¨~«^*@¤@## ##@¤@*^«~¨
¨¨¨¨«^**¤¤ ¤¤**^«¨¨¨¨
¨~«^*@¤¤¤@ @¤¤¤@*^«~¨
¨~«^*@¤@@# #@@¤@*^«~¨
¨~«^*@¤@@# #@@¤@*^«~¨
¨~«^*@@@## the last song on side b (and to some ##@@@*^«~¨
¨¨¨¨¨«**¤@ extent the first song on side a) talks @¤**«¨¨¨¨¨
¨~~«^*@@¤@ for the whole album, not just their @¤@@*^«~~¨
¨~«^*@@@## side. the last song on side b is ##@@@*^«~¨
¨~«^@¤@@## probably the most important ##@@¤@^«~¨
¨~«^*@@@¤@ opportunity, the most charged slot. @¤@@@*^«~¨
¨~«^*¤@@## ##@@¤*^«~¨
¨~«^*@¤¤¤@ ¨@#@¨ @¤¤¤@*^«~¨
¨~«^*@¤@@# #@@¤@*^«~¨
¨¨¨¨¨¨«*¤@ the album is a singularity, an anomaly @¤*«¨¨¨¨¨¨
¨¨¨¨«^*¤@@ in spacetime, a creature that knows @@¤*^«¨¨¨¨
¨¨¨¨~^**¤@ exactly how beautiful it is. @¤**^~¨¨¨¨
¨~«^*@¤@@# ¨ #@@¤@*^«~¨
¨~«^*@¤@@@ and the thing is: it sees itself in @@@¤@*^«~¨
¨¨¨¨¨«^**¤ three d. it knows that it's dying. ¤**^«¨¨¨¨¨
¨~«^*@¤¤@@ @@¤¤@*^«~¨
¨~«^@¤@@## **@@**@@**@@**@@**@¤¤@**@@**@@**@@**@@** ##@@¤@^«~¨
¨~«^*@¤@@# #@@¤@*^«~¨
¨~«^*@¤@@# ~ dolphins and cats ~ #@@¤@*^«~¨
¨~«^*@¤@@# bring us #@@¤@*^«~¨
¨¨~««^^*¤¤ ¨ flowers and honey ¨ ¤¤*^^««~¨¨
¨~«^*@¤@@# #@@¤@*^«~¨
¨¨¨¨«^^*@¤ ~ dolphins and cats ~ ¤@*^^«¨¨¨¨
¨¨¨~««*¤@@ bring us @@¤*««~¨¨¨
¨~«^*¤@@## ¨ fairies and bees ¨ ##@@¤*^«~¨
¨~«^*@@¤¤@ @¤¤@@*^«~¨
¨~«^*@¤@@@ our boat is afloat @@@¤@*^«~¨
¨~«^*@¤@@# on a surface of lilies #@@¤@*^«~¨
¨¨¨¨¨«**@@ ~ dolphins and cats ~ @@**«¨¨¨¨¨
¨¨¨¨¨¨~^@@ drag us down @@^~¨¨¨¨¨¨
¨¨¨¨««**¤@ ¨«* underneath *«¨ @¤**««¨¨¨¨
¨~«^*@¤@## ##@¤@*^«~¨
¨~«^*@@@## **@@**@@**@@**@@**@¤¤@**@@**@@**@@**@@** ##@@@*^«~¨
¨¨¨¨¨~^^@@ @@^^~¨¨¨¨¨
¨~«^***@¤@ side a is foresty, and side b might @¤@***^«~¨
¨~«^*@¤@@# be lizardy. but the last song is full #@@¤@*^«~¨
¨~«^*@@@## of space. ##@@@*^«~¨
¨~«^*@¤@@@ @@@¤@*^«~¨
¨~«^*@¤@## ##@¤@*^«~¨
¨~«^*@¤@@# #@@¤@*^«~¨
¨~«^*@¤¤¤@ @¤¤¤@*^«~¨
¨~«^*@¤@@@ @@@¤@*^«~¨