.~»†*%¤£##                                          ##£¤%*†»~.
.~»†*%¤£##                                          ##£¤%*†»~.
.~»†*%¤£##                                          ##£¤%*†»~.
.......»*¤                                          ¤*».......
.~»†*%¤£##                                          ##£¤%*†»~.
.~»†*%¤££#        THE SKYSCRAPER THAT MOVES         #££¤%*†»~.
.~»†*%¤£##                                          ##£¤%*†»~.
.~»†*%¤£## TAINARON   IS  A   BUILDING  OWNED   AND ##£¤%*†»~.
.~»†*%¤££#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #££¤%*†»~.
.~»†*¤£### CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S ###£¤*†»~.
.~»†*%%¤¤¤ ROUGHLY SIXTY  FLOORS HIGH (REAL  NUMBER ¤¤¤%%*†»~.
.~»†*%¤££#    UNKNOWN), DARK BLUE AND COMPLETELY    #££¤%*†»~.
...~†***¤¤    RECTANGULAR. IT FEATURES NO SIGNS,    ¤¤***†~...
.~»†*%¤£## LIGHTS,  OR  ORNAMENTS,  APART  FROM   A ##£¤%*†»~.
.~»†*%¤£## HELIPAD   ON  TOP.   MOST   FLOORS  HAVE ##£¤%*†»~.
.~»†*%¤### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###¤%*†»~.
..~~~††%%¤                                          ¤%%††~~~..
....~»»**¤ IN LATE  EVENINGS,  SHROUDED  BY MALMö'S ¤**»»~....
.~»†*%¤£## SIGNATURE FOG ROLLING  IN  FROM THE SEA, ##£¤%*†»~.
.~»†*%%¤¤# THE BUILDING COMES TO LIFE: IT  MOVES ON #¤¤%%*†»~.
.~~~»»†%££ A  THOUSAND   ROBOTIC  LEGS  TO  ANOTHER ££%†»»~~~.
.~»†*%¤£££ (SECRET)  PART OF TOWN,  OR PERHAPS  OUT £££¤%*†»~.
.~»†*%¤£## TO SEA.  THIS  SIGNALS A  NEW  AND  MORE ##£¤%*†»~.
.~»†*%¤£##      VISCIOUS PHASE OF THE TAINARON      ##£¤%*†»~.
....~»††%£                ECOSYSTEM.                £%††»~....
...»»»**¤¤                                          ¤¤**»»»...
...~††*%¤¤ THE  GUESTS ARRIVING  DURING  THE  EARLY ¤¤%*††~...
......~†%¤ EVENING ARE TREATED  TO  FOOD AND DRINK, ¤%†~......
.~»††††%££ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ££%††††»~.
.~»†*%%%¤#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #¤%%%*†»~.
....~†*%¤¤    STRUCTURE (THE BUILDING FEATURES A    ¤¤%*†~....
.~»†*¤£###  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ###£¤*†»~.
.....»†%¤£ PLACED  SEEMINGLY  AT RANDOM, NONE GOING £¤%†».....
....~»††%£       FURTHER THAN A FEW FLOORS).        £%††»~....
.~»†*%¤£##                                          ##£¤%*†»~.
.~»†*%¤£## AS TIME GOES ON,  THE LIGHTS SLOWLY DIM, ##£¤%*†»~.
.~»†*%¤£££ UNTIL THE AIR  INSIDE HAS TAKEN  ON  THE £££¤%*†»~.
.~»†*%¤### SAME QUALITY  AS  THE SURROUNDING  MIST: ###¤%*†»~.
...~~††*¤¤ BLUE-GRAY, SPRINKLED WITH THE  SMALL RED ¤¤*††~~...
...»»***¤¤ DOT'S BY DOOR LOCKS  AND CONTROL PANELS. ¤¤***»»...
.~»†*%¤£## IF YOU  WOULD  LOOK  THROUGH THE WINDOWS ##£¤%*†»~.
.~»†*%¤£££ YOU  WOULD SEE THE MIST ROLLING  BY, AND £££¤%*†»~.
.~»†††%%¤£ PERHAPS  THE  OUTLINE  OF   SOME   OTHER £¤%%†††»~.
.~»†*%¤£##           BUILDING, FAR BELOW.           ##£¤%*†»~.
.~»†*%¤£##                                          ##£¤%*†»~.
.~»†*%¤£## DURING  THE  NIGHT,  AFTER TAINARON  HAS ##£¤%*†»~.
.~»†**%%¤¤ STARTED  MOVING,  THE LOWER  FLOORS  ARE ¤¤%%**†»~.
...~†*%%¤¤ SHUT OFF, PREVENTING  ENTRY  OR EXIT FOR ¤¤%%*†~...
.~»†*%¤£## THE GUESTS. FOOD  IS  NO  LONGER SERVED, ##£¤%*†»~.
.~»»»††*%¤ BUT THE  DRINKS BECOME MORE EXTRAVAGANT. ¤%*††»»»~.
.....»†%¤¤ IT'S AT THIS  POINT THAT THE  SECOND SET ¤¤%†».....
.~»†*%¤£## OF  GUEST  ARRIVES,   VIA  HELICOPTER  - ##£¤%*†»~.
.~»†*%¤£##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##£¤%*†»~.
.~»†*%¤£##                                          ##£¤%*†»~.
..~~~~†%%£                  »»»»»                   £%%†~~~~..
....~~†%¤¤                                          ¤¤%†~~....
......~†*¤ IN MY DREAM I AM INVITED AS  A FRIEND OF ¤*†~......
.~»†*%£### ONE OF THE  SERVERS,  AND  THUS SAFE. WE ###£%*†»~.
.~»†*%¤£## SIT  IN   ONE  OF  THE  LARGE   WINDOWS, ##£¤%*†»~.
..~~»†**%¤ LOOKING  THROUGH   THE   MIST   FOR  ANY ¤%**†»~~..
.~»†*%¤£## LANDMARKS TO PIERCE  THROUGH  THE  MIST. ##£¤%*†»~.
.~»†*%¤£## SHE  TELLS ME THAT APART FROM COMING AND ##£¤%*†»~.
.....~†*¤£ GOING  FROM WORK, SHE'S  NEVER SEEN  THE £¤*†~.....
.~»†*%£### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###£%*†»~.
...~»»*¤¤¤                                          ¤¤¤*»»~...
.....~†%¤¤ THE NEXT DAY I  AM INVITED TO THE PUBLIC ¤¤%†~.....
.~»†*%¤£##      DEMONSTRATION OF THE EXOBUBBLE.     ##£¤%*†»~.
.~»†*%¤£££                                          £££¤%*†»~.
.~»†*%¤###                                          ###¤%*†»~.
.~»†*%¤£££                                          £££¤%*†»~.
.~»†*%¤£##                                          ##£¤%*†»~.
.~»†*%¤£##                                          ##£¤%*†»~.