%/~-,,,,,,                                          ,,,,,,-~/%
%%/~-,,,,,                                          ,,,,,-~/%%
&%%/~-,,,,                                          ,,,,-~/%%&
#&%%/~-,,,                                          ,,,-~/%%&#
##&%%/~-,,                                          ,,-~/%%&##
###&%%/~-, delay  delay  d,la#  & %a,  - ,#   ~   - ,-~/%%&###
##&%%/~-,,                                          ,,-~/%%&##
#&%%/~-,,,                                          ,,,-~/%%&#
&%%/~-,,,,                                          ,,,,-~/%%&
%%/~-,,,,,                                          ,,,,,-~/%%
%/~-,,,,,, "delay" means repetiton or likewise,     ,,,,,,-~/%
/~-,,,,,,, but it's mainly useless without          ,,,,,,,-~/
~-,,,,,,,, feedback,                                ,,,,,,,,-~
-,,,,,,,,, to allow the delay to eat of it's own    ,,,,,,,,,-
~-,,,,,,,, tail, like one of those eaty serpents.   ,,,,,,,,-~
/~-,,,,,,, thus: it's the serpent effect!           ,,,,,,,-~/
%/~-,,,,,,                                          ,,,,,,-~/%
%%/~-,,,,, it's to be revered as a creator of       ,,,,,-~/%%
&%%/~-,,,, ambience and of space, if you treat it   ,,,,-~/%%&
#&%%/~-,,, right. a somewhat more solid and         ,,,-~/%%&#
##&%%/~-,, slippery sibling of reverb.              ,,-~/%%&##
###&%%/~-,                                          ,-~/%%&###
##&%%/~-,,                                          ,,-~/%%&##
#&%%/~-,,,                                          ,,,-~/%%&#
&%%/~-,,,,                                          ,,,,-~/%%&
%%/~-,,,,,                                          ,,,,,-~/%%