.-~/%&£@## ##@£&%/~-.
..-~/%&£@# #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# & dream palace & #@£&%/~-..
.-~/%&£@## - ----- ------ - ##@£&%/~-.
..-~/%&£@# & ..... ...... & #@£&%/~-..
.-~/%&£@## / ..... ...... / ##@£&%/~-.
..-~/%&£@# - ..... ...... - #@£&%/~-..
.-~/%&£@## - ..... ...... - ##@£&%/~-.
..-~/%&£@# . ..... ...... . #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# #@£&%/~-..
.-~/%&£@## not actually a palace. a cottage in the ##@£&%/~-.
..-~/%&£@# woods (temperate climate, rains every #@£&%/~-..
.-~/%&£@## other day, springs and streams and ##@£&%/~-.
..-~/%&£@# mysterious iron and stone artifacts, #@£&%/~-..
.-~/%&£@## birdland-ish eternal spring (late ##@£&%/~-.
..-~/%&£@# spring)) #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# ~ #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# i wake up every morning at six am. it's #@£&%/~-..
.-~/%&£@## dark, and the stars are out, but the ##@£&%/~-.
..-~/%&£@# sun is about to rise. its a long day, #@£&%/~-..
.-~/%&£@## before it fades to night again, and ##@£&%/~-.
..-~/%&£@# then it stays so until i fall asleep. #@£&%/~-..
.-~/%&£@## it doesn't rise unless i've had my ##@£&%/~-.
..-~/%&£@# dreams. #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# % #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# in this cottage there's a lot of radio #@£&%/~-..
.-~/%&£@## equipment, sound stuff, synths, tape ##@£&%/~-.
..-~/%&£@# players. pen and paper, books, cameras, #@£&%/~-..
.-~/%&£@## mirrors, prisms, and various things to ##@£&%/~-.
..-~/%&£@# do art with. the fridge is filled with #@£&%/~-..
.-~/%&£@## differet foods, all of them intriguing, ##@£&%/~-.
..-~/%&£@# slightly weird. #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# £ #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# i have friends - there's a cat, and a #@£&%/~-..
.-~/%&£@## dog (who is ridicolously large and ##@£&%/~-.
..-~/%&£@# wants to be the big spoon). i listen to #@£&%/~-..
.-~/%&£@## the shortwave radio, and transmit a bit ##@£&%/~-.
..-~/%&£@# myself, songs and poetry, and found #@£&%/~-..
.-~/%&£@## sounds from the forest. the others tell ##@£&%/~-.
..-~/%&£@# of their lives, play the guitar for me, #@£&%/~-..
.-~/%&£@## and tell tales of the old world. i ##@£&%/~-.
..-~/%&£@# consider them friends as well. #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# @ #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# most importantly, there's a two square #@£&%/~-..
.-~/%&£@## meter area on the floor where i can ##@£&%/~-.
..-~/%&£@# "save" things. whatever i put in here #@£&%/~-..
.-~/%&£@## will not be affected by the nightly ##@£&%/~-.
..-~/%&£@# reset. everything else, however, is #@£&%/~-..
.-~/%&£@## completely reset overnight: synth ##@£&%/~-.
..-~/%&£@# patches removed, food uneaten, wounds #@£&%/~-..
.-~/%&£@## healed, and wherever and whenever i'd ##@£&%/~-.
..-~/%&£@# fall asleep i'd always wake up fully #@£&%/~-..
.-~/%&£@## rested in my bed. sometimes there's ##@£&%/~-.
..-~/%&£@# accidents where i lose stuff by #@£&%/~-..
.-~/%&£@## forgetting to put them in the square. ##@£&%/~-.
..-~/%&£@# #@£&%/~-..
.-~/%&£@## . ##@£&%/~-.
..-~/%&£@# #@£&%/~-..
.-~/%&£@## at night, i have demi-lucid dreams ##@£&%/~-.
..-~/%&£@# where the spirits of the forest around #@£&%/~-..
.-~/%&£@## the cottage tries to communicate. here, ##@£&%/~-.
..-~/%&£@# it's not endless but connected to a #@£&%/~-..
.-~/%&£@## large sprawling city, where my radio ##@£&%/~-.
..-~/%&£@# friends live. we go exploring together #@£&%/~-..
.-~/%&£@## - things are deep and dark - but unlike ##@£&%/~-.
..-~/%&£@# me, they never remember during the day. #@£&%/~-..
.-~/%&£@## this is a mystery we often discuss. ##@£&%/~-.
..-~/%&£@# #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# #@£&%/~-..
.-~/%&£@## ##@£&%/~-.
..-~/%&£@# #@£&%/~-..
.-~/%&£@## ##@£&%/~-.