..,~\%$¤@# #@¤$%\~,..
...,~\%$¤@ @¤$%\~,...
..,~\%$¤@# #@¤$%\~,..
.,~\%$¤@## ##@¤$%\~,.
..,~\%$¤@# #@¤$%\~,..
...,~\%$¤@ THE SKYSCRAPER THAT MOVES @¤$%\~,...
..,~\%$¤@# #@¤$%\~,..
.,~\%$¤@## TAINARON IS A BUILDING OWNED AND ##@¤$%\~,.
..,~\%$¤@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@¤$%\~,..
...,~\%$¤@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @¤$%\~,...
..,~\%$¤@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@¤$%\~,..
.,~\%$¤@## UNKNOWN), DARK BLUE AND COMPLETELY ##@¤$%\~,.
..,~\%$¤@# RECTANGULAR. IT FEATURES NO SIGNS, #@¤$%\~,..
...,~\%$¤@ LIGHTS, OR ORNAMENTS, APART FROM A @¤$%\~,...
..,~\%$¤@# HELIPAD ON TOP. MOST FLOORS HAVE #@¤$%\~,..
.,~\%$¤@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@¤$%\~,.
..,~\%$¤@# #@¤$%\~,..
...,~\%$¤@ IN LATE EVENINGS, SHROUDED BY MALMö'S @¤$%\~,...
..,~\%$¤@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@¤$%\~,..
.,~\%$¤@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@¤$%\~,.
..,~\%$¤@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@¤$%\~,..
...,~\%$¤@ (SECRET) PART OF TOWN, OR PERHAPS OUT @¤$%\~,...
..,~\%$¤@# TO SEA. THIS SIGNALS A NEW AND MORE #@¤$%\~,..
.,~\%$¤@## VISCIOUS PHASE OF THE TAINARON ##@¤$%\~,.
..,~\%$¤@# ECOSYSTEM. #@¤$%\~,..
...,~\%$¤@ @¤$%\~,...
..,~\%$¤@# THE GUESTS ARRIVING DURING THE EARLY #@¤$%\~,..
.,~\%$¤@## EVENING ARE TREATED TO FOOD AND DRINK, ##@¤$%\~,.
..,~\%$¤@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@¤$%\~,..
...,~\%$¤@ COMFORTABLE BUT MAZE-LIKE INTERIOR @¤$%\~,...
..,~\%$¤@# STRUCTURE (THE BUILDING FEATURES A #@¤$%\~,..
.,~\%$¤@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@¤$%\~,.
..,~\%$¤@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@¤$%\~,..
...,~\%$¤@ FURTHER THAN A FEW FLOORS). @¤$%\~,...
..,~\%$¤@# #@¤$%\~,..
.,~\%$¤@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@¤$%\~,.
..,~\%$¤@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@¤$%\~,..
...,~\%$¤@ SAME QUALITY AS THE SURROUNDING MIST: @¤$%\~,...
..,~\%$¤@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@¤$%\~,..
.,~\%$¤@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@¤$%\~,.
..,~\%$¤@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@¤$%\~,..
...,~\%$¤@ YOU WOULD SEE THE MIST ROLLING BY, AND @¤$%\~,...
..,~\%$¤@# PERHAPS THE OUTLINE OF SOME OTHER #@¤$%\~,..
.,~\%$¤@## BUILDING, FAR BELOW. ##@¤$%\~,.
..,~\%$¤@# #@¤$%\~,..
...,~\%$¤@ DURING THE NIGHT, AFTER TAINARON HAS @¤$%\~,...
..,~\%$¤@# STARTED MOVING, THE LOWER FLOORS ARE #@¤$%\~,..
.,~\%$¤@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@¤$%\~,.
..,~\%$¤@# THE GUESTS. FOOD IS NO LONGER SERVED, #@¤$%\~,..
...,~\%$¤@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @¤$%\~,...
..,~\%$¤@# IT'S AT THIS POINT THAT THE SECOND SET #@¤$%\~,..
.,~\%$¤@## OF GUEST ARRIVES, VIA HELICOPTER - ##@¤$%\~,.
..,~\%$¤@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@¤$%\~,..
...,~\%$¤@ @¤$%\~,...
..,~\%$¤@# ~~~~~ #@¤$%\~,..
.,~\%$¤@## ##@¤$%\~,.
..,~\%$¤@# IN MY DREAM I AM INVITED AS A FRIEND OF #@¤$%\~,..
...,~\%$¤@ ONE OF THE SERVERS, AND THUS SAFE. WE @¤$%\~,...
..,~\%$¤@# SIT IN ONE OF THE LARGE WINDOWS, #@¤$%\~,..
.,~\%$¤@## LOOKING THROUGH THE MIST FOR ANY ##@¤$%\~,.
..,~\%$¤@# LANDMARKS TO PIERCE THROUGH THE MIST. #@¤$%\~,..
...,~\%$¤@ SHE TELLS ME THAT APART FROM COMING AND @¤$%\~,...
..,~\%$¤@# GOING FROM WORK, SHE'S NEVER SEEN THE #@¤$%\~,..
.,~\%$¤@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@¤$%\~,.
..,~\%$¤@# #@¤$%\~,..
...,~\%$¤@ THE NEXT DAY I AM INVITED TO THE PUBLIC @¤$%\~,...
..,~\%$¤@# DEMONSTRATION OF THE EXOBUBBLE. #@¤$%\~,..
.,~\%$¤@## ##@¤$%\~,.
..,~\%$¤@# #@¤$%\~,..
...,~\%$¤@ @¤$%\~,...
..,~\%$¤@# #@¤$%\~,..
.,~\%$¤@## ##@¤$%\~,.