.-~;§@§£## ##£§@§;~-.
.-~;§@§### ###§@§;~-.
.-~;§@§£## ##£§@§;~-.
...--~;§@£ £@§;~--...
....--~§§§ §§§~--....
.-~;§@§£## the skyscraper that moves ##£§@§;~-.
...-~~§§§§ §§§§~~-...
.-~;§§£### tainaron is a building owned and ###£§§;~-.
.....-;@@£ operated by amata texnologiyasi placed £@@;-.....
...~~;@@@£ closed to the harbor in malmÖ. it's £@@@;~~...
.-~;§§£### roughly sixty floors high (real number ###£§§;~-.
.-~;§§£### unknown), dark blue and completely ###£§§;~-.
.-~;§@§£## rectangular. it features no signs, ##£§@§;~-.
....~§@§§£ lights, or ornaments, apart from a £§§@§~....
.-~;§@§£## helipad on top. most floors have ##£§@§;~-.
.....-~§§§ exterior walls completely made of glass. §§§~-.....
.-~;§@§£## ##£§@§;~-.
.-~;§@§£## in late evenings, shrouded by malmö's ##£§@§;~-.
.-~§@§£### signature fog rolling in from the sea, ###£§@§~-.
.-~;§@§§£# the building comes to life: it moves on #£§§@§;~-.
.-~;§@§£## a thousand robotic legs to another ##£§@§;~-.
.-~;§@§£## (secret) part of town, or perhaps out ##£§@§;~-.
.-~;§@§£## to sea. this signals a new and more ##£§@§;~-.
.-~;§@§£## viscious phase of the tainaron ##£§@§;~-.
......-;@§ ecosystem. §@;-......
....~§@@§# #§@@§~....
...-~§§§§§ the guests arriving during the early §§§§§~-...
....--~§§§ evening are treated to food and drink, §§§~--....
......~~§§ live music, beatutiful views, and a §§~~......
.-~;§@§£## comfortable but maze-like interior ##£§@§;~-.
.-~;§@§£## structure (the building features a ##£§@§;~-.
.-~;§@§£## multitude of stairwells and elevators, ##£§@§;~-.
.-~;§@§£## placed seemingly at random, none going ##£§@§;~-.
.-~;§@§§£# further than a few floors). #£§§@§;~-.
.-~;§@@@@£ £@@@@§;~-.
..-~~§@§£# as time goes on, the lights slowly dim, #£§@§~~-..
.-~;§@§£## until the air inside has taken on the ##£§@§;~-.
.-~;§@@@@£ same quality as the surrounding mist: £@@@@§;~-.
....~§§@@§ blue-gray, sprinkled with the small red §@@§§~....
....-;;@@§ dot's by door locks and control panels. §@@;;-....
.-~;§@§£## if you would look through the windows ##£§@§;~-.
.-~;§@§£## you would see the mist rolling by, and ##£§@§;~-.
.-~;§@§£## perhaps the outline of some other ##£§@§;~-.
.....~;@§£ building, far below. £§@;~.....
...-;§§§§£ £§§§§;-...
.-~;§@§£## during the night, after tainaron has ##£§@§;~-.
.-~;§@§£## started moving, the lower floors are ##£§@§;~-.
.-~;§@§£## shut off, preventing entry or exit for ##£§@§;~-.
...-~§§@@£ the guests. food is no longer served, £@@§§~-...
...-~;;§§# but the drinks become more extravagant. #§§;;~-...
.-~;§@§£## it's at this point that the second set ##£§@§;~-.
.-~;§@§§§# of guest arrives, via helicopter - #§§§@§;~-.
.-~;§@§£## amata texnologiyasi and their friends. ##£§@§;~-.
.-~;§@§£## ##£§@§;~-.
.....~;@@§ ~~~~~ §@@;~.....
...--~;@§§ §§@;~--...
....-;§§§£ in my dream i am invited as a friend of £§§§;-....
.-~;§@§### one of the servers, and thus safe. we ###§@§;~-.
....~§@§§§ sit in one of the large windows, §§§@§~....
..-~;;§@££ looking through the mist for any ££@§;;~-..
....-;@@@£ landmarks to pierce through the mist. £@@@;-....
..--~§§§@§ she tells me that apart from coming and §@§§§~--..
......~§@§ going from work, she's never seen the §@§~......
.-~;§@£### building from the outside. we both sigh. ###£@§;~-.
......~§§§ §§§~......
......~§§£ the next day i am invited to the public £§§~......
.-~;§@§£## demonstration of the exobubble. ##£§@§;~-.
.-~;§@§§££ ££§§@§;~-.
.-~;§@§£## ##£§@§;~-.
.-~;§@§£## ##£§@§;~-.
.-~;§@§£## ##£§@§;~-.
.....--;@§ §@;--.....