,-«\**§@## ##@§**\«-,
,,-«\**§@# #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# the last song on side b (and to some #@§**\«-,,
,-«\**§@## extent the first song on side a) talks ##@§**\«-,
,,-«\**§@# for the whole album, not just their #@§**\«-,,
,-«\**§@## side. the last song on side b is ##@§**\«-,
,,-«\**§@# probably the most important #@§**\«-,,
,-«\**§@## opportunity, the most charged slot. ##@§**\«-,
,,-«\**§@# #@§**\«-,,
,-«\**§@## ,@#@, ##@§**\«-,
,,-«\**§@# #@§**\«-,,
,-«\**§@## the album is a singularity, an anomaly ##@§**\«-,
,,-«\**§@# in spacetime, a creature that knows #@§**\«-,,
,-«\**§@## exactly how beautiful it is. ##@§**\«-,
,,-«\**§@# , #@§**\«-,,
,-«\**§@## and the thing is: it sees itself in ##@§**\«-,
,,-«\**§@# three d. it knows that it's dying. #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# *******************§§******************* #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# - dolphins and cats - #@§**\«-,,
,-«\**§@## bring us ##@§**\«-,
,,-«\**§@# , flowers and honey , #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# - dolphins and cats - #@§**\«-,,
,-«\**§@## bring us ##@§**\«-,
,,-«\**§@# , fairies and bees , #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# our boat is afloat #@§**\«-,,
,-«\**§@## on a surface of lilies ##@§**\«-,
,,-«\**§@# - dolphins and cats - #@§**\«-,,
,-«\**§@## drag us down ##@§**\«-,
,,-«\**§@# ,«* underneath *«, #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# *******************§§******************* #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# side a is foresty, and side b might #@§**\«-,,
,-«\**§@## be lizardy. but the last song is full ##@§**\«-,
,,-«\**§@# of space. #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# #@§**\«-,,
,-«\**§@## ##@§**\«-,
,,-«\**§@# #@§**\«-,,
,-«\**§@## ##@§**\«-,