#@@@£%^~,, ,,~^%£@@@#
@%~,,,,,,, ,,,,,,,~%@
##@@£%^~,, ,,~^%£@@##
##@@£%^~,, ,,~^%£@@##
#@@@£%^~,, ,,~^%£@@@#
##@@£%^~,, delay delay d,la# @ %a, , ,@ ~ , ,,~^%£@@##
##@@£%^~,, ,,~^%£@@##
@@£^,,,,,, ,,,,,,^£@@
##@@£%^~,, ,,~^%£@@##
##@@£%^~,, ,,~^%£@@##
##@@£%^~,, "delay" means repetiton or likewise, ,,~^%£@@##
@£^~,,,,,, but it's mainly useless without ,,,,,,~^£@
##@@£%^~,, feedback, ,,~^%£@@##
#@£^~,,,,, to allow the delay to eat of it's own ,,,,,~^£@#
#@@££%^~,, tail, like one of those eaty serpents. ,,~^%££@@#
##@@£%^~,, thus: it's the serpent effect! ,,~^%£@@##
@%~,,,,,,, ,,,,,,,~%@
@£%^,,,,,, it's to be revered as a creator of ,,,,,,^%£@
@@£^,,,,,, ambience and of space, if you treat it ,,,,,,^£@@
#@£££%^~,, right. a somewhat more solid and ,,~^%£££@#
#@%^^~,,,, slippery sibling of reverb. ,,,,~^^%@#
#@%^^~~~,, ,,~~~^^%@#
#@@@£%^~,, ,,~^%£@@@#
@££%^~~~,, ,,~~~^%££@
@%~,,,,,,, ,,,,,,,~%@
@%^^,,,,,, ,,,,,,^^%@