###&%=:-^. .^-:=%&###
##@&%=:-^. .^-:=%&@##
##@&%=:-^. .^-:=%&@##
##@&%=:-^. .^-:=%&@##
##@&%=:-^. .^-:=%&@##
@@&&%=:-^. the last song on side b (and to some .^-:=%&&@@
##@&%=:-^. extent the first song on side a) talks .^-:=%&@##
###@&%=:^. for the whole album, not just their .^:=%&@###
##@&%=:-^. side. the last song on side b is .^-:=%&@##
#&&&%=:-^. probably the most important .^-:=%&&&#
@&=-...... opportunity, the most charged slot. ......-=&@
&%%==---^. .^---==%%&
##@&%=:-^. .@#@. .^-:=%&@##
##@&%=:-^. .^-:=%&@##
###&%=:-^. the album is a singularity, an anomaly .^-:=%&###
&=:^...... in spacetime, a creature that knows ......^:=&
###&%=:-^. exactly how beautiful it is. .^-:=%&###
##@&%=:-^. . .^-:=%&@##
##@&%=:-^. and the thing is: it sees itself in .^-:=%&@##
###@&=:-^. three d. it knows that it's dying. .^-:=&@###
##@&%=:-^. .^-:=%&@##
##@&%=:-^. ==%%==%%==%%==%%==%&&%==%%==%%==%%==%%== .^-:=%&@##
##@&%=:-^. .^-:=%&@##
##@&%=:-^. ^ dolphins and cats ^ .^-:=%&@##
##@&%=:-^. bring us .^-:=%&@##
##@&%=:-^. . flowers and honey . .^-:=%&@##
@&&%::^... ...^::%&&@
##@&%=:-^. ^ dolphins and cats ^ .^-:=%&@##
&&==:::-^. bring us .^-:::==&&
@%%=:^.... . fairies and bees . ....^:=%%@
&&%:^..... .....^:%&&
##@&%=:-^. our boat is afloat .^-:=%&@##
&&&==-^... on a surface of lilies ...^-==&&&
&=:-...... ^ dolphins and cats ^ ......-:=&
&%%:^..... drag us down .....^:%%&
##@&%=:-^. .-= underneath =-. .^-:=%&@##
&%%:-..... .....-:%%&
@%%=:::-^. ==%%==%%==%%==%%==%&&%==%%==%%==%%==%%== .^-:::=%%@
@@@&%=:-^. .^-:=%&@@@
###@&=:-^. side a is foresty, and side b might .^-:=&@###
##@&%=:-^. be lizardy. but the last song is full .^-:=%&@##
##@&%=:-^. of space. .^-:=%&@##
@&&==-.... ....-==&&@
##@&%=:-^. .^-:=%&@##
##@&%=:-^. .^-:=%&@##
##@&%=:-^. .^-:=%&@##
&%%=-..... .....-=%%&