,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# #@@§*^»-,,
,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# #@@§*^»-,,
,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# the skyscraper that moves #@@§*^»-,,
,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# tainaron is a building owned and #@@§*^»-,,
,-»^*§@@## operated by amata texnologiyasi placed ##@@§*^»-,
,,-»^*§@@# closed to the harbor in malmÖ. it's #@@§*^»-,,
,-»^*§@@## roughly sixty floors high (real number ##@@§*^»-,
,,-»^*§@@# unknown), dark blue and completely #@@§*^»-,,
,-»^*§@@## rectangular. it features no signs, ##@@§*^»-,
,,-»^*§@@# lights, or ornaments, apart from a #@@§*^»-,,
,-»^*§@@## helipad on top. most floors have ##@@§*^»-,
,,-»^*§@@# exterior walls completely made of glass. #@@§*^»-,,
,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# in late evenings, shrouded by malmö's #@@§*^»-,,
,-»^*§@@## signature fog rolling in from the sea, ##@@§*^»-,
,,-»^*§@@# the building comes to life: it moves on #@@§*^»-,,
,-»^*§@@## a thousand robotic legs to another ##@@§*^»-,
,,-»^*§@@# (secret) part of town, or perhaps out #@@§*^»-,,
,-»^*§@@## to sea. this signals a new and more ##@@§*^»-,
,,-»^*§@@# viscious phase of the tainaron #@@§*^»-,,
,-»^*§@@## ecosystem. ##@@§*^»-,
,,-»^*§@@# #@@§*^»-,,
,-»^*§@@## the guests arriving during the early ##@@§*^»-,
,,-»^*§@@# evening are treated to food and drink, #@@§*^»-,,
,-»^*§@@## live music, beatutiful views, and a ##@@§*^»-,
,,-»^*§@@# comfortable but maze-like interior #@@§*^»-,,
,-»^*§@@## structure (the building features a ##@@§*^»-,
,,-»^*§@@# multitude of stairwells and elevators, #@@§*^»-,,
,-»^*§@@## placed seemingly at random, none going ##@@§*^»-,
,,-»^*§@@# further than a few floors). #@@§*^»-,,
,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# as time goes on, the lights slowly dim, #@@§*^»-,,
,-»^*§@@## until the air inside has taken on the ##@@§*^»-,
,,-»^*§@@# same quality as the surrounding mist: #@@§*^»-,,
,-»^*§@@## blue-gray, sprinkled with the small red ##@@§*^»-,
,,-»^*§@@# dot's by door locks and control panels. #@@§*^»-,,
,-»^*§@@## if you would look through the windows ##@@§*^»-,
,,-»^*§@@# you would see the mist rolling by, and #@@§*^»-,,
,-»^*§@@## perhaps the outline of some other ##@@§*^»-,
,,-»^*§@@# building, far below. #@@§*^»-,,
,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# during the night, after tainaron has #@@§*^»-,,
,-»^*§@@## started moving, the lower floors are ##@@§*^»-,
,,-»^*§@@# shut off, preventing entry or exit for #@@§*^»-,,
,-»^*§@@## the guests. food is no longer served, ##@@§*^»-,
,,-»^*§@@# but the drinks become more extravagant. #@@§*^»-,,
,-»^*§@@## it's at this point that the second set ##@@§*^»-,
,,-»^*§@@# of guest arrives, via helicopter - #@@§*^»-,,
,-»^*§@@## amata texnologiyasi and their friends. ##@@§*^»-,
,,-»^*§@@# #@@§*^»-,,
,-»^*§@@## »»»»» ##@@§*^»-,
,,-»^*§@@# #@@§*^»-,,
,-»^*§@@## in my dream i am invited as a friend of ##@@§*^»-,
,,-»^*§@@# one of the servers, and thus safe. we #@@§*^»-,,
,-»^*§@@## sit in one of the large windows, ##@@§*^»-,
,,-»^*§@@# looking through the mist for any #@@§*^»-,,
,-»^*§@@## landmarks to pierce through the mist. ##@@§*^»-,
,,-»^*§@@# she tells me that apart from coming and #@@§*^»-,,
,-»^*§@@## going from work, she's never seen the ##@@§*^»-,
,,-»^*§@@# building from the outside. we both sigh. #@@§*^»-,,
,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# the next day i am invited to the public #@@§*^»-,,
,-»^*§@@## demonstration of the exobubble. ##@@§*^»-,
,,-»^*§@@# #@@§*^»-,,
,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# #@@§*^»-,,
,-»^*§@@## ##@@§*^»-,
,,-»^*§@@# #@@§*^»-,,