.###.#..#. ..##.#.#.#
#..###.### .#.#######
#.#..##..# ###.......
###.#.#.#. ..#......#
..######## .##.....#.
.#.......# THE SKYSCRAPER THAT MOVES #.#....##.
##......## ###...#.#.
.#.....#.# TAINARON IS A BUILDING OWNED AND ..#..#####
##....#### OPERATED BY AMATA TEXNOLOGIYASI PLACED .##.#....#
.#...#.... CLOSED TO THE HARBOR IN MALMÖ. IT'S #.###...#.
##..##...# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##..#..##.
.#.#.#..#. UNKNOWN), DARK BLUE AND COMPLETELY .#.##.#.##
######.### RECTANGULAR. IT FEATURES NO SIGNS, ###.####.#
.....##... LIGHTS, OR ORNAMENTS, APART FROM A ..##...##.
....#.#..# HELIPAD ON TOP. MOST FLOORS HAVE .#.#..#.#.
...####.## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ####.####.
..#...##.. ...##...#.
.##..#.#.. IN LATE EVENINGS, SHROUDED BY MALMö'S ..#.#..##.
#.#.####.. SIGNATURE FOG ROLLING IN FROM THE SEA, .####.#.#.
####...#.# THE BUILDING COMES TO LIFE: IT MOVES ON #...######
...#..###. A THOUSAND ROBOTIC LEGS TO ANOTHER #..#......
..##.#..## (SECRET) PART OF TOWN, OR PERHAPS OUT #.##......
.#.###.#.# TO SEA. THIS SIGNALS A NEW AND MORE ##.#......
###..####. VISCIOUS PHASE OF THE TAINARON .###......
..#.#...## ECOSYSTEM. #..#.....#
.####..#.# #.##....##
#...#.#### THE GUESTS ARRIVING DURING THE EARLY ##.#...#.#
#..###...# EVENING ARE TREATED TO FOOD AND DRINK, .###..###.
#.#..#..## LIVE MUSIC, BEATUTIFUL VIEWS, AND A #..#.#..##
###.##.#.. COMFORTABLE BUT MAZE-LIKE INTERIOR #.####.#..
..##.###.. STRUCTURE (THE BUILDING FEATURES A ##...###.#
.#.##..#.. MULTITUDE OF STAIRWELLS AND ELEVATORS, .#..#..###
###.#.##.# PLACED SEEMINGLY AT RANDOM, NONE GOING ##.##.#..#
..####.### FURTHER THAN A FEW FLOORS). .##.###.#.
.#...##... #.##..###.
##..#.#... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##.#.#..#.
.#.####..# UNTIL THE AIR INSIDE HAS TAKEN ON THE .#####.###
###...#.#. SAME QUALITY AS THE SURROUNDING MIST: #....##..#
..#..####. BLUE-GRAY, SPRINKLED WITH THE SMALL RED #...#.#.#.
.##.#...#. DOT'S BY DOOR LOCKS AND CONTROL PANELS. #..######.
#.###..### IF YOU WOULD LOOK THROUGH THE WINDOWS #.#.....#.
##..#.#..# YOU WOULD SEE THE MIST ROLLING BY, AND ###....###
.#.####.## PERHAPS THE OUTLINE OF SOME OTHER ..#...#...
###...##.# BUILDING, FAR BELOW. .##..##...
..#..#.##. #.#.#.#..#
.##.###.## DURING THE NIGHT, AFTER TAINARON HAS #######.##
#.##..##.. STARTED MOVING, THE LOWER FLOORS ARE ......##.#
##.#.#.#.# SHUT OFF, PREVENTING ENTRY OR EXIT FOR .....#.##.
.########. THE GUESTS. FOOD IS NO LONGER SERVED, ....###.##
#.......## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ...#..##.#
#......#.# IT'S AT THIS POINT THAT THE SECOND SET ..##.#.##.
#.....#### OF GUEST ARRIVES, VIA HELICOPTER - .#.####.##
#....#.... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###...##..
#...##.... ..#..#.#.#
#..#.#.... ----- .##.#####.
#.####.... #.##....##
##...#...# IN MY DREAM I AM INVITED AS A FRIEND OF ##.#...#..
.#..##..#. ONE OF THE SERVERS, AND THUS SAFE. WE .###..##.#
##.#.#.### SIT IN ONE OF THE LARGE WINDOWS, #..#.#.###
.######... LOOKING THROUGH THE MIST FOR ANY #.#####...
#.....#..# LANDMARKS TO PIERCE THROUGH THE MIST. ##....#...
#....##.## SHE TELLS ME THAT APART FROM COMING AND .#...##..#
#...#.##.# GOING FROM WORK, SHE'S NEVER SEEN THE ##..#.#.#.
#..###.### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .#.#######
#.#..##..# ###.......
###.#.#.#. THE NEXT DAY I AM INVITED TO THE PUBLIC ..#......#
..######## DEMONSTRATION OF THE EXOBUBBLE. .##.....#.
.#.......# #.#....##.
##......## ###...#.#.
.#.....#.# ..#..#####
##....#### .##.#....#
.#...#.... #.###...#.