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#££@†=~,,, THE SKYSCRAPER THAT MOVES ,,,~=†@££#
££@†=~,,,, ,,,,~=†@££
£@†=~,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,~=†@£
@†=~,,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,,,~=†@
†=~,,,,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,,,,~=†
@†=~,,,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,,,~=†@
£@†=~,,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,,~=†@£
££@†=~,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,~=†@££
#££@†=~,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,~=†@££#
##££@†=~,, HELIPAD ON TOP. MOST FLOORS HAVE ,,~=†@££##
#££@†=~,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,~=†@££#
££@†=~,,,, ,,,,~=†@££
£@†=~,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,~=†@£
@†=~,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,~=†@
†=~,,,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,,,~=†
@†=~,,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,,~=†@
£@†=~,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,~=†@£
££@†=~,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,~=†@££
#££@†=~,,, VISCIOUS PHASE OF THE TAINARON ,,,~=†@££#
##££@†=~,, ECOSYSTEM. ,,~=†@££##
#££@†=~,,, ,,,~=†@££#
££@†=~,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,~=†@££
£@†=~,,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,,~=†@£
@†=~,,,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,,,~=†@
†=~,,,,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,,,,~=†
@†=~,,,,,, STRUCTURE (THE BUILDING FEATURES A ,,,,,,~=†@
£@†=~,,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,,,~=†@£
££@†=~,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,~=†@££
#££@†=~,,, FURTHER THAN A FEW FLOORS). ,,,~=†@££#
##££@†=~,, ,,~=†@££##
#££@†=~,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,~=†@££#
££@†=~,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,~=†@££
£@†=~,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,~=†@£
@†=~,,,,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,,,,~=†@
†=~,,,,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,,,,~=†
@†=~,,,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,,,~=†@
£@†=~,,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,,~=†@£
££@†=~,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,~=†@££
#££@†=~,,, BUILDING, FAR BELOW. ,,,~=†@££#
##££@†=~,, ,,~=†@££##
#££@†=~,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,~=†@££#
££@†=~,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,~=†@££
£@†=~,,,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,,,~=†@£
@†=~,,,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,,,~=†@
†=~,,,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,,,~=†
@†=~,,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,,~=†@
£@†=~,,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,,~=†@£
££@†=~,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,~=†@££
#££@†=~,,, ,,,~=†@££#
##££@†=~,, ~~~~~ ,,~=†@££##
#££@†=~,,, ,,,~=†@££#
££@†=~,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,~=†@££
£@†=~,,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,,~=†@£
@†=~,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,,~=†@
†=~,,,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,,,~=†
@†=~,,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,,~=†@
£@†=~,,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,,~=†@£
££@†=~,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,~=†@££
#££@†=~,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,~=†@££#
##££@†=~,, ,,~=†@££##
#££@†=~,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,~=†@££#
££@†=~,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,~=†@££
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