#@$^:=.,,, ,,,.=:^$@#
@$^:=.,,,, ,,,,.=:^$@
$^:=.,,,,, ,,,,,.=:^$
^:=.,,,,,, ,,,,,,.=:^
:=.,,,,,,, ,,,,,,,.=:
=.,,,,,,,, delay delay d,la# @ ^a, . ,@ = . ,,,,,,,,.=
.,,,,,,,,, ,,,,,,,,,.
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, "delay" means repetiton or likewise, ,,,,,,,,,,
,,,,,,,,,, but it's mainly useless without ,,,,,,,,,,
.,,,,,,,,, feedback, ,,,,,,,,,.
=.,,,,,,,, to allow the delay to eat of it's own ,,,,,,,,.=
:=.,,,,,,, tail, like one of those eaty serpents. ,,,,,,,.=:
^:=.,,,,,, thus: it's the serpent effect! ,,,,,,.=:^
$^:=.,,,,, ,,,,,.=:^$
@$^:=.,,,, it's to be revered as a creator of ,,,,.=:^$@
#@$^:=.,,, ambience and of space, if you treat it ,,,.=:^$@#
##@$^:=.,, right. a somewhat more solid and ,,.=:^$@##
###@$^:=., slippery sibling of reverb. ,.=:^$@###
##@$^:=.,, ,,.=:^$@##
#@$^:=.,,, ,,,.=:^$@#
@$^:=.,,,, ,,,,.=:^$@
$^:=.,,,,, ,,,,,.=:^$
^:=.,,,,,, ,,,,,,.=:^