#@#&§§;«,¨ ¨,«;§§@#
@&§;«¨¨¨¨¨ ¨¨¨¨¨«;§&@
##@#&§§;«¨ ¨«;§§@##
#&§§;«,¨¨¨ ¨¨¨,«;§§
#@#&§§;«,¨ ¨,«;§§@#
@&§§;;«,¨¨ THE SKYSCRAPER THAT MOVES ¨¨,«;;§§&@
##@#§§;«,¨ ¨,«;§§#@##
###&§§;«,¨ TAINARON IS A BUILDING OWNED AND ¨,«;§§##
#@#&§§;«,¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨,«;§§@#
##@#&§;«,¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨,«;§@##
&&&§§«««,¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨,«««§§&&&
&§;;,,¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨,,;;§&
#@#&§§;«,¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨,«;§§@#
@@#&§§;«,¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨,«;§§@@
##@&§§;«,¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨,«;§§&@##
#@#&§§;«,¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨,«;§§@#
@@#&§§;«,¨ ¨,«;§§@@
#@#&§§;«,¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨,«;§§@#
#§;;,¨¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨¨,;;§#
&§§§««,¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨,««§§§&
#&&§§§;«,¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨,«;§§§&
#@#&§§;«,¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨,«;§§@#
#@#&§§;«,¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨,«;§§@#
#@#&§§;«,¨ VISCIOUS PHASE OF THE TAINARON ¨,«;§§@#
@&&&§§;«,¨ ECOSYSTEM. ¨,«;§§&&&@
@@#&§§;«,¨ ¨,«;§§@@
@&§;,¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨,;§&@
@#§§§«¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨«§§§#@
#§;,¨¨¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨¨¨,;§#
&&§;;,¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨,;;§&&
@&&§§;;«,¨ STRUCTURE (THE BUILDING FEATURES A ¨,«;;§§&&@
#@#&§§;«,¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨,«;§§@#
##@#&§§«,¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨,«§§@##
#@#&§§;«,¨ FURTHER THAN A FEW FLOORS). ¨,«;§§@#
#@#&§§;«,¨ ¨,«;§§@#
###&§§;«,¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨,«;§§##
#&§;;,,,¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨,,,;;§
&§;«,¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨,«;§&
&&&§§«,¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨,«§§&&&
##&§§§;«,¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨,«;§§§#
&§;;«,¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨,«;;§&
#§§§§§;«,¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨,«;§§§§§#
&§§;«,¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨,«;§§&
&§««,,¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨,,««§&
##@&§§;«,¨ ¨,«;§§&@##
#@#&§§;«,¨ DURING THE NIGHT, AFTER TAINARON HAS ¨,«;§§@#
#@#&§§;«,¨ STARTED MOVING, THE LOWER FLOORS ARE ¨,«;§§@#
&&§«,¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨,«§&&
&&§;;;;«,¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨,«;;;;§&&
#&&§§§;«,¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨,«;§§§&
###&§§;«,¨ IT'S AT THIS POINT THAT THE SECOND SET ¨,«;§§##
#§§;,,,¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨,,,;§§#
@#&§;,¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨,;§@
#@#&§§;«,¨ ¨,«;§§@#
#@#&§§;«,¨ ««««« ¨,«;§§@#
#&&§§;,,¨¨ ¨¨,,;§§&
#&§;,¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨,;§
##&§;;,¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨,;;§#
#@#&§§;«,¨ SIT IN ONE OF THE LARGE WINDOWS, ¨,«;§§@#
###&§§;«,¨ LOOKING THROUGH THE MIST FOR ANY ¨,«;§§##
@&&§;,¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨,;§&&@
&&&§;;,¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨,;;§&&&
#@#&§§;«,¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨,«;§§@#
@&§««««¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨««««§&@
@&§§§;,¨¨¨ ¨¨¨,;§§§&@
##@#§§;«,¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨,«;§§#@##
@@#&§§;«,¨ DEMONSTRATION OF THE EXOBUBBLE. ¨,«;§§@@
&§«««,,¨¨¨ ¨¨¨,,«««§&
#§;,¨¨¨¨¨¨ ¨¨¨¨¨¨,;§#
#@#&§§;«,¨ ¨,«;§§@#
@##&§§;«,¨ ¨,«;§§#@
##@&§§;«,¨ ¨,«;§§&@##