##,#,,,,## ,#,,,,,,##
,###,,,#,, ##,,,,,#,,
#,,#,,##,, ,#,,,,##,,
#,##,#,#,, ##,,,#,#,#
##,#####,, ,#,,#####,
,##,,,,#,, THE SKYSCRAPER THAT MOVES ##,#,,,,##
#,#,,,##,, ,###,,,#,#
###,,#,#,, TAINARON IS A BUILDING OWNED AND #,,#,,###,
,,#,####,, OPERATED BY AMATA TEXNOLOGIYASI PLACED #,##,#,,##
,###,,,#,# CLOSED TO THE HARBOR IN MALMÖ. IT'S ##,###,#,#
#,,#,,#### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,##,,#####
#,##,#,,,# UNKNOWN), DARK BLUE AND COMPLETELY #,#,#,,,,,
##,###,,## RECTANGULAR. IT FEATURES NO SIGNS, #####,,,,#
,##,,#,#,# LIGHTS, OR ORNAMENTS, APART FROM A ,,,,#,,,#,
#,#,#####, HELIPAD ON TOP. MOST FLOORS HAVE ,,,##,,##,
####,,,,## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,#,#,#,##
,,,#,,,#,# ,#######,,
,,##,,#### IN LATE EVENINGS, SHROUDED BY MALMö'S #,,,,,,#,,
,#,#,#,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, #,,,,,##,,
######,,,# THE BUILDING COMES TO LIFE: IT MOVES ON #,,,,#,#,,
,,,,,#,,## A THOUSAND ROBOTIC LEGS TO ANOTHER #,,,####,#
,,,,##,#,, (SECRET) PART OF TOWN, OR PERHAPS OUT #,,#,,,###
,,,#,###,, TO SEA. THIS SIGNALS A NEW AND MORE #,##,,#,,#
,,###,,#,# VISCIOUS PHASE OF THE TAINARON ##,#,##,##
,#,,#,#### ECOSYSTEM. ,####,##,#
##,###,,,, #,,,##,###
,##,,#,,,# THE GUESTS ARRIVING DURING THE EARLY #,,#,##,,,
#,#,##,,#, EVENING ARE TREATED TO FOOD AND DRINK, #,###,#,,,
####,#,### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##,,###,,#
,,,####,,# COMFORTABLE BUT MAZE-LIKE INTERIOR ,#,#,,#,#,
,,#,,,#,## STRUCTURE (THE BUILDING FEATURES A ####,####,
,##,,###,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,##,,,#,
#,#,#,,#,# PLACED SEEMINGLY AT RANDOM, NONE GOING ,,#,#,,##,
#####,###, FURTHER THAN A FEW FLOORS). ,####,#,##
,,,,##,,#, #,,,####,,
,,,#,#,##, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #,,#,,,#,,
,,#####,## UNTIL THE AIR INSIDE HAS TAKEN ON THE #,##,,##,,
,#,,,,##,# SAME QUALITY AS THE SURROUNDING MIST: ##,#,#,#,,
##,,,#,##, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,#######,,
,#,,###,#, DOT'S BY DOOR LOCKS AND CONTROL PANELS. #,,,,,,#,#
##,#,,#### IF YOU WOULD LOOK THROUGH THE WINDOWS #,,,,,####
,###,#,,,, YOU WOULD SEE THE MIST ROLLING BY, AND #,,,,#,,,,
#,,###,,,, PERHAPS THE OUTLINE OF SOME OTHER #,,,##,,,,
#,#,,#,,,, BUILDING, FAR BELOW. #,,#,#,,,#
###,##,,,, #,####,,#,
,,##,#,,,, DURING THE NIGHT, AFTER TAINARON HAS ##,,,#,###
,#,###,,,, STARTED MOVING, THE LOWER FLOORS ARE ,#,,###,,#
###,,#,,,# SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##,#,,#,##
,,#,##,,## THE GUESTS. FOOD IS NO LONGER SERVED, ,###,###,,
,###,#,#,# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #,,##,,#,,
#,,######, IT'S AT THIS POINT THAT THE SECOND SET #,#,#,##,,
#,#,,,,,#, OF GUEST ARRIVES, VIA HELICOPTER - ######,#,#
###,,,,### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,,####,
,,#,,,#,,# ,,,,#,,,##
,##,,##,#, ««««« ,,,##,,#,#
#,#,#,#### ,,#,#,####
######,,,# IN MY DREAM I AM INVITED AS A FRIEND OF ,#####,,,,
,,,,,#,,#, ONE OF THE SERVERS, AND THUS SAFE. WE #,,,,#,,,#
,,,,##,### SIT IN ONE OF THE LARGE WINDOWS, #,,,##,,##
,,,#,##,,# LOOKING THROUGH THE MIST FOR ANY #,,#,#,#,#
,,###,#,#, LANDMARKS TO PIERCE THROUGH THE MIST. #,########
,#,,#####, SHE TELLS ME THAT APART FROM COMING AND ##,,,,,,,#
##,#,,,,## GOING FROM WORK, SHE'S NEVER SEEN THE ,#,,,,,,##
,###,,,#,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##,,,,,#,,
#,,#,,##,, ,#,,,,##,,
#,##,#,#,, THE NEXT DAY I AM INVITED TO THE PUBLIC ##,,,#,#,#
##,#####,, DEMONSTRATION OF THE EXOBUBBLE. ,#,,#####,
,##,,,,#,, ##,#,,,,##
#,#,,,##,, ,###,,,#,#
###,,#,#,, #,,#,,###,
,,#,####,, #,##,#,,##
,###,,,#,# ##,###,#,#