..@.@@@@.@ .@.@@.@.@@
@.@@@...@@ @@@@.@@@@.
@@@..@..@. ....@@...@
...@.@@.@@ ....@.@..@
@..@@@.@@. @...@@@@.@
.@.@..@@.@ ., ~~~~~~~ ~~~~~~~ ~~~~~~~ ,. @@..@...@@
@@@@@.@.@@ NICK WILDE IS A RED FOX AND A CONMAN. @.@.@@..@.
@....@@@@. ., ~~~~~~~ ~~~~~~~ ~~~~~~~ ,. @@@@@.@.@@
.@...@...@ .....@@@@.
.@@..@@..@ HE'S NOT ABOVE PETTY CRIME, BUT HE @....@...@
@@.@.@.@.@ KNOWS THAT IF HE PUTS IN A BIT OF WORK, @@...@@..@
..@@@@@@@@ HE WILL FIND MUCH MORE LUCRATIVE @.@..@.@.@
@.@....... REWARDS. @@@@.@@@@@
.@@@...... @...@@....
.@..@..... AND THUS HE'S CURRENTLY WORKING .@..@.@...
.@@.@@.... ALONGSIDE HATSUNE MIKU FOR A COMPANY @@@.@@@@..
.@.@@.@... THAT MAKES SYNTHETIC MEAL REPLACEMENTS. @..@@...@.
.@@@.@@@.. HE'S GOT A VAGUE OUTLINE OF A PLAN, TO .@.@.@..@@
@@..@@..@. SCATTER WITH SOME PRODUCT, OR EVEN .@@@@@@.@.
@.@.@.@.@@ BETTER, SOME FORMULA? THESE THINGS ARE @@.....@@@
.@@@@@@@@. WORTH A LOT TO A COMPETITOR. ..@....@..
.@.......@ ..@@...@@.
.@@......@ HE'S BEEN LUCKY; THE PLACE IS @.@.@..@.@
@@.@.....@ SURPRISINGLY UNGUARDED. ONCE HE'S GOT .@@@@@.@@@
..@@@....@ HIS PAWS ON SOMETHING WORTHWHILE, IT'LL .@....@@..
..@..@...@ BE EASY TO JUST WALTZ OUT. UNTIL THEN, .@@...@.@.
..@@.@@..@ KEEP DOING THE WORK... .@.@..@@@@
@.@.@@.@.@ .@@@@.@...
@@@@@.@@@@ COME TO THINK OF IT, THE PLACE IS .@...@@@..
@....@@... ALMOST EERILY EMPTY. THERE ARE FEW @@@..@..@.
@@...@.@.. COWORKERS. (IN FACT THE COMPANY IS @..@.@@.@@
..@..@@@@. AI-RUN AND ONLY A FEW KEY ROLES ARE @@.@@@.@@.
..@@.@...@ FILLED BY ACTUAL PEOPLE. @.@@..@@.@
@.@.@@@..@ .@@.@.@.@@
.@@@@..@.@ NONE OF THE EMPLOYEES KNOW THIS.) .@.@@@@@@.
.@...@.@@@ @@@@.....@
@@@..@@@.. ~~~ ~~~ ....@....@
...@.@..@. ~~~ ~~~ ~~~ @...@@...@
@..@@@@.@@ ~~~ ~~~ .@..@.@..@
.@.@...@@. @@@.@@@@.@
@@@@@..@.@ NICK AND MIKU ARE BOTH STATIONED IN ...@@...@@
.....@.@@@ EARLY PROCESSING, HOUSED IN A STATE OF ...@.@..@.
.....@@@.. THE ART FACTORY CLOSE TO THE DOCKS. @..@@@@.@@
@....@..@. THEY CREATE THE EARLY BUILDING BLOCKS .@.@...@@.
@@...@@.@@ THAT ARE LATER COMBINED INTO THE MEALS @@@@@..@.@
..@..@.@@. THAT'S SOLD TO CUSTOMERS. .....@.@@@
@.@@.@@@.@ .....@@@..
@@@.@@..@@ THE BASES ARE MOSTLY SLUDGES .....@..@.
@..@@.@.@. OR PASTES, SUCH AS: @....@@.@@
.@.@.@@@@@ .@...@.@@.
.@@@@@.... †~ PLANT MATTER .@@..@@@.@
@@....@... †~ BLOOD COLONY .@.@.@..@@
..@...@@.. (MADE WITH A TYPE OF BACTERIA) .@@@@@@.@.
..@@..@.@. †~ WILD FLESH .@.....@@@
@.@.@.@@@@ (FREE ROAMING ANIMALS) @@@....@..
@@@@@@@... †~ ORGANS ...@...@@.
@......@.. (TAKEN FROM A LIVING HUMAN THAT ...@@..@.@
.@.....@@. IS WILLING TO SELL) @..@.@.@@@
@@@....@.@ †~ MINERALS .@.@@@@@..
@..@...@@@ †~ BLOOD COLONY TWO .@@@....@.
@@.@@..@.. †~ INSECTS .@..@...@@
..@@.@.@@. (WHICH ARE MAINLY USED FOR THEIR .@@.@@..@.
..@.@@@@.@ BRAIN, WHICH IS USED TO EXTRACT .@.@@.@.@@
@.@@@...@@ RECEPTORS THAT DETECT PHEROMONES) @@@@.@@@@.
@@@..@..@. ....@@...@
...@.@@.@@ ~~~ ~~~ ....@.@..@
@..@@@.@@. ~~~ ~~~ ~~~ @...@@@@.@
.@.@..@@.@ ~~~ ~~~ @@..@...@@
@@@@@.@.@@ @.@.@@..@.
@....@@@@. MIKU IS IN CHARGE OF THE BLOOD @@@@@.@.@@
.@...@...@ COLONIES. THERE'S LARGE VATS OF THE .....@@@@.
.@@..@@..@ ORIGINAL CULTURE WHICH IS FED BLOOD @....@...@
@@.@.@.@.@ MEAL, BONE MEAL, WHAT DOESN'T QUALIFY @@...@@..@
..@@@@@@@@ TO GO IN THE "WILD FLESH" PASTE, AND @.@..@.@.@
@.@....... SOME PROCESSING CHEMICALS. ALL THESE @@@@.@@@@@
.@@@...... INGREDIENTS HAVE AN EFFECT ON THE BLOOD @...@@....
.@..@..... WHICH IN TURN AFFECTS MIKU. .@..@.@...
.@@.@@.... @@@.@@@@..
.@.@@.@... THERE IS A LARGE TANK BEHIND THE @..@@...@.
.@@@.@@@.. FACTORY THAT CONTAINS A VAST NUMBER OF .@.@.@..@@
@@..@@..@. AUXILLIARY BLOOD COLONIES. MIKU WATCHES .@@@@@@.@.
@.@.@.@.@@ OVER THESE AS WELL. THEIR PURPOSE IS @@.....@@@
.@@@@@@@@. UNCLEAR. ..@....@..
.@.......@ ..@@...@@.
.@@......@ THE FACTORY IS SURROUNDED BY THE BLOOD @.@.@..@.@
@@.@.....@ MEAL FARMS. THERE IS A CONSTANT .@@@@@.@@@
..@@@....@ EXCHANGE OF BLOOD AND BLOOD MEAL. THIS .@....@@..
..@..@...@ PROVIDES TWO OF THE MAJOR MATERIALS FOR .@@...@.@.
..@@.@@..@ BOTH THE COLONIES AND MIKU. .@.@..@@@@
@.@.@@.@.@ .@@@@.@...
@@@@@.@@@@ ~~~ ~~~ .@...@@@..
@....@@... ~~~ ~~~ ~~~ @@@..@..@.
@@...@.@.. ~~~ ~~~ @..@.@@.@@
..@..@@@@. @@.@@@.@@.
..@@.@...@ NICK IS UNCOMFORTABLE AROUND @.@@..@@.@
@.@.@@@..@ THE "WILD FLESH" VATS. .@@.@.@.@@
.@@@@..@.@ .@.@@@@@@.
.@...@.@@@ @@@@.....@
@@@..@@@.. ....@....@
...@.@..@. @...@@...@
@..@@@@.@@ .@..@.@..@