#..##.#.## ..##..#.#.
#.#.#.#..# .#.#.##.#.
#.#.#.#.#. ##.#..#.#.
#.#.#.#.#. .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. £ dream palace £ .#.#.##.#.
#.#.#.#.#. : ----- ------ : .#.#..#.#.
#.#.#.#.#. £ ..... ...... £ .#.#.##.#.
#.#.#.#.#. ; ..... ...... ; .#.#..#.#.
#.#.#.#.#. : ..... ...... : .#.#.##.#.
#.#.#.#.#. : ..... ...... : .#.#..#.#.
#.#.#.#.#. . ..... ...... . .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. .#.#.##.#.
#.#.#.#.#. not actually a palace. a cottage in the .#.#..#.#.
#.#.#.#.#. woods (temperate climate, rains every .#.#.##.#.
#.#.#.#.#. other day, springs and streams and .#.#..#.#.
#.#.#.#.#. mysterious iron and stone artifacts, .#.#.##.#.
#.#.#.#.#. birdland-ish eternal spring (late .#.#..#.#.
#.#.#.#.#. spring)) .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. = .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. i wake up every morning at six am. it's .#.#.##.#.
#.#.#.#.#. dark, and the stars are out, but the .#.#..#.#.
#.#.#.#.#. sun is about to rise. its a long day, .#.#.##.#.
#.#.#.#.#. before it fades to night again, and .#.#..#.#.
#.#.#.#.#. then it stays so until i fall asleep. .#.#.##.#.
#.#.#.#.#. it doesn't rise unless i've had my .#.#..#.#.
#.#.#.#.#. dreams. .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. ^ .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. in this cottage there's a lot of radio .#.#.##.#.
#.#.#.#.#. equipment, sound stuff, synths, tape .#.#..#.#.
#.#.#.#.#. players. pen and paper, books, cameras, .#.#.##.#.
#.#.#.#.#. mirrors, prisms, and various things to .#.#..#.#.
#.#.#.#.#. do art with. the fridge is filled with .#.#.##.#.
#.#.#.#.#. differet foods, all of them intriguing, .#.#..#.#.
#.#.#.#.#. slightly weird. .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. # .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. i have friends - there's a cat, and a .#.#.##.#.
#.#.#.#.#. dog (who is ridicolously large and .#.#..#.#.
#.#.#.#.#. wants to be the big spoon). i listen to .#.#.##.#.
#.#.#.#.#. the shortwave radio, and transmit a bit .#.#..#.#.
#.#.#.#.#. myself, songs and poetry, and found .#.#.##.#.
#.#.#.#.#. sounds from the forest. the others tell .#.#..#.#.
#.#.#.#.#. of their lives, play the guitar for me, .#.#.##.#.
#.#.#.#.#. and tell tales of the old world. i .#.#..#.#.
#.#.#.#.#. consider them friends as well. .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. £ .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. most importantly, there's a two square .#.#.##.#.
#.#.#.#.#. meter area on the floor where i can .#.#..#.#.
#.#.#.#.#. "save" things. whatever i put in here .#.#.##.#.
#.#.#.#.#. will not be affected by the nightly .#.#..#.#.
#.#.#.#.#. reset. everything else, however, is .#.#.##.#.
#.#.#.#.#. completely reset overnight: synth .#.#..#.#.
#.#.#.#.#. patches removed, food uneaten, wounds .#.#.##.#.
#.#.#.#.#. healed, and wherever and whenever i'd .#.#..#.#.
#.#.#.#.#. fall asleep i'd always wake up fully .#.#.##.#.
#.#.#.#.#. rested in my bed. sometimes there's .#.#..#.#.
#.#.#.#.#. accidents where i lose stuff by .#.#.##.#.
#.#.#.#.#. forgetting to put them in the square. .#.#..#.#.
#.#.#.#.#. .#.#.##.#.
#.#.#.#.#. . .#.#..#.#.
#.#.#.#.#. .#.#.##.#.
#.#.#.#.#. at night, i have demi-lucid dreams .#.#..#.#.
#.#.#.#.#. where the spirits of the forest around .#.#.##.#.
#.#.#.#.#. the cottage tries to communicate. here, .#.#..#.#.
#.#.#.#.#. it's not endless but connected to a .#.#.##.#.
#.#.#.#.#. large sprawling city, where my radio .#.#..#.#.
#.#.#.#.#. friends live. we go exploring together .#.#.##.#.
#.#.#.#.#. - things are deep and dark - but unlike .#.#..#.#.
#.#.#.#.#. me, they never remember during the day. .#.#.##.#.
#.#.#.#.#. this is a mystery we often discuss. .#.#..#.#.
#.#.#.#.#. .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. .#.#.##.#.
#.#.#.#.#. .#.#..#.#.
#.#.#.#.#. .#.#.##.#.
#.#.#.#.#. .#.#..#.#.