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§ the glass factory. §
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,~=;§£&£@# several centuries after it had last #@£&£§;=~,
,,~=;§£&£@ belonged to us, we went on an outing to @£&£§;=~,,
,,,~=;§£&£ the glass factory that bore our family £&£§;=~,,,
,,,,~=;§£& name. it had changed owners many times &£§;=~,,,,
,,,,,~=;§£ since our ancestors death, and then £§;=~,,,,,
,,,,,,~=;§ stood abandoned for a long while. §;=~,,,,,,
,,,,,,,~=; finally, the natural end station for ;=~,,,,,,,
,,,,,,,,~= the buildings that survive: a museum, =~,,,,,,,,
,,,,,,,~=; and a gift shop. ;=~,,,,,,,
,,,,,,~=;§ §;=~,,,,,,
,,,,,~=;§£ there's a long time since my family £§;=~,,,,,
,,,,~=;§£& made anything. by many, we would be &£§;=~,,,,
,,,~=;§£&£ considered poor. £&£§;=~,,,
,,~=;§£&£@ @£&£§;=~,,
,~=;§£&£@# there are two main factory buildings, #@£&£§;=~,
,,~=;§£&£@ domed things of several floors, made in @£&£§;=~,,
,,,~=;§£&£ yellow brick. large but narrow windows, £&£§;=~,,,
,,,,~=;§£& reminescent of some cathedral. &£§;=~,,,,
,,,,,~=;§£ custom-made glass, of course, large and £§;=~,,,,,
,,,,,,~=;§ leaded, and ashen. a bit too dark to be §;=~,,,,,,
,,,,,,,~=; practical. on the eastern building, ;=~,,,,,,,
,,,,,,,,~= some are shattered. =~,,,,,,,,
,,,,,,,~=; ;=~,,,,,,,
,,,,,,~=;§ the other one is publicly open. there's §;=~,,,,,,
,,,,,~=;§£ a museum, with wax figures of my great £§;=~,,,,,
,,,,~=;§£& great great grandfather, or something. &£§;=~,,,,
,,,~=;§£&£ various tools (or replicas) laid out on £&£§;=~,,,
,,~=;§£&£@ tables, with explaining texts. a lot of @£&£§;=~,,
,~=;§£&£@# glass of varying thickness. #@£&£§;=~,
,,~=;§£&£@ @£&£§;=~,,
,,,~=;§£&£ §§ £&£§;=~,,,
,,,,~=;§£& §§ §§ &£§;=~,,,,
,,,,,~=;§£ ======= § § ======= £§;=~,,,,,
,,,,,,~=;§ §§ §§ §;=~,,,,,,
,,,,,,,~=; §§ ;=~,,,,,,,
,,,,,,,,~= =~,,,,,,,,
,,,,,,,~=; i quickly sneak out, and climb into the ;=~,,,,,,,
,,,,,,~=;§ other building. the contrast is §;=~,,,,,,
,,,,,~=;§£ overwhelming. it must have stood £§;=~,,,,,
,,,,~=;§£& derelict for a long time, windows &£§;=~,,,,
,,,~=;§£&£ broken, metallic trash and pools of £&£§;=~,,,
,,~=;§£&£@ dark glass all over the floor. no @£&£§;=~,,
,~=;§£&£@# electric lights, but i can see by the #@£&£§;=~,
,,~=;§£&£@ light that shines in wherever the dark @£&£§;=~,,
,,,~=;§£&£ windows are missing a pane. £&£§;=~,,,
,,,,~=;§£& &£§;=~,,,,
,,,,,~=;§£ however, the greatest difference is the £§;=~,,,,,
,,,,,,~=;§ higher floors: this building has none. §;=~,,,,,,
,,,,,,,~=; it is one massive hall, stretching away ;=~,,,,,,,
,,,,,,,,~= infinitely above me. somewhere up there =~,,,,,,,,
,,,,,,,~=; is some great iron latticework, from ;=~,,,,,,,
,,,,,,~=;§ where chains are suspended, and parts §;=~,,,,,,
,,,,,~=;§£ of machinery has been falling down. £§;=~,,,,,
,,,,~=;§£& &£§;=~,,,,
,,,~=;§£&£ there is, in the middle of the great £&£§;=~,,,
,,~=;§£&£@ hall, a thin spiral staircase that @£&£§;=~,,
,~=;§£&£@# leads up there. i sneak over there, and #@£&£§;=~,
,,~=;§£&£@ take a few reluctant steps. after just @£&£§;=~,,
,,,~=;§£&£ a revolution, i notice that for each £&£§;=~,,,
,,,,~=;§£& step the building starts to glow, the &£§;=~,,,,
,,,,,~=;§£ bricks turning a dark red, and then £§;=~,,,,,
,,,,,,~=;§ orange, all the piled up debree being §;=~,,,,,,
,,,,,,,~=; lit from behind. ;=~,,,,,,,
,,,,,,,,~= =~,,,,,,,,
,,,,,,,~=; i stop ready to run down and out, but ;=~,,,,,,,
,,,,,,~=;§ there's someone else on the staircase §;=~,,,,,,
,,,,,~=;§£ with me now, pressed close. he's £§;=~,,,,,
,,,,~=;§£& looking like me, short hair and thin &£§;=~,,,,
,,,~=;§£&£ arms, but with ears from some animal, £&£§;=~,,,
,,~=;§£&£@ and more disturbingly, completely made @£&£§;=~,,
,~=;§£&£@# of dark liquid glass. #@£&£§;=~,
,,~=;§£&£@ @£&£§;=~,,
,,,~=;§£&£ §§ £&£§;=~,,,
,,,,~=;§£& §§ §§ &£§;=~,,,,
,,,,,~=;§£ ======= § § ======= £§;=~,,,,,
,,,,,,~=;§ §§ §§ §;=~,,,,,,
,,,,,,,~=; §§ ;=~,,,,,,,
,,,,,,,,~= =~,,,,,,,,
,,,,,,,~=; my fear holds me in place while he ;=~,,,,,,,
,,,,,,~=;§ starts operating levers and dials set §;=~,,,,,,
,,,,,~=;§£ in the center of the staircase. slowly, £§;=~,,,,,
,,,,~=;§£& it starts spinning, circling upwards. &£§;=~,,,,
,,,~=;§£&£ it's an elevator! i start to run £&£§;=~,,,
,,~=;§£&£@ downwards, but now the liquid boy @£&£§;=~,,
,~=;§£&£@# creature grabs hold of me. i try to #@£&£§;=~,
,,~=;§£&£@ shake him off, but he's too strong, and @£&£§;=~,,
,,,~=;§£&£ pulls me back up beside him. £&£§;=~,,,
,,,,~=;§£& &£§;=~,,,,
,,,,,~=;§£ this time, i turn angry instead. what £§;=~,,,,,
,,,,,,~=;§ the hell? who is this guy, acting like §;=~,,,,,,
,,,,,,,~=; this? i reach out my free arm and slam ;=~,,,,,,,
,,,,,,,,~= a random lever. some metal bar is =~,,,,,,,,
,,,,,,,~=; suddenly released between us, hitting ;=~,,,,,,,
,,,,,,~=;§ him on the arm, forcing my release. i §;=~,,,,,,
,,,,,~=;§£ shove him off of me, and he falls into £§;=~,,,,,
,,,,~=;§£& the levers, messing them up. &£§;=~,,,,
,,,~=;§£&£ immediately, a thin rusty chainmail £&£§;=~,,,
,,~=;§£&£@ curtain is dropped around me. but the @£&£§;=~,,
,~=;§£&£@# elevator also speeds up significantly. #@£&£§;=~,
,,~=;§£&£@ @£&£§;=~,,
,,,~=;§£&£ the walls are flaring now, yellow, £&£§;=~,,,
,,,,~=;§£& white, almost blue. i close my eyes and &£§;=~,,,,
,,,,,~=;§£ curl into a ball. but then, the glass £§;=~,,,,,
,,,,,,~=;§ boy screams, a piercing sound that §;=~,,,,,,
,,,,,,,~=; forces my eyes back open. i watch as he ;=~,,,,,,,
,,,,,,,,~= becomes too liquid, his body pooling =~,,,,,,,,
,,,,,,,~=; down in his now massive tail, and the ;=~,,,,,,,
,,,,,,~=;§ tip of it suddenly breaks of in a glass §;=~,,,,,,
,,,,,~=;§£ drop that falls toward the factory £§;=~,,,,,
,,,,~=;§£& floor. &£§;=~,,,,
,,,~=;§£&£ £&£§;=~,,,
,,~=;§£&£@ he's crawling on the stairs, unable to @£&£§;=~,,
,~=;§£&£@# keep his body upright. can't reach the #@£&£§;=~,
,,~=;§£&£@ levers, claws at my chainmail cage, @£&£§;=~,,
,,,~=;§£&£ while his body is turning into dark £&£§;=~,,,
,,,,~=;§£& pearls. finally, he's lost too much of &£§;=~,,,,
,,,,,~=;§£ himself and the scream is cut short. £§;=~,,,,,
,,,,,,~=;§ the last of him rains down. §;=~,,,,,,
,,,,,,,~=; ;=~,,,,,,,
,,,,,,,,~= i still can't reach the levers from =~,,,,,,,,
,,,,,,,~=; within my cage. looking up, i try to ;=~,,,,,,,
,,,,,,~=;§ make out the ceiling, but it's all a §;=~,,,,,,
,,,,,~=;§£ whirling sea of colours. below me glows £§;=~,,,,,
,,,,~=;§£& the hellfire of the factory walls, but &£§;=~,,,,
,,,~=;§£&£ very faint. i sit down, curl back up, £&£§;=~,,,
,,~=;§£&£@ become still. @£&£§;=~,,
,~=;§£&£@# #@£&£§;=~,
,,~=;§£&£@ §§ @£&£§;=~,,
,,,~=;§£&£ §§ §§ £&£§;=~,,,
,,,,~=;§£& ======= § § ======= &£§;=~,,,,
,,,,,~=;§£ §§ §§ £§;=~,,,,,
,,,,,,~=;§ §§ §;=~,,,,,,
,,,,,,,~=; ;=~,,,,,,,
,,,,,,,,~= a large clunk shakes my entire body, =~,,,,,,,,
,,,,,,,~=; and snaps me back into reality. i'm ;=~,,,,,,,
,,,,,,~=;§ back at the factory floor, but the §;=~,,,,,,
,,,,,~=;§£ stairs are still moving slightly, £§;=~,,,,,
,,,,~=;§£& clicking in place, carrying me the last &£§;=~,,,,
,,,~=;§£&£ few centimeters. i came from below, £&£§;=~,,,
,,~=;§£&£@ somehow. the chainmail is retracted, @£&£§;=~,,
,~=;§£&£@# and i slowly dismount the stairs. #@£&£§;=~,
,,~=;§£&£@ @£&£§;=~,,
,,,~=;§£&£ shaking and crying, i make my way over £&£§;=~,,,
,,,,~=;§£& the factory floor, wading through dark &£§;=~,,,,
,,,,,~=;§£ glass marbles. a quick glance down, and £§;=~,,,,,
,,,,,,~=;§ i see there's something faint inside §;=~,,,,,,
,,,,,,,~=; them. embryos? are these eggs? ;=~,,,,,,,
,,,,,,,,~= =~,,,,,,,,
,,,,,,,~=; i shudder, and climb back out. ;=~,,,,,,,
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