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#@@///::,, TAINARON IS A BUILDING OWNED AND ,,::///@@#
@@†««,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,,««†@@
##@£@†/«:, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,:«/†@£@##
@@†/:,,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,,:/†@@
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#@£@//:,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,://@£@#
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##@£@†/«:, HELIPAD ON TOP. MOST FLOORS HAVE ,:«/†@£@##
#@@£@†/«:, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,:«/†@£@@#
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###@£@†/«: IN LATE EVENINGS, SHROUDED BY MALMö'S :«/†@£@###
##@£@†/«:, SIGNATURE FOG ROLLING IN FROM THE SEA, ,:«/†@£@##
##@£@†/«:, THE BUILDING COMES TO LIFE: IT MOVES ON ,:«/†@£@##
££††«:,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,:«††££
@£@@@†/«:, (SECRET) PART OF TOWN, OR PERHAPS OUT ,:«/†@@@£@
##@£@†/«:, TO SEA. THIS SIGNALS A NEW AND MORE ,:«/†@£@##
@@@/::,,,, VISCIOUS PHASE OF THE TAINARON ,,,,::/@@@
###@£@†«:, ECOSYSTEM. ,:«†@£@###
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##@£@†/«:, EVENING ARE TREATED TO FOOD AND DRINK, ,:«/†@£@##
@@//::,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,:://@@
##@£@†/«:, COMFORTABLE BUT MAZE-LIKE INTERIOR ,:«/†@£@##
##@£@†/«:, STRUCTURE (THE BUILDING FEATURES A ,:«/†@£@##
££££@†/«:, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,:«/†@££££
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##@£@†/«:, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,:«/†@£@##
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#£££@†/«:, SAME QUALITY AS THE SURROUNDING MIST: ,:«/†@£££#
#£†/««««:, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,:««««/†£#
###@@†/«:, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,:«/†@@###
£@††††/«:, IF YOU WOULD LOOK THROUGH THE WINDOWS ,:«/††††@£
##@£@†/«:, YOU WOULD SEE THE MIST ROLLING BY, AND ,:«/†@£@##
#£@††«::,, PERHAPS THE OUTLINE OF SOME OTHER ,,::«††@£#
@@//:,,,,, BUILDING, FAR BELOW. ,,,,,://@@
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##@£@†/«:, STARTED MOVING, THE LOWER FLOORS ARE ,:«/†@£@##
##@£@†/«:, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,:«/†@£@##
##@£@†/«:, THE GUESTS. FOOD IS NO LONGER SERVED, ,:«/†@£@##
@@/:,,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,,:/@@
@@£@†/««:, IT'S AT THIS POINT THAT THE SECOND SET ,:««/†@£@@
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##@£@†/«:, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,:«/†@£@##
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#@@£@†/«:, ONE OF THE SERVERS, AND THUS SAFE. WE ,:«/†@£@@#
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##@£@†/«:, LOOKING THROUGH THE MIST FOR ANY ,:«/†@£@##
#@££@†/«:, LANDMARKS TO PIERCE THROUGH THE MIST. ,:«/†@££@#
##@£@†/«:, SHE TELLS ME THAT APART FROM COMING AND ,:«/†@£@##
@£££@†/«:, GOING FROM WORK, SHE'S NEVER SEEN THE ,:«/†@£££@
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##@£@†/«:, THE NEXT DAY I AM INVITED TO THE PUBLIC ,:«/†@£@##
##@£@†/«:, DEMONSTRATION OF THE EXOBUBBLE. ,:«/†@£@##
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