....~«^^@# #@^^«~....
.~«\^%@### ###@%^\«~.
....~«\^@# #@^\«~....
.~«\^%@### ###@%^\«~.
....~~«^%@ @%^«~~....
.~«\^%@### # ###@%^\«~.
....~««^@# .LIZARDRY #@^««~....
....««\%%# « # ## ### ################## #%%\««....
..~«\^^%@@ ## THE ART OF C~NNECTING @@%^^\«~..
.~«\^%@### . WITH THE OLD MIND ###@%^\«~.
.~«\^%@### ###@%^\«~.
......~\%@ MY MIND IS BEING SKEWED. MI @%\~......
.~««\\^@## SKELETON IS STRINGY AND OLD AND ALIEN ##@^\\««~.
.~«\^%@### THE SITUATION IS LITERALLY ###@%^\«~.
.~«\^^^%## PRESSED OUT THROUGH MY EYES, IT'S ##%^^^\«~.
.~«\^%@### ECHOING LIKE ###@%^\«~.
...~~~«^%# THE SUNSET OF THE ETERNAL #%^«~~~...
.~«\^%%@@# OCEAN #@@%%^\«~.
..~~«^^^@# PERSISTENTLY AGAINST MY EMULSION #@^^^«~~..
.~«\^%@### ###@%^\«~.
.~«\^%@### IT'S UNGRASPABLE TO ME, WHAT OTHER ###@%^\«~.
.....~\^@# HUMANS ARE DOING AND ABSTRACTING, #@^\~.....
.~«\^%@### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@%^\«~.
.~«\^%@### HOW LONG A TIME HAS PASSED, FOR THEM? ###@%^\«~.
.~«\^%@### . ###@%^\«~.
......«^@@ . ... . ................ ####### @@^«......
.~«\%@#### CONTINUOUSLY I'M CROWDING THROUGH ####@%\«~.
....~~«^%# . THE FOURTH WALL ~OUTWARDS IS WHAT . #%^«~~....
.~«\^%@### .. I'M THINKING BUT IT'S WRONG.. A NEW ###@%^\«~.
.~«\^@#### . . NARRATOR IS INTRODUCED, OCCASIONALLY ####@^\«~.
...~\\^^%# ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . #%^^\\~...
....~~\%%# ~ ~ DOWN IN THE DRAGONS THROAT. #%%\~~....
.~«\^%@### ~ ###@%^\«~.
.~«\^%@### ~ ###@%^\«~.
....«\^^%# #%^^\«....
.~«\^%@### ###@%^\«~.
..~«\\^%@@ @@%^\\«~..
.~«\\\\%%# #%%\\\\«~.
.~«\^%#### ####%^\«~.
..~~~««\%# #%\««~~~..