.~-^£#£### ###£#£^-~.
.~-^*£#£## ##£#£*^-~.
.~-^*£#£## ##£#£*^-~.
....~^*### ###*^~....
.....-***# #***-.....
.~-^*£#£## delay delay d.la# # *a. ~ .£ - ~ ##£#£*^-~.
.~-^*£#£## ##£#£*^-~.
.~-^***£££ £££***^-~.
.~-^*£#£## ##£#£*^-~.
....~-*££# #££*-~....
.~-^*£#£## "delay" means repetiton or likewise, ##£#£*^-~.
.~-^*£###£ but it's mainly useless without £###£*^-~.
.~-^*£#£££ feedback, £££#£*^-~.
.~-^*£#£## to allow the delay to eat of it's own ##£#£*^-~.
.....~-^££ tail, like one of those eaty serpents. ££^-~.....
.~-^****£# thus: it's the serpent effect! #£****^-~.
.~-^*£#### ####£*^-~.
.~-^*£#£## it's to be revered as a creator of ##£#£*^-~.
.~-^*£#£## ambience and of space, if you treat it ##£#£*^-~.
.~-^*£#£## right. a somewhat more solid and ##£#£*^-~.
.~-^*£#£## slippery sibling of reverb. ##£#£*^-~.
.~-^*£#£## ##£#£*^-~.
.~-^*£#£## ##£#£*^-~.
.~-^*£#£## ##£#£*^-~.
.....-^£££ £££^-.....
...~--**#£ £#**--~...