,^-/%§¤£## ##£¤§%/-^,
,^-/%%§¤£@ @£¤§%%/-^,
,^-/%§¤@## ##@¤§%/-^,
,,,^-%§§¤£ £¤§§%-^,,,
,^-/%§¤£## ##£¤§%/-^,
,,,,,,-%¤£ TRAIN DREAM £¤%-,,,,,,
,^-/%§¤£@# ######,,,,^-^^,,##################### #@£¤§%/-^,
,,,,,^/§£@ /// @£§/^,,,,,
,,,^^^//%¤ - ¤%//^^^,,,
,^-/%%%¤¤@ - @¤¤%%%/-^,
,^-/%§¤@## ##@¤§%/-^,
,^-/%§¤£@@ (SITUATION) @@£¤§%/-^,
,,,,,-%¤££ ££¤%-,,,,,
,^-/%§¤£@# YOU FIND YOURSELF IN A RIFT - A #@£¤§%/-^,
,^-/%§¤¤££ CLEARING, NARROW BUT IMMEASURABLY LONG. ££¤¤§%/-^,
,^-/%§¤£@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@£¤§%/-^,
,,,^-/%%¤£ THICK AND READY TO SWALLOW YOU. THE SUN £¤%%/-^,,,
,^-/%§¤£@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@£¤§%/-^,
,,,--%%¤¤£ IT IS VERY BRIGHT - THE AIR FEELS LIGHT £¤¤%%--,,,
,^-/%§¤£@# BLUE, ALMOST WHITE. #@£¤§%/-^,
,^-/%§§¤£@ @£¤§§%/-^,
,^-/%§§¤££ ALONG THE SPAN OF THE CLEARING LAY TWO ££¤§§%/-^,
,^-/%¤£@## PARALLEL SILVERY LINES, DARK HARD ##@£¤%/-^,
,,^^-%%§¤¤ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ¤¤§%%-^^,,
,,,,--%¤££ THEY ARE. ££¤%--,,,,
,^-/%§¤£@# #@£¤§%/-^,
,^-////%¤¤ THEY EMIT A HIGH PITCHED WHINE... ¤¤%////-^,
,,,,,^/%§£ £§%/^,,,,,
,^-/%§¤£@# - #@£¤§%/-^,
,,,,^^/%¤¤ ,,%,, ¤¤%/^^,,,,
,^-/%§¤£@# - #@£¤§%/-^,
,^-/%§¤£@# #@£¤§%/-^,
,^-/%§¤£@# (SITUATION) #@£¤§%/-^,
,^-/%§£@## ##@£§%/-^,
,,,,,,^/§£ YOURE AT THE TRAIN STATION, ON A £§/^,,,,,,
,^-/%§¤££@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @££¤§%/-^,
,^-/%§¤£££ LATE, OR YOU ARE LATE TO THE TRAIN. £££¤§%/-^,
,^-/%§¤£@# IT'S A SUMMER AFTERNOON AND THE STATION #@£¤§%/-^,
,^-/%§¤£££ IS BUSY, FULL OF RELAXED CONFIDENCE. £££¤§%/-^,
,^-/%%§§££ ££§§%%/-^,
,,,,,^/%§£ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT £§%/^,,,,,
,^-/%§¤¤¤@ STRESSED ABOUT THE TIME, WHILE MOVING @¤¤¤§%/-^,
,^-/%§¤£@# UP THE STAIRS TO YOUR PLATFORM. THE #@£¤§%/-^,
,^^^//§¤££ STATION IS IN SEVERAL LEVELS, ALL ££¤§//^^^,
,,^^-/%¤££ PLACED WITHIN EACHOTHER BY SOME ££¤%/-^^,,
,^-/%§¤@## INTELLIGENT DESIGNER, AND FULL OF ##@¤§%/-^,
,^-/%§¤£@# STAIRS, ELEVATORS, SHORTCUTS, #@£¤§%/-^,
,,,,^-%§¤£ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH £¤§%-^,,,,
,,,^--/§££ SOME GLASS WINDOWS. IT'S... NOT WHERE ££§/--^,,,
,,,^^^-%¤@ IT'S SUPPOSED TO BE? @¤%-^^^,,,
,^-/%§¤£@@ @@£¤§%/-^,
,,^--%%%%¤ - ¤%%%%--^,,
,^-/%§¤£@# ^^§^^ #@£¤§%/-^,
,^-////§§¤ - ¤§§////-^,
,,,,^--%§£ £§%--^,,,,
,^-/%§¤£££ (SITUATION) £££¤§%/-^,
,^-/%§§§¤@ @¤§§§%/-^,
,^--///§§¤ YOU'RE FINALLY ENTERING THE CITY. WHILE ¤§§///--^,
,,^--/§¤££ IT IS INDEED A VERY HIGH SPEED TRAIN ££¤§/--^,,
,^-/%§¤£## YOU'RE TRAVELING IN, THE JOURNEY HAS ##£¤§%/-^,
,,,^^/%¤¤¤ BEEN LONG. BUT IT'S ABOUT TO END! ¤¤¤%/^^,,,
,,,,^-/§£@ @£§/-^,,,,
,^-/%§¤£@@ SOCIETY IS GROWING DENSER AROUND YOU, @@£¤§%/-^,
,^-/§¤£@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@£¤§/-^,
,,,,,--%§¤ SHACKS, BUILT OF METAL AND STONE, THEN ¤§%--,,,,,
,^-/%§¤£## PROPER HOUSES WITH MORTAR TO KEEP THEM ##£¤§%/-^,
,,,,,,-%¤£ TOGETHER... WHO IN TURN MAKE WAY FOR £¤%-,,,,,,
,,,,^^-%§£ THE INDUSTRIAL BUILDINGS, THE URBAN £§%-^^,,,,
,,,,--//§¤ MAZE, PROTECTIVE WALLS, JUNGLE ¤§//--,,,,
,^-/%§¤£## NETWORK... ##£¤§%/-^,
,,,^--/%¤@ @¤%/--^,,,
,^-/%§¤£@# THE TRACKS LEAVE THE GROUND, WHICH IS #@£¤§%/-^,
,,,,,--/§¤ NEEDED FOR OTHER PURPOSES. YOU ARE ¤§/--,,,,,
,^-/%§¤£@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@£¤§%/-^,
,,,,^-%¤££ YOU'RE MOVING UPWARD ALONG THE WALL OF ££¤%-^,,,,
,^-/%§¤£@@ A BUILDING. IT'S MADE OF SLABBY STONE, @@£¤§%/-^,
,,,,,,-/§£ WITH GREAT GLASSLESS WINDOW HOLES £§/-,,,,,,
,,,,-%%¤¤@ LOOKING OUT THE WAY YOU CAME. IT IS @¤¤%%-,,,,
,^-/%§£@## PITCH BLACK INSIDE. ##@£§%/-^,
,^-/%§¤£@# #@£¤§%/-^,
,^-////§££ ££§////-^,
,^-/%§§§§£ £§§§§%/-^,
,,,,^^/§§£ £§§/^^,,,,
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