###@£%†~-¨                                          ¨-~†%£@###
##@£%†~-¨¨                                          ¨¨-~†%£@##
#@£%†~-¨¨¨                                          ¨¨¨-~†%£@#
@£%†~-¨¨¨¨                                          ¨¨¨¨-~†%£@
#@£%†~-¨¨¨                                          ¨¨¨-~†%£@#
##@£%†~-¨¨ delay  delay  d¨la#  @ %a¨  - ¨@   ~   - ¨¨-~†%£@##
###@£%†~-¨                                          ¨-~†%£@###
##@£%†~-¨¨                                          ¨¨-~†%£@##
#@£%†~-¨¨¨                                          ¨¨¨-~†%£@#
@£%†~-¨¨¨¨                                          ¨¨¨¨-~†%£@
#@£%†~-¨¨¨ "delay" means repetiton or likewise,     ¨¨¨-~†%£@#
##@£%†~-¨¨ but it's mainly useless without          ¨¨-~†%£@##
###@£%†~-¨ feedback,                                ¨-~†%£@###
##@£%†~-¨¨ to allow the delay to eat of it's own    ¨¨-~†%£@##
#@£%†~-¨¨¨ tail, like one of those eaty serpents.   ¨¨¨-~†%£@#
@£%†~-¨¨¨¨ thus: it's the serpent effect!           ¨¨¨¨-~†%£@
#@£%†~-¨¨¨                                          ¨¨¨-~†%£@#
##@£%†~-¨¨ it's to be revered as a creator of       ¨¨-~†%£@##
###@£%†~-¨ ambience and of space, if you treat it   ¨-~†%£@###
##@£%†~-¨¨ right. a somewhat more solid and         ¨¨-~†%£@##
#@£%†~-¨¨¨ slippery sibling of reverb.              ¨¨¨-~†%£@#
@£%†~-¨¨¨¨                                          ¨¨¨¨-~†%£@
#@£%†~-¨¨¨                                          ¨¨¨-~†%£@#
##@£%†~-¨¨                                          ¨¨-~†%£@##
###@£%†~-¨                                          ¨-~†%£@###
##@£%†~-¨¨                                          ¨¨-~†%£@##