,~-/*&#@## ##@#&*/-~,
,,,,--*### ###*--,,,,
,~-/*&#@@# #@@#&*/-~,
,,,,~--/&# #&/--~,,,,
,~-/*&#### ####&*/-~,
,~-/*&#### , # , ####&*/-~,
,~-/*&#@@@ , # , # , @@@#&*/-~,
,~-/*&#@## , , # , # , , ##@#&*/-~,
,,,~//&### , , , # , # , , , ###&//~,,,
,~-/*&##@@ first hit - in the stomach. and then in @@##&*/-~,
,~-/*&#@## the neck. # lights strobing ##@#&*/-~,
,~-/*&#@## ~ # in angel patterns # ~ ##@#&*/-~,
,~-/*&&##@ ~ ~ # ~ ~ # ~ ~ @##&&*/-~,
,~-/*&#@## ~ ~ ~ ~ # ~ ~ # ~ ~ ~ ~ ##@#&*/-~,
,~-/&#@### ~ ~ ~ ~ ~ # ~ ~ # ~ ~ ~ ~ ~ ###@#&/-~,
,,,,-*&&## body broken, bleeding, kicked again and ##&&*-,,,,
,~-/*&#@## again (now down on the concrete), ##@#&*/-~,
,~-//*&&@# - # ribs cracked. # - #@&&*//-~,
,~-/***##@ - # - - - # - @##***/-~,
,~-/*&#@## - - # - - - # - - ##@#&*/-~,
,~-/*&&&## - - - # - - - # - - - ##&&&*/-~,
,~-/*&##@# consciousness rerouted into the #@##&*/-~,
,~-/*&#@## escaping blood. mixed with the glow of ##@#&*/-~,
,~-/*&#@## the streetlights and carried away into ##@#&*/-~,
,~-/*&#@## the hands of the angel. , ##@#&*/-~,
,~-/*&#@## , ~ - / * & * / - ~ , ##@#&*/-~,
,~-/*&##@# , ~ - / - ~ , #@##&*/-~,
,~-/*&#### , ~ - ~ , ####&*/-~,
,,~~~/&##@ she lifts her cupped hands to her @##&/~~~,,
,~-/*&#@## muzzle , , , and drinks. ##@#&*/-~,
,~-/*&#@## , # # # , ##@#&*/-~,
,~-/*&#@## , , , # # # , , , ##@#&*/-~,
,~-/*&#@@@ , , # , , @@@#&*/-~,
,,,,,,~/&# #&/~,,,,,,
,~-/*&&### ###&&*/-~,
,~-/*&#@## ##@#&*/-~,
,~-/*&#@## ##@#&*/-~,
,~-/*&#@## ##@#&*/-~,