###@&¤†=,, ,,=†¤&@###
##@&¤†==,, ,,==†¤&@##
##@&¤†==,, ,,==†¤&@##
##@&¤†==,, ,,==†¤&@##
##@&¤†==,, ,,==†¤&@##
##@&¤†==,, delay delay d,la# & †a, , ,@ = , ,,==†¤&@##
#&†=,,,,,, ,,,,,,=†&#
#@&†††==,, ,,==†††&@#
##@&¤†==,, ,,==†¤&@##
##@&¤†==,, ,,==†¤&@##
##@&¤†==,, "delay" means repetiton or likewise, ,,==†¤&@##
#@@&¤†==,, but it's mainly useless without ,,==†¤&@@#
##@&¤†==,, feedback, ,,==†¤&@##
&¤†==,,,,, to allow the delay to eat of it's own ,,,,,==†¤&
@@@&¤†==,, tail, like one of those eaty serpents. ,,==†¤&@@@
&†=,,,,,,, thus: it's the serpent effect! ,,,,,,,=†&
##@&¤†==,, ,,==†¤&@##
##@&¤†==,, it's to be revered as a creator of ,,==†¤&@##
&¤†=,,,,,, ambience and of space, if you treat it ,,,,,,=†¤&
@@¤¤†=,,,, right. a somewhat more solid and ,,,,=†¤¤@@
##@&¤†==,, slippery sibling of reverb. ,,==†¤&@##
@¤††=,,,,, ,,,,,=††¤@
##@&¤†==,, ,,==†¤&@##
@&¤¤†=,,,, ,,,,=†¤¤&@
#&††===,,, ,,,===††&#
##@&¤†==,, ,,==†¤&@##