,:«=^§@### ###@§^=«:,
,,:«=^§@## ##@§^=«:,,
,:«=^§@### ###@§^=«:,
,,:«=^§@## ##@§^=«:,,
,:«=^§@### ###@§^=«:,
,,:«=^§@## THE SKYSCRAPER THAT MOVES ##@§^=«:,,
,:«=^§@### ###@§^=«:,
,,:«=^§@## TAINARON IS A BUILDING OWNED AND ##@§^=«:,,
,:«=^§@### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###@§^=«:,
,,:«=^§@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@§^=«:,,
,:«=^§@### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###@§^=«:,
,,:«=^§@## UNKNOWN), DARK BLUE AND COMPLETELY ##@§^=«:,,
,:«=^§@### RECTANGULAR. IT FEATURES NO SIGNS, ###@§^=«:,
,,:«=^§@## LIGHTS, OR ORNAMENTS, APART FROM A ##@§^=«:,,
,:«=^§@### HELIPAD ON TOP. MOST FLOORS HAVE ###@§^=«:,
,,:«=^§@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@§^=«:,,
,:«=^§@### ###@§^=«:,
,,:«=^§@## IN LATE EVENINGS, SHROUDED BY MALMö'S ##@§^=«:,,
,:«=^§@### SIGNATURE FOG ROLLING IN FROM THE SEA, ###@§^=«:,
,,:«=^§@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@§^=«:,,
,:«=^§@### A THOUSAND ROBOTIC LEGS TO ANOTHER ###@§^=«:,
,,:«=^§@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@§^=«:,,
,:«=^§@### TO SEA. THIS SIGNALS A NEW AND MORE ###@§^=«:,
,,:«=^§@## VISCIOUS PHASE OF THE TAINARON ##@§^=«:,,
,:«=^§@### ECOSYSTEM. ###@§^=«:,
,,:«=^§@## ##@§^=«:,,
,:«=^§@### THE GUESTS ARRIVING DURING THE EARLY ###@§^=«:,
,,:«=^§@## EVENING ARE TREATED TO FOOD AND DRINK, ##@§^=«:,,
,:«=^§@### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###@§^=«:,
,,:«=^§@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@§^=«:,,
,:«=^§@### STRUCTURE (THE BUILDING FEATURES A ###@§^=«:,
,,:«=^§@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@§^=«:,,
,:«=^§@### PLACED SEEMINGLY AT RANDOM, NONE GOING ###@§^=«:,
,,:«=^§@## FURTHER THAN A FEW FLOORS). ##@§^=«:,,
,:«=^§@### ###@§^=«:,
,,:«=^§@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@§^=«:,,
,:«=^§@### UNTIL THE AIR INSIDE HAS TAKEN ON THE ###@§^=«:,
,,:«=^§@## SAME QUALITY AS THE SURROUNDING MIST: ##@§^=«:,,
,:«=^§@### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###@§^=«:,
,,:«=^§@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@§^=«:,,
,:«=^§@### IF YOU WOULD LOOK THROUGH THE WINDOWS ###@§^=«:,
,,:«=^§@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@§^=«:,,
,:«=^§@### PERHAPS THE OUTLINE OF SOME OTHER ###@§^=«:,
,,:«=^§@## BUILDING, FAR BELOW. ##@§^=«:,,
,:«=^§@### ###@§^=«:,
,,:«=^§@## DURING THE NIGHT, AFTER TAINARON HAS ##@§^=«:,,
,:«=^§@### STARTED MOVING, THE LOWER FLOORS ARE ###@§^=«:,
,,:«=^§@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@§^=«:,,
,:«=^§@### THE GUESTS. FOOD IS NO LONGER SERVED, ###@§^=«:,
,,:«=^§@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@§^=«:,,
,:«=^§@### IT'S AT THIS POINT THAT THE SECOND SET ###@§^=«:,
,,:«=^§@## OF GUEST ARRIVES, VIA HELICOPTER - ##@§^=«:,,
,:«=^§@### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###@§^=«:,
,,:«=^§@## ##@§^=«:,,
,:«=^§@### ««««« ###@§^=«:,
,,:«=^§@## ##@§^=«:,,
,:«=^§@### IN MY DREAM I AM INVITED AS A FRIEND OF ###@§^=«:,
,,:«=^§@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@§^=«:,,
,:«=^§@### SIT IN ONE OF THE LARGE WINDOWS, ###@§^=«:,
,,:«=^§@## LOOKING THROUGH THE MIST FOR ANY ##@§^=«:,,
,:«=^§@### LANDMARKS TO PIERCE THROUGH THE MIST. ###@§^=«:,
,,:«=^§@## SHE TELLS ME THAT APART FROM COMING AND ##@§^=«:,,
,:«=^§@### GOING FROM WORK, SHE'S NEVER SEEN THE ###@§^=«:,
,,:«=^§@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@§^=«:,,
,:«=^§@### ###@§^=«:,
,,:«=^§@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@§^=«:,,
,:«=^§@### DEMONSTRATION OF THE EXOBUBBLE. ###@§^=«:,
,,:«=^§@## ##@§^=«:,,
,:«=^§@### ###@§^=«:,
,,:«=^§@## ##@§^=«:,,
,:«=^§@### ###@§^=«:,
,,:«=^§@## ##@§^=«:,,