.¤........ ¤¤..¤¤¤...
¤¤........ .¤.¤..¤...
.¤........ ¤¤¤¤.¤¤..¤
¤¤........ ...¤¤.¤.¤¤
.¤.......¤ ..¤.¤¤¤¤..
¤¤......¤¤ THE SKYSCRAPER THAT MOVES .¤¤¤...¤..
.¤.....¤.¤ ¤..¤..¤¤.¤
¤¤....¤¤¤¤ TAINARON IS A BUILDING OWNED AND ¤.¤¤.¤.¤¤¤
.¤...¤...¤ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¤¤.¤¤¤¤...
¤¤..¤¤..¤. CLOSED TO THE HARBOR IN MALMÖ. IT'S .¤¤...¤...
.¤.¤.¤.¤¤. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤.¤..¤¤..¤
¤¤¤¤¤¤¤.¤. UNKNOWN), DARK BLUE AND COMPLETELY ¤¤¤.¤.¤.¤¤
......¤¤¤¤ RECTANGULAR. IT FEATURES NO SIGNS, ..¤¤¤¤¤¤..
.....¤.... LIGHTS, OR ORNAMENTS, APART FROM A .¤.....¤..
....¤¤...¤ HELIPAD ON TOP. MOST FLOORS HAVE ¤¤....¤¤..
...¤.¤..¤¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. .¤...¤.¤..
..¤¤¤¤.¤.. ¤¤..¤¤¤¤..
.¤...¤¤¤.. IN LATE EVENINGS, SHROUDED BY MALMö'S .¤.¤...¤..
¤¤..¤..¤.¤ SIGNATURE FOG ROLLING IN FROM THE SEA, ¤¤¤¤..¤¤..
.¤.¤¤.¤¤¤. THE BUILDING COMES TO LIFE: IT MOVES ON ...¤.¤.¤.¤
¤¤¤.¤¤..¤. A THOUSAND ROBOTIC LEGS TO ANOTHER ..¤¤¤¤¤¤¤¤
..¤¤.¤.¤¤¤ (SECRET) PART OF TOWN, OR PERHAPS OUT .¤........
.¤.¤¤¤¤..¤ TO SEA. THIS SIGNALS A NEW AND MORE ¤¤........
¤¤¤...¤.¤. VISCIOUS PHASE OF THE TAINARON .¤........
..¤..¤¤¤¤¤ ECOSYSTEM. ¤¤.......¤
.¤¤.¤..... .¤......¤¤
¤.¤¤¤..... THE GUESTS ARRIVING DURING THE EARLY ¤¤.....¤.¤
¤¤..¤....¤ EVENING ARE TREATED TO FOOD AND DRINK, .¤....¤¤¤.
.¤.¤¤...¤¤ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤¤...¤..¤¤
¤¤¤.¤..¤.. COMFORTABLE BUT MAZE-LIKE INTERIOR .¤..¤¤.¤.¤
..¤¤¤.¤¤.¤ STRUCTURE (THE BUILDING FEATURES A ¤¤.¤.¤¤¤¤.
.¤..¤¤.¤¤. MULTITUDE OF STAIRWELLS AND ELEVATORS, .¤¤¤¤...¤.
¤¤.¤.¤¤.¤¤ PLACED SEEMINGLY AT RANDOM, NONE GOING ¤...¤..¤¤.
.¤¤¤¤.¤¤.. FURTHER THAN A FEW FLOORS). ¤..¤¤.¤.¤¤
¤...¤¤.¤.¤ ¤.¤.¤¤¤¤.¤
¤..¤.¤¤¤¤¤ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¤¤¤¤...¤¤.
¤.¤¤¤..... UNTIL THE AIR INSIDE HAS TAKEN ON THE ...¤..¤.¤¤
¤¤..¤....¤ SAME QUALITY AS THE SURROUNDING MIST: ..¤¤.¤¤¤..
.¤.¤¤...¤. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .¤.¤¤..¤.¤
¤¤¤.¤..¤¤¤ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¤¤¤.¤.¤¤¤¤
..¤¤¤.¤... IF YOU WOULD LOOK THROUGH THE WINDOWS ..¤¤¤¤....
.¤..¤¤¤..¤ YOU WOULD SEE THE MIST ROLLING BY, AND .¤...¤....
¤¤.¤..¤.¤. PERHAPS THE OUTLINE OF SOME OTHER ¤¤..¤¤....
.¤¤¤.¤¤¤¤. BUILDING, FAR BELOW. .¤.¤.¤...¤
¤..¤¤...¤¤ ¤¤¤¤¤¤..¤¤
¤.¤.¤..¤.. DURING THE NIGHT, AFTER TAINARON HAS .....¤.¤..
¤¤¤¤¤.¤¤.. STARTED MOVING, THE LOWER FLOORS ARE ....¤¤¤¤.¤
....¤¤.¤.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR ...¤...¤¤.
...¤.¤¤¤.. THE GUESTS. FOOD IS NO LONGER SERVED, ..¤¤..¤.¤.
..¤¤¤..¤.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .¤.¤.¤¤¤¤.
.¤..¤.¤¤.¤ IT'S AT THIS POINT THAT THE SECOND SET ¤¤¤¤¤...¤.
¤¤.¤¤¤.¤¤¤ OF GUEST ARRIVES, VIA HELICOPTER - ....¤..¤¤.
.¤¤..¤¤... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ...¤¤.¤.¤¤
¤.¤.¤.¤..¤ ..¤.¤¤¤¤.¤
¤¤¤¤¤¤¤.¤. ===== .¤¤¤...¤¤.
......¤¤¤¤ ¤..¤..¤.¤¤
.....¤...¤ IN MY DREAM I AM INVITED AS A FRIEND OF ¤.¤¤.¤¤¤.¤
....¤¤..¤¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤¤.¤¤..¤¤¤
...¤.¤.¤.¤ SIT IN ONE OF THE LARGE WINDOWS, .¤¤.¤.¤..¤
..¤¤¤¤¤¤¤¤ LOOKING THROUGH THE MIST FOR ANY ¤.¤¤¤¤¤.¤¤
.¤........ LANDMARKS TO PIERCE THROUGH THE MIST. ¤¤....¤¤.¤
¤¤........ SHE TELLS ME THAT APART FROM COMING AND .¤...¤.¤¤¤
.¤........ GOING FROM WORK, SHE'S NEVER SEEN THE ¤¤..¤¤¤...
¤¤........ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .¤.¤..¤...
.¤........ ¤¤¤¤.¤¤..¤
¤¤........ THE NEXT DAY I AM INVITED TO THE PUBLIC ...¤¤.¤.¤¤
.¤.......¤ DEMONSTRATION OF THE EXOBUBBLE. ..¤.¤¤¤¤..
¤¤......¤¤ .¤¤¤...¤..
.¤.....¤.¤ ¤..¤..¤¤.¤
¤¤....¤¤¤¤ ¤.¤¤.¤.¤¤¤
.¤...¤...¤ ¤¤.¤¤¤¤...
¤¤..¤¤..¤. .¤¤...¤...