,,.~;$¤¤## ##¤¤$;~.,,
,.~;$¤¤### ###¤¤$;~.,
,,.~;$¤¤## ##¤¤$;~.,,
,,,.~;$¤¤# #¤¤$;~.,,,
,,.~;$¤¤## ##¤¤$;~.,,
,.~;$¤¤### the skyscraper that moves ###¤¤$;~.,
,,.~;$¤¤## ##¤¤$;~.,,
,,,.~;$¤¤# tainaron is a building owned and #¤¤$;~.,,,
,,.~;$¤¤## operated by amata texnologiyasi placed ##¤¤$;~.,,
,.~;$¤¤### closed to the harbor in malmÖ. it's ###¤¤$;~.,
,,.~;$¤¤## roughly sixty floors high (real number ##¤¤$;~.,,
,,,.~;$¤¤# unknown), dark blue and completely #¤¤$;~.,,,
,,.~;$¤¤## rectangular. it features no signs, ##¤¤$;~.,,
,.~;$¤¤### lights, or ornaments, apart from a ###¤¤$;~.,
,,.~;$¤¤## helipad on top. most floors have ##¤¤$;~.,,
,,,.~;$¤¤# exterior walls completely made of glass. #¤¤$;~.,,,
,,.~;$¤¤## ##¤¤$;~.,,
,.~;$¤¤### in late evenings, shrouded by malmö's ###¤¤$;~.,
,,.~;$¤¤## signature fog rolling in from the sea, ##¤¤$;~.,,
,,,.~;$¤¤# the building comes to life: it moves on #¤¤$;~.,,,
,,.~;$¤¤## a thousand robotic legs to another ##¤¤$;~.,,
,.~;$¤¤### (secret) part of town, or perhaps out ###¤¤$;~.,
,,.~;$¤¤## to sea. this signals a new and more ##¤¤$;~.,,
,,,.~;$¤¤# viscious phase of the tainaron #¤¤$;~.,,,
,,.~;$¤¤## ecosystem. ##¤¤$;~.,,
,.~;$¤¤### ###¤¤$;~.,
,,.~;$¤¤## the guests arriving during the early ##¤¤$;~.,,
,,,.~;$¤¤# evening are treated to food and drink, #¤¤$;~.,,,
,,.~;$¤¤## live music, beatutiful views, and a ##¤¤$;~.,,
,.~;$¤¤### comfortable but maze-like interior ###¤¤$;~.,
,,.~;$¤¤## structure (the building features a ##¤¤$;~.,,
,,,.~;$¤¤# multitude of stairwells and elevators, #¤¤$;~.,,,
,,.~;$¤¤## placed seemingly at random, none going ##¤¤$;~.,,
,.~;$¤¤### further than a few floors). ###¤¤$;~.,
,,.~;$¤¤## ##¤¤$;~.,,
,,,.~;$¤¤# as time goes on, the lights slowly dim, #¤¤$;~.,,,
,,.~;$¤¤## until the air inside has taken on the ##¤¤$;~.,,
,.~;$¤¤### same quality as the surrounding mist: ###¤¤$;~.,
,,.~;$¤¤## blue-gray, sprinkled with the small red ##¤¤$;~.,,
,,,.~;$¤¤# dot's by door locks and control panels. #¤¤$;~.,,,
,,.~;$¤¤## if you would look through the windows ##¤¤$;~.,,
,.~;$¤¤### you would see the mist rolling by, and ###¤¤$;~.,
,,.~;$¤¤## perhaps the outline of some other ##¤¤$;~.,,
,,,.~;$¤¤# building, far below. #¤¤$;~.,,,
,,.~;$¤¤## ##¤¤$;~.,,
,.~;$¤¤### during the night, after tainaron has ###¤¤$;~.,
,,.~;$¤¤## started moving, the lower floors are ##¤¤$;~.,,
,,,.~;$¤¤# shut off, preventing entry or exit for #¤¤$;~.,,,
,,.~;$¤¤## the guests. food is no longer served, ##¤¤$;~.,,
,.~;$¤¤### but the drinks become more extravagant. ###¤¤$;~.,
,,.~;$¤¤## it's at this point that the second set ##¤¤$;~.,,
,,,.~;$¤¤# of guest arrives, via helicopter - #¤¤$;~.,,,
,,.~;$¤¤## amata texnologiyasi and their friends. ##¤¤$;~.,,
,.~;$¤¤### ###¤¤$;~.,
,,.~;$¤¤## ~~~~~ ##¤¤$;~.,,
,,,.~;$¤¤# #¤¤$;~.,,,
,,.~;$¤¤## in my dream i am invited as a friend of ##¤¤$;~.,,
,.~;$¤¤### one of the servers, and thus safe. we ###¤¤$;~.,
,,.~;$¤¤## sit in one of the large windows, ##¤¤$;~.,,
,,,.~;$¤¤# looking through the mist for any #¤¤$;~.,,,
,,.~;$¤¤## landmarks to pierce through the mist. ##¤¤$;~.,,
,.~;$¤¤### she tells me that apart from coming and ###¤¤$;~.,
,,.~;$¤¤## going from work, she's never seen the ##¤¤$;~.,,
,,,.~;$¤¤# building from the outside. we both sigh. #¤¤$;~.,,,
,,.~;$¤¤## ##¤¤$;~.,,
,.~;$¤¤### the next day i am invited to the public ###¤¤$;~.,
,,.~;$¤¤## demonstration of the exobubble. ##¤¤$;~.,,
,,,.~;$¤¤# #¤¤$;~.,,,
,,.~;$¤¤## ##¤¤$;~.,,
,.~;$¤¤### ###¤¤$;~.,
,,.~;$¤¤## ##¤¤$;~.,,
,,,.~;$¤¤# #¤¤$;~.,,,