##¶#@$;«-¨ ¨-«;$@#¶##
##$$;;-¨¨¨ ¨¨¨-;;$$##
¶#$;«¨¨¨¨¨ ¨¨¨¨¨«;$#¶
###¶@$;«-¨ ¨-«;$@¶###
¶#$«¨¨¨¨¨¨ ¨¨¨¨¨¨«$#¶
##¶#@$;«-¨ THE SKYSCRAPER THAT MOVES ¨-«;$@#¶##
#@$«¨¨¨¨¨¨ ¨¨¨¨¨¨«$@#
#$;«¨¨¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨¨¨«;$#
¶@$«««-¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨-«««$@¶
###¶#@$;«¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨«;$@#¶###
#¶##@$;«-¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨-«;$@##¶#
##¶#@$;«-¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨-«;$@#¶##
##@$;;«--¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨--«;;$@##
#$$;;-¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨-;;$$#
####@$;«-¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨-«;$@####
##$«¨¨¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨¨¨«$##
#@;«-¨¨¨¨¨ ¨¨¨¨¨-«;@#
#@@;;;-¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨-;;;@@#
#¶##@$;«-¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨-«;$@##¶#
####@$;«-¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨-«;$@####
##@@@$;«-¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨-«;$@@@##
###¶#$;«-¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨-«;$#¶###
###$$$;«-¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨-«;$$$###
##¶#@$;«-¨ VISCIOUS PHASE OF THE TAINARON ¨-«;$@#¶##
¶@$;-¨¨¨¨¨ ECOSYSTEM. ¨¨¨¨¨-;$@¶
#¶#$$;---¨ ¨---;$$#¶#
#$««¨¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨¨««$#
¶@$««---¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨---««$@¶
##¶#@$;«-¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨-«;$@#¶##
#$«¨¨¨¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨¨¨¨«$#
#@;;;-¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨-;;;@#
##¶#@$;«-¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨-«;$@#¶##
##¶#@$;«-¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨-«;$@#¶##
¶@$«««¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨«««$@¶
##¶#@$;«-¨ ¨-«;$@#¶##
¶@@;«¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨«;@@¶
¶¶¶#@$;«-¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨-«;$@#¶¶¶
¶¶#@;-¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨-;@#¶¶
###$«-¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨-«$###
##¶#@$;«-¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨-«;$@#¶##
##¶#@$;«-¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨-«;$@#¶##
##¶#@$;«-¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨-«;$@#¶##
¶@;;-¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨-;;@¶
##¶#@$;«-¨ BUILDING, FAR BELOW. ¨-«;$@#¶##
##@;;-¨¨¨¨ ¨¨¨¨-;;@##
###¶#@$;«¨ DURING THE NIGHT, AFTER TAINARON HAS ¨«;$@#¶###
##¶#@$;«-¨ STARTED MOVING, THE LOWER FLOORS ARE ¨-«;$@#¶##
¶¶¶#@$;«-¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨-«;$@#¶¶¶
#¶@$;;«--¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨--«;;$@¶#
##@@@$;«-¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨-«;$@@@##
¶@;-¨¨¨¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨¨¨-;@¶
#¶@$$;«¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨«;$$@¶#
##@@;«-¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨-«;@@##
¶#$$;;;«-¨ ¨-«;;;$$#¶
##$;--¨¨¨¨ ««««« ¨¨¨¨--;$##
#@$;-¨¨¨¨¨ ¨¨¨¨¨-;$@#
##¶#@$;«-¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨-«;$@#¶##
##¶#@$;«-¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨-«;$@#¶##
##¶#@$;«-¨ SIT IN ONE OF THE LARGE WINDOWS, ¨-«;$@#¶##
#@;««¨¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨««;@#
#$«-¨¨¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨¨¨-«$#
##@@$$;«-¨ SHE TELLS ME THAT APART FROM COMING AND ¨-«;$$@@##
#$;«-¨¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨-«;$#
##¶#@$;«-¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨-«;$@#¶##
¶¶@@@$;«-¨ ¨-«;$@@@¶¶
##¶#@$;«-¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨-«;$@#¶##
###¶#$;«-¨ DEMONSTRATION OF THE EXOBUBBLE. ¨-«;$#¶###
##¶#@$;«-¨ ¨-«;$@#¶##
##¶#@$;«-¨ ¨-«;$@#¶##
¶#@@@$;«-¨ ¨-«;$@@@#¶
##¶#@$;«-¨ ¨-«;$@#¶##
##¶#@$;«-¨ ¨-«;$@#¶##