,,,,,..\*# #*\..,,,,,
,.-\*%#£## ##£#%*\-.,
,.-\*%#£## ##£#%*\-.,
,.-\*%#£## ##£#%*\-.,
,.-\*%#£## ##£#%*\-.,
,.-\*%#£## the skyscraper that moves ##£#%*\-.,
,.-\*%#£££ £££#%*\-.,
,.-\*%#£## tainaron is a building owned and ##£#%*\-.,
,.-\*%#£££ operated by amata texnologiyasi placed £££#%*\-.,
,.-\*#£### closed to the harbor in malmÖ. it's ###£#*\-.,
,,,,.\\%#£ roughly sixty floors high (real number £#%\\.,,,,
,.-\\*%%## unknown), dark blue and completely ##%%*\\-.,
,,,,,-**## rectangular. it features no signs, ##**-,,,,,
,.-\*%#£## lights, or ornaments, apart from a ##£#%*\-.,
,,,,,.-*#£ helipad on top. most floors have £#*-.,,,,,
,,,,,,-*%# exterior walls completely made of glass. #%*-,,,,,,
,,,,,-*#£# #£#*-,,,,,
,,,,,,--*# in late evenings, shrouded by malmö's #*--,,,,,,
,,,-\\**#£ signature fog rolling in from the sea, £#**\\-,,,
,.-\*%#£## the building comes to life: it moves on ##£#%*\-.,
,.-\%#£### a thousand robotic legs to another ###£#%\-.,
,-\*%#£### (secret) part of town, or perhaps out ###£#%*\-,
,.-\*%#£## to sea. this signals a new and more ##£#%*\-.,
,.-\*%£### viscious phase of the tainaron ###£%*\-.,
,.-\*%%%## ecosystem. ##%%%*\-.,
,,...-\%#£ £#%\-...,,
,.-\*%#### the guests arriving during the early ####%*\-.,
,,,-\*%%%# evening are treated to food and drink, #%%%*\-,,,
,.-\*%#£## live music, beatutiful views, and a ##£#%*\-.,
,,,,,,.\%# comfortable but maze-like interior #%\.,,,,,,
,.-\*%#£## structure (the building features a ##£#%*\-.,
,.-\*%#£## multitude of stairwells and elevators, ##£#%*\-.,
,.-\*%#£££ placed seemingly at random, none going £££#%*\-.,
,.-\*%##£# further than a few floors). #£##%*\-.,
,.-\*%£### ###£%*\-.,
,.-\*%#### as time goes on, the lights slowly dim, ####%*\-.,
,.-\*%£### until the air inside has taken on the ###£%*\-.,
,.-\*%#£## same quality as the surrounding mist: ##£#%*\-.,
,,,.\*%%## blue-gray, sprinkled with the small red ##%%*\.,,,
,.-\*%#£## dot's by door locks and control panels. ##£#%*\-.,
,.-\*%#£## if you would look through the windows ##£#%*\-.,
,,,,..-*## you would see the mist rolling by, and ##*-..,,,,
,.-\*%#£## perhaps the outline of some other ##£#%*\-.,
,.-\*%#£## building, far below. ##£#%*\-.,
,,,,.-*%££ ££%*-.,,,,
,,.-\\\\*# during the night, after tainaron has #*\\\\-.,,
,,,..\\*%£ started moving, the lower floors are £%*\\..,,,
,.-\*%#£## shut off, preventing entry or exit for ##£#%*\-.,
,,,,,,.\%£ the guests. food is no longer served, £%\.,,,,,,
,.\*%#£### but the drinks become more extravagant. ###£#%*\.,
,.-\**%%#£ it's at this point that the second set £#%%**\-.,
,,,,,,,-*# of guest arrives, via helicopter - #*-,,,,,,,
,.-\*%#£## amata texnologiyasi and their friends. ##£#%*\-.,
,.-\*%#£## ##£#%*\-.,
,.-\*%#£££ ----- £££#%*\-.,
,.-\*%#£## ##£#%*\-.,
,.-\*%#### in my dream i am invited as a friend of ####%*\-.,
,,,-\*%#££ one of the servers, and thus safe. we ££#%*\-,,,
,.-\*%#£££ sit in one of the large windows, £££#%*\-.,
,.---*%%## looking through the mist for any ##%%*---.,
,,,,...\%# landmarks to pierce through the mist. #%\...,,,,
,.-\*%#£## she tells me that apart from coming and ##£#%*\-.,
,.-\*%#£## going from work, she's never seen the ##£#%*\-.,
,.-\*%#£## building from the outside. we both sigh. ##£#%*\-.,
,,,,,,-*%£ £%*-,,,,,,
,,,,--\%%# the next day i am invited to the public #%%\--,,,,
,,,,.\%%££ demonstration of the exobubble. ££%%\.,,,,
,,,,,.\%## ##%\.,,,,,
,,,--\\*#£ £#*\\--,,,
,.-\*%#£## ##£#%*\-.,
,,,..\\*## ##*\\..,,,
,,.--\*%££ ££%*\--.,,