¨§¨§§¨¨¨¨§ §¨§¨§¨§¨§¨
§§¨¨§¨¨¨§§ §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ THE SKYSCRAPER THAT MOVES §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ TAINARON IS A BUILDING OWNED AND §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ OPERATED BY AMATA TEXNOLOGIYASI PLACED §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ CLOSED TO THE HARBOR IN MALMÖ. IT'S §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ UNKNOWN), DARK BLUE AND COMPLETELY §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ RECTANGULAR. IT FEATURES NO SIGNS, §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ LIGHTS, OR ORNAMENTS, APART FROM A §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ HELIPAD ON TOP. MOST FLOORS HAVE §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ EXTERIOR WALLS COMPLETELY MADE OF GLASS. §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ IN LATE EVENINGS, SHROUDED BY MALMö'S §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ SIGNATURE FOG ROLLING IN FROM THE SEA, §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ THE BUILDING COMES TO LIFE: IT MOVES ON §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ A THOUSAND ROBOTIC LEGS TO ANOTHER §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ (SECRET) PART OF TOWN, OR PERHAPS OUT §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ TO SEA. THIS SIGNALS A NEW AND MORE §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ VISCIOUS PHASE OF THE TAINARON §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ ECOSYSTEM. §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ THE GUESTS ARRIVING DURING THE EARLY §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ EVENING ARE TREATED TO FOOD AND DRINK, §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ LIVE MUSIC, BEATUTIFUL VIEWS, AND A §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ COMFORTABLE BUT MAZE-LIKE INTERIOR §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ STRUCTURE (THE BUILDING FEATURES A §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ MULTITUDE OF STAIRWELLS AND ELEVATORS, §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ PLACED SEEMINGLY AT RANDOM, NONE GOING §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ FURTHER THAN A FEW FLOORS). §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ UNTIL THE AIR INSIDE HAS TAKEN ON THE §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ SAME QUALITY AS THE SURROUNDING MIST: §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ BLUE-GRAY, SPRINKLED WITH THE SMALL RED §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ DOT'S BY DOOR LOCKS AND CONTROL PANELS. §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ IF YOU WOULD LOOK THROUGH THE WINDOWS §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ YOU WOULD SEE THE MIST ROLLING BY, AND §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ PERHAPS THE OUTLINE OF SOME OTHER §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ BUILDING, FAR BELOW. §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ DURING THE NIGHT, AFTER TAINARON HAS §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ STARTED MOVING, THE LOWER FLOORS ARE §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ SHUT OFF, PREVENTING ENTRY OR EXIT FOR §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ THE GUESTS. FOOD IS NO LONGER SERVED, §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ BUT THE DRINKS BECOME MORE EXTRAVAGANT. §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ IT'S AT THIS POINT THAT THE SECOND SET §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ OF GUEST ARRIVES, VIA HELICOPTER - §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ ~~~~~ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ IN MY DREAM I AM INVITED AS A FRIEND OF §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ ONE OF THE SERVERS, AND THUS SAFE. WE §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ SIT IN ONE OF THE LARGE WINDOWS, §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ LOOKING THROUGH THE MIST FOR ANY §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ LANDMARKS TO PIERCE THROUGH THE MIST. §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ SHE TELLS ME THAT APART FROM COMING AND §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ GOING FROM WORK, SHE'S NEVER SEEN THE §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ THE NEXT DAY I AM INVITED TO THE PUBLIC §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ DEMONSTRATION OF THE EXOBUBBLE. §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ §¨§¨§¨§¨§¨
¨§¨§§¨¨§¨§ §¨§¨§¨§¨§¨
§§¨¨§¨§§¨§ §¨§¨§¨§¨§¨