.@@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ & DREAM PALACE & @..@.@..@.
@.@.@.@..@ : ----- ------ : @.@@.@.@@.
@.@.@.@.@@ & ..... ...... & @..@.@..@.
@.@.@.@..@ : ..... ...... : @.@@.@.@@.
@.@.@.@.@@ : ..... ...... : @..@.@..@.
@.@.@.@..@ : ..... ...... : @.@@.@.@@.
@.@.@.@.@@ . ..... ...... . @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ @..@.@..@.
@.@.@.@..@ NOT ACTUALLY A PALACE. A COTTAGE IN THE @.@@.@.@@.
@.@.@.@.@@ WOODS (TEMPERATE CLIMATE, RAINS EVERY @..@.@..@.
@.@.@.@..@ OTHER DAY, SPRINGS AND STREAMS AND @.@@.@.@@.
@.@.@.@.@@ MYSTERIOUS IRON AND STONE ARTIFACTS, @..@.@..@.
@.@.@.@..@ BIRDLAND-ISH ETERNAL SPRING (LATE @.@@.@.@@.
@.@.@.@.@@ SPRING)) @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ « @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ I WAKE UP EVERY MORNING AT SIX AM. IT'S @..@.@..@.
@.@.@.@..@ DARK, AND THE STARS ARE OUT, BUT THE @.@@.@.@@.
@.@.@.@.@@ SUN IS ABOUT TO RISE. ITS A LONG DAY, @..@.@..@.
@.@.@.@..@ BEFORE IT FADES TO NIGHT AGAIN, AND @.@@.@.@@.
@.@.@.@.@@ THEN IT STAYS SO UNTIL I FALL ASLEEP. @..@.@..@.
@.@.@.@..@ IT DOESN'T RISE UNLESS I'VE HAD MY @.@@.@.@@.
@.@.@.@.@@ DREAMS. @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ † @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ IN THIS COTTAGE THERE'S A LOT OF RADIO @..@.@..@.
@.@.@.@..@ EQUIPMENT, SOUND STUFF, SYNTHS, TAPE @.@@.@.@@.
@.@.@.@.@@ PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, @..@.@..@.
@.@.@.@..@ MIRRORS, PRISMS, AND VARIOUS THINGS TO @.@@.@.@@.
@.@.@.@.@@ DO ART WITH. THE FRIDGE IS FILLED WITH @..@.@..@.
@.@.@.@..@ DIFFERET FOODS, ALL OF THEM INTRIGUING, @.@@.@.@@.
@.@.@.@.@@ SLIGHTLY WEIRD. @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ @ @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ I HAVE FRIENDS - THERE'S A CAT, AND A @..@.@..@.
@.@.@.@..@ DOG (WHO IS RIDICOLOUSLY LARGE AND @.@@.@.@@.
@.@.@.@.@@ WANTS TO BE THE BIG SPOON). I LISTEN TO @..@.@..@.
@.@.@.@..@ THE SHORTWAVE RADIO, AND TRANSMIT A BIT @.@@.@.@@.
@.@.@.@.@@ MYSELF, SONGS AND POETRY, AND FOUND @..@.@..@.
@.@.@.@..@ SOUNDS FROM THE FOREST. THE OTHERS TELL @.@@.@.@@.
@.@.@.@.@@ OF THEIR LIVES, PLAY THE GUITAR FOR ME, @..@.@..@.
@.@.@.@..@ AND TELL TALES OF THE OLD WORLD. I @.@@.@.@@.
@.@.@.@.@@ CONSIDER THEM FRIENDS AS WELL. @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ # @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ MOST IMPORTANTLY, THERE'S A TWO SQUARE @..@.@..@.
@.@.@.@..@ METER AREA ON THE FLOOR WHERE I CAN @.@@.@.@@.
@.@.@.@.@@ "SAVE" THINGS. WHATEVER I PUT IN HERE @..@.@..@.
@.@.@.@..@ WILL NOT BE AFFECTED BY THE NIGHTLY @.@@.@.@@.
@.@.@.@.@@ RESET. EVERYTHING ELSE, HOWEVER, IS @..@.@..@.
@.@.@.@..@ COMPLETELY RESET OVERNIGHT: SYNTH @.@@.@.@@.
@.@.@.@.@@ PATCHES REMOVED, FOOD UNEATEN, WOUNDS @..@.@..@.
@.@.@.@..@ HEALED, AND WHEREVER AND WHENEVER I'D @.@@.@.@@.
@.@.@.@.@@ FALL ASLEEP I'D ALWAYS WAKE UP FULLY @..@.@..@.
@.@.@.@..@ RESTED IN MY BED. SOMETIMES THERE'S @.@@.@.@@.
@.@.@.@.@@ ACCIDENTS WHERE I LOSE STUFF BY @..@.@..@.
@.@.@.@..@ FORGETTING TO PUT THEM IN THE SQUARE. @.@@.@.@@.
@.@.@.@.@@ @..@.@..@.
@.@.@.@..@ . @.@@.@.@@.
@.@.@.@.@@ @..@.@..@.
@.@.@.@..@ AT NIGHT, I HAVE DEMI-LUCID DREAMS @.@@.@.@@.
@.@.@.@.@@ WHERE THE SPIRITS OF THE FOREST AROUND @..@.@..@.
@.@.@.@..@ THE COTTAGE TRIES TO COMMUNICATE. HERE, @.@@.@.@@.
@.@.@.@.@@ IT'S NOT ENDLESS BUT CONNECTED TO A @..@.@..@.
@.@.@.@..@ LARGE SPRAWLING CITY, WHERE MY RADIO @.@@.@.@@.
@.@.@.@.@@ FRIENDS LIVE. WE GO EXPLORING TOGETHER @..@.@..@.
@.@.@.@..@ - THINGS ARE DEEP AND DARK - BUT UNLIKE @.@@.@.@@.
@.@.@.@.@@ ME, THEY NEVER REMEMBER DURING THE DAY. @..@.@..@.
@.@.@.@..@ THIS IS A MYSTERY WE OFTEN DISCUSS. @.@@.@.@@.
@.@.@.@.@@ @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ @..@.@..@.
@.@.@.@..@ @.@@.@.@@.
@.@.@.@.@@ @..@.@..@.
@.@.@.@..@ @.@@.@.@@.