.~»†††^$$# #$$^†††»~.
....»^^§§§ §§§^^»....
..~~»††$$§ §$$††»~~..
....~†$$$# #$$$†~....
.~»†^$§### ###§$^†»~.
.~»†^$§### THE SKYSCRAPER THAT MOVES ###§$^†»~.
.......»^§ §^».......
.~»»††^$§# TAINARON IS A BUILDING OWNED AND #§$^††»»~.
...»††^^^§ OPERATED BY AMATA TEXNOLOGIYASI PLACED §^^^††»...
.~»†^$§### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###§$^†»~.
.~»»»»††$# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #$††»»»»~.
.~»†^$§### UNKNOWN), DARK BLUE AND COMPLETELY ###§$^†»~.
.~»††^$$§§ RECTANGULAR. IT FEATURES NO SIGNS, §§$$^††»~.
.~»†^$§§§# LIGHTS, OR ORNAMENTS, APART FROM A #§§§$^†»~.
.~»†^$$§## HELIPAD ON TOP. MOST FLOORS HAVE ##§$$^†»~.
.~»†^$§### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###§$^†»~.
.....~»^$§ §$^»~.....
.~»†††††$§ IN LATE EVENINGS, SHROUDED BY MALMö'S §$†††††»~.
.~»†^$§### SIGNATURE FOG ROLLING IN FROM THE SEA, ###§$^†»~.
.~»†^$§### THE BUILDING COMES TO LIFE: IT MOVES ON ###§$^†»~.
......~†$# A THOUSAND ROBOTIC LEGS TO ANOTHER #$†~......
....~†^$§# (SECRET) PART OF TOWN, OR PERHAPS OUT #§$^†~....
.~»†^$§### TO SEA. THIS SIGNALS A NEW AND MORE ###§$^†»~.
.~»†^$§### VISCIOUS PHASE OF THE TAINARON ###§$^†»~.
....»†$$## ECOSYSTEM. ##$$†»....
.~»†^$§### ###§$^†»~.
...~»††^§# THE GUESTS ARRIVING DURING THE EARLY #§^††»~...
....~†$§## EVENING ARE TREATED TO FOOD AND DRINK, ##§$†~....
.....»^$## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##$^».....
....»†^§§§ COMFORTABLE BUT MAZE-LIKE INTERIOR §§§^†»....
.~»†^$§### STRUCTURE (THE BUILDING FEATURES A ###§$^†»~.
.....~†$§§ MULTITUDE OF STAIRWELLS AND ELEVATORS, §§$†~.....
.~»†^$§### PLACED SEEMINGLY AT RANDOM, NONE GOING ###§$^†»~.
.....~†^§# FURTHER THAN A FEW FLOORS). #§^†~.....
.~»†^$§### ###§$^†»~.
.~»†^$§### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###§$^†»~.
.~»†^$§### UNTIL THE AIR INSIDE HAS TAKEN ON THE ###§$^†»~.
......~†$§ SAME QUALITY AS THE SURROUNDING MIST: §$†~......
.......»^§ BLUE-GRAY, SPRINKLED WITH THE SMALL RED §^».......
.~»†^$§### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###§$^†»~.
....~†††$§ IF YOU WOULD LOOK THROUGH THE WINDOWS §$†††~....
....~~††$# YOU WOULD SEE THE MIST ROLLING BY, AND #$††~~....
.~»†^$§### PERHAPS THE OUTLINE OF SOME OTHER ###§$^†»~.
.~»†^$§### BUILDING, FAR BELOW. ###§$^†»~.
.~»†^$§### ###§$^†»~.
.~»†^$§### DURING THE NIGHT, AFTER TAINARON HAS ###§$^†»~.
.~»†^$§### STARTED MOVING, THE LOWER FLOORS ARE ###§$^†»~.
.~»†^$§### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###§$^†»~.
..~»†^$$## THE GUESTS. FOOD IS NO LONGER SERVED, ##$$^†»~..
.~»†^$§### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###§$^†»~.
.~»†^$$§## IT'S AT THIS POINT THAT THE SECOND SET ##§$$^†»~.
.~»†^$§### OF GUEST ARRIVES, VIA HELICOPTER - ###§$^†»~.
.~»†^$§### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###§$^†»~.
.~»†^$$$§# #§$$$^†»~.
....»††^^§ »»»»» §^^††»....
.~»†^$§### ###§$^†»~.
...~»»††$# IN MY DREAM I AM INVITED AS A FRIEND OF #$††»»~...
....~~»^§# ONE OF THE SERVERS, AND THUS SAFE. WE #§^»~~....
.~»†††$$§# SIT IN ONE OF THE LARGE WINDOWS, #§$$†††»~.
......~†$§ LOOKING THROUGH THE MIST FOR ANY §$†~......
.~»†^$§### LANDMARKS TO PIERCE THROUGH THE MIST. ###§$^†»~.
...»»†$$$§ SHE TELLS ME THAT APART FROM COMING AND §$$$†»»...
.~»†^$§### GOING FROM WORK, SHE'S NEVER SEEN THE ###§$^†»~.
..~~»†††^§ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. §^†††»~~..
.....~†$## ##$†~.....
.~»†^$§### THE NEXT DAY I AM INVITED TO THE PUBLIC ###§$^†»~.
....»^$$§§ DEMONSTRATION OF THE EXOBUBBLE. §§$$^»....
~»†^$§#### ####§$^†»~
.....~†$$# #$$†~.....
.~»†^^^§§# #§§^^^†»~.
...~»†^§§§ §§§^†»~...
.~»†^§#### ####§^†»~.