,,,,,,,«%£ £%«,,,,,,,
,,,,~«/%%£ £%%/«~,,,,
,~«/%%£@@# #@@£%%/«~,
,,,,,«/%£@ @£%/«,,,,,
,~«/%%££££ ££££%%/«~,
,~«/%%@@## THE SKYSCRAPER THAT MOVES ##@@%%/«~,
,~«/%%£@@@ @@@£%%/«~,
,,,,,~«%£@ TAINARON IS A BUILDING OWNED AND @£%«~,,,,,
,~«/%%££££ OPERATED BY AMATA TEXNOLOGIYASI PLACED ££££%%/«~,
,~«/%%%££@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @££%%%/«~,
,~«/%%£@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@£%%/«~,
,~«/%%@@## UNKNOWN), DARK BLUE AND COMPLETELY ##@@%%/«~,
,,,,~/%£@@ RECTANGULAR. IT FEATURES NO SIGNS, @@£%/~,,,,
,,,,,««/%£ LIGHTS, OR ORNAMENTS, APART FROM A £%/««,,,,,
,~«/%%£@@# HELIPAD ON TOP. MOST FLOORS HAVE #@@£%%/«~,
,~«/%%£@@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@@£%%/«~,
,~«/%%£@@# #@@£%%/«~,
,~«/%%£@@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@@£%%/«~,
,~«/%%£@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@£%%/«~,
,,,,,«/%@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@%/«,,,,,
,~«/%%£@@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@@£%%/«~,
,,,,«/%%%£ (SECRET) PART OF TOWN, OR PERHAPS OUT £%%%/«,,,,
,~«/%%@@## TO SEA. THIS SIGNALS A NEW AND MORE ##@@%%/«~,
,~«/%%£@@# VISCIOUS PHASE OF THE TAINARON #@@£%%/«~,
,~«/%%£@@# ECOSYSTEM. #@@£%%/«~,
,~«/%%£@@# #@@£%%/«~,
,~«//%%%£@ THE GUESTS ARRIVING DURING THE EARLY @£%%%//«~,
,~«/%%£@@# EVENING ARE TREATED TO FOOD AND DRINK, #@@£%%/«~,
,,,,,~«%££ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ££%«~,,,,,
,,,«/%%£££ COMFORTABLE BUT MAZE-LIKE INTERIOR £££%%/«,,,
,,,,,~«%%£ STRUCTURE (THE BUILDING FEATURES A £%%«~,,,,,
,~~«/%%£@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@£%%/«~~,
,,,,,~/%££ PLACED SEEMINGLY AT RANDOM, NONE GOING ££%/~,,,,,
,~«/%%£@@@ FURTHER THAN A FEW FLOORS). @@@£%%/«~,
,,,,,~«%%@ @%%«~,,,,,
,~«/%%£@@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@@£%%/«~,
,,,,,~/%££ UNTIL THE AIR INSIDE HAS TAKEN ON THE ££%/~,,,,,
,,,,,,,«%£ SAME QUALITY AS THE SURROUNDING MIST: £%«,,,,,,,
,~«/%%£@@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@@£%%/«~,
,~«///%£££ DOT'S BY DOOR LOCKS AND CONTROL PANELS. £££%///«~,
,,,~//%%%£ IF YOU WOULD LOOK THROUGH THE WINDOWS £%%%//~,,,
,~«/%%£@@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@@£%%/«~,
,~«%%£@@## PERHAPS THE OUTLINE OF SOME OTHER ##@@£%%«~,
,~«/%%£@@# BUILDING, FAR BELOW. #@@£%%/«~,
,~«/%%£@@# #@@£%%/«~,
,~«/%%£@@@ DURING THE NIGHT, AFTER TAINARON HAS @@@£%%/«~,
,~«/%%£@## STARTED MOVING, THE LOWER FLOORS ARE ##@£%%/«~,
,~«/%%£@@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@@£%%/«~,
,~~~~/%£@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@£%/~~~~,
,~«/%%£@@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@@£%%/«~,
,~«/%%£@@# IT'S AT THIS POINT THAT THE SECOND SET #@@£%%/«~,
,,,~«%%%£@ OF GUEST ARRIVES, VIA HELICOPTER - @£%%%«~,,,
,~«/%%£@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@£%%/«~,
,,,~~«%%%@ @%%%«~~,,,
,~«/%%£@## ««««« ##@£%%/«~,
,~«/%%£@@@ @@@£%%/«~,
,,,,~//%%£ IN MY DREAM I AM INVITED AS A FRIEND OF £%%//~,,,,
,~«««/%%%£ ONE OF THE SERVERS, AND THUS SAFE. WE £%%%/«««~,
,~«/%%£@## SIT IN ONE OF THE LARGE WINDOWS, ##@£%%/«~,
,~«/%%%%%@ LOOKING THROUGH THE MIST FOR ANY @%%%%%/«~,
,,~«««%£££ LANDMARKS TO PIERCE THROUGH THE MIST. £££%«««~,,
,~«/%%£@@# SHE TELLS ME THAT APART FROM COMING AND #@@£%%/«~,
,~«/%%£@@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@@£%%/«~,
,~«/%%£@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@£%%/«~,
,~«/%%@@## ##@@%%/«~,
,~«/%%£@@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@@£%%/«~,
,,,~~«%££@ DEMONSTRATION OF THE EXOBUBBLE. @££%«~~,,,
,~«/%%%%££ ££%%%%/«~,
,,,,«««/%£ £%/«««,,,,
,~«/%%££@@ @@££%%/«~,
,,,,~/%£££ £££%/~,,,,
,~«/%%£@@# #@@£%%/«~,