¤¤.¤¤¤.... ..¤.¤.....
¤¤.¤.¤¤... .....¤....
¤¤...¤¤¤.. ¤.....¤...
¤¤¤..¤.¤¤. .¤.....¤..
¤.¤¤...¤¤¤ ..¤.....¤.
..¤¤¤..¤.¤ THE SKYSCRAPER THAT MOVES ¤..¤......
..¤.¤¤...¤ ¤¤..¤.....
....¤¤¤..¤ TAINARON IS A BUILDING OWNED AND .¤¤..¤....
....¤.¤¤.. OPERATED BY AMATA TEXNOLOGIYASI PLACED .¤¤¤..¤...
......¤¤¤. CLOSED TO THE HARBOR IN MALMÖ. IT'S .¤.¤¤..¤..
......¤.¤¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ...¤¤¤..¤.
........¤¤ UNKNOWN), DARK BLUE AND COMPLETELY ...¤.¤¤..¤
¤.......¤. RECTANGULAR. IT FEATURES NO SIGNS, .....¤¤¤..
.¤........ LIGHTS, OR ORNAMENTS, APART FROM A .....¤.¤¤.
..¤....... HELIPAD ON TOP. MOST FLOORS HAVE .......¤¤¤
¤..¤...... EXTERIOR WALLS COMPLETELY MADE OF GLASS. .......¤.¤
¤¤..¤..... ¤........¤
.¤¤..¤.... IN LATE EVENINGS, SHROUDED BY MALMö'S .¤.......¤
.¤¤¤..¤... SIGNATURE FOG ROLLING IN FROM THE SEA, ..¤.......
.¤.¤¤..¤.. THE BUILDING COMES TO LIFE: IT MOVES ON ...¤......
...¤¤¤..¤. A THOUSAND ROBOTIC LEGS TO ANOTHER ....¤.....
...¤.¤¤..¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ¤....¤....
.....¤¤¤.. TO SEA. THIS SIGNALS A NEW AND MORE .¤....¤...
.....¤.¤¤. VISCIOUS PHASE OF THE TAINARON ..¤....¤..
.......¤¤¤ ECOSYSTEM. ¤..¤....¤.
.......¤.¤ ¤¤..¤....¤
¤........¤ THE GUESTS ARRIVING DURING THE EARLY ¤¤¤..¤....
.¤.......¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤.¤¤..¤...
..¤....... LIVE MUSIC, BEATUTIFUL VIEWS, AND A ..¤¤¤..¤..
...¤...... COMFORTABLE BUT MAZE-LIKE INTERIOR ..¤.¤¤..¤.
....¤..... STRUCTURE (THE BUILDING FEATURES A ¤...¤¤¤..¤
¤....¤.... MULTITUDE OF STAIRWELLS AND ELEVATORS, .¤..¤.¤¤..
.¤....¤... PLACED SEEMINGLY AT RANDOM, NONE GOING ..¤...¤¤¤.
..¤....¤.. FURTHER THAN A FEW FLOORS). ...¤..¤.¤¤
¤..¤....¤. ¤...¤...¤¤
¤¤..¤....¤ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .¤...¤..¤.
¤¤¤..¤.... UNTIL THE AIR INSIDE HAS TAKEN ON THE ..¤...¤...
¤.¤¤..¤... SAME QUALITY AS THE SURROUNDING MIST: ...¤...¤..
..¤¤¤..¤.. BLUE-GRAY, SPRINKLED WITH THE SMALL RED ....¤...¤.
..¤.¤¤..¤. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¤....¤...¤
¤...¤¤¤..¤ IF YOU WOULD LOOK THROUGH THE WINDOWS .¤....¤...
.¤..¤.¤¤.. YOU WOULD SEE THE MIST ROLLING BY, AND ..¤....¤..
..¤...¤¤¤. PERHAPS THE OUTLINE OF SOME OTHER ¤..¤....¤.
...¤..¤.¤¤ BUILDING, FAR BELOW. .¤..¤....¤
¤...¤...¤¤ ..¤..¤....
.¤...¤..¤. DURING THE NIGHT, AFTER TAINARON HAS ...¤..¤...
..¤...¤... STARTED MOVING, THE LOWER FLOORS ARE ....¤..¤..
...¤...¤.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¤....¤..¤.
....¤...¤. THE GUESTS. FOOD IS NO LONGER SERVED, ¤¤....¤..¤
¤....¤...¤ BUT THE DRINKS BECOME MORE EXTRAVAGANT. .¤¤....¤..
.¤....¤... IT'S AT THIS POINT THAT THE SECOND SET .¤¤¤....¤.
..¤....¤.. OF GUEST ARRIVES, VIA HELICOPTER - .¤.¤¤....¤
¤..¤....¤. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ...¤¤¤....
.¤..¤....¤ ¤..¤.¤¤...
..¤..¤.... ~~~~~ ¤¤...¤¤¤..
...¤..¤... ¤¤¤..¤.¤¤.
....¤..¤.. IN MY DREAM I AM INVITED AS A FRIEND OF ¤.¤¤...¤¤¤
¤....¤..¤. ONE OF THE SERVERS, AND THUS SAFE. WE ..¤¤¤..¤.¤
¤¤....¤..¤ SIT IN ONE OF THE LARGE WINDOWS, ..¤.¤¤...¤
.¤¤....¤.. LOOKING THROUGH THE MIST FOR ANY ....¤¤¤..¤
.¤¤¤....¤. LANDMARKS TO PIERCE THROUGH THE MIST. ....¤.¤¤..
.¤.¤¤....¤ SHE TELLS ME THAT APART FROM COMING AND ......¤¤¤.
...¤¤¤.... GOING FROM WORK, SHE'S NEVER SEEN THE ......¤.¤¤
¤..¤.¤¤... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ........¤¤
¤¤...¤¤¤.. ¤.......¤.
¤¤¤..¤.¤¤. THE NEXT DAY I AM INVITED TO THE PUBLIC .¤........
¤.¤¤...¤¤¤ DEMONSTRATION OF THE EXOBUBBLE. ..¤.......
..¤¤¤..¤.¤ ¤..¤......
..¤.¤¤...¤ ¤¤..¤.....
....¤¤¤..¤ .¤¤..¤....
....¤.¤¤.. .¤¤¤..¤...
......¤¤¤. .¤.¤¤..¤..