#@¶&¤%^»-. .-»^%¤&¶@#
@¶&¤%^»-.. ..-»^%¤&¶@
¶&¤%^»-... ...-»^%¤&¶
@¶&¤%^»-.. ..-»^%¤&¶@
#@¶&¤%^»-. .-»^%¤&¶@#
@¶&¤%^»-.. THE SKYSCRAPER THAT MOVES ..-»^%¤&¶@
¶&¤%^»-... ...-»^%¤&¶
@¶&¤%^»-.. TAINARON IS A BUILDING OWNED AND ..-»^%¤&¶@
#@¶&¤%^»-. OPERATED BY AMATA TEXNOLOGIYASI PLACED .-»^%¤&¶@#
@¶&¤%^»-.. CLOSED TO THE HARBOR IN MALMÖ. IT'S ..-»^%¤&¶@
¶&¤%^»-... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ...-»^%¤&¶
@¶&¤%^»-.. UNKNOWN), DARK BLUE AND COMPLETELY ..-»^%¤&¶@
#@¶&¤%^»-. RECTANGULAR. IT FEATURES NO SIGNS, .-»^%¤&¶@#
@¶&¤%^»-.. LIGHTS, OR ORNAMENTS, APART FROM A ..-»^%¤&¶@
¶&¤%^»-... HELIPAD ON TOP. MOST FLOORS HAVE ...-»^%¤&¶
@¶&¤%^»-.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ..-»^%¤&¶@
#@¶&¤%^»-. .-»^%¤&¶@#
@¶&¤%^»-.. IN LATE EVENINGS, SHROUDED BY MALMö'S ..-»^%¤&¶@
¶&¤%^»-... SIGNATURE FOG ROLLING IN FROM THE SEA, ...-»^%¤&¶
@¶&¤%^»-.. THE BUILDING COMES TO LIFE: IT MOVES ON ..-»^%¤&¶@
#@¶&¤%^»-. A THOUSAND ROBOTIC LEGS TO ANOTHER .-»^%¤&¶@#
@¶&¤%^»-.. (SECRET) PART OF TOWN, OR PERHAPS OUT ..-»^%¤&¶@
¶&¤%^»-... TO SEA. THIS SIGNALS A NEW AND MORE ...-»^%¤&¶
@¶&¤%^»-.. VISCIOUS PHASE OF THE TAINARON ..-»^%¤&¶@
#@¶&¤%^»-. ECOSYSTEM. .-»^%¤&¶@#
@¶&¤%^»-.. ..-»^%¤&¶@
¶&¤%^»-... THE GUESTS ARRIVING DURING THE EARLY ...-»^%¤&¶
@¶&¤%^»-.. EVENING ARE TREATED TO FOOD AND DRINK, ..-»^%¤&¶@
#@¶&¤%^»-. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .-»^%¤&¶@#
@¶&¤%^»-.. COMFORTABLE BUT MAZE-LIKE INTERIOR ..-»^%¤&¶@
¶&¤%^»-... STRUCTURE (THE BUILDING FEATURES A ...-»^%¤&¶
@¶&¤%^»-.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ..-»^%¤&¶@
#@¶&¤%^»-. PLACED SEEMINGLY AT RANDOM, NONE GOING .-»^%¤&¶@#
@¶&¤%^»-.. FURTHER THAN A FEW FLOORS). ..-»^%¤&¶@
¶&¤%^»-... ...-»^%¤&¶
@¶&¤%^»-.. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ..-»^%¤&¶@
#@¶&¤%^»-. UNTIL THE AIR INSIDE HAS TAKEN ON THE .-»^%¤&¶@#
@¶&¤%^»-.. SAME QUALITY AS THE SURROUNDING MIST: ..-»^%¤&¶@
¶&¤%^»-... BLUE-GRAY, SPRINKLED WITH THE SMALL RED ...-»^%¤&¶
@¶&¤%^»-.. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ..-»^%¤&¶@
#@¶&¤%^»-. IF YOU WOULD LOOK THROUGH THE WINDOWS .-»^%¤&¶@#
@¶&¤%^»-.. YOU WOULD SEE THE MIST ROLLING BY, AND ..-»^%¤&¶@
¶&¤%^»-... PERHAPS THE OUTLINE OF SOME OTHER ...-»^%¤&¶
@¶&¤%^»-.. BUILDING, FAR BELOW. ..-»^%¤&¶@
#@¶&¤%^»-. .-»^%¤&¶@#
@¶&¤%^»-.. DURING THE NIGHT, AFTER TAINARON HAS ..-»^%¤&¶@
¶&¤%^»-... STARTED MOVING, THE LOWER FLOORS ARE ...-»^%¤&¶
@¶&¤%^»-.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR ..-»^%¤&¶@
#@¶&¤%^»-. THE GUESTS. FOOD IS NO LONGER SERVED, .-»^%¤&¶@#
@¶&¤%^»-.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ..-»^%¤&¶@
¶&¤%^»-... IT'S AT THIS POINT THAT THE SECOND SET ...-»^%¤&¶
@¶&¤%^»-.. OF GUEST ARRIVES, VIA HELICOPTER - ..-»^%¤&¶@
#@¶&¤%^»-. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .-»^%¤&¶@#
@¶&¤%^»-.. ..-»^%¤&¶@
¶&¤%^»-... »»»»» ...-»^%¤&¶
@¶&¤%^»-.. ..-»^%¤&¶@
#@¶&¤%^»-. IN MY DREAM I AM INVITED AS A FRIEND OF .-»^%¤&¶@#
@¶&¤%^»-.. ONE OF THE SERVERS, AND THUS SAFE. WE ..-»^%¤&¶@
¶&¤%^»-... SIT IN ONE OF THE LARGE WINDOWS, ...-»^%¤&¶
@¶&¤%^»-.. LOOKING THROUGH THE MIST FOR ANY ..-»^%¤&¶@
#@¶&¤%^»-. LANDMARKS TO PIERCE THROUGH THE MIST. .-»^%¤&¶@#
@¶&¤%^»-.. SHE TELLS ME THAT APART FROM COMING AND ..-»^%¤&¶@
¶&¤%^»-... GOING FROM WORK, SHE'S NEVER SEEN THE ...-»^%¤&¶
@¶&¤%^»-.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..-»^%¤&¶@
#@¶&¤%^»-. .-»^%¤&¶@#
@¶&¤%^»-.. THE NEXT DAY I AM INVITED TO THE PUBLIC ..-»^%¤&¶@
¶&¤%^»-... DEMONSTRATION OF THE EXOBUBBLE. ...-»^%¤&¶
@¶&¤%^»-.. ..-»^%¤&¶@
#@¶&¤%^»-. .-»^%¤&¶@#
@¶&¤%^»-.. ..-»^%¤&¶@
¶&¤%^»-... ...-»^%¤&¶
@¶&¤%^»-.. ..-»^%¤&¶@