,,~»\^£@@# #@@£^\»~,,
,~»\^£@@## ##@@£^\»~,
,,~»\^£@@# #@@£^\»~,,
,,,~»\^£@@ @@£^\»~,,,
,,~»\^£@@# #@@£^\»~,,
,~»\^£@@## Delay Delay D,La# @ ^A, ~ ,@ » ~ ##@@£^\»~,
,,~»\^£@@# #@@£^\»~,,
,,,~»\^£@@ @@£^\»~,,,
,,~»\^£@@# #@@£^\»~,,
,~»\^£@@## ##@@£^\»~,
,,~»\^£@@# "Delay" Means Repetiton Or Likewise, #@@£^\»~,,
,,,~»\^£@@ But It'S Mainly Useless Without @@£^\»~,,,
,,~»\^£@@# Feedback, #@@£^\»~,,
,~»\^£@@## To Allow The Delay To Eat Of It'S Own ##@@£^\»~,
,,~»\^£@@# Tail, Like One Of Those Eaty Serpents. #@@£^\»~,,
,,,~»\^£@@ Thus: It'S The Serpent Effect! @@£^\»~,,,
,,~»\^£@@# #@@£^\»~,,
,~»\^£@@## It'S To Be Revered As A Creator Of ##@@£^\»~,
,,~»\^£@@# Ambience And Of Space, If You Treat It #@@£^\»~,,
,,,~»\^£@@ Right. A Somewhat More Solid And @@£^\»~,,,
,,~»\^£@@# Slippery Sibling Of Reverb. #@@£^\»~,,
,~»\^£@@## ##@@£^\»~,
,,~»\^£@@# #@@£^\»~,,
,,,~»\^£@@ @@£^\»~,,,
,,~»\^£@@# #@@£^\»~,,
,~»\^£@@## ##@@£^\»~,