,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# opposer.dream #@&&*†-.,,
,.-†*&&@## ---------------------------------------- ##@&&*†-.,
,,.-†*&&@# #@&&*†-.,,
,.-†*&&@## intrinsically weaved within the space ##@&&*†-.,
,,.-†*&&@# between what the brain constructs and #@&&*†-.,,
,.-†*&&@## the real, the space which we usually ##@&&*†-.,
,,.-†*&&@# call the aether, distortions, #@&&*†-.,,
,.-†*&&@## anomalies, can appear under ##@&&*†-.,
,,.-†*&&@# circumstances, peculiar ones, folded in #@&&*†-.,,
,.-†*&&@## like liquid crystals, appearing as if ##@&&*†-.,
,,.-†*&&@# you suddenly rotate your head in some #@&&*†-.,,
,.-†*&&@## fourth dimension (usually more or less ##@&&*†-.,
,,.-†*&&@# uncomfortable) #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# the opposer looks like a concave square #@&&*†-.,,
,.-†*&&@## balancing on a corner, with round ##@&&*†-.,
,,.-†*&&@# cutouts along its edges making it look #@&&*†-.,,
,.-†*&&@## like a pointy cross, or something from ##@&&*†-.,
,,.-†*&&@# twewy #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# it's hostile, maybe not conscious but #@&&*†-.,,
,.-†*&&@## active, perceiving, alive in some ##@&&*†-.,
,,.-†*&&@# sense. but i feel as if that might be a #@&&*†-.,,
,.-†*&&@## reduction, that i'm interpreting the ##@&&*†-.,
,,.-†*&&@# tip of something much larger and alien #@&&*†-.,,
,.-†*&&@## to me. maybe not alive, then, but ##@&&*†-.,
,,.-†*&&@# something worse. #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# #@&&*†-.,,
,.-†*&&@## . ##@&&*†-.,
,,.-†*&&@# † #@&&*†-.,,
,.-†*&&@## ,, ** ,, ##@&&*†-.,
,,.-†*&&@# ------,,, *** ,,---, #@&&*†-.,,
,.-†*&&@## ---,, -&&& ,,,,,-- ##@&&*†-.,
,,.-†*&&@# -- &&&&- -, #@&&*†-.,,
,.-†*&&@## ,- †&&&&&& , ##@&&*†-.,
,,.-†*&&@# ¶¶¶† † #@&&*†-.,,
,.-†*&&@## †† @ ##@&&*†-.,
,,.-†*&&@# ---&&&††††*###* †&†-----. #@&&*†-.,,
,.-†*&&@## ...-&&&&&†† *@#@@†††††&&&&&***†... ##@&&*†-.,
,,.-†*&&@# - †@† &&---. #@&&*†-.,,
,.-†*&&@## †¶† † ##@&&*†-.,
,,.-†*&&@# ,- †&&&&&† #@&&*†-.,,
,.-†*&&@## -- -&&&&& -, ##@&&*†-.,
,,.-†*&&@# ,--, &&& --, #@&&*†-.,,
,.-†*&&@## ----,,,, **- ,,------ ##@&&*†-.,
,,.-†*&&@# †† ,,,,, #@&&*†-.,,
,.-†*&&@## † ##@&&*†-.,
,,.-†*&&@# . #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# various forms like these #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# *#* #@&&*†-.,,
,.-†*&&@## ,&@@&† ##@&&*†-.,
,,.-†*&&@# .&&. #@&&*†-.,,
,.-†*&&@## .. ##@&&*†-.,
,,.-†*&&@# ., #@&&*†-.,,
,.-†*&&@## ,. ##@&&*†-.,
,,.-†*&&@# .. #@&&*†-.,,
,.-†*&&@## .&&. ##@&&*†-.,
,,.-†*&&@# , ,†&@@&†, , #@&&*†-.,,
,.-†*&&@## *@¶*-.,, .,,.-*¶@####@¶*-.,, .,,.-*¶@* ##@&&*†-.,
,,.-†*&&@# *#@¶*-.,,. ,,.-*¶@####@¶*-.,,. ,,.-*¶@#* #@&&*†-.,,
,.-†*&&@## -, ,†&@@&†, ,- ##@&&*†-.,
,,.-†*&&@# .&&. #@&&*†-.,,
,.-†*&&@## .. ##@&&*†-.,
,,.-†*&&@# ., #@&&*†-.,,
,.-†*&&@## ,. ##@&&*†-.,
,,.-†*&&@# .. #@&&*†-.,,
,.-†*&&@## .&&. ##@&&*†-.,
,,.-†*&&@# †&@@&, #@&&*†-.,,
,.-†*&&@## *#* ##@&&*†-.,
,,.-†*&&@# #@&&*†-.,,
,.-†*&&@## it morphs ##@&&*†-.,
,,.-†*&&@# #@&&*†-.,,
,.-†*&&@## # ##@&&*†-.,
,,.-†*&&@# # #@&&*†-.,,
,.-†*&&@## @@† ##@&&*†-.,
,,.-†*&&@# †¶¶¶† #@&&*†-.,,
,.-†*&&@## -&&-&&--&- ##@&&*†-.,
,,.-†*&&@# -- ** --- #@&&*†-.,,
,.-†*&&@## .†† ##@&&*†-.,
,,.-†*&&@# --- #@&&*†-.,,
,.-†*&&@## †- ,....., &-- ##@&&*†-.,
,,.-†*&&@# *††¶†- -.††-..,,,,,..--.. -&&†† #@&&*†-.,,
,.-†*&&@## **@@¶¶&&&-...-..,, ,,..-...*&&&&¶¶@###** ##@&&*†-.,
,,.-†*&&@# ††¶† ,....., --&¶††** #@&&*†-.,,
,.-†*&&@## † ,---- &- ##@&&*†-.,
,,.-†*&&@# †† #@&&*†-.,,
,.-†*&&@## &&- * -&&- ##@&&*†-.,
,,.-†*&&@# -&&-&-&&&- #@&&*†-.,,
,.-†*&&@## †&&&&† ##@&&*†-.,
,,.-†*&&@# †¶¶¶ #@&&*†-.,,
,.-†*&&@## ## ##@&&*†-.,
,,.-†*&&@# # #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# it appears in it's truest false form #@&&*†-.,,
,.-†*&&@## inscribed all over your vision, in the ##@&&*†-.,
,,.-†*&&@# case of nightmares, evil meditation, or #@&&*†-.,,
,.-†*&&@## drug-induced transcendental states. ##@&&*†-.,
,,.-†*&&@# living behind the curtain, so to speak, #@&&*†-.,,
,.-†*&&@## in the liquid between you and the world ##@&&*†-.,
,,.-†*&&@# you're in. #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# but even in calmer times, it's never #@&&*†-.,,
,.-†*&&@## too far away, and you can find yourself ##@&&*†-.,
,,.-†*&&@# transfixed by floor tiles, jewelry #@&&*†-.,,
,.-†*&&@## (totems? charms?), trees, and other ##@&&*†-.,
,,.-†*&&@# such things... #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,
,,.-†*&&@# #@&&*†-.,,
,.-†*&&@## ##@&&*†-.,