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¨¨¨:~;*£§@ THE SKYSCRAPER THAT MOVES @§£*;~:¨¨¨
¨¨:~;*£§@# #@§£*;~:¨¨
¨:~;*£§@## TAINARON IS A BUILDING OWNED AND ##@§£*;~:¨
¨¨:~;*£§@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@§£*;~:¨¨
¨¨¨:~;*£§@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @§£*;~:¨¨¨
¨¨¨¨:~;*£§ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER §£*;~:¨¨¨¨
¨¨¨¨¨:~;*£ UNKNOWN), DARK BLUE AND COMPLETELY £*;~:¨¨¨¨¨
¨¨¨¨:~;*£§ RECTANGULAR. IT FEATURES NO SIGNS, §£*;~:¨¨¨¨
¨¨¨:~;*£§@ LIGHTS, OR ORNAMENTS, APART FROM A @§£*;~:¨¨¨
¨¨:~;*£§@# HELIPAD ON TOP. MOST FLOORS HAVE #@§£*;~:¨¨
¨:~;*£§@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@§£*;~:¨
¨¨:~;*£§@# #@§£*;~:¨¨
¨¨¨:~;*£§@ IN LATE EVENINGS, SHROUDED BY MALMö'S @§£*;~:¨¨¨
¨¨¨¨:~;*£§ SIGNATURE FOG ROLLING IN FROM THE SEA, §£*;~:¨¨¨¨
¨¨¨¨¨:~;*£ THE BUILDING COMES TO LIFE: IT MOVES ON £*;~:¨¨¨¨¨
¨¨¨¨:~;*£§ A THOUSAND ROBOTIC LEGS TO ANOTHER §£*;~:¨¨¨¨
¨¨¨:~;*£§@ (SECRET) PART OF TOWN, OR PERHAPS OUT @§£*;~:¨¨¨
¨¨:~;*£§@# TO SEA. THIS SIGNALS A NEW AND MORE #@§£*;~:¨¨
¨:~;*£§@## VISCIOUS PHASE OF THE TAINARON ##@§£*;~:¨
¨¨:~;*£§@# ECOSYSTEM. #@§£*;~:¨¨
¨¨¨:~;*£§@ @§£*;~:¨¨¨
¨¨¨¨:~;*£§ THE GUESTS ARRIVING DURING THE EARLY §£*;~:¨¨¨¨
¨¨¨¨¨:~;*£ EVENING ARE TREATED TO FOOD AND DRINK, £*;~:¨¨¨¨¨
¨¨¨¨:~;*£§ LIVE MUSIC, BEATUTIFUL VIEWS, AND A §£*;~:¨¨¨¨
¨¨¨:~;*£§@ COMFORTABLE BUT MAZE-LIKE INTERIOR @§£*;~:¨¨¨
¨¨:~;*£§@# STRUCTURE (THE BUILDING FEATURES A #@§£*;~:¨¨
¨:~;*£§@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@§£*;~:¨
¨¨:~;*£§@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@§£*;~:¨¨
¨¨¨:~;*£§@ FURTHER THAN A FEW FLOORS). @§£*;~:¨¨¨
¨¨¨¨:~;*£§ §£*;~:¨¨¨¨
¨¨¨¨¨:~;*£ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, £*;~:¨¨¨¨¨
¨¨¨¨:~;*£§ UNTIL THE AIR INSIDE HAS TAKEN ON THE §£*;~:¨¨¨¨
¨¨¨:~;*£§@ SAME QUALITY AS THE SURROUNDING MIST: @§£*;~:¨¨¨
¨¨:~;*£§@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@§£*;~:¨¨
¨:~;*£§@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@§£*;~:¨
¨¨:~;*£§@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@§£*;~:¨¨
¨¨¨:~;*£§@ YOU WOULD SEE THE MIST ROLLING BY, AND @§£*;~:¨¨¨
¨¨¨¨:~;*£§ PERHAPS THE OUTLINE OF SOME OTHER §£*;~:¨¨¨¨
¨¨¨¨¨:~;*£ BUILDING, FAR BELOW. £*;~:¨¨¨¨¨
¨¨¨¨:~;*£§ §£*;~:¨¨¨¨
¨¨¨:~;*£§@ DURING THE NIGHT, AFTER TAINARON HAS @§£*;~:¨¨¨
¨¨:~;*£§@# STARTED MOVING, THE LOWER FLOORS ARE #@§£*;~:¨¨
¨:~;*£§@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@§£*;~:¨
¨¨:~;*£§@# THE GUESTS. FOOD IS NO LONGER SERVED, #@§£*;~:¨¨
¨¨¨:~;*£§@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @§£*;~:¨¨¨
¨¨¨¨:~;*£§ IT'S AT THIS POINT THAT THE SECOND SET §£*;~:¨¨¨¨
¨¨¨¨¨:~;*£ OF GUEST ARRIVES, VIA HELICOPTER - £*;~:¨¨¨¨¨
¨¨¨¨:~;*£§ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. §£*;~:¨¨¨¨
¨¨¨:~;*£§@ @§£*;~:¨¨¨
¨¨:~;*£§@# ~~~~~ #@§£*;~:¨¨
¨:~;*£§@## ##@§£*;~:¨
¨¨:~;*£§@# IN MY DREAM I AM INVITED AS A FRIEND OF #@§£*;~:¨¨
¨¨¨:~;*£§@ ONE OF THE SERVERS, AND THUS SAFE. WE @§£*;~:¨¨¨
¨¨¨¨:~;*£§ SIT IN ONE OF THE LARGE WINDOWS, §£*;~:¨¨¨¨
¨¨¨¨¨:~;*£ LOOKING THROUGH THE MIST FOR ANY £*;~:¨¨¨¨¨
¨¨¨¨:~;*£§ LANDMARKS TO PIERCE THROUGH THE MIST. §£*;~:¨¨¨¨
¨¨¨:~;*£§@ SHE TELLS ME THAT APART FROM COMING AND @§£*;~:¨¨¨
¨¨:~;*£§@# GOING FROM WORK, SHE'S NEVER SEEN THE #@§£*;~:¨¨
¨:~;*£§@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@§£*;~:¨
¨¨:~;*£§@# #@§£*;~:¨¨
¨¨¨:~;*£§@ THE NEXT DAY I AM INVITED TO THE PUBLIC @§£*;~:¨¨¨
¨¨¨¨:~;*£§ DEMONSTRATION OF THE EXOBUBBLE. §£*;~:¨¨¨¨
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