###£§%^†~,                                          ,~†^%§£###
##£§%^†~^,                                          ,^~†^%§£##
£§§%†^^,,,                                          ,,,^^†%§§£
##£§%^†~^,                                          ,^~†^%§£##
##£§%^†~^,                                          ,^~†^%§£##
##£§%^†~^, delay  delay  d,la#  § ^a,  ^ ,£   ~   ^ ,^~†^%§£##
§^†^,,,,,,                                          ,,,,,,^†^§
##£§%^†~^,                                          ,^~†^%§£##
##£§%^†~^,                                          ,^~†^%§£##
##£§%^†~^,                                          ,^~†^%§£##
#£%%^^†~^, "delay" means repetiton or likewise,     ,^~†^^%%£#
§%%†^,,,,, but it's mainly useless without          ,,,,,^†%%§
##£§%^†~^, feedback,                                ,^~†^%§£##
£%^††††~^, to allow the delay to eat of it's own    ,^~††††^%£
###£%^†~^, tail, like one of those eaty serpents.   ,^~†^%£###
§^††^^,,,, thus: it's the serpent effect!           ,,,,^^††^§
##£§%^†~^,                                          ,^~†^%§£##
££%%^~,,,, it's to be revered as a creator of       ,,,,~^%%££
§%†^,,,,,, ambience and of space, if you treat it   ,,,,,,^†%§
##£§%^†~^, right. a somewhat more solid and         ,^~†^%§£##
##£§%^†~^, slippery sibling of reverb.              ,^~†^%§£##
#££§%^†~^,                                          ,^~†^%§££#
##£§%^†~^,                                          ,^~†^%§£##
##£§%^†~^,                                          ,^~†^%§£##
£§^~~,,,,,                                          ,,,,,~~^§£
§^^††^,,,,                                          ,,,,^††^^§