,~=/=**&&& &&&**=/=~,
,,,,,~=/=& &=/=~,,,,,
,~=/=*&£## ##£&*=/=~,
,~=/=*&£## ##£&*=/=~,
,,,,,=/= #&=/=,,,,,
,~=/=*&£## THE SKYSCRAPER THAT MOVES ##£&*=/=~,
,~=/=*## ###&*=/=~,
,,,,,,~/*£ TAINARON IS A BUILDING OWNED AND £*/~,,,,,,
,~=/=*&££# OPERATED BY AMATA TEXNOLOGIYASI PLACED #££&*=/=~,
,,,,~=/*&£ CLOSED TO THE HARBOR IN MALMÖ. IT'S £&*/=~,,,,
,,,,====*£ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER £*====,,,,
,~~~~/=*&£ UNKNOWN), DARK BLUE AND COMPLETELY £&*=/~~~~,
,~=/=*&£## RECTANGULAR. IT FEATURES NO SIGNS, ##£&*=/=~,
,~=/=*## LIGHTS, OR ORNAMENTS, APART FROM A ###&*=/=~,
,,,,~/=**& HELIPAD ON TOP. MOST FLOORS HAVE &**=/~,,,,
,,,,,==**£ EXTERIOR WALLS COMPLETELY MADE OF GLASS. £**==,,,,,
,~=/=*&£## ##£&*=/=~,
,,,~=///=& IN LATE EVENINGS, SHROUDED BY MALMö'S &=///=~,,,
,,,,===*&£ SIGNATURE FOG ROLLING IN FROM THE SEA, £&*===,,,,
,~=/=*&££# THE BUILDING COMES TO LIFE: IT MOVES ON #££&*=/=~,
,,,,,~/*££ A THOUSAND ROBOTIC LEGS TO ANOTHER ££*/~,,,,,
,~~~=//*££ (SECRET) PART OF TOWN, OR PERHAPS OUT ££*//=~~~,
,,,~//=*££ TO SEA. THIS SIGNALS A NEW AND MORE ££*=//~,,,
,~=/=*&£## VISCIOUS PHASE OF THE TAINARON ##£&*=/=~,
,~=/=*&££# ECOSYSTEM. #££&*=/=~,
,~=/=*&£## ##£&*=/=~,
,~=/=****£ THE GUESTS ARRIVING DURING THE EARLY £****=/=~,
,~=/===*&& EVENING ARE TREATED TO FOOD AND DRINK, &&*===/=~,
,~=/=***£# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #£***=/=~,
,~=/===&&& COMFORTABLE BUT MAZE-LIKE INTERIOR &&&===/=~,
,,,,~/***£ STRUCTURE (THE BUILDING FEATURES A £***/~,,,,
,,,,,,== MULTITUDE OF STAIRWELLS AND ELEVATORS, #&==,,,,,,
,,,,~====& PLACED SEEMINGLY AT RANDOM, NONE GOING &====~,,,,
,,,,,~=/*£ FURTHER THAN A FEW FLOORS). £*/=~,,,,,
,~=/=*&£## ##£&*=/=~,
,,~===//*£ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, £*//===~,,
,~=/=*&£## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##£&*=/=~,
,~=/=&£### SAME QUALITY AS THE SURROUNDING MIST: ###£&=/=~,
,~=/=*&£## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##£&*=/=~,
,,~~~/== DOT'S BY DOOR LOCKS AND CONTROL PANELS. #&==/~~~,,
,,,,~/*&&& IF YOU WOULD LOOK THROUGH THE WINDOWS &&&*/~,,,,
,,,,,~===& YOU WOULD SEE THE MIST ROLLING BY, AND &===~,,,,,
,~=/=*&£## PERHAPS THE OUTLINE OF SOME OTHER ##£&*=/=~,
,~=/=*&£## BUILDING, FAR BELOW. ##£&*=/=~,
,~=/=*&£## ##£&*=/=~,
,,,,,=/*£# DURING THE NIGHT, AFTER TAINARON HAS #£*/=,,,,,
,~=/=*&£## STARTED MOVING, THE LOWER FLOORS ARE ##£&*=/=~,
,,,,,,~==& SHUT OFF, PREVENTING ENTRY OR EXIT FOR &==~,,,,,,
,,,,~/*&£# THE GUESTS. FOOD IS NO LONGER SERVED, #£&*/~,,,,
,~=/=*&£## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##£&*=/=~,
,~=/*&£### IT'S AT THIS POINT THAT THE SECOND SET ###£&*/=~,
,,,,====&£ OF GUEST ARRIVES, VIA HELICOPTER - £&====,,,,
,,,,,,==&£ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. £&==,,,,,,
,~=/=*&£## ##£&*=/=~,
,,,~///=&& ===== &&=///~,,,
,,,,~==*&& &&*==~,,,,
,~=/=*&£## IN MY DREAM I AM INVITED AS A FRIEND OF ##£&*=/=~,
,~~=///**& ONE OF THE SERVERS, AND THUS SAFE. WE &**///=~~,
,~=/=*&££# SIT IN ONE OF THE LARGE WINDOWS, #££&*=/=~,
,,,,,=/*££ LOOKING THROUGH THE MIST FOR ANY ££*/=,,,,,
,,,,~//**£ LANDMARKS TO PIERCE THROUGH THE MIST. £**//~,,,,
,~=/=*&£## SHE TELLS ME THAT APART FROM COMING AND ##£&*=/=~,
,~=/=*&£## GOING FROM WORK, SHE'S NEVER SEEN THE ##£&*=/=~,
,~=/==**££ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ££**==/=~,
,~=/*&£### ###£&*/=~,
,~=/=*&£## THE NEXT DAY I AM INVITED TO THE PUBLIC ##£&*=/=~,
,,,,,,==&£ DEMONSTRATION OF THE EXOBUBBLE. £&==,,,,,,
,~=/=*&£££ £££&*=/=~,
,~=/=*£### ###£*=/=~,
,,,,===&£# #£&===,,,,
,,,,,,=/=& &=/=,,,,,,
,~=/=*£### ###£*=/=~,