.^=\*£§@## ##@§£*\=^.
.^=\*£§### ###§£*\=^.
.^=\*§@### ###@§*\=^.
.^^^\**£@@ @@£**\^^^.
.^=\*£§@@# #@@§£*\=^.
.^=\*£§§@@ the skyscraper that moves @@§§£*\=^.
......^\£§ §£\^......
.^=\\**£@@ tainaron is a building owned and @@£**\\=^.
.^=\*£§@## operated by amata texnologiyasi placed ##@§£*\=^.
.^=\*£§§@# closed to the harbor in malmÖ. it's #@§§£*\=^.
.^=\*£§@## roughly sixty floors high (real number ##@§£*\=^.
..^===**§# unknown), dark blue and completely #§**===^..
...=\\\*§§ rectangular. it features no signs, §§*\\\=...
.^=\*£§@## lights, or ornaments, apart from a ##@§£*\=^.
.^=\*£§@## helipad on top. most floors have ##@§£*\=^.
......=*£§ exterior walls completely made of glass. §£*=......
......=*§# #§*=......
.^=\***££§ in late evenings, shrouded by malmö's §££***\=^.
.^=\*£§@## signature fog rolling in from the sea, ##@§£*\=^.
.^=\*£@### the building comes to life: it moves on ###@£*\=^.
.....^\£@@ a thousand robotic legs to another @@£\^.....
.^=\\\*£@@ (secret) part of town, or perhaps out @@£*\\\=^.
.......=*§ to sea. this signals a new and more §*=.......
.^=\*£§@## viscious phase of the tainaron ##@§£*\=^.
.^=\*£££§@ ecosystem. @§£££*\=^.
.^=\£§@### ###@§£\=^.
.^=\*£§@## the guests arriving during the early ##@§£*\=^.
.......=*§ evening are treated to food and drink, §*=.......
.^=\\\*££@ live music, beatutiful views, and a @££*\\\=^.
.^=\*£§@## comfortable but maze-like interior ##@§£*\=^.
....^=*§§§ structure (the building features a §§§*=^....
...^=\££§# multitude of stairwells and elevators, #§££\=^...
.^=\*£§@## placed seemingly at random, none going ##@§£*\=^.
......=\£@ further than a few floors). @£\=......
.^=\\\£££§ §£££\\\=^.
......^\£§ as time goes on, the lights slowly dim, §£\^......
.^=\*£§@## until the air inside has taken on the ##@§£*\=^.
.....=\£§# same quality as the surrounding mist: #§£\=.....
.^=\\****§ blue-gray, sprinkled with the small red §****\\=^.
.^=\*££§§# dot's by door locks and control panels. #§§££*\=^.
.^=\*£§@## if you would look through the windows ##@§£*\=^.
.^=\*£§@@@ you would see the mist rolling by, and @@@§£*\=^.
.^=\*£§@## perhaps the outline of some other ##@§£*\=^.
.^=\*£§@## building, far below. ##@§£*\=^.
....==**§# #§**==....
.....^=*£@ during the night, after tainaron has @£*=^.....
......^\*§ started moving, the lower floors are §*\^......
...^=**§§# shut off, preventing entry or exit for #§§**=^...
.^=\*£§§§@ the guests. food is no longer served, @§§§£*\=^.
.^=\*£§@## but the drinks become more extravagant. ##@§£*\=^.
.^=\*£§§§@ it's at this point that the second set @§§§£*\=^.
.^=\*£§@## of guest arrives, via helicopter - ##@§£*\=^.
.^=\*£§@## amata texnologiyasi and their friends. ##@§£*\=^.
.^=\*£§@## ##@§£*\=^.
......=\£§ ===== §£\=......
.^=\*£§@## ##@§£*\=^.
......=*§§ in my dream i am invited as a friend of §§*=......
.^=\*£§@## one of the servers, and thus safe. we ##@§£*\=^.
.^=\*£§@## sit in one of the large windows, ##@§£*\=^.
.^=\*£§@## looking through the mist for any ##@§£*\=^.
......^\*§ landmarks to pierce through the mist. §*\^......
.^=\*£§@## she tells me that apart from coming and ##@§£*\=^.
.^=\*£§§§@ going from work, she's never seen the @§§§£*\=^.
.^=\*£§@## building from the outside. we both sigh. ##@§£*\=^.
..^^===**§ §**===^^..
.^=\\*££§# the next day i am invited to the public #§££*\\=^.
...^=**§§@ demonstration of the exobubble. @§§**=^...
.^^==**££§ §££**==^^.
.^=\*£§### ###§£*\=^.
.^^^==\££@ @££\==^^^.
.^=\*£§§@# #@§§£*\=^.
.^=\\\\*§@ @§*\\\\=^.