&&......&& &.&..&&..&
.&&.....&& &..&.&&&.&
.&&&....&. &&...&.&..
.&.&&..... .&&.....&.
...&&&.... .&&&.....&
&..&.&&... delay delay d.la# & *a. : .£ « : .&.&&.....
.&...&&&.. ...&&&....
..&..&.&&. &..&.&&...
...&...&&& &&...&&&..
....&..&.& &&&..&.&&.
.....&...& "delay" means repetiton or likewise, &.&&...&&&
&.....&..& but it's mainly useless without ..&&&..&.&
&&.....&.. feedback, ..&.&&...&
.&&.....&. to allow the delay to eat of it's own &...&&&..&
.&&&.....& tail, like one of those eaty serpents. &&..&.&&..
.&.&&..... thus: it's the serpent effect! .&&...&&&.
...&&&.... .&&&..&.&&
&..&.&&... it's to be revered as a creator of .&.&&...&&
&&...&&&.. ambience and of space, if you treat it ...&&&..&.
&&&..&.&&. right. a somewhat more solid and &..&.&&...
&.&&...&&& slippery sibling of reverb. &&...&&&..
..&&&..&.& &&&..&.&&.
..&.&&...& &.&&...&&&
&...&&&..& ..&&&..&.&
&&..&.&&.. ..&.&&...&
.&&...&&&. ....&&&..&