¨,~\†@#@## ##@#@†\~,¨
¨,~\†@#@## ##@#@†\~,¨
¨,~\†@#### ####@†\~,¨
¨,~\†@#@## ##@#@†\~,¨
¨,~\†@#@## ##@#@†\~,¨
¨,~\†@#@## THE SKYSCRAPER THAT MOVES ##@#@†\~,¨
¨¨¨¨,\@### ###@\,¨¨¨¨
¨,~\†@#@## TAINARON IS A BUILDING OWNED AND ##@#@†\~,¨
¨,~\†@@### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###@@†\~,¨
¨¨¨,\\†@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@†\\,¨¨¨
¨,~\†@#@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@#@†\~,¨
¨,~\†@#@## UNKNOWN), DARK BLUE AND COMPLETELY ##@#@†\~,¨
¨,~\†@#@## RECTANGULAR. IT FEATURES NO SIGNS, ##@#@†\~,¨
¨,~\†@@@## LIGHTS, OR ORNAMENTS, APART FROM A ##@@@†\~,¨
¨,~\†@#@## HELIPAD ON TOP. MOST FLOORS HAVE ##@#@†\~,¨
¨,,~\\@@@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@@@\\~,,¨
¨¨¨¨¨,\\†# #†\\,¨¨¨¨¨
¨,~\†@#@## IN LATE EVENINGS, SHROUDED BY MALMö'S ##@#@†\~,¨
¨,~\†@#### SIGNATURE FOG ROLLING IN FROM THE SEA, ####@†\~,¨
¨,~\†@#@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@#@†\~,¨
¨¨¨¨¨,~\@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@\~,¨¨¨¨¨
¨,~\†@#@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@#@†\~,¨
,~\†@#@### TO SEA. THIS SIGNALS A NEW AND MORE ###@#@†\~,
¨¨¨,,\\\@# VISCIOUS PHASE OF THE TAINARON #@\\\,,¨¨¨
¨,~\†#@### ECOSYSTEM. ###@#†\~,¨
¨,~~~††### ###††~~~,¨
¨,~\††@@#@ THE GUESTS ARRIVING DURING THE EARLY @#@@††\~,¨
¨¨¨¨,,\@@@ EVENING ARE TREATED TO FOOD AND DRINK, @@@\,,¨¨¨¨
¨¨¨¨¨¨,~†# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #†~,¨¨¨¨¨¨
¨,~\†@#### COMFORTABLE BUT MAZE-LIKE INTERIOR ####@†\~,¨
¨,~\\†@@## STRUCTURE (THE BUILDING FEATURES A ##@@†\\~,¨
¨¨¨¨¨¨,~†# MULTITUDE OF STAIRWELLS AND ELEVATORS, #†~,¨¨¨¨¨¨
¨,~\†@#### PLACED SEEMINGLY AT RANDOM, NONE GOING ####@†\~,¨
¨~\†@#@### FURTHER THAN A FEW FLOORS). ###@#@†\~¨
¨¨¨¨,~\@@# #@@\~,¨¨¨¨
¨,~\†@#@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@#@†\~,¨
¨,~\†@#@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@#@†\~,¨
¨,~\†@@#@# SAME QUALITY AS THE SURROUNDING MIST: #@#@@†\~,¨
¨,~\†@#@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@#@†\~,¨
¨¨¨¨¨¨~†@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@†~¨¨¨¨¨¨
¨¨¨¨¨¨~\@@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@\~¨¨¨¨¨¨
¨¨¨¨¨~†@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@†~¨¨¨¨¨
¨,~\†@#@## PERHAPS THE OUTLINE OF SOME OTHER ##@#@†\~,¨
¨,~\†@#@## BUILDING, FAR BELOW. ##@#@†\~,¨
¨,~\†@#@## ##@#@†\~,¨
¨,~\†@#### DURING THE NIGHT, AFTER TAINARON HAS ####@†\~,¨
¨¨¨¨¨¨,\@# STARTED MOVING, THE LOWER FLOORS ARE #@\,¨¨¨¨¨¨
¨¨¨¨,\\††# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #††\\,¨¨¨¨
¨,~\†@#@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@#@†\~,¨
¨,~\†@#@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@#@†\~,¨
¨,~\†@#@## IT'S AT THIS POINT THAT THE SECOND SET ##@#@†\~,¨
¨¨¨~~\@@@@ OF GUEST ARRIVES, VIA HELICOPTER - @@@@\~~¨¨¨
¨,~\†@#@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@#@†\~,¨
¨,~\†@#@## ##@#@†\~,¨
¨¨¨¨¨¨~†#@ ~~~~~ @#†~¨¨¨¨¨¨
¨,~\†@#@## ##@#@†\~,¨
¨,~\†@#@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@#@†\~,¨
¨,~\†@#@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@#@†\~,¨
¨¨¨~~~\@@# SIT IN ONE OF THE LARGE WINDOWS, #@@\~~~¨¨¨
¨,~\†@#@## LOOKING THROUGH THE MIST FOR ANY ##@#@†\~,¨
¨¨¨¨¨¨,\@# LANDMARKS TO PIERCE THROUGH THE MIST. #@\,¨¨¨¨¨¨
¨,~\†@#@## SHE TELLS ME THAT APART FROM COMING AND ##@#@†\~,¨
¨,~\†@#@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@#@†\~,¨
¨,~\†@#@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@#@†\~,¨
¨,~\†@#@## ##@#@†\~,¨
¨,~\†@#@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@#@†\~,¨
¨¨¨¨¨~†††# DEMONSTRATION OF THE EXOBUBBLE. #†††~¨¨¨¨¨
¨,~\†@#@## ##@#@†\~,¨
¨,~\†@#@## ##@#@†\~,¨
¨,~\†@#@## ##@#@†\~,¨
¨¨¨¨~\\†## ##†\\~¨¨¨¨
¨,~\†@#@## ##@#@†\~,¨