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###&£*†~-, ,-~†*£&###
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###&£*†~-, THE SKYSCRAPER THAT MOVES ,-~†*£&###
&&*~~---,, ,,---~~*&&
###&£*†~-, TAINARON IS A BUILDING OWNED AND ,-~†*£&###
###&£*†~-, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,-~†*£&###
###&£*†~-, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,-~†*£&###
###&£*†~-, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,-~†*£&###
#&&&£*†~-, UNKNOWN), DARK BLUE AND COMPLETELY ,-~†*£&&&#
#£***~~~-, RECTANGULAR. IT FEATURES NO SIGNS, ,-~~~***£#
#£££††~,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,~††£££#
#&£***†~-, HELIPAD ON TOP. MOST FLOORS HAVE ,-~†***£&#
####&*†~-, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,-~†*&####
###&£*†~-, ,-~†*£&###
#&***~,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,~***&#
###&£*†~-, SIGNATURE FOG ROLLING IN FROM THE SEA, ,-~†*£&###
##£**~,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,~**£##
###&£*†~-, A THOUSAND ROBOTIC LEGS TO ANOTHER ,-~†*£&###
###&£*†~-, (SECRET) PART OF TOWN, OR PERHAPS OUT ,-~†*£&###
#&&*~,,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,~*&&#
###&£*†~-, VISCIOUS PHASE OF THE TAINARON ,-~†*£&###
&£**†~,,,, ECOSYSTEM. ,,,,~†**£&
###&£*†~-, ,-~†*£&###
##&£**†~-, THE GUESTS ARRIVING DURING THE EARLY ,-~†**£&##
###&£*†~-, EVENING ARE TREATED TO FOOD AND DRINK, ,-~†*£&###
###&£*†~-, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,-~†*£&###
##&&£*†~-, COMFORTABLE BUT MAZE-LIKE INTERIOR ,-~†*£&&##
###&£*†~-, STRUCTURE (THE BUILDING FEATURES A ,-~†*£&###
###&£*†~-, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,-~†*£&###
&&£**~~,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,~~**£&&
###&£*†~-, FURTHER THAN A FEW FLOORS). ,-~†*£&###
###&£*†~-, ,-~†*£&###
####£*†~-, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,-~†*£####
&££*~-,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,-~*££&
#&&&£*†~-, SAME QUALITY AS THE SURROUNDING MIST: ,-~†*£&&&#
###&£*†~-, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,-~†*£&###
#&£†~-,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,-~†£&#
&&£*~~~,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,~~~*£&&
#£*~---,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,---~*£#
&£†-,,,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,,,-†£&
###&£*†~-, BUILDING, FAR BELOW. ,-~†*£&###
#&*~,,,,,, ,,,,,,~*&#
###&£*†~-, DURING THE NIGHT, AFTER TAINARON HAS ,-~†*£&###
##&&£*†~-, STARTED MOVING, THE LOWER FLOORS ARE ,-~†*£&&##
#&&&£*†~-, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,-~†*£&&&#
#&&*††~~-, THE GUESTS. FOOD IS NO LONGER SERVED, ,-~~††*&&#
###&£*†~-, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,-~†*£&###
###&£*†~-, IT'S AT THIS POINT THAT THE SECOND SET ,-~†*£&###
##&&£*†~-, OF GUEST ARRIVES, VIA HELICOPTER - ,-~†*£&&##
#&££*~~--, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,--~~*££&#
##&*~,,,,, ,,,,,~*&##
###&£*†~-, ~~~~~ ,-~†*£&###
###&£*†~-, ,-~†*£&###
&*†~~,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,~~†*&
###&£*†~-, ONE OF THE SERVERS, AND THUS SAFE. WE ,-~†*£&###
#&*~-,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,-~*&#
#£*†~~-,,, LOOKING THROUGH THE MIST FOR ANY ,,,-~~†*£#
###&£*†~-, LANDMARKS TO PIERCE THROUGH THE MIST. ,-~†*£&###
###&£*†~-, SHE TELLS ME THAT APART FROM COMING AND ,-~†*£&###
###&£*†~-, GOING FROM WORK, SHE'S NEVER SEEN THE ,-~†*£&###
##£*†-,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,-†*£##
#£**~,,,,, ,,,,,~**£#
###&£*†~-, THE NEXT DAY I AM INVITED TO THE PUBLIC ,-~†*£&###
###&£*†~-, DEMONSTRATION OF THE EXOBUBBLE. ,-~†*£&###
#££†~-,,,, ,,,,-~†££#
###&£*†~-, ,-~†*£&###
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