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.=†^£§@### THE SKYSCRAPER THAT MOVES ###@§£^†=.
¨¨¨¨¨¨==^§ §^==¨¨¨¨¨¨
¨¨...=^£@# TAINARON IS A BUILDING OWNED AND #@£^=...¨¨
¨¨¨¨¨.=^£§ OPERATED BY AMATA TEXNOLOGIYASI PLACED §£^=.¨¨¨¨¨
¨.=†^£§@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@§£^†=.¨
¨.=†^£§@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@§£^†=.¨
¨.=†^^^§@@ UNKNOWN), DARK BLUE AND COMPLETELY @@§^^^†=.¨
¨.=†††^^£§ RECTANGULAR. IT FEATURES NO SIGNS, §£^^†††=.¨
¨¨¨¨¨¨=^§@ LIGHTS, OR ORNAMENTS, APART FROM A @§^=¨¨¨¨¨¨
¨.=†^£§@## HELIPAD ON TOP. MOST FLOORS HAVE ##@§£^†=.¨
¨.=†^£§@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@§£^†=.¨
¨.=†^£§@## ##@§£^†=.¨
¨¨¨¨¨.††£§ IN LATE EVENINGS, SHROUDED BY MALMö'S §£††.¨¨¨¨¨
¨¨¨¨..†^£@ SIGNATURE FOG ROLLING IN FROM THE SEA, @£^†..¨¨¨¨
¨¨¨¨¨.†^£§ THE BUILDING COMES TO LIFE: IT MOVES ON §£^†.¨¨¨¨¨
¨¨¨.=^^^§@ A THOUSAND ROBOTIC LEGS TO ANOTHER @§^^^=.¨¨¨
¨¨¨==†^^^§ (SECRET) PART OF TOWN, OR PERHAPS OUT §^^^†==¨¨¨
¨.=†^£§@## TO SEA. THIS SIGNALS A NEW AND MORE ##@§£^†=.¨
¨.=†^£§@## VISCIOUS PHASE OF THE TAINARON ##@§£^†=.¨
¨¨¨¨¨¨=†£@ ECOSYSTEM. @£†=¨¨¨¨¨¨
¨.=†^££££§ §££££^†=.¨
¨.=^£§@### THE GUESTS ARRIVING DURING THE EARLY ###@§£^=.¨
¨.=†^£§### EVENING ARE TREATED TO FOOD AND DRINK, ###§£^†=.¨
¨¨..=^^§§# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #§§^^=..¨¨
¨.=†^££££§ COMFORTABLE BUT MAZE-LIKE INTERIOR §££££^†=.¨
¨.=†^£§@## STRUCTURE (THE BUILDING FEATURES A ##@§£^†=.¨
¨¨¨¨¨==^§§ MULTITUDE OF STAIRWELLS AND ELEVATORS, §§^==¨¨¨¨¨
¨.=†^£§@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@§£^†=.¨
¨.=†^££§@# FURTHER THAN A FEW FLOORS). #@§££^†=.¨
¨.=†^£§@## ##@§£^†=.¨
¨.=†^£§@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@§£^†=.¨
¨.=†^£§@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@§£^†=.¨
¨.=†^£§@## SAME QUALITY AS THE SURROUNDING MIST: ##@§£^†=.¨
¨¨.==†^^£@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @£^^†==.¨¨
¨.=†^£@### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###@£^†=.¨
¨.=†^£§@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@§£^†=.¨
¨.=†^£@### YOU WOULD SEE THE MIST ROLLING BY, AND ###@£^†=.¨
¨.=†^£§@@@ PERHAPS THE OUTLINE OF SOME OTHER @@@§£^†=.¨
¨¨¨.†††£§@ BUILDING, FAR BELOW. @§£†††.¨¨¨
¨.=†^£§@## ##@§£^†=.¨
¨.=†^£££@# DURING THE NIGHT, AFTER TAINARON HAS #@£££^†=.¨
¨¨¨¨¨¨=†£@ STARTED MOVING, THE LOWER FLOORS ARE @£†=¨¨¨¨¨¨
¨.=†^£§@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@§£^†=.¨
¨.=†^£§@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@§£^†=.¨
¨.=†^£§@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@§£^†=.¨
¨.=†^£§@@# IT'S AT THIS POINT THAT THE SECOND SET #@@§£^†=.¨
¨.=†£§@### OF GUEST ARRIVES, VIA HELICOPTER - ###@§£†=.¨
¨.=†^£§@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@§£^†=.¨
¨¨¨¨.††^§§ §§^††.¨¨¨¨
¨.=†^£§§§# ===== #§§§£^†=.¨
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¨.=†^£§@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@§£^†=.¨
¨¨¨¨¨.=†£@ ONE OF THE SERVERS, AND THUS SAFE. WE @£†=.¨¨¨¨¨
¨.=†^£§@## SIT IN ONE OF THE LARGE WINDOWS, ##@§£^†=.¨
¨.=†^£§@## LOOKING THROUGH THE MIST FOR ANY ##@§£^†=.¨
¨¨¨¨.††£§@ LANDMARKS TO PIERCE THROUGH THE MIST. @§£††.¨¨¨¨
¨.=†^£§@## SHE TELLS ME THAT APART FROM COMING AND ##@§£^†=.¨
¨.=†^£§@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@§£^†=.¨
¨¨¨¨¨¨=†£@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @£†=¨¨¨¨¨¨
¨¨..==†£§§ §§£†==..¨¨
¨.=†^£§@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@§£^†=.¨
¨.=†^£§§§§ DEMONSTRATION OF THE EXOBUBBLE. §§§§£^†=.¨
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