¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# #¶¤£^^-,¨¨
¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# #¶¤£^^-,¨¨
¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# THE SKYSCRAPER THAT MOVES #¶¤£^^-,¨¨
¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# TAINARON IS A BUILDING OWNED AND #¶¤£^^-,¨¨
¨,-^^£¤¶## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##¶¤£^^-,¨
¨¨,-^^£¤¶# CLOSED TO THE HARBOR IN MALMÖ. IT'S #¶¤£^^-,¨¨
¨,-^^£¤¶## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##¶¤£^^-,¨
¨¨,-^^£¤¶# UNKNOWN), DARK BLUE AND COMPLETELY #¶¤£^^-,¨¨
¨,-^^£¤¶## RECTANGULAR. IT FEATURES NO SIGNS, ##¶¤£^^-,¨
¨¨,-^^£¤¶# LIGHTS, OR ORNAMENTS, APART FROM A #¶¤£^^-,¨¨
¨,-^^£¤¶## HELIPAD ON TOP. MOST FLOORS HAVE ##¶¤£^^-,¨
¨¨,-^^£¤¶# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #¶¤£^^-,¨¨
¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# IN LATE EVENINGS, SHROUDED BY MALMö'S #¶¤£^^-,¨¨
¨,-^^£¤¶## SIGNATURE FOG ROLLING IN FROM THE SEA, ##¶¤£^^-,¨
¨¨,-^^£¤¶# THE BUILDING COMES TO LIFE: IT MOVES ON #¶¤£^^-,¨¨
¨,-^^£¤¶## A THOUSAND ROBOTIC LEGS TO ANOTHER ##¶¤£^^-,¨
¨¨,-^^£¤¶# (SECRET) PART OF TOWN, OR PERHAPS OUT #¶¤£^^-,¨¨
¨,-^^£¤¶## TO SEA. THIS SIGNALS A NEW AND MORE ##¶¤£^^-,¨
¨¨,-^^£¤¶# VISCIOUS PHASE OF THE TAINARON #¶¤£^^-,¨¨
¨,-^^£¤¶## ECOSYSTEM. ##¶¤£^^-,¨
¨¨,-^^£¤¶# #¶¤£^^-,¨¨
¨,-^^£¤¶## THE GUESTS ARRIVING DURING THE EARLY ##¶¤£^^-,¨
¨¨,-^^£¤¶# EVENING ARE TREATED TO FOOD AND DRINK, #¶¤£^^-,¨¨
¨,-^^£¤¶## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##¶¤£^^-,¨
¨¨,-^^£¤¶# COMFORTABLE BUT MAZE-LIKE INTERIOR #¶¤£^^-,¨¨
¨,-^^£¤¶## STRUCTURE (THE BUILDING FEATURES A ##¶¤£^^-,¨
¨¨,-^^£¤¶# MULTITUDE OF STAIRWELLS AND ELEVATORS, #¶¤£^^-,¨¨
¨,-^^£¤¶## PLACED SEEMINGLY AT RANDOM, NONE GOING ##¶¤£^^-,¨
¨¨,-^^£¤¶# FURTHER THAN A FEW FLOORS). #¶¤£^^-,¨¨
¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #¶¤£^^-,¨¨
¨,-^^£¤¶## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##¶¤£^^-,¨
¨¨,-^^£¤¶# SAME QUALITY AS THE SURROUNDING MIST: #¶¤£^^-,¨¨
¨,-^^£¤¶## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##¶¤£^^-,¨
¨¨,-^^£¤¶# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #¶¤£^^-,¨¨
¨,-^^£¤¶## IF YOU WOULD LOOK THROUGH THE WINDOWS ##¶¤£^^-,¨
¨¨,-^^£¤¶# YOU WOULD SEE THE MIST ROLLING BY, AND #¶¤£^^-,¨¨
¨,-^^£¤¶## PERHAPS THE OUTLINE OF SOME OTHER ##¶¤£^^-,¨
¨¨,-^^£¤¶# BUILDING, FAR BELOW. #¶¤£^^-,¨¨
¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# DURING THE NIGHT, AFTER TAINARON HAS #¶¤£^^-,¨¨
¨,-^^£¤¶## STARTED MOVING, THE LOWER FLOORS ARE ##¶¤£^^-,¨
¨¨,-^^£¤¶# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #¶¤£^^-,¨¨
¨,-^^£¤¶## THE GUESTS. FOOD IS NO LONGER SERVED, ##¶¤£^^-,¨
¨¨,-^^£¤¶# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¶¤£^^-,¨¨
¨,-^^£¤¶## IT'S AT THIS POINT THAT THE SECOND SET ##¶¤£^^-,¨
¨¨,-^^£¤¶# OF GUEST ARRIVES, VIA HELICOPTER - #¶¤£^^-,¨¨
¨,-^^£¤¶## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##¶¤£^^-,¨
¨¨,-^^£¤¶# #¶¤£^^-,¨¨
¨,-^^£¤¶## ----- ##¶¤£^^-,¨
¨¨,-^^£¤¶# #¶¤£^^-,¨¨
¨,-^^£¤¶## IN MY DREAM I AM INVITED AS A FRIEND OF ##¶¤£^^-,¨
¨¨,-^^£¤¶# ONE OF THE SERVERS, AND THUS SAFE. WE #¶¤£^^-,¨¨
¨,-^^£¤¶## SIT IN ONE OF THE LARGE WINDOWS, ##¶¤£^^-,¨
¨¨,-^^£¤¶# LOOKING THROUGH THE MIST FOR ANY #¶¤£^^-,¨¨
¨,-^^£¤¶## LANDMARKS TO PIERCE THROUGH THE MIST. ##¶¤£^^-,¨
¨¨,-^^£¤¶# SHE TELLS ME THAT APART FROM COMING AND #¶¤£^^-,¨¨
¨,-^^£¤¶## GOING FROM WORK, SHE'S NEVER SEEN THE ##¶¤£^^-,¨
¨¨,-^^£¤¶# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #¶¤£^^-,¨¨
¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# THE NEXT DAY I AM INVITED TO THE PUBLIC #¶¤£^^-,¨¨
¨,-^^£¤¶## DEMONSTRATION OF THE EXOBUBBLE. ##¶¤£^^-,¨
¨¨,-^^£¤¶# #¶¤£^^-,¨¨
¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# #¶¤£^^-,¨¨
¨,-^^£¤¶## ##¶¤£^^-,¨
¨¨,-^^£¤¶# #¶¤£^^-,¨¨