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.@@.@.@.@. £@@££@@££@@££@@££@@££@@££@@££@@££@@££@@£ @.@..@.@.@
..@.@.@.@. @ buildings, towers in the "golden @ @.@.@@.@.@
.@@.@.@.@. @ bay" (everything made of sandstone). @ @.@..@.@.@
..@.@.@.@. £ five particular houses fourty £ @.@.@@.@.@
.@@.@.@.@. £ stories tall, hundred meters apart, £ @.@..@.@.@
..@.@.@.@. @ in a slight arc inwards. @ @.@.@@.@.@
.@@.@.@.@. @ @ @.@..@.@.@
..@.@.@.@. £ between two mountains; to the right £ @.@.@@.@.@
.@@.@.@.@. £ and left the city climbs quickly. £ @.@..@.@.@
..@.@.@.@. @ the right plateau hosts a lush and @ @.@.@@.@.@
.@@.@.@.@. @ shaded garden which morphs into a @ @.@..@.@.@
..@.@.@.@. £ terrace overlooking the sea and £ @.@.@@.@.@
.@@.@.@.@. £ the buildings. £ @.@..@.@.@
..@.@.@.@. @ @ @.@.@@.@.@
.@@.@.@.@. @ to the left the houses climb @ @.@..@.@.@
..@.@.@.@. £ similarly but a lot of tunnels and £ @.@.@@.@.@
.@@.@.@.@. £ halls have been dug from the £ @.@..@.@.@
..@.@.@.@. @ mountain. some houses stand @ @.@.@@.@.@
.@@.@.@.@. @ completely "inside". because of cave @ @.@..@.@.@
..@.@.@.@. £ conditions the lower floors here £ @.@.@@.@.@
.@@.@.@.@. £ are covered in dark algae that the £ @.@..@.@.@
..@.@.@.@. @ city long ago stopped trying to @ @.@.@@.@.@
.@@.@.@.@. @ remove. establishments use neon @ @.@..@.@.@
..@.@.@.@. £ signs as an accent to the dark. £ @.@.@@.@.@
.@@.@.@.@. £ there's a casino. £ @.@..@.@.@
..@.@.@.@. @ there's an internet cafe. @ @.@.@@.@.@
.@@.@.@.@. @ @ @.@..@.@.@
..@.@.@.@. £ most people living here have long £ @.@.@@.@.@
.@@.@.@.@. £ snouts and big ears. all space is £ @.@..@.@.@
..@.@.@.@. @ shared (few rooms have locks or @ @.@.@@.@.@
.@@.@.@.@. @ even doors). interior design is @ @.@..@.@.@
..@.@.@.@. £ mostly art nouveau and made £ @.@.@@.@.@
.@@.@.@.@. £ out of copper. £ @.@..@.@.@
..@.@.@.@. @@££@@££@@££@@££@@££££@@££@@££@@££@@££@@ @.@.@@.@.@
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