.,«;$$## ###&$$;«,.
.,«;$$## ###&$$;«,.
...,;$$$## ##$$$;,...
.,«;$$## ###&$$;«,.
.,«;$$$$## ##$$$$;«,.
.....««$&& THE SKYSCRAPER THAT MOVES &&$««.....
....,;;$## ##$;;,....
.,«;$$&# TAINARON IS A BUILDING OWNED AND ##&&$$;«,.
.......«$& OPERATED BY AMATA TEXNOLOGIYASI PLACED &$«.......
......«$ CLOSED TO THE HARBOR IN MALMÖ. IT'S #&$«......
....,;$& ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #&&$;,....
......,«$& UNKNOWN), DARK BLUE AND COMPLETELY &$«,......
.,«;$$$$$& RECTANGULAR. IT FEATURES NO SIGNS, &$$$$$;«,.
.,«;$$## LIGHTS, OR ORNAMENTS, APART FROM A ###&$$;«,.
.,«;$$## HELIPAD ON TOP. MOST FLOORS HAVE ###&$$;«,.
.,«;$$## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###&$$;«,.
.....,;$&& &&$;,.....
......,«$& IN LATE EVENINGS, SHROUDED BY MALMö'S &$«,......
.,«;$$## SIGNATURE FOG ROLLING IN FROM THE SEA, ###&$$;«,.
.,«;$$## THE BUILDING COMES TO LIFE: IT MOVES ON ###&$$;«,.
.,«;$$## A THOUSAND ROBOTIC LEGS TO ANOTHER ###&$$;«,.
.,«;$$$& (SECRET) PART OF TOWN, OR PERHAPS OUT #&&$$$;«,.
.,«;$$## TO SEA. THIS SIGNALS A NEW AND MORE ###&$$;«,.
.,«;$$## VISCIOUS PHASE OF THE TAINARON ###&$$;«,.
.,«;$$## ECOSYSTEM. ###&$$;«,.
....,««;$& &$;««,....
......««$& THE GUESTS ARRIVING DURING THE EARLY &$««......
.,«;$$## EVENING ARE TREATED TO FOOD AND DRINK, ###&$$;«,.
.,«;$$## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###&$$;«,.
....,«;$$& COMFORTABLE BUT MAZE-LIKE INTERIOR &$$;«,....
.,«;$$## STRUCTURE (THE BUILDING FEATURES A ###&$$;«,.
.,«;$$## MULTITUDE OF STAIRWELLS AND ELEVATORS, ###&$$;«,.
.,«;$$## PLACED SEEMINGLY AT RANDOM, NONE GOING ###&$$;«,.
.,«;$$## FURTHER THAN A FEW FLOORS). ###&$$;«,.
.,«;$$&# ##&&$$;«,.
.,«;$$## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###&$$;«,.
...««;$$## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##$$;««...
...,,«;$## SAME QUALITY AS THE SURROUNDING MIST: ##$;«,,...
....««;$$& BLUE-GRAY, SPRINKLED WITH THE SMALL RED &$$;««....
...««;$&&& DOT'S BY DOOR LOCKS AND CONTROL PANELS. &&&$;««...
....,;$& IF YOU WOULD LOOK THROUGH THE WINDOWS #&&$;,....
.,«;$$## YOU WOULD SEE THE MIST ROLLING BY, AND ###&$$;«,.
.,«;$$## PERHAPS THE OUTLINE OF SOME OTHER ###&$$;«,.
....««$# BUILDING, FAR BELOW. ##&$««....
.,«;$$## ###&$$;«,.
..,««$$$ DURING THE NIGHT, AFTER TAINARON HAS #&$$$««,..
.,«;$$## STARTED MOVING, THE LOWER FLOORS ARE ###&$$;«,.
.,«;$$&# SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##&&$$;«,.
...,;;;$ THE GUESTS. FOOD IS NO LONGER SERVED, #&$;;;,...
.,«;;$$$$& BUT THE DRINKS BECOME MORE EXTRAVAGANT. &$$$$;;«,.
.,«;$$## IT'S AT THIS POINT THAT THE SECOND SET ###&$$;«,.
.,«;$$## OF GUEST ARRIVES, VIA HELICOPTER - ###&$$;«,.
.,«;$$## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###&$$;«,.
.,«;$$## ###&$$;«,.
.....«$$&& ««««« &&$$«.....
.,«;$$## ###&$$;«,.
..,,;$$$## IN MY DREAM I AM INVITED AS A FRIEND OF ##$$$;,,..
.,«;$$## ONE OF THE SERVERS, AND THUS SAFE. WE ###&$$;«,.
.,«;$$## SIT IN ONE OF THE LARGE WINDOWS, ###&$$;«,.
.,«;$$## LOOKING THROUGH THE MIST FOR ANY ###&$$;«,.
.,«;$$## LANDMARKS TO PIERCE THROUGH THE MIST. ###&$$;«,.
.,«$$### SHE TELLS ME THAT APART FROM COMING AND ####&$$«,.
.,«;$$## GOING FROM WORK, SHE'S NEVER SEEN THE ###&$$;«,.
.,«;$$## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###&$$;«,.
......,;$& &$;,......
.,«;$$## THE NEXT DAY I AM INVITED TO THE PUBLIC ###&$$;«,.
.,«;$$&& DEMONSTRATION OF THE EXOBUBBLE. #&&&$$;«,.
.....««$&& &&$««.....
.,«;$$## ###&$$;«,.
...,«;;$ #&$;;«,...
....««$$## ##$$««....
.,«;$$## ###&$$;«,.