..¤¤.¤¤¤.. .¤¤.¤¤¤...
..¤¤.¤.¤¤. .¤¤.¤.¤¤..
..¤¤...¤¤¤ .¤¤...¤¤¤.
..¤¤¤..¤.¤ .¤¤¤..¤.¤¤
¤.¤.¤¤.... .¤.¤¤...¤¤
¤...¤¤¤... THE SKYSCRAPER THAT MOVES ...¤¤¤..¤.
.¤..¤.¤¤.. ¤..¤.¤¤...
..¤...¤¤¤. TAINARON IS A BUILDING OWNED AND ¤¤...¤¤¤..
...¤..¤.¤¤ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¤¤¤..¤.¤¤.
....¤...¤¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤.¤¤...¤¤¤
¤....¤..¤. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ..¤¤¤..¤.¤
¤¤....¤... UNKNOWN), DARK BLUE AND COMPLETELY ..¤.¤¤...¤
.¤¤....¤.. RECTANGULAR. IT FEATURES NO SIGNS, ¤...¤¤¤..¤
.¤¤¤....¤. LIGHTS, OR ORNAMENTS, APART FROM A .¤..¤.¤¤..
.¤.¤¤....¤ HELIPAD ON TOP. MOST FLOORS HAVE ..¤...¤¤¤.
...¤¤¤.... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ...¤..¤.¤¤
¤..¤.¤¤... ....¤...¤¤
¤¤...¤¤¤.. IN LATE EVENINGS, SHROUDED BY MALMö'S ¤....¤..¤.
¤¤¤..¤.¤¤. SIGNATURE FOG ROLLING IN FROM THE SEA, ¤¤....¤...
¤.¤¤...¤¤¤ THE BUILDING COMES TO LIFE: IT MOVES ON .¤¤....¤..
..¤¤¤..¤.¤ A THOUSAND ROBOTIC LEGS TO ANOTHER .¤¤¤....¤.
..¤.¤¤...¤ (SECRET) PART OF TOWN, OR PERHAPS OUT .¤.¤¤....¤
¤...¤¤¤..¤ TO SEA. THIS SIGNALS A NEW AND MORE ...¤¤¤....
.¤..¤.¤¤.. VISCIOUS PHASE OF THE TAINARON ...¤.¤¤...
..¤...¤¤¤. ECOSYSTEM. .....¤¤¤..
...¤..¤.¤¤ ¤....¤.¤¤.
....¤...¤¤ THE GUESTS ARRIVING DURING THE EARLY ¤¤.....¤¤¤
¤....¤..¤. EVENING ARE TREATED TO FOOD AND DRINK, .¤¤....¤.¤
¤¤....¤... LIVE MUSIC, BEATUTIFUL VIEWS, AND A .¤¤¤.....¤
.¤¤....¤.. COMFORTABLE BUT MAZE-LIKE INTERIOR .¤.¤¤....¤
.¤¤¤....¤. STRUCTURE (THE BUILDING FEATURES A ...¤¤¤....
.¤.¤¤....¤ MULTITUDE OF STAIRWELLS AND ELEVATORS, ...¤.¤¤...
...¤¤¤.... PLACED SEEMINGLY AT RANDOM, NONE GOING .....¤¤¤..
...¤.¤¤... FURTHER THAN A FEW FLOORS). .....¤.¤¤.
.....¤¤¤.. .......¤¤¤
¤....¤.¤¤. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .......¤.¤
¤¤.....¤¤¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤........¤
.¤¤....¤.¤ SAME QUALITY AS THE SURROUNDING MIST: .¤.......¤
.¤¤¤.....¤ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..¤.......
.¤.¤¤....¤ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ...¤......
...¤¤¤.... IF YOU WOULD LOOK THROUGH THE WINDOWS ¤...¤.....
...¤.¤¤... YOU WOULD SEE THE MIST ROLLING BY, AND ¤¤...¤....
.....¤¤¤.. PERHAPS THE OUTLINE OF SOME OTHER .¤¤...¤...
.....¤.¤¤. BUILDING, FAR BELOW. .¤¤¤...¤..
.......¤¤¤ .¤.¤¤...¤.
.......¤.¤ DURING THE NIGHT, AFTER TAINARON HAS ...¤¤¤...¤
¤........¤ STARTED MOVING, THE LOWER FLOORS ARE ¤..¤.¤¤...
.¤.......¤ SHUT OFF, PREVENTING ENTRY OR EXIT FOR .¤...¤¤¤..
..¤....... THE GUESTS. FOOD IS NO LONGER SERVED, ..¤..¤.¤¤.
...¤...... BUT THE DRINKS BECOME MORE EXTRAVAGANT. ...¤...¤¤¤
¤...¤..... IT'S AT THIS POINT THAT THE SECOND SET ....¤..¤.¤
¤¤...¤.... OF GUEST ARRIVES, VIA HELICOPTER - ¤....¤...¤
.¤¤...¤... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤¤....¤..¤
.¤¤¤...¤.. ¤¤¤....¤..
.¤.¤¤...¤. ===== ¤.¤¤....¤.
...¤¤¤...¤ ..¤¤¤....¤
¤..¤.¤¤... IN MY DREAM I AM INVITED AS A FRIEND OF ..¤.¤¤....
.¤...¤¤¤.. ONE OF THE SERVERS, AND THUS SAFE. WE ¤...¤¤¤...
..¤..¤.¤¤. SIT IN ONE OF THE LARGE WINDOWS, .¤..¤.¤¤..
...¤...¤¤¤ LOOKING THROUGH THE MIST FOR ANY ..¤...¤¤¤.
....¤..¤.¤ LANDMARKS TO PIERCE THROUGH THE MIST. ...¤..¤.¤¤
¤....¤...¤ SHE TELLS ME THAT APART FROM COMING AND ....¤...¤¤
¤¤....¤..¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤....¤..¤.
¤¤¤....¤.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¤¤....¤...
¤.¤¤....¤. .¤¤....¤..
..¤¤¤....¤ THE NEXT DAY I AM INVITED TO THE PUBLIC .¤¤¤....¤.
..¤.¤¤.... DEMONSTRATION OF THE EXOBUBBLE. .¤.¤¤....¤
¤...¤¤¤... ...¤¤¤....
.¤..¤.¤¤.. ¤..¤.¤¤...
..¤...¤¤¤. ¤¤...¤¤¤..
...¤..¤.¤¤ ¤¤¤..¤.¤¤.
....¤...¤¤ ¤.¤¤...¤¤¤