##£¤%;»^,, ,,^»;%¤£##
#£¤%;»^,,, ,,,^»;%¤£#
£¤%;»^,,,, ,,,,^»;%¤£
¤%;»^,,,,, ,,,,,^»;%¤
£¤%;»^,,,, ,,,,^»;%¤£
#£¤%;»^,,, delay delay d,la# £ %a, ^ ,# » ^ ,,,^»;%¤£#
##£¤%;»^,, ,,^»;%¤£##
###£¤%;»^, ,^»;%¤£###
##£¤%;»^,, ,,^»;%¤£##
#£¤%;»^,,, ,,,^»;%¤£#
£¤%;»^,,,, "delay" means repetiton or likewise, ,,,,^»;%¤£
¤%;»^,,,,, but it's mainly useless without ,,,,,^»;%¤
£¤%;»^,,,, feedback, ,,,,^»;%¤£
#£¤%;»^,,, to allow the delay to eat of it's own ,,,^»;%¤£#
##£¤%;»^,, tail, like one of those eaty serpents. ,,^»;%¤£##
###£¤%;»^, thus: it's the serpent effect! ,^»;%¤£###
##£¤%;»^,, ,,^»;%¤£##
#£¤%;»^,,, it's to be revered as a creator of ,,,^»;%¤£#
£¤%;»^,,,, ambience and of space, if you treat it ,,,,^»;%¤£
¤%;»^,,,,, right. a somewhat more solid and ,,,,,^»;%¤
£¤%;»^,,,, slippery sibling of reverb. ,,,,^»;%¤£
#£¤%;»^,,, ,,,^»;%¤£#
##£¤%;»^,, ,,^»;%¤£##
###£¤%;»^, ,^»;%¤£###
##£¤%;»^,, ,,^»;%¤£##
#£¤%;»^,,, ,,,^»;%¤£#