,,,.~†§%¤#                                          #¤%§†~.,,,
,,.~†§%¤##                                          ##¤%§†~.,,
,.~†§%¤###                                          ###¤%§†~.,
,,.~†§%¤##                                          ##¤%§†~.,,
,,,.~†§%¤#                                          #¤%§†~.,,,
,,,,.~†§%¤  OPPOSER.DREAM                           ¤%§†~.,,,,
,,,.~†§%¤# ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #¤%§†~.,,,
,,.~†§%¤##                                          ##¤%§†~.,,
,.~†§%¤###  INTRINSICALLY WEAVED WITHIN THE SPACE   ###¤%§†~.,
,,.~†§%¤## BETWEEN WHAT  THE  BRAIN CONSTRUCTS  AND ##¤%§†~.,,
,,,.~†§%¤# THE REAL,  THE  SPACE WHICH  WE  USUALLY #¤%§†~.,,,
,,,,.~†§%¤      CALL THE AETHER, DISTORTIONS,       ¤%§†~.,,,,
,,,.~†§%¤#       ANOMALIES, CAN APPEAR UNDER        #¤%§†~.,,,
,,.~†§%¤## CIRCUMSTANCES, PECULIAR ONES, FOLDED IN  ##¤%§†~.,,
,.~†§%¤### LIKE  LIQUID CRYSTALS,  APPEARING  AS IF ###¤%§†~.,
,,.~†§%¤## YOU SUDDENLY  ROTATE  YOUR HEAD  IN SOME ##¤%§†~.,,
,,,.~†§%¤# FOURTH DIMENSION  (USUALLY MORE  OR LESS #¤%§†~.,,,
,,,,.~†§%¤              UNCOMFORTABLE)              ¤%§†~.,,,,
,,,.~†§%¤#                                          #¤%§†~.,,,
,,.~†§%¤## THE  OPPOSER LOOKS LIKE A CONCAVE SQUARE ##¤%§†~.,,
,.~†§%¤### BALANCING   ON  A   CORNER,  WITH  ROUND ###¤%§†~.,
,,.~†§%¤## CUTOUTS ALONG ITS EDGES MAKING  IT  LOOK ##¤%§†~.,,
,,,.~†§%¤# LIKE  A  POINTY CROSS, OR SOMETHING FROM #¤%§†~.,,,
,,,,.~†§%¤                  TWEWY                   ¤%§†~.,,,,
,,,.~†§%¤#                                          #¤%§†~.,,,
,,.~†§%¤## IT'S HOSTILE,  MAYBE  NOT  CONSCIOUS BUT ##¤%§†~.,,
,.~†§%¤###    ACTIVE, PERCEIVING, ALIVE IN SOME     ###¤%§†~.,
,,.~†§%¤## SENSE. BUT I FEEL AS IF THAT MIGHT BE  A ##¤%§†~.,,
,,,.~†§%¤#   REDUCTION, THAT I'M INTERPRETING THE   #¤%§†~.,,,
,,,,.~†§%¤ TIP OF SOMETHING  MUCH LARGER  AND ALIEN ¤%§†~.,,,,
,,,.~†§%¤# TO  ME.  MAYBE   NOT  ALIVE,  THEN,  BUT #¤%§†~.,,,
,,.~†§%¤##             SOMETHING WORSE.             ##¤%§†~.,,
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,,,.~†§%¤#                                          #¤%§†~.,,,
,,.~†§%¤##         VARIOUS FORMS LIKE THESE         ##¤%§†~.,,
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,,,.~†§%¤#                 IT MORPHS                #¤%§†~.,,,
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,,.~†§%¤##                    #                     ##¤%§†~.,,
,,,.~†§%¤#                                          #¤%§†~.,,,
,,,,.~†§%¤   IT APPEARS IN IT'S TRUEST FALSE FORM   ¤%§†~.,,,,
,,,.~†§%¤#  INSCRIBED ALL OVER YOUR VISION, IN THE  #¤%§†~.,,,
,,.~†§%¤## CASE OF NIGHTMARES, EVIL MEDITATION, OR  ##¤%§†~.,,
,.~†§%¤###    DRUG-INDUCED TRANSCENDENTAL STATES.   ###¤%§†~.,
,,.~†§%¤## LIVING BEHIND THE CURTAIN, SO TO SPEAK,  ##¤%§†~.,,
,,,.~†§%¤#  IN THE LIQUID BETWEEN YOU AND THE WORLD #¤%§†~.,,,
,,,,.~†§%¤                YOU'RE IN.                ¤%§†~.,,,,
,,,.~†§%¤#                                          #¤%§†~.,,,
,,.~†§%¤##   BUT EVEN IN CALMER TIMES, IT'S NEVER   ##¤%§†~.,,
,.~†§%¤### TOO FAR AWAY, AND YOU CAN FIND YOURSELF  ###¤%§†~.,
,,.~†§%¤##    TRANSFIXED BY FLOOR TILES, JEWELRY    ##¤%§†~.,,
,,,.~†§%¤#   (TOTEMS? CHARMS?), TREES, AND OTHER    #¤%§†~.,,,
,,,,.~†§%¤              SUCH THINGS...              ¤%§†~.,,,,
,,,.~†§%¤#                                          #¤%§†~.,,,
,,.~†§%¤##                                          ##¤%§†~.,,
,.~†§%¤###                                          ###¤%§†~.,
,,.~†§%¤##                                          ##¤%§†~.,,
,,,.~†§%¤#                                          #¤%§†~.,,,