¨¨¨¨:~~%@£ £@%~~:¨¨¨¨
¨¨¨¨¨¨~%§£ £§%~¨¨¨¨¨¨
¨¨::~^^^%@ @%^^^~::¨¨
¨:~^%§@£## ##£@§%^~:¨
¨¨¨::~~%§£ £§%~~::¨¨¨
¨:~^%§@£## THE SKYSCRAPER THAT MOVES ##£@§%^~:¨
¨¨¨¨¨¨~%%@ @%%~¨¨¨¨¨¨
:~^%§@£### TAINARON IS A BUILDING OWNED AND ###£@§%^~:
¨¨¨:~^^%@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@%^^~:¨¨¨
¨¨¨¨¨¨:^§£ CLOSED TO THE HARBOR IN MALMÖ. IT'S £§^:¨¨¨¨¨¨
¨¨¨¨¨¨~^§£ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER £§^~¨¨¨¨¨¨
¨¨¨:~%§@£# UNKNOWN), DARK BLUE AND COMPLETELY #£@§%~:¨¨¨
¨:~^%§@£## RECTANGULAR. IT FEATURES NO SIGNS, ##£@§%^~:¨
¨:~^%§@### LIGHTS, OR ORNAMENTS, APART FROM A ###@§%^~:¨
¨¨¨¨¨~~%§£ HELIPAD ON TOP. MOST FLOORS HAVE £§%~~¨¨¨¨¨
¨¨¨¨::^%@£ EXTERIOR WALLS COMPLETELY MADE OF GLASS. £@%^::¨¨¨¨
¨:~^%§@£## ##£@§%^~:¨
¨¨¨¨~%%@@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@@%%~¨¨¨¨
¨:~^%§@£## SIGNATURE FOG ROLLING IN FROM THE SEA, ##£@§%^~:¨
¨:~^%§§§§@ THE BUILDING COMES TO LIFE: IT MOVES ON @§§§§%^~:¨
¨:~^%@£### A THOUSAND ROBOTIC LEGS TO ANOTHER ###£@%^~:¨
¨¨¨¨:~~^§@ (SECRET) PART OF TOWN, OR PERHAPS OUT @§^~~:¨¨¨¨
¨:~^%§@£## TO SEA. THIS SIGNALS A NEW AND MORE ##£@§%^~:¨
¨¨¨¨¨~^%§@ VISCIOUS PHASE OF THE TAINARON @§%^~¨¨¨¨¨
¨:~^%§@@£# ECOSYSTEM. #£@@§%^~:¨
¨¨¨¨~%%@@# #@@%%~¨¨¨¨
¨:~^%§@£## THE GUESTS ARRIVING DURING THE EARLY ##£@§%^~:¨
¨¨¨~~^^§@@ EVENING ARE TREATED TO FOOD AND DRINK, @@§^^~~¨¨¨
¨:~^%§@£## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##£@§%^~:¨
¨:~^%§@£## COMFORTABLE BUT MAZE-LIKE INTERIOR ##£@§%^~:¨
¨¨¨¨¨:^%%@ STRUCTURE (THE BUILDING FEATURES A @%%^:¨¨¨¨¨
¨:~^%§@£## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##£@§%^~:¨
¨:~^%§@£## PLACED SEEMINGLY AT RANDOM, NONE GOING ##£@§%^~:¨
¨:~^%§@£## FURTHER THAN A FEW FLOORS). ##£@§%^~:¨
¨¨:~^%§@@@ @@@§%^~:¨¨
¨:~^%§@£## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##£@§%^~:¨
¨:~^%%%@£# UNTIL THE AIR INSIDE HAS TAKEN ON THE #£@%%%^~:¨
¨¨¨¨¨::~%@ SAME QUALITY AS THE SURROUNDING MIST: @%~::¨¨¨¨¨
¨:~^%§@£## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##£@§%^~:¨
¨:~^%§§§§£ DOT'S BY DOOR LOCKS AND CONTROL PANELS. £§§§§%^~:¨
¨:~^%@£### IF YOU WOULD LOOK THROUGH THE WINDOWS ###£@%^~:¨
¨:~^%§@£## YOU WOULD SEE THE MIST ROLLING BY, AND ##£@§%^~:¨
¨¨¨¨:~~%%@ PERHAPS THE OUTLINE OF SOME OTHER @%%~~:¨¨¨¨
¨:~^%§@£## BUILDING, FAR BELOW. ##£@§%^~:¨
¨¨::~~~^%@ @%^~~~::¨¨
¨:~^§@£### DURING THE NIGHT, AFTER TAINARON HAS ###£@§^~:¨
¨:::~^%§££ STARTED MOVING, THE LOWER FLOORS ARE ££§%^~:::¨
¨¨:~~^^%@£ SHUT OFF, PREVENTING ENTRY OR EXIT FOR £@%^^~~:¨¨
¨¨¨¨¨:~%@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@%~:¨¨¨¨¨
¨:~^%§@@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@@§%^~:¨
¨¨¨¨~~~%§£ IT'S AT THIS POINT THAT THE SECOND SET £§%~~~¨¨¨¨
¨:~^%§@£££ OF GUEST ARRIVES, VIA HELICOPTER - £££@§%^~:¨
¨¨¨¨¨:~^%@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @%^~:¨¨¨¨¨
¨:~^%§@£## ##£@§%^~:¨
¨:~^%§@£## ~~~~~ ##£@§%^~:¨
¨¨¨:~^§@@@ @@@§^~:¨¨¨
¨¨¨:~^^§@£ IN MY DREAM I AM INVITED AS A FRIEND OF £@§^^~:¨¨¨
¨:~%§@£### ONE OF THE SERVERS, AND THUS SAFE. WE ###£@§%~:¨
¨:~^%§@£## SIT IN ONE OF THE LARGE WINDOWS, ##£@§%^~:¨
¨:~^%§@£## LOOKING THROUGH THE MIST FOR ANY ##£@§%^~:¨
¨¨¨¨¨:^^§£ LANDMARKS TO PIERCE THROUGH THE MIST. £§^^:¨¨¨¨¨
¨¨¨¨¨¨~%%@ SHE TELLS ME THAT APART FROM COMING AND @%%~¨¨¨¨¨¨
¨:~^%§@£## GOING FROM WORK, SHE'S NEVER SEEN THE ##£@§%^~:¨
¨¨¨¨::~%@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@%~::¨¨¨¨
¨:~^%§@£## ##£@§%^~:¨
¨:~^%§@£## THE NEXT DAY I AM INVITED TO THE PUBLIC ##£@§%^~:¨
¨:~^%§@£## DEMONSTRATION OF THE EXOBUBBLE. ##£@§%^~:¨
¨:~^%§@£## ##£@§%^~:¨
¨:~^%§@### ###@§%^~:¨
¨:~^%§@£## ##£@§%^~:¨
¨:~^%§@£## ##£@§%^~:¨
¨:~^%§@£## ##£@§%^~:¨