,.~~^**&¤# #¤&**^~~.,
,.~^*&¤### ###¤&*^~.,
,.~^***# ##&***^~.,
,.~^*&¤### ###¤&*^~.,
,,,,.^&&¤# #¤&&^.,,,,
,.~^*&¤### delay delay d,la# ¤ *a, . ,# ~ . ###¤&*^~.,
,.~~~^*&¤# #¤&*^~~~.,
,.~^*&¤### ###¤&*^~.,
,.~~^^*¤¤¤ ¤¤¤*^^~~.,
,,,,,~~*&¤ ¤&*~~,,,,,
,.~^*&¤### "delay" means repetiton or likewise, ###¤&*^~.,
,,,,,.^*¤¤ but it's mainly useless without ¤¤*^.,,,,,
,.~^*&¤### feedback, ###¤&*^~.,
,.~^*&¤### to allow the delay to eat of it's own ###¤&*^~.,
,.~^*&¤### tail, like one of those eaty serpents. ###¤&*^~.,
,,.~^**¤¤# thus: it's the serpent effect! #¤¤**^~.,,
,.~^*&¤### ###¤&*^~.,
,.~^*&¤¤¤# it's to be revered as a creator of #¤¤¤&*^~.,
,,...~^^ ambience and of space, if you treat it #&^^~...,,
,.~^*&¤### right. a somewhat more solid and ###¤&*^~.,
,.~^***¤## slippery sibling of reverb. ##¤***^~.,
,.~^*&¤### ###¤&*^~.,
,.~^**&¤¤# #¤¤&**^~.,
,.~^*&¤### ###¤&*^~.,
,.~^*&¤### ###¤&*^~.,
,.~^*&¤### ###¤&*^~.,