@@@ OK SOMETHING IS GOING @.......@.
@@@.@@...@ ON- I CAN GET @@@@@@@@@@@@@@@@@@ @......@@.
..@@.@..@@ THERE IS NO QUESTION! @.....@.@@
.@.@@@.@.@ *FULL* PERMISSION IS GIVEN FROM MYSELF @....@@@.@
@@@..@@@@. TO MYSELF, TO CHANGE THIS ONE LATER. @...@..@@@
..@.@...@. @..@@.@...
.@@@@..@@@ I FEEL LOVE TOWARD MONO-STRETCH ALGORITH @.@.@@@...
@...@.@..@ MS THAT ARE ALLOWED TO BE SMART :( @@@@..@...
@..@@@@.@. ...@.@@..@
@.@...@@@@ LEVEL CHECK. THINGS HERE AROUND ME HAVE ..@@@.@.@.
@@@..@.... A WAIY RIME YO HAVTO HNGE I LIBEY .@..@@@@@@
..@.@@...@ TO BE SURE TO AFFORD THE TIME ORTO @@.@......
.@@@.@..@. BE IN TIME .@@@......
@..@@@.@@. @..@......
@.@..@@.@@ AND I HAVE BIG THINGS ANYWAY. IT STARTS @.@@.....@
@@@.@.@@.. NOW. RIGHT AND LEFT IN THE LUNG @@.@....@.
..@@@@.@.. ........ ......... .@@@...@@@
.@...@@@.. ........ ################# @..@..@..@
@@..@..@.@ ........ @.@@.@@.@@
.@.@@.@@@. ........ IT TINGLES ALL OV @@.@@.@@..
@@@.@@..@@ ###################O ER MY BODY, I'M .@@.@@.@..
..@@.@.@.. OUTSIDE, WALKING CHIRS AND FURTHER AWAY. @.@@.@@@.@
.@.@@@@@.@ THIS IS MINE, MY GREAT FOREST. KINDA, @@.@@..@@@
@@@....@@. I KINDA LOVE IT. ICE KINGDOM, TWELVE .@@.@.@..@
..@...@.@@ PLAYERS, TWELVE PLAYERS COMBINE. @.@@@@@.@.
.@@..@@@.@ I'M STILL HER E AND DOING THIS. AND THIS @@....@@@.
@.@.@..@@. IS, THE CLOUD, THE GENERAL SUPPORT .@...@..@.
@@@@@.@.@. STAKES, THE SQUEEZE IN ARMS AND LEGS; @@..@@.@@@
....@@@@@. AND THE NECK!!! KIND OF! INVERTED .@.@.@@...
...@....@@ AND ON FIRE. @@@@@.@...
..@@...@.. ....@@@...
.@.@..@@.@ AN ATTEMPT TO SPEAK. WITH SIGNS? ...@..@...
@@@@.@.@@@ FOR THE SAKE OF THE EDGE. NOT AN EDGE ..@@.@@...
...@@@@... AS IN BEING EDGY, BUT AS AN EDGE, .@.@@.@..@
..@...@..@ LIKE THOSE OF LYRAS. @@@.@@@.@@
.@@..@@.@@ ..@@..@@.@
@.@.@.@@.@ ABANDON THAT WHICH HAS GONE TOO FAR????? .@.@.@.@@@
@@@@@@.@@. ((! ?=META NEW. I'M BACKFIRING SOMEWHAT. @@@@@@@...
.....@@.@. FOR TF. SQUARE META, BACKWARDS IN TIME, ......@..@
....@.@@@. IN THE MEANING TIME, EVERYTH.ING IS ### .....@@.@@
...@@@..@. LEAKING, MY THOUGHTS AND MEANINGS ARE # ....@.@@.@
..@..@.@@. LEAKING, LEAKING IN TIM E ############# ...@@@.@@@
.@@.@@@.@. ..@..@@..@
@.@@..@@@. .@@.@.@.@@
@@.@.@..@@ @.@@@@@@..
.@@@@@.@.. ###### @@.....@.@
@....@@@.. ####THERE WAS A SHADOW OF SOMETHING .@....@@@@
@...@..@.. ENORMOUS @@...@....
@..@@.@@.. A FEAR AND A LOOP, IN THE SAME PACKAGE, .@..@@...@
@.@.@@.@.@ AND I WAS ALONE WITH THE WORLD @@.@.@..@.
@@@@.@@@@@ BUT IT WAS FAMILIAR, OR, I AM INSIDE OUT .@@@@@.@@@
...@@....@ AND USUAL SHAPES ARE HOLOGRAMS NOW, AND @....@@...
..@.@...@. I FIND MYSELF AS A PATTERN @...@.@...
.@@@@..@@. AND I BECOME MYSELF AGAIN, THROUGH THE @..@@@@...
@...@.@.@@ WATERFALL, @.@...@...
@..@@@@@.@ IT IS LIKE I AM INSIDE A SWEATER LOOKING @@@..@@..@
@.@....@@. FOR WHERE TO PUT THE ARMS, LIKE EMERGING ..@.@.@.@.
@@@...@.@. FROM UNDER A SHEAT OF ACUTENESS .@@@@@@@@@
..@..@@@@@ AND THE WORLD IS NO LONGER A @.........
.@@.@....@ SHAPELESS @.........
@.@@@...@@ PIECE @.........
@@..@..@.@ AND SOMEONE HAS TO READ ALL OF THIS @........@
.@.@@.@@@@ @.......@.
@@@.@@...@ @......@@.
..@@.@..@@ @.....@.@@
.@.@@@.@.@ @....@@@.@
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