..-**%@@@# #@@@%**-..
..-**%@@@@ @@@@%**-..
..-***%@@@ @@@%***-..
..-**%@@@# #@@@%**-..
..-**%@@## ##@@%**-..
..-**%@@@# delay delay d.la@ @ *a. . .@ - . #@@@%**-..
..-**%@@@@ @@@@%**-..
....***%@@ @@%***....
.......-*@ @*-.......
......***@ @***......
..-**%@@@# "delay" means repetiton or likewise, #@@@%**-..
.....--*@@ but it's mainly useless without @@*--.....
.....*%%@@ feedback, @@%%*.....
..-**%@@@# to allow the delay to eat of it's own #@@@%**-..
..-**%@@@@ tail, like one of those eaty serpents. @@@@%**-..
......*%@@ thus: it's the serpent effect! @@%*......
......**%@ @%**......
....-**%%@ it's to be revered as a creator of @%%**-....
....-*%%%@ ambience and of space, if you treat it @%%%*-....
..-**%@@@# right. a somewhat more solid and #@@@%**-..
....-*%%@@ slippery sibling of reverb. @@%%*-....
..-**%@@@# #@@@%**-..
..-****%%@ @%%****-..
..-**%@@@# #@@@%**-..
....-**%%@ @%%**-....
.......-*@ @*-.......