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##£@@†/»:, THE SKYSCRAPER THAT MOVES ,:»/†@@£##
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££@@@†/»:, TAINARON IS A BUILDING OWNED AND ,:»/†@@@££
£@†»:,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,,:»†@£
#£@†††/»:, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,:»/†††@£#
£££@@†/»:, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,:»/†@@£££
£@/»»»»,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,»»»»/@£
###@@†/»:, RECTANGULAR. IT FEATURES NO SIGNS, ,:»/†@@###
£@@@†/»,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,»/†@@@£
@@†»:,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,:»†@@
@@@†/»:,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,:»/†@@@
##£@@†/»:, ,:»/†@@£##
##£@@†/»:, IN LATE EVENINGS, SHROUDED BY MALMö'S ,:»/†@@£##
@†/:,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,:/†@
@@@†/:,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,:/†@@@
£@/::,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,::/@£
##£@@†/»:, (SECRET) PART OF TOWN, OR PERHAPS OUT ,:»/†@@£##
#£@@@†/»:, TO SEA. THIS SIGNALS A NEW AND MORE ,:»/†@@@£#
££@//»:,,, VISCIOUS PHASE OF THE TAINARON ,,,:»//@££
@†»:::::,, ECOSYSTEM. ,,:::::»†@
##£@@†/»:, ,:»/†@@£##
£@†//»»»:, THE GUESTS ARRIVING DURING THE EARLY ,:»»»//†@£
###@@†/»:, EVENING ARE TREATED TO FOOD AND DRINK, ,:»/†@@###
##£@@†/»:, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,:»/†@@£##
#@@†/»»»:, COMFORTABLE BUT MAZE-LIKE INTERIOR ,:»»»/†@@#
###£@†/»:, STRUCTURE (THE BUILDING FEATURES A ,:»/†@£###
##£@@†/»:, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,:»/†@@£##
##£@@†/»:, PLACED SEEMINGLY AT RANDOM, NONE GOING ,:»/†@@£##
##£@@†/»:, FURTHER THAN A FEW FLOORS). ,:»/†@@£##
##£@@†/»:, ,:»/†@@£##
##£@@†/»:, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,:»/†@@£##
£@†††/»»:, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,:»»/†††@£
##£@@†/»:, SAME QUALITY AS THE SURROUNDING MIST: ,:»/†@@£##
##£@@†/»:, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,:»/†@@£##
£@@/»:,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,:»/@@£
@@†»,,,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,,,»†@@
£@//:,,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,,://@£
#££@@†/»:, PERHAPS THE OUTLINE OF SOME OTHER ,:»/†@@££#
££@†/:,,,, BUILDING, FAR BELOW. ,,,,:/†@££
##£@@†/»:, ,:»/†@@£##
@†/::,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,::/†@
££@@@†/»:, STARTED MOVING, THE LOWER FLOORS ARE ,:»/†@@@££
##£@@†/»:, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,:»/†@@£##
@@@†††/»:, THE GUESTS. FOOD IS NO LONGER SERVED, ,:»/†††@@@
##£@@†/»:, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,:»/†@@£##
@†/:,,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,,:/†@
##£@@†/»:, OF GUEST ARRIVES, VIA HELICOPTER - ,:»/†@@£##
@@/»,,,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,,,»/@@
##£@@†/»:, ,:»/†@@£##
@@@†»,,,,, »»»»» ,,,,,»†@@@
#£@/»»»::, ,::»»»/@£#
@†»,,,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,,,»†@
£@@@@†/»:, ONE OF THE SERVERS, AND THUS SAFE. WE ,:»/†@@@@£
##£@@†/»:, SIT IN ONE OF THE LARGE WINDOWS, ,:»/†@@£##
##£@@†/»:, LOOKING THROUGH THE MIST FOR ANY ,:»/†@@£##
@@†///»::, LANDMARKS TO PIERCE THROUGH THE MIST. ,::»///†@@
@@@@†»:,,, SHE TELLS ME THAT APART FROM COMING AND ,,,:»†@@@@
@@†/:,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,:/†@@
@@†»:,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,:»†@@
££@@@†/»:, ,:»/†@@@££
#££@@†/»:, THE NEXT DAY I AM INVITED TO THE PUBLIC ,:»/†@@££#
£@@†††/»:, DEMONSTRATION OF THE EXOBUBBLE. ,:»/†††@@£
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