¨¨,=*%*### ###*%*=,¨¨
¨¨¨,=*%*## ##*%*=,¨¨¨
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¨,=*%*#### ####*%*=,¨
¨¨,=*%*### ###*%*=,¨¨
¨¨¨,=*%*## # ##*%*=,¨¨¨
¨¨,=*%*### ¨LIZARDRY ###*%*=,¨¨
¨,=*%*#### = # ## ### ################## ####*%*=,¨
¨¨,=*%*### ## THE ART OF C,NNECTING ###*%*=,¨¨
¨¨¨,=*%*## ¨ WITH THE OLD MIND ##*%*=,¨¨¨
¨¨,=*%*### ###*%*=,¨¨
¨,=*%*#### MY MIND IS BEING SKEWED. MI ####*%*=,¨
¨¨,=*%*### SKELETON IS STRINGY AND OLD AND ALIEN ###*%*=,¨¨
¨¨¨,=*%*## THE SITUATION IS LITERALLY ##*%*=,¨¨¨
¨¨,=*%*### PRESSED OUT THROUGH MY EYES, IT'S ###*%*=,¨¨
¨,=*%*#### ECHOING LIKE ####*%*=,¨
¨¨,=*%*### THE SUNSET OF THE ETERNAL ###*%*=,¨¨
¨¨¨,=*%*## OCEAN ##*%*=,¨¨¨
¨¨,=*%*### PERSISTENTLY AGAINST MY EMULSION ###*%*=,¨¨
¨,=*%*#### ####*%*=,¨
¨¨,=*%*### IT'S UNGRASPABLE TO ME, WHAT OTHER ###*%*=,¨¨
¨¨¨,=*%*## HUMANS ARE DOING AND ABSTRACTING, ##*%*=,¨¨¨
¨¨,=*%*### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###*%*=,¨¨
¨,=*%*#### HOW LONG A TIME HAS PASSED, FOR THEM? ####*%*=,¨
¨¨,=*%*### ¨ ###*%*=,¨¨
¨¨¨,=*%*## ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ##*%*=,¨¨¨
¨¨,=*%*### CONTINUOUSLY I'M CROWDING THROUGH ###*%*=,¨¨
¨,=*%*#### ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ####*%*=,¨
¨¨,=*%*### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ###*%*=,¨¨
¨¨¨,=*%*## ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ##*%*=,¨¨¨
¨¨,=*%*### , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ###*%*=,¨¨
¨,=*%*#### , , DOWN IN THE DRAGONS THROAT. ####*%*=,¨
¨¨,=*%*### , ###*%*=,¨¨
¨¨¨,=*%*## , ##*%*=,¨¨¨
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