.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@                                          @#&&†^=:..
.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@                                          @#&&†^=:..
.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@         THE SKYSCRAPER THAT MOVES        @#&&†^=:..
.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@ TAINARON   IS   A   BUILDING  OWNED  AND @#&&†^=:..
.:=^†&&#@#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #@#&&†^=:.
..:=^†&&#@ CLOSED  TO  THE  HARBOR  IN MALMÖ.  IT'S @#&&†^=:..
.:=^†&&#@# ROUGHLY  SIXTY FLOORS  HIGH (REAL NUMBER #@#&&†^=:.
..:=^†&&#@    UNKNOWN), DARK BLUE AND COMPLETELY    @#&&†^=:..
.:=^†&&#@#    RECTANGULAR. IT FEATURES NO SIGNS,    #@#&&†^=:.
..:=^†&&#@ LIGHTS,  OR   ORNAMENTS,  APART  FROM  A @#&&†^=:..
.:=^†&&#@# HELIPAD  ON   TOP.   MOST  FLOORS   HAVE #@#&&†^=:.
..:=^†&&#@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @#&&†^=:..
.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@ IN  LATE  EVENINGS, SHROUDED  BY MALMö'S @#&&†^=:..
.:=^†&&#@# SIGNATURE FOG ROLLING  IN FROM  THE SEA, #@#&&†^=:.
..:=^†&&#@ THE BUILDING  COMES TO LIFE: IT MOVES ON @#&&†^=:..
.:=^†&&#@# A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER #@#&&†^=:.
..:=^†&&#@ (SECRET) PART OF  TOWN,  OR  PERHAPS OUT @#&&†^=:..
.:=^†&&#@# TO  SEA. THIS SIGNALS  A  NEW  AND  MORE #@#&&†^=:.
..:=^†&&#@      VISCIOUS PHASE OF THE TAINARON      @#&&†^=:..
.:=^†&&#@#                ECOSYSTEM.                #@#&&†^=:.
..:=^†&&#@                                          @#&&†^=:..
.:=^†&&#@# THE  GUESTS  ARRIVING  DURING  THE EARLY #@#&&†^=:.
..:=^†&&#@ EVENING ARE TREATED  TO  FOOD AND DRINK, @#&&†^=:..
.:=^†&&#@# LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A #@#&&†^=:.
..:=^†&&#@    COMFORTABLE BUT MAZE-LIKE INTERIOR    @#&&†^=:..
.:=^†&&#@#    STRUCTURE (THE BUILDING FEATURES A    #@#&&†^=:.
..:=^†&&#@  MULTITUDE OF STAIRWELLS AND ELEVATORS,  @#&&†^=:..
.:=^†&&#@# PLACED SEEMINGLY AT RANDOM,  NONE  GOING #@#&&†^=:.
..:=^†&&#@       FURTHER THAN A FEW FLOORS).        @#&&†^=:..
.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@ AS TIME GOES  ON, THE LIGHTS SLOWLY DIM, @#&&†^=:..
.:=^†&&#@# UNTIL  THE AIR  INSIDE HAS  TAKEN ON THE #@#&&†^=:.
..:=^†&&#@ SAME  QUALITY AS  THE SURROUNDING  MIST: @#&&†^=:..
.:=^†&&#@# BLUE-GRAY,  SPRINKLED WITH THE SMALL RED #@#&&†^=:.
..:=^†&&#@ DOT'S BY DOOR  LOCKS AND CONTROL PANELS. @#&&†^=:..
.:=^†&&#@# IF  YOU  WOULD LOOK THROUGH  THE WINDOWS #@#&&†^=:.
..:=^†&&#@ YOU WOULD  SEE THE MIST ROLLING BY,  AND @#&&†^=:..
.:=^†&&#@# PERHAPS  THE  OUTLINE   OF   SOME  OTHER #@#&&†^=:.
..:=^†&&#@           BUILDING, FAR BELOW.           @#&&†^=:..
.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@ DURING  THE  NIGHT, AFTER  TAINARON  HAS @#&&†^=:..
.:=^†&&#@# STARTED  MOVING,  THE  LOWER FLOORS  ARE #@#&&†^=:.
..:=^†&&#@ SHUT OFF,  PREVENTING  ENTRY OR EXIT FOR @#&&†^=:..
.:=^†&&#@# THE GUESTS.  FOOD IS  NO LONGER  SERVED, #@#&&†^=:.
..:=^†&&#@ BUT  THE DRINKS BECOME MORE EXTRAVAGANT. @#&&†^=:..
.:=^†&&#@# IT'S AT THIS POINT THAT  THE  SECOND SET #@#&&†^=:.
..:=^†&&#@ OF  GUEST  ARRIVES,   VIA  HELICOPTER  - @#&&†^=:..
.:=^†&&#@#  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  #@#&&†^=:.
..:=^†&&#@                                          @#&&†^=:..
.:=^†&&#@#                  =====                   #@#&&†^=:.
..:=^†&&#@                                          @#&&†^=:..
.:=^†&&#@# IN MY  DREAM I AM INVITED AS A FRIEND OF #@#&&†^=:.
..:=^†&&#@ ONE OF  THE SERVERS, AND THUS  SAFE.  WE @#&&†^=:..
.:=^†&&#@# SIT  IN  ONE   OF  THE  LARGE   WINDOWS, #@#&&†^=:.
..:=^†&&#@ LOOKING   THROUGH   THE  MIST   FOR  ANY @#&&†^=:..
.:=^†&&#@# LANDMARKS  TO PIERCE THROUGH  THE  MIST. #@#&&†^=:.
..:=^†&&#@ SHE  TELLS ME THAT APART FROM COMING AND @#&&†^=:..
.:=^†&&#@# GOING  FROM  WORK, SHE'S NEVER  SEEN THE #@#&&†^=:.
..:=^†&&#@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @#&&†^=:..
.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@ THE NEXT  DAY I AM INVITED TO THE PUBLIC @#&&†^=:..
.:=^†&&#@#      DEMONSTRATION OF THE EXOBUBBLE.     #@#&&†^=:.
..:=^†&&#@                                          @#&&†^=:..
.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@                                          @#&&†^=:..
.:=^†&&#@#                                          #@#&&†^=:.
..:=^†&&#@                                          @#&&†^=:..