£$%\«^.... ....^«\%$£
$%\«^..... .....^«\%$
£$%\«^.... ....^«\%$£
@£$%\«^... ...^«\%$£@
#@£$%\«^.. ..^«\%$£@#
##@£$%\«^. THE SKYSCRAPER THAT MOVES .^«\%$£@##
#@£$%\«^.. ..^«\%$£@#
@£$%\«^... TAINARON IS A BUILDING OWNED AND ...^«\%$£@
£$%\«^.... OPERATED BY AMATA TEXNOLOGIYASI PLACED ....^«\%$£
$%\«^..... CLOSED TO THE HARBOR IN MALMÖ. IT'S .....^«\%$
£$%\«^.... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ....^«\%$£
@£$%\«^... UNKNOWN), DARK BLUE AND COMPLETELY ...^«\%$£@
#@£$%\«^.. RECTANGULAR. IT FEATURES NO SIGNS, ..^«\%$£@#
##@£$%\«^. LIGHTS, OR ORNAMENTS, APART FROM A .^«\%$£@##
#@£$%\«^.. HELIPAD ON TOP. MOST FLOORS HAVE ..^«\%$£@#
@£$%\«^... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ...^«\%$£@
£$%\«^.... ....^«\%$£
$%\«^..... IN LATE EVENINGS, SHROUDED BY MALMö'S .....^«\%$
£$%\«^.... SIGNATURE FOG ROLLING IN FROM THE SEA, ....^«\%$£
@£$%\«^... THE BUILDING COMES TO LIFE: IT MOVES ON ...^«\%$£@
#@£$%\«^.. A THOUSAND ROBOTIC LEGS TO ANOTHER ..^«\%$£@#
##@£$%\«^. (SECRET) PART OF TOWN, OR PERHAPS OUT .^«\%$£@##
#@£$%\«^.. TO SEA. THIS SIGNALS A NEW AND MORE ..^«\%$£@#
@£$%\«^... VISCIOUS PHASE OF THE TAINARON ...^«\%$£@
£$%\«^.... ECOSYSTEM. ....^«\%$£
$%\«^..... .....^«\%$
£$%\«^.... THE GUESTS ARRIVING DURING THE EARLY ....^«\%$£
@£$%\«^... EVENING ARE TREATED TO FOOD AND DRINK, ...^«\%$£@
#@£$%\«^.. LIVE MUSIC, BEATUTIFUL VIEWS, AND A ..^«\%$£@#
##@£$%\«^. COMFORTABLE BUT MAZE-LIKE INTERIOR .^«\%$£@##
#@£$%\«^.. STRUCTURE (THE BUILDING FEATURES A ..^«\%$£@#
@£$%\«^... MULTITUDE OF STAIRWELLS AND ELEVATORS, ...^«\%$£@
£$%\«^.... PLACED SEEMINGLY AT RANDOM, NONE GOING ....^«\%$£
$%\«^..... FURTHER THAN A FEW FLOORS). .....^«\%$
£$%\«^.... ....^«\%$£
@£$%\«^... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ...^«\%$£@
#@£$%\«^.. UNTIL THE AIR INSIDE HAS TAKEN ON THE ..^«\%$£@#
##@£$%\«^. SAME QUALITY AS THE SURROUNDING MIST: .^«\%$£@##
#@£$%\«^.. BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..^«\%$£@#
@£$%\«^... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ...^«\%$£@
£$%\«^.... IF YOU WOULD LOOK THROUGH THE WINDOWS ....^«\%$£
$%\«^..... YOU WOULD SEE THE MIST ROLLING BY, AND .....^«\%$
£$%\«^.... PERHAPS THE OUTLINE OF SOME OTHER ....^«\%$£
@£$%\«^... BUILDING, FAR BELOW. ...^«\%$£@
#@£$%\«^.. ..^«\%$£@#
##@£$%\«^. DURING THE NIGHT, AFTER TAINARON HAS .^«\%$£@##
#@£$%\«^.. STARTED MOVING, THE LOWER FLOORS ARE ..^«\%$£@#
@£$%\«^... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ...^«\%$£@
£$%\«^.... THE GUESTS. FOOD IS NO LONGER SERVED, ....^«\%$£
$%\«^..... BUT THE DRINKS BECOME MORE EXTRAVAGANT. .....^«\%$
£$%\«^.... IT'S AT THIS POINT THAT THE SECOND SET ....^«\%$£
@£$%\«^... OF GUEST ARRIVES, VIA HELICOPTER - ...^«\%$£@
#@£$%\«^.. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ..^«\%$£@#
##@£$%\«^. .^«\%$£@##
#@£$%\«^.. ««««« ..^«\%$£@#
@£$%\«^... ...^«\%$£@
£$%\«^.... IN MY DREAM I AM INVITED AS A FRIEND OF ....^«\%$£
$%\«^..... ONE OF THE SERVERS, AND THUS SAFE. WE .....^«\%$
£$%\«^.... SIT IN ONE OF THE LARGE WINDOWS, ....^«\%$£
@£$%\«^... LOOKING THROUGH THE MIST FOR ANY ...^«\%$£@
#@£$%\«^.. LANDMARKS TO PIERCE THROUGH THE MIST. ..^«\%$£@#
##@£$%\«^. SHE TELLS ME THAT APART FROM COMING AND .^«\%$£@##
#@£$%\«^.. GOING FROM WORK, SHE'S NEVER SEEN THE ..^«\%$£@#
@£$%\«^... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ...^«\%$£@
£$%\«^.... ....^«\%$£
$%\«^..... THE NEXT DAY I AM INVITED TO THE PUBLIC .....^«\%$
£$%\«^.... DEMONSTRATION OF THE EXOBUBBLE. ....^«\%$£
@£$%\«^... ...^«\%$£@
#@£$%\«^.. ..^«\%$£@#
##@£$%\«^. .^«\%$£@##
#@£$%\«^.. ..^«\%$£@#
@£$%\«^... ...^«\%$£@