,,»=§$#£## ##£#$§=»,,
¨.¨.=/$$£¶ ¶£$$/=.¨.¨
.:»†=¤#### ####¤=†»:.
¨.,,~./§¤& &¤§/.~,,.¨
.¨.¨¨:/£¶@ @¶£/:¨¨.¨.
.,»*%*%%&¤ statuette ¤&%%*%*»,.
¨-=;*§@### ###@§*;=-¨
.-~==$#### &*@§§£&$¤$$§&££$=~»~-~==£§@£&$££££$$*£%% ####$==~-.
,~~=**#### $&§@$$§&£ ####**=~~,
,,,,:;†%¤£ £¤%†;:,,,,
.:«†*£@### forests around my childhood home. thick ###@£*†«:.
.:-†%£&¶@# pine arcades that were planted and #@¶&£%†-:.
¨:=:^$@@## forgotten. wild boars roaming ##@@$^:=:¨
,:«†%&¤¶## underneath, sniffing at the ground. it ##¶¤&%†«:,
.:~=§%#£@# is dark and moist, the canopy having #@£#%§=~:.
,^»==@#### already soaked up all the sun. ####@==»^,
¨.,,~~=$#@ @#$=~~,,.¨
¨--^^†%*¤£ there's a river passing by, from east £¤*%†^^--¨
,,~=$&@&@@ to west, getting broader and deeper and @@&@&$=~,,
..~:=### slower as it goes. equisetum grow just ####&=:~..
¨^«/=*§£ where the pine hands start to let #&£§*=/«^¨
..¨¨:=%*@§ through light, horsemint on the rocky §@*%=:¨¨..
.,-«-=/%$@ river bed. @$%/=-«-,.
..=/@£@### ###@£@/=..
.-~;†&¤£## † ##£¤&†;~-.
.,-;=&££@# #@££&=;-,.
¨:~†*%%#£# the riverbanks reek of magic. tonight #£#%%*†~:¨
¨¨¨¨~†*£¤@ they had been a swampworld with sylvan @¤£*†~¨¨¨¨
,.~^$$£#@# water, stone rings and floating moss. #@#£$$^~.,
.~^^:-*%#@ you could've found me wallowing around @#%*-:^^~.
¨,¨..~:¤@# on the southern shores until i got #@¤:~..¨,¨
,,~^†£#¶## bitten. ##¶#£†^~,,
¨,-;^§£### ###£§^;-,¨
¨^»:*%&¶## but now i'm further back, on solid ##¶&%*:»^¨
..¨-=-;§&@ ground, in shoulder-high grass, with an @&§;-=-¨..
,:-*%£#¶## orange tin radio and a translucent ##¶#£%*-:,
¨,»/:*†*## umbrella which i'm sitting on. ##*†*:/»,¨
¨~~^/§§#@# #@#§§/^~~¨
¨,=:†&$$¤@ \ @¤$$&†:=,¨
,~«;%*@### ###@*%;«~,
,.,,,~%*## somethings moving in the grass. it's ##*%~,,,.,
¨^«*†$@### invisible to my eyes but i can feel ###@$†*«^¨
.~-\$¤&¤§§ through the ground just how large it is. §§¤&¤$\-~.
¨~~=%%@@## ##@@%%=~~¨
¨,.¨,¨.*££ the soil is muddy. i slip when trying ££*.¨,¨.,¨
,:»^$%@#@# to get up, still looking at the #@#@%$^»:,
,,.,~^¤#¶@ direction of sound rather than at my @¶#¤^~,.,,
..~:†£@@## hands, who are busy putting things in ##@@£†:~..
¨..,=†%¤## my pockets. ##¤%†=,..¨
¨,,¨,^†£§& &§£†^,¨,,¨
.,»;^£##@# then i run east toward my home. #@##£^;»,.
,:~/%%§@@# #@@§%%/~:,
..¨,=^†&@# = #@&†^=,¨..
¨:=^*=\†%& &%†\=*^=:¨
.^=*†£#@@# i am not followed, and slow down in the #@@#£†*=^.
¨,¨¨,^^†#@ clearing where you at first can spot @#†^^,¨¨,¨
¨,«/†%§#@# the house, not yet really in the #@#§%†/«,¨
..,,«%^†@§ backyard. from my pockets i retrieve my §@†^%«,,..
¨--;^£¤### radio (now dented) but also a small ###¤£^;--¨
.,~\†@#### clay figure i've never seen before. it ####@†\~,.
¨,-=%§£@@# must have been laying in the wet dirt, #@@£§%=-,¨
,,»=-;:@@@ and i must've picked it up with my @@@:;-=»,,
.-~\$@£@#@ other belongings. @#@£@$\~-.
¨¨.~=*$%§¤ ¤§%$*=~.¨¨
.~«††%#### it's a statuette of a girl laying naked ####%††«~.
,¨.,-*§=#@ on her stomach, feet in the air, @#=§*-,.¨,
.,.¨^;†%%£ roughly seven centimeters long. it's £%%†;^¨.,.
¨-»/†££### freshly made, not yet completely dried. ###££†/»-¨
,,=/$¤%$#@ @#$%¤$/=,,
,¨,¨.~:*#@ my mom is here now. i ask her for some @#*:~.¨,¨,
,¨¨-~«†£¤# particle board for it to dry on, but #¤£†«~-¨¨,
¨,»†%£§@## she is worried and wants me to ##@§£%†»,¨
¨~»=§@## throw it away. ##@#&§=»~¨
¨^«*%%#@## ##@#%%*«^¨
¨~.«\*=*@@ @@*=*\«.~¨
...,.,«†## ##†«,.,...
,.¨,~,/=££ ££=/,~,¨.,
,^-†=*§### ###§*=†-^,
¨,~:%£¤#@# #@#¤£%:~,¨