THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT  ON AN OUTING TO 
 THE GLASS  FACTORY  THAT BORE OUR FAMILY 
 NAME.  IT HAD CHANGED OWNERS MANY  TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR  A  LONG   WHILE. 
 FINALLY,  THE  NATURAL END  STATION  FOR 
 THE  BUILDINGS  THAT SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME SINCE  MY  FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO  MAIN  FACTORY BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS,  MADE IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS,  OF COURSE, LARGE AND 
 LEADED, AND ASHEN.  A BIT TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS PUBLICLY OPEN.  THERE'S 
 A  MUSEUM, WITH WAX  FIGURES OF MY GREAT 
 GREAT  GREAT GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS)  LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A  LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY  SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.    THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A   LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS   ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS,  BUT  I CAN SEE BY  THE 
 LIGHT THAT SHINES  IN WHEREVER THE  DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER, THE GREATEST  DIFFERENCE IS THE 
 HIGHER FLOORS: THIS  BUILDING HAS  NONE. 
 IT IS  ONE MASSIVE HALL, STRETCHING AWAY 
 INFINITELY  ABOVE ME. SOMEWHERE UP THERE 
 IS  SOME  GREAT IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN  THE MIDDLE OF  THE GREAT 
 HALL,   A  THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE.  I SNEAK OVER THERE, AND 
 TAKE  A FEW RELUCTANT  STEPS. AFTER JUST 
 A  REVOLUTION,  I NOTICE THAT  FOR  EACH 
 STEP THE  BUILDING  STARTS  TO GLOW, THE 
 BRICKS  TURNING A  DARK  RED,  AND  THEN 
 ORANGE, ALL  THE PILED  UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY TO  RUN DOWN AND  OUT,  BUT 
 THERE'S  SOMEONE ELSE ON  THE  STAIRCASE 
 WITH   ME   NOW,   PRESSED  CLOSE.  HE'S 
 LOOKING  LIKE  ME, SHORT  HAIR AND  THIN 
 ARMS, BUT  WITH EARS  FROM SOME  ANIMAL, 
 AND  MORE DISTURBINGLY,  COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE  WHILE HE 
 STARTS OPERATING LEVERS  AND  DIALS  SET 
 IN THE CENTER OF THE STAIRCASE.  SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN   ELEVATOR!   I  START  TO  RUN 
 DOWNWARDS,   BUT   NOW  THE  LIQUID  BOY 
 CREATURE  GRABS HOLD OF  ME.  I  TRY  TO 
 SHAKE HIM OFF, BUT HE'S TOO  STRONG, AND 
 PULLS   ME   BACK    UP   BESIDE    HIM. 
                                          
 THIS  TIME, I TURN  ANGRY  INSTEAD. WHAT 
 THE  HELL? WHO  IS THIS GUY, ACTING LIKE 
 THIS? I REACH OUT MY  FREE  ARM AND SLAM 
 A  RANDOM  LEVER.  SOME   METAL  BAR  IS 
 SUDDENLY  RELEASED BETWEEN  US,  HITTING 
 HIM  ON THE  ARM, FORCING MY RELEASE.  I 
 SHOVE  HIM  OFF OF ME, AND HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A   THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED AROUND  ME.  BUT THE 
 ELEVATOR  ALSO SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING   NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY  EYES AND 
 CURL  INTO  A  BALL. BUT THEN, THE GLASS 
 BOY  SCREAMS,  A  PIERCING   SOUND  THAT 
 FORCES MY EYES BACK OPEN. I  WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS BODY  POOLING 
 DOWN  IN  HIS NOW MASSIVE TAIL,  AND THE 
 TIP OF IT SUDDENLY  BREAKS OF IN A GLASS 
 DROP  THAT  FALLS   TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING ON THE STAIRS,  UNABLE  TO 
 KEEP  HIS BODY UPRIGHT. CAN'T REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING  INTO DARK 
 PEARLS. FINALLY, HE'S LOST  TOO MUCH  OF 
 HIMSELF AND  THE  SCREAM  IS  CUT SHORT. 
 THE   LAST    OF    HIM   RAINS    DOWN. 
                                          
 I  STILL CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN MY CAGE.  LOOKING  UP, I  TRY  TO 
 MAKE OUT  THE CEILING,  BUT IT'S  ALL  A 
 WHIRLING SEA OF COLOURS. BELOW ME  GLOWS 
 THE HELLFIRE OF THE  FACTORY  WALLS, BUT 
 VERY FAINT.  I  SIT DOWN,  CURL BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES MY  ENTIRE  BODY, 
 AND  SNAPS  ME  BACK INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL  MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING  ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I   SLOWLY  DISMOUNT  THE  STAIRS. 
                                          
 SHAKING AND  CRYING, I MAKE MY WAY  OVER 
 THE FACTORY  FLOOR, WADING  THROUGH DARK 
 GLASS MARBLES. A QUICK GLANCE  DOWN, AND 
 I SEE  THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.    EMBRYOS?   ARE   THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.