¨,-*$%&£@# #@£&%$*-,¨
¨,-*$%&@## ##@&%$*-,¨
¨,-*$%&£@# #@£&%$*-,¨
¨,-*$%&£@@ @@£&%$*-,¨
¨,-*$%&@## ##@&%$*-,¨
¨,-*$%&££@ THE SKYSCRAPER THAT MOVES @££&%$*-,¨
¨,-*$%&£@# #@£&%$*-,¨
¨,-*$%&£@# TAINARON IS A BUILDING OWNED AND #@£&%$*-,¨
¨¨¨¨¨,-$%& OPERATED BY AMATA TEXNOLOGIYASI PLACED &%$-,¨¨¨¨¨
¨,-*$%&@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@&%$*-,¨
¨,-*$%&£@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@£&%$*-,¨
¨,--*$$&&@ UNKNOWN), DARK BLUE AND COMPLETELY @&&$$*--,¨
¨,-*$%&£@@ RECTANGULAR. IT FEATURES NO SIGNS, @@£&%$*-,¨
,-*$%&£@## LIGHTS, OR ORNAMENTS, APART FROM A ##@£&%$*-,
¨¨¨¨,-*$%£ HELIPAD ON TOP. MOST FLOORS HAVE £%$*-,¨¨¨¨
¨¨¨¨,,*$&& EXTERIOR WALLS COMPLETELY MADE OF GLASS. &&$*,,¨¨¨¨
¨,-*$%&@## ##@&%$*-,¨
¨,-*$%&£@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@£&%$*-,¨
¨,-*$%&£@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@£&%$*-,¨
¨,-*$%&£@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@£&%$*-,¨
¨,-*$%&£@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@£&%$*-,¨
¨,-*$%&£@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@£&%$*-,¨
¨,-*$%&&££ TO SEA. THIS SIGNALS A NEW AND MORE ££&&%$*-,¨
¨¨¨¨¨¨-$&£ VISCIOUS PHASE OF THE TAINARON £&$-¨¨¨¨¨¨
¨,-*$%&£@@ ECOSYSTEM. @@£&%$*-,¨
¨,-*$%&&&& &&&&%$*-,¨
¨,-*$%&@## THE GUESTS ARRIVING DURING THE EARLY ##@&%$*-,¨
¨,-*$%&££@ EVENING ARE TREATED TO FOOD AND DRINK, @££&%$*-,¨
¨,-*$%&£@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@£&%$*-,¨
¨,-*$%&£@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@£&%$*-,¨
¨¨¨¨---$&@ STRUCTURE (THE BUILDING FEATURES A @&$---¨¨¨¨
¨,-*$%&&&& MULTITUDE OF STAIRWELLS AND ELEVATORS, &&&&%$*-,¨
¨,-*%&£@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@£&%*-,¨
¨,-*$$%%££ FURTHER THAN A FEW FLOORS). ££%%$$*-,¨
¨,-*$%&£@# #@£&%$*-,¨
¨,-*$%&£@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@£&%$*-,¨
¨,-*$%&£@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@£&%$*-,¨
¨,-*$%&&£@ SAME QUALITY AS THE SURROUNDING MIST: @£&&%$*-,¨
¨¨¨¨,-*$%& BLUE-GRAY, SPRINKLED WITH THE SMALL RED &%$*-,¨¨¨¨
¨,-*$%%%%& DOT'S BY DOOR LOCKS AND CONTROL PANELS. &%%%%$*-,¨
¨¨¨¨¨,*%&@ IF YOU WOULD LOOK THROUGH THE WINDOWS @&%*,¨¨¨¨¨
¨¨¨,,**%%& YOU WOULD SEE THE MIST ROLLING BY, AND &%%**,,¨¨¨
¨¨¨-*$$%&& PERHAPS THE OUTLINE OF SOME OTHER &&%$$*-¨¨¨
¨,-*$$$%%& BUILDING, FAR BELOW. &%%$$$*-,¨
¨,-*$%&£@# #@£&%$*-,¨
¨,-*$&£@## DURING THE NIGHT, AFTER TAINARON HAS ##@£&$*-,¨
¨,-*$%&£@# STARTED MOVING, THE LOWER FLOORS ARE #@£&%$*-,¨
¨,-*$%£@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@£%$*-,¨
¨¨¨¨¨,*$%& THE GUESTS. FOOD IS NO LONGER SERVED, &%$*,¨¨¨¨¨
¨,-*$%&£@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@£&%$*-,¨
¨,-*$$$%££ IT'S AT THIS POINT THAT THE SECOND SET ££%$$$*-,¨
¨,,,,-$$&@ OF GUEST ARRIVES, VIA HELICOPTER - @&$$-,,,,¨
¨,-*$%&£@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@£&%$*-,¨
¨,-*$%&&£@ @£&&%$*-,¨
¨,-*$%&£@# ----- #@£&%$*-,¨
¨¨¨¨,***$& &$***,¨¨¨¨
¨,-*$%&£@# IN MY DREAM I AM INVITED AS A FRIEND OF #@£&%$*-,¨
¨¨¨¨¨-**$& ONE OF THE SERVERS, AND THUS SAFE. WE &$**-¨¨¨¨¨
¨,-*$%&£## SIT IN ONE OF THE LARGE WINDOWS, ##£&%$*-,¨
¨,-*$%£@## LOOKING THROUGH THE MIST FOR ANY ##@£%$*-,¨
¨,-*$%&£@# LANDMARKS TO PIERCE THROUGH THE MIST. #@£&%$*-,¨
¨¨¨¨-**$$& SHE TELLS ME THAT APART FROM COMING AND &$$**-¨¨¨¨
¨¨¨,,*%&&& GOING FROM WORK, SHE'S NEVER SEEN THE &&&%*,,¨¨¨
¨,--**$%&£ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. £&%$**--,¨
¨¨,--*$$$& &$$$*--,¨¨
¨¨¨¨,*$%&£ THE NEXT DAY I AM INVITED TO THE PUBLIC £&%$*,¨¨¨¨
¨,,,*$$&££ DEMONSTRATION OF THE EXOBUBBLE. ££&$$*,,,¨
¨,-*$%&£@# #@£&%$*-,¨
¨¨¨¨¨¨-*$& &$*-¨¨¨¨¨¨
¨,-*$%&£@# #@£&%$*-,¨
¨,-*$%&£@# #@£&%$*-,¨
¨,-*$%£@## ##@£%$*-,¨