.:»\$@§@## ##@§@$\»:.
.:»\$@§@## ##@§@$\»:.
.:»\$@§@## ##@§@$\»:.
.....:\$§§ §§$\:.....
.:»\$@@@@@ @@@@@$\»:.
.:»\$@@### the skyscraper that moves ###@@$\»:.
.:»\$@§§@@ @@§§@$\»:.
....»»$$§§ tainaron is a building owned and §§$$»»....
...»»»$@§# operated by amata texnologiyasi placed #§@$»»»...
...::\@§@@ closed to the harbor in malmÖ. it's @@§@\::...
....»»$$§§ roughly sixty floors high (real number §§$$»»....
.:»\$@§@## unknown), dark blue and completely ##@§@$\»:.
....:»»»$§ rectangular. it features no signs, §$»»»:....
.:»\$@§§§# lights, or ornaments, apart from a #§§§@$\»:.
.:»\$@§### helipad on top. most floors have ###§@$\»:.
....»$$§§@ exterior walls completely made of glass. @§§$$»....
.:»\$@§@## ##@§@$\»:.
.:»\$@§@## in late evenings, shrouded by malmö's ##@§@$\»:.
..:»\$$§§@ signature fog rolling in from the sea, @§§$$\»:..
.....»\\@@ the building comes to life: it moves on @@\\».....
....:\@§§# a thousand robotic legs to another #§§@\:....
.:»\$@§@## (secret) part of town, or perhaps out ##@§@$\»:.
.:»\\\$@§§ to sea. this signals a new and more §§@$\\\»:.
...:»»$§§§ viscious phase of the tainaron §§§$»»:...
.:»\$@@### ecosystem. ###@@$\»:.
......:\@§ §@\:......
.:»\$@§@## the guests arriving during the early ##@§@$\»:.
.:»»\$$§§@ evening are treated to food and drink, @§§$$\»»:.
...»»\$$$§ live music, beatutiful views, and a §$$$\»»...
...:\$$$§@ comfortable but maze-like interior @§$$$\:...
....:»$@§@ structure (the building features a @§@$»:....
.:»\$@§@## multitude of stairwells and elevators, ##@§@$\»:.
...»\\\@§# placed seemingly at random, none going #§@\\\»...
.:»\@§@### further than a few floors). ###@§@\»:.
.:»\$@§@## ##@§@$\»:.
.:»\$@§@@# as time goes on, the lights slowly dim, #@@§@$\»:.
.:»\$@§@## until the air inside has taken on the ##@§@$\»:.
.:»\$@§@## same quality as the surrounding mist: ##@§@$\»:.
.:»\$@§§@# blue-gray, sprinkled with the small red #@§§@$\»:.
...»»»»$§@ dot's by door locks and control panels. @§$»»»»...
.:»\$@§@@# if you would look through the windows #@@§@$\»:.
....»»\@@@ you would see the mist rolling by, and @@@\»»....
...::\@@@# perhaps the outline of some other #@@@\::...
.:»\$@§§@# building, far below. #@§§@$\»:.
.:::»»$§§@ @§§$»»:::.
......:\@@ during the night, after tainaron has @@\:......
.:»\$@§@## started moving, the lower floors are ##@§@$\»:.
.:»\$@§@## shut off, preventing entry or exit for ##@§@$\»:.
.:»\$@§### the guests. food is no longer served, ###§@$\»:.
...:\$@§§@ but the drinks become more extravagant. @§§@$\:...
.:»\$@§@## it's at this point that the second set ##@§@$\»:.
.:\$@§@### of guest arrives, via helicopter - ###@§@$\:.
.:»\$@§@## amata texnologiyasi and their friends. ##@§@$\»:.
.:»\$@§@## ##@§@$\»:.
....::»\$§ »»»»» §$\»::....
.:»\$@§@## ##@§@$\»:.
.:»\$@§@## in my dream i am invited as a friend of ##@§@$\»:.
...:»\\@@@ one of the servers, and thus safe. we @@@\\»:...
.:\$@§@### sit in one of the large windows, ###@§@$\:.
.:»\$@§@@@ looking through the mist for any @@@§@$\»:.
.:»\$@§@## landmarks to pierce through the mist. ##@§@$\»:.
.:»\$@§@## she tells me that apart from coming and ##@§@$\»:.
......:»$§ going from work, she's never seen the §$»:......
.:»\$@§@## building from the outside. we both sigh. ##@§@$\»:.
......»$@@ @@$»......
.....»\@§§ the next day i am invited to the public §§@\».....
.:»\$@§@## demonstration of the exobubble. ##@§@$\»:.
.:»\$§@### ###@§$\»:.
.:»\$@§@## ##@§@$\»:.
.:»\$@§@## ##@§@$\»:.
.:»\$@@@§§ §§@@@$\»:.
.:»\$@§@## ##@§@$\»:.