,,«/$%@#@# #@#@%$/«,,
,,«/%@#@## ##@#@%/«,,
,,,,,,«$$@ @$$«,,,,,,
,,«/$%@##@ @##@%$/«,,
,,«/$%@#@# #@#@%$/«,,
,,«/$%@### THE SKYSCRAPER THAT MOVES ###@%$/«,,
,,«/$%@##@ @##@%$/«,,
,,«/$%@@@@ TAINARON IS A BUILDING OWNED AND @@@@%$/«,,
,,,,,«$@@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@@$«,,,,,
,,«/$%@#@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@#@%$/«,,
,,«/$%@##@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @##@%$/«,,
,,«/$%@@## UNKNOWN), DARK BLUE AND COMPLETELY ##@@%$/«,,
,,«/$%@#@# RECTANGULAR. IT FEATURES NO SIGNS, #@#@%$/«,,
,,,,«$$$@# LIGHTS, OR ORNAMENTS, APART FROM A #@$$$«,,,,
,,,,,///$@ HELIPAD ON TOP. MOST FLOORS HAVE @$///,,,,,
,,,,,,/$@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@$/,,,,,,
,,,,,,,/$@ @$/,,,,,,,
,,,,,«$%%@ IN LATE EVENINGS, SHROUDED BY MALMö'S @%%$«,,,,,
,,,,«/$%@@ SIGNATURE FOG ROLLING IN FROM THE SEA, @@%$/«,,,,
,,«/$%@@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@@%$/«,,
,,,,«$$$%# A THOUSAND ROBOTIC LEGS TO ANOTHER #%$$$«,,,,
,,«/$%@#@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@#@%$/«,,
,,«/$%@@@@ TO SEA. THIS SIGNALS A NEW AND MORE @@@@%$/«,,
,,,,/$%%#@ VISCIOUS PHASE OF THE TAINARON @#%%$/,,,,
,,«/$%#@## ECOSYSTEM. ##@#%$/«,,
,,,,,,«$@@ @@$«,,,,,,
,,,,,,,/%@ THE GUESTS ARRIVING DURING THE EARLY @%/,,,,,,,
,,,,,//$$@ EVENING ARE TREATED TO FOOD AND DRINK, @$$//,,,,,
,,«/$%%@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@%%$/«,,
,,«/$%@#@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@#@%$/«,,
,,,,,,«$@# STRUCTURE (THE BUILDING FEATURES A #@$«,,,,,,
,,«/$%%%@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@%%%$/«,,
,,«/$%@### PLACED SEEMINGLY AT RANDOM, NONE GOING ###@%$/«,,
,,«/$%@#@# FURTHER THAN A FEW FLOORS). #@#@%$/«,,
,,«/$%%@## ##@%%$/«,,
,,,,,««$@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@$««,,,,,
,,«/$%@@#@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @#@@%$/«,,
,,,,,//$%@ SAME QUALITY AS THE SURROUNDING MIST: @%$//,,,,,
,,,,,,//%@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @%//,,,,,,
,,«/$%#@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@#%$/«,,
,,,,,/%%@@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@%%/,,,,,
,,«/$%@##@ YOU WOULD SEE THE MIST ROLLING BY, AND @##@%$/«,,
,,«/$%@@## PERHAPS THE OUTLINE OF SOME OTHER ##@@%$/«,,
,,«/$%@### BUILDING, FAR BELOW. ###@%$/«,,
,,«/$%@@#@ @#@@%$/«,,
,,,,,,//%@ DURING THE NIGHT, AFTER TAINARON HAS @%//,,,,,,
,,«/$%@#@# STARTED MOVING, THE LOWER FLOORS ARE #@#@%$/«,,
,,,,,/$@@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@@$/,,,,,
,,«/$%@#@# THE GUESTS. FOOD IS NO LONGER SERVED, #@#@%$/«,,
,,«/$%@### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###@%$/«,,
,,,,,,,/%@ IT'S AT THIS POINT THAT THE SECOND SET @%/,,,,,,,
,,«/$%@### OF GUEST ARRIVES, VIA HELICOPTER - ###@%$/«,,
,,,«««//%@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @%//«««,,,
,,«////%@@ @@%////«,,
,,«/$%@#@# ««««« #@#@%$/«,,
,,,,,«$@@# #@@$«,,,,,
,,«/$%@#@# IN MY DREAM I AM INVITED AS A FRIEND OF #@#@%$/«,,
,,«/$%@##@ ONE OF THE SERVERS, AND THUS SAFE. WE @##@%$/«,,
,,«/$%@#@# SIT IN ONE OF THE LARGE WINDOWS, #@#@%$/«,,
,,«/$%@@#@ LOOKING THROUGH THE MIST FOR ANY @#@@%$/«,,
,,«/$%@@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@@%$/«,,
,,«/$$%%## SHE TELLS ME THAT APART FROM COMING AND ##%%$$/«,,
,,«/$%%@@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@@%%$/«,,
,,««///$@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@$///««,,
,,,,,,/$@@ @@$/,,,,,,
,,«/$%@@@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@@@%$/«,,
,,,,«/$%@@ DEMONSTRATION OF THE EXOBUBBLE. @@%$/«,,,,
,,«/%@#@## ##@#@%/«,,
,,«/$%@#@# #@#@%$/«,,
,,«/$%@#@# #@#@%$/«,,
,,«/$%@##@ @##@%$/«,,
,,«/$$$%#@ @#%$$$/«,,