##*^=«,,,, ,,,,«=^*##
#*^=«,,,,, ,,,,,«=^*#
*^=«,,,,,, ,,,,,,«=^*
^=«,,,,,,, ,,,,,,,«=^
*^=«,,,,,, ,,,,,,«=^*
#*^=«,,,,, THE SKYSCRAPER THAT MOVES ,,,,,«=^*#
##*^=«,,,, ,,,,«=^*##
###*^=«,,, TAINARON IS A BUILDING OWNED AND ,,,«=^*###
####*^=«,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,«=^*####
###*^=«,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,«=^*###
##*^=«,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,«=^*##
#*^=«,,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,,«=^*#
*^=«,,,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,,,«=^*
^=«,,,,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,,,,«=^
*^=«,,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,,«=^*
#*^=«,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,«=^*#
##*^=«,,,, ,,,,«=^*##
###*^=«,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,«=^*###
####*^=«,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,«=^*####
###*^=«,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,«=^*###
##*^=«,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,«=^*##
#*^=«,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,«=^*#
*^=«,,,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,,«=^*
^=«,,,,,,, VISCIOUS PHASE OF THE TAINARON ,,,,,,,«=^
*^=«,,,,,, ECOSYSTEM. ,,,,,,«=^*
#*^=«,,,,, ,,,,,«=^*#
##*^=«,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,«=^*##
###*^=«,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,«=^*###
####*^=«,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,«=^*####
###*^=«,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,«=^*###
##*^=«,,,, STRUCTURE (THE BUILDING FEATURES A ,,,,«=^*##
#*^=«,,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,,,«=^*#
*^=«,,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,,«=^*
^=«,,,,,,, FURTHER THAN A FEW FLOORS). ,,,,,,,«=^
*^=«,,,,,, ,,,,,,«=^*
#*^=«,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,«=^*#
##*^=«,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,«=^*##
###*^=«,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,«=^*###
####*^=«,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,«=^*####
###*^=«,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,«=^*###
##*^=«,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,«=^*##
#*^=«,,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,,«=^*#
*^=«,,,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,,,«=^*
^=«,,,,,,, BUILDING, FAR BELOW. ,,,,,,,«=^
*^=«,,,,,, ,,,,,,«=^*
#*^=«,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,«=^*#
##*^=«,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,«=^*##
###*^=«,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,«=^*###
####*^=«,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,«=^*####
###*^=«,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,«=^*###
##*^=«,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,«=^*##
#*^=«,,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,,«=^*#
*^=«,,,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,,,«=^*
^=«,,,,,,, ,,,,,,,«=^
*^=«,,,,,, ««««« ,,,,,,«=^*
#*^=«,,,,, ,,,,,«=^*#
##*^=«,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,«=^*##
###*^=«,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,«=^*###
####*^=«,, SIT IN ONE OF THE LARGE WINDOWS, ,,«=^*####
###*^=«,,, LOOKING THROUGH THE MIST FOR ANY ,,,«=^*###
##*^=«,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,«=^*##
#*^=«,,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,,«=^*#
*^=«,,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,,«=^*
^=«,,,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,,,«=^
*^=«,,,,,, ,,,,,,«=^*
#*^=«,,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,,«=^*#
##*^=«,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,«=^*##
###*^=«,,, ,,,«=^*###
####*^=«,, ,,«=^*####
###*^=«,,, ,,,«=^*###
##*^=«,,,, ,,,,«=^*##
#*^=«,,,,, ,,,,,«=^*#