,~~/*$$¤@# #@¤$$*/~~,
,,,,,~~*¤¤ ¤¤*~~,,,,,
,,,,~~**¤# #¤**~~,,,,
,~~/*$¤@## ##@¤$*/~~,
,,,~~/$¤¤¤ ¤¤¤$/~~,,,
,,,,,,~/$@ THE SKYSCRAPER THAT MOVES @$/~,,,,,,
,~~/*$¤@## ##@¤$*/~~,
,~~/*$¤@## TAINARON IS A BUILDING OWNED AND ##@¤$*/~~,
,~~/*$¤@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@¤$*/~~,
,~~/*$¤¤¤¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤¤¤¤$*/~~,
,,~~~/*$¤¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤¤$*/~~~,,
,~~/*$¤@## UNKNOWN), DARK BLUE AND COMPLETELY ##@¤$*/~~,
,~~/*$¤@## RECTANGULAR. IT FEATURES NO SIGNS, ##@¤$*/~~,
,,,,,~~*$¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤$*~~,,,,,
,~~~/*$$¤@ HELIPAD ON TOP. MOST FLOORS HAVE @¤$$*/~~~,
,~~/*$¤@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@¤$*/~~,
,,,,,~/$¤@ @¤$/~,,,,,
,~~/*$¤@## IN LATE EVENINGS, SHROUDED BY MALMö'S ##@¤$*/~~,
,~~/*$¤¤¤@ SIGNATURE FOG ROLLING IN FROM THE SEA, @¤¤¤$*/~~,
,,,,,,~~*¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤*~~,,,,,,
,,,,~~**¤@ A THOUSAND ROBOTIC LEGS TO ANOTHER @¤**~~,,,,
,~~/*¤@### (SECRET) PART OF TOWN, OR PERHAPS OUT ###@¤*/~~,
~~/*$¤@### TO SEA. THIS SIGNALS A NEW AND MORE ###@¤$*/~~
,,,,,~*$¤¤ VISCIOUS PHASE OF THE TAINARON ¤¤$*~,,,,,
,,,,~/**$¤ ECOSYSTEM. ¤$**/~,,,,
,~~/*$¤### ###¤$*/~~,
,~~/*¤@### THE GUESTS ARRIVING DURING THE EARLY ###@¤*/~~,
,,,~//$¤¤# EVENING ARE TREATED TO FOOD AND DRINK, #¤¤$//~,,,
,,~~//$$@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@$$//~~,,
,~~/*$¤@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@¤$*/~~,
,~~/*$¤@## STRUCTURE (THE BUILDING FEATURES A ##@¤$*/~~,
,~~/*$¤@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@¤$*/~~,
,~~/*¤@### PLACED SEEMINGLY AT RANDOM, NONE GOING ###@¤*/~~,
,,,~~~/$@# FURTHER THAN A FEW FLOORS). #@$/~~~,,,
,,,~~/*$@# #@$*/~~,,,
,~~/*$¤@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@¤$*/~~,
,~~/*$¤@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@¤$*/~~,
,~~/*$¤### SAME QUALITY AS THE SURROUNDING MIST: ###¤$*/~~,
,~/*$¤@### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###@¤$*/~,
,~~/*$¤@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@¤$*/~~,
,,,~~***$¤ IF YOU WOULD LOOK THROUGH THE WINDOWS ¤$***~~,,,
,~~/*$@### YOU WOULD SEE THE MIST ROLLING BY, AND ###@$*/~~,
,~~/*$¤@## PERHAPS THE OUTLINE OF SOME OTHER ##@¤$*/~~,
,~~/*$¤@## BUILDING, FAR BELOW. ##@¤$*/~~,
,,,,,,~*¤@ @¤*~,,,,,,
,~~/*$$¤@@ DURING THE NIGHT, AFTER TAINARON HAS @@¤$$*/~~,
,~~/*$¤@## STARTED MOVING, THE LOWER FLOORS ARE ##@¤$*/~~,
,~~/*$¤@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@¤$*/~~,
,~~/*$¤@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@¤$*/~~,
,~~/*$¤@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@¤$*/~~,
,~~//****¤ IT'S AT THIS POINT THAT THE SECOND SET ¤****//~~,
,~~/*$¤@## OF GUEST ARRIVES, VIA HELICOPTER - ##@¤$*/~~,
,~~/*$¤@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@¤$*/~~,
,~~/*$¤### ###¤$*/~~,
,~~/*****¤ ~~~~~ ¤*****/~~,
,~~/*$¤¤@@ @@¤¤$*/~~,
,~~/*$¤@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@¤$*/~~,
,~~/*$¤@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@¤$*/~~,
,,,~//$¤¤@ SIT IN ONE OF THE LARGE WINDOWS, @¤¤$//~,,,
,~~~~*$¤¤¤ LOOKING THROUGH THE MIST FOR ANY ¤¤¤$*~~~~,
,~~/*¤@### LANDMARKS TO PIERCE THROUGH THE MIST. ###@¤*/~~,
,~~/*$¤¤¤# SHE TELLS ME THAT APART FROM COMING AND #¤¤¤$*/~~,
,~~/****$¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤$****/~~,
,,,~~*$¤¤@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @¤¤$*~~,,,
,,,,,~~*¤# #¤*~~,,,,,
,,,,~*$$¤¤ THE NEXT DAY I AM INVITED TO THE PUBLIC ¤¤$$*~,,,,
,~~/*$¤@## DEMONSTRATION OF THE EXOBUBBLE. ##@¤$*/~~,
,,,,,~/*¤¤ ¤¤*/~,,,,,
,,,,,~***¤ ¤***~,,,,,
,,,,~~/**¤ ¤**/~~,,,,
,~~/*$¤@## ##@¤$*/~~,
,~~/*$¤@## ##@¤$*/~~,