#@&$=/=^,, ,,^=/=$&@#
##@&$=/=^, ,^=/=$&@##
#@&$=/=^,, ,,^=/=$&@#
@&$=/=^,,, ,,,^=/=$&@
&$=/=^,,,, ,,,,^=/=$&
$=/=^,,,,, THE SKYSCRAPER THAT MOVES ,,,,,^=/=$
=/=^,,,,,, ,,,,,,^=/=
/=^,,,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,,,^=/
=^,,,,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,,,,,^=
/=^,,,,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,,,,^=/
=/=^,,,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,,,^=/=
$=/=^,,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,,^=/=$
&$=/=^,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,^=/=$&
@&$=/=^,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,^=/=$&@
#@&$=/=^,, HELIPAD ON TOP. MOST FLOORS HAVE ,,^=/=$&@#
##@&$=/=^, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,^=/=$&@##
#@&$=/=^,, ,,^=/=$&@#
@&$=/=^,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,^=/=$&@
&$=/=^,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,^=/=$&
$=/=^,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,^=/=$
=/=^,,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,,^=/=
/=^,,,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,,^=/
=^,,,,,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,,,,^=
/=^,,,,,,, VISCIOUS PHASE OF THE TAINARON ,,,,,,,^=/
=/=^,,,,,, ECOSYSTEM. ,,,,,,^=/=
$=/=^,,,,, ,,,,,^=/=$
&$=/=^,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,^=/=$&
@&$=/=^,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,^=/=$&@
#@&$=/=^,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,^=/=$&@#
##@&$=/=^, COMFORTABLE BUT MAZE-LIKE INTERIOR ,^=/=$&@##
#@&$=/=^,, STRUCTURE (THE BUILDING FEATURES A ,,^=/=$&@#
@&$=/=^,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,^=/=$&@
&$=/=^,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,^=/=$&
$=/=^,,,,, FURTHER THAN A FEW FLOORS). ,,,,,^=/=$
=/=^,,,,,, ,,,,,,^=/=
/=^,,,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,,,^=/
=^,,,,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,,,,^=
/=^,,,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,,,^=/
=/=^,,,,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,,,,^=/=
$=/=^,,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,,^=/=$
&$=/=^,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,^=/=$&
@&$=/=^,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,^=/=$&@
#@&$=/=^,, PERHAPS THE OUTLINE OF SOME OTHER ,,^=/=$&@#
##@&$=/=^, BUILDING, FAR BELOW. ,^=/=$&@##
#@&$=/=^,, ,,^=/=$&@#
@&$=/=^,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,^=/=$&@
&$=/=^,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,^=/=$&
$=/=^,,,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,,,^=/=$
=/=^,,,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,,,^=/=
/=^,,,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,,,^=/
=^,,,,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,,,,^=
/=^,,,,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,,,,^=/
=/=^,,,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,,,^=/=
$=/=^,,,,, ,,,,,^=/=$
&$=/=^,,,, ===== ,,,,^=/=$&
@&$=/=^,,, ,,,^=/=$&@
#@&$=/=^,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,^=/=$&@#
##@&$=/=^, ONE OF THE SERVERS, AND THUS SAFE. WE ,^=/=$&@##
#@&$=/=^,, SIT IN ONE OF THE LARGE WINDOWS, ,,^=/=$&@#
@&$=/=^,,, LOOKING THROUGH THE MIST FOR ANY ,,,^=/=$&@
&$=/=^,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,^=/=$&
$=/=^,,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,,^=/=$
=/=^,,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,,^=/=
/=^,,,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,,,^=/
=^,,,,,,,, ,,,,,,,,^=
/=^,,,,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,,,,^=/
=/=^,,,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,,^=/=
$=/=^,,,,, ,,,,,^=/=$
&$=/=^,,,, ,,,,^=/=$&
@&$=/=^,,, ,,,^=/=$&@
#@&$=/=^,, ,,^=/=$&@#
##@&$=/=^, ,^=/=$&@##