,,,,,^==*&                                          &*==^,,,,,
,^=\*$&@@#                                          #@@&$*\=^,
,,,,,^\*&@                                          @&*\^,,,,,
,^=\*$&@@@                                          @@@&$*\=^,
,,,,,,=**&                                          &**=,,,,,,
,^=\*$&@@#         THE SKYSCRAPER THAT MOVES        #@@&$*\=^,
,,,,,,^\$@                                          @$\^,,,,,,
,,,,,^\$&@ TAINARON  IS   A   BUILDING  OWNED   AND @&$\^,,,,,
,^=\*$&@@#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #@@&$*\=^,
,,^==\\*&& CLOSED  TO  THE  HARBOR  IN MALMÖ.  IT'S &&*\\==^,,
,^=\*$&@@@ ROUGHLY SIXTY FLOORS  HIGH  (REAL NUMBER @@@&$*\=^,
,^=\*$&@##    UNKNOWN), DARK BLUE AND COMPLETELY    ##@&$*\=^,
,,,^==*$@@    RECTANGULAR. IT FEATURES NO SIGNS,    @@$*==^,,,
,^=\*$&@@@ LIGHTS,  OR  ORNAMENTS,  APART   FROM  A @@@&$*\=^,
,,,,,^\$&@ HELIPAD   ON   TOP.   MOST  FLOORS  HAVE @&$\^,,,,,
,,^==***$& EXTERIOR WALLS COMPLETELY MADE OF GLASS. &$***==^,,
,^=\*$@@##                                          ##@@$*\=^,
,^=\*$&@@@ IN  LATE EVENINGS,  SHROUDED  BY MALMö'S @@@&$*\=^,
,^=\***$$& SIGNATURE FOG  ROLLING  IN FROM THE SEA, &$$***\=^,
,=\*$&@@## THE BUILDING COMES  TO LIFE: IT MOVES ON ##@@&$*\=,
,,,,^\\$&@ A  THOUSAND  ROBOTIC   LEGS  TO  ANOTHER @&$\\^,,,,
,^=\*$&@@# (SECRET)  PART  OF TOWN,  OR PERHAPS OUT #@@&$*\=^,
,,,^=\**&@ TO SEA.  THIS  SIGNALS  A  NEW  AND MORE @&**\=^,,,
,^=\\\\$@@      VISCIOUS PHASE OF THE TAINARON      @@$\\\\=^,
,^=\*$&@@#                ECOSYSTEM.                #@@&$*\=^,
,,,,,^\*$@                                          @$*\^,,,,,
,^=\*$&@@# THE  GUESTS  ARRIVING  DURING THE  EARLY #@@&$*\=^,
,^=\*$&@@@ EVENING  ARE TREATED TO FOOD  AND DRINK, @@@&$*\=^,
,^^^^=**&@ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A @&**=^^^^,
,,,,,,=\$&    COMFORTABLE BUT MAZE-LIKE INTERIOR    &$\=,,,,,,
,^===**$&@    STRUCTURE (THE BUILDING FEATURES A    @&$**===^,
,^=\*$&@@#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #@@&$*\=^,
,^=\*$&@@# PLACED SEEMINGLY  AT RANDOM, NONE  GOING #@@&$*\=^,
,^=\*$&@@#        FURTHER THAN A FEW FLOORS).       #@@&$*\=^,
,^=\*$&@##                                          ##@&$*\=^,
,,,,,^\*&& AS TIME GOES ON, THE LIGHTS  SLOWLY DIM, &&*\^,,,,,
,^=\*&@@## UNTIL THE AIR  INSIDE  HAS TAKEN  ON THE ##@@&*\=^,
,^=\*$&@@# SAME QUALITY  AS  THE SURROUNDING  MIST: #@@&$*\=^,
,^=\*$&@@@ BLUE-GRAY, SPRINKLED WITH THE  SMALL RED @@@&$*\=^,
,,,,^^=\*& DOT'S BY DOOR LOCKS AND CONTROL  PANELS. &*\=^^,,,,
,,,,,^=*&@ IF  YOU WOULD LOOK  THROUGH  THE WINDOWS @&*=^,,,,,
,,,,,=\*&@ YOU WOULD  SEE THE MIST ROLLING BY,  AND @&*\=,,,,,
,^=\*$&@@# PERHAPS  THE   OUTLINE   OF  SOME  OTHER #@@&$*\=^,
,,,,,=\$@@           BUILDING, FAR BELOW.           @@$\=,,,,,
,^=\*$&@##                                          ##@&$*\=^,
,^=\*$&@## DURING THE  NIGHT,  AFTER  TAINARON  HAS ##@&$*\=^,
,,,,===*&@ STARTED  MOVING,  THE  LOWER FLOORS  ARE @&*===,,,,
,^=\**$&@@ SHUT  OFF, PREVENTING  ENTRY OR EXIT FOR @@&$**\=^,
,^^^^^=\$& THE GUESTS.  FOOD  IS NO  LONGER SERVED, &$\=^^^^^,
,^=\*$$$$@ BUT THE DRINKS  BECOME MORE EXTRAVAGANT. @$$$$*\=^,
,^=\*$&@@# IT'S AT THIS  POINT THAT THE  SECOND SET #@@&$*\=^,
,,^^\\$$@@ OF  GUEST  ARRIVES,   VIA  HELICOPTER  - @@$$\\^^,,
,^=\*$&@@#  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  #@@&$*\=^,
,,,,,^\\*&                                          &*\\^,,,,,
,,,,,,^\$&                  =====                   &$\^,,,,,,
,^====\$&&                                          &&$\====^,
,^=\*$&@@# IN MY DREAM I AM INVITED AS A  FRIEND OF #@@&$*\=^,
,^=\*$&@@# ONE  OF  THE SERVERS, AND  THUS SAFE. WE #@@&$*\=^,
,^=\*&@@## SIT  IN  ONE   OF  THE   LARGE  WINDOWS, ##@@&*\=^,
,^=\*$&@@@ LOOKING  THROUGH  THE   MIST   FOR   ANY @@@&$*\=^,
,^=\*$&@@# LANDMARKS  TO PIERCE THROUGH  THE  MIST. #@@&$*\=^,
,^=\*$&@## SHE TELLS ME THAT APART  FROM COMING AND ##@&$*\=^,
,^=\*$&@@# GOING  FROM  WORK,  SHE'S NEVER SEEN THE #@@&$*\=^,
,,,,,^\$$@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @$$\^,,,,,
,^=\*$@@##                                          ##@@$*\=^,
,,,,,,^\$@ THE  NEXT DAY I AM INVITED TO THE PUBLIC @$\^,,,,,,
,=\*$&@@##     DEMONSTRATION OF THE EXOBUBBLE.      ##@@&$*\=,
,^=\*$&@@#                                          #@@&$*\=^,
,,,,==\$@@                                          @@$\==,,,,
,^=\*$&@##                                          ##@&$*\=^,
,,,,,=\\$@                                          @$\\=,,,,,
,^=\*$&@@@                                          @@@&$*\=^,