THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE GLASS FACTORY  THAT BORE OUR  FAMILY 
 NAME. IT HAD  CHANGED  OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR  A  LONG   WHILE. 
 FINALLY,  THE  NATURAL END  STATION  FOR 
 THE  BUILDINGS THAT  SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME SINCE  MY  FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN FACTORY  BUILDINGS, 
 DOMED THINGS OF  SEVERAL FLOORS, MADE IN 
 YELLOW BRICK.  LARGE BUT NARROW WINDOWS, 
 REMINESCENT     OF    SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED, AND  ASHEN. A BIT TOO DARK TO BE 
 PRACTICAL.  ON  THE  EASTERN   BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS PUBLICLY OPEN.  THERE'S 
 A  MUSEUM, WITH WAX FIGURES OF MY  GREAT 
 GREAT  GREAT GRANDFATHER,  OR SOMETHING. 
 VARIOUS  TOOLS (OR REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS.  A LOT OF 
 GLASS      OF     VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY  SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.   THE   CONTRAST    IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR   A   LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK   GLASS  ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS, BUT  I  CAN SEE  BY THE 
 LIGHT THAT SHINES IN  WHEREVER  THE DARK 
 WINDOWS     ARE    MISSING    A    PANE. 
                                          
 HOWEVER,  THE GREATEST DIFFERENCE IS THE 
 HIGHER  FLOORS: THIS BUILDING  HAS NONE. 
 IT IS ONE  MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE UP  THERE 
 IS  SOME GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN  THE MIDDLE  OF THE GREAT 
 HALL,  A  THIN  SPIRAL   STAIRCASE  THAT 
 LEADS  UP THERE. I SNEAK OVER THERE, AND 
 TAKE A FEW  RELUCTANT STEPS.  AFTER JUST 
 A  REVOLUTION,  I NOTICE THAT  FOR  EACH 
 STEP  THE  BUILDING STARTS  TO GLOW, THE 
 BRICKS  TURNING A  DARK  RED,  AND  THEN 
 ORANGE,  ALL  THE PILED  UP DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP READY  TO RUN DOWN AND  OUT, BUT 
 THERE'S  SOMEONE  ELSE ON THE  STAIRCASE 
 WITH   ME   NOW,  PRESSED   CLOSE.  HE'S 
 LOOKING LIKE  ME, SHORT  HAIR  AND  THIN 
 ARMS, BUT WITH EARS  FROM  SOME  ANIMAL, 
 AND MORE DISTURBINGLY,  COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE  WHILE HE 
 STARTS  OPERATING  LEVERS AND  DIALS SET 
 IN  THE CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS SPINNING,  CIRCLING  UPWARDS. 
 IT'S   AN  ELEVATOR!  I   START  TO  RUN 
 DOWNWARDS,  BUT   NOW   THE  LIQUID  BOY 
 CREATURE GRABS  HOLD OF  ME.  I  TRY  TO 
 SHAKE HIM OFF,  BUT HE'S TOO STRONG, AND 
 PULLS   ME   BACK    UP    BESIDE   HIM. 
                                          
 THIS TIME, I  TURN ANGRY  INSTEAD.  WHAT 
 THE  HELL? WHO IS THIS GUY,  ACTING LIKE 
 THIS? I REACH OUT MY  FREE ARM AND  SLAM 
 A  RANDOM   LEVER.  SOME  METAL  BAR  IS 
 SUDDENLY  RELEASED  BETWEEN US,  HITTING 
 HIM  ON THE  ARM, FORCING MY RELEASE.  I 
 SHOVE HIM OFF  OF  ME, AND HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED  AROUND  ME. BUT THE 
 ELEVATOR ALSO SPEEDS  UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING  NOW,   YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY  EYES AND 
 CURL INTO A BALL. BUT  THEN,  THE  GLASS 
 BOY  SCREAMS,   A  PIERCING  SOUND  THAT 
 FORCES MY EYES BACK OPEN. I  WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS  BODY POOLING 
 DOWN IN  HIS NOW MASSIVE  TAIL,  AND THE 
 TIP OF IT SUDDENLY  BREAKS OF IN A GLASS 
 DROP  THAT  FALLS   TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON THE STAIRS,  UNABLE TO 
 KEEP HIS BODY UPRIGHT.  CAN'T  REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS TURNING  INTO  DARK 
 PEARLS. FINALLY, HE'S LOST  TOO  MUCH OF 
 HIMSELF  AND THE  SCREAM IS  CUT  SHORT. 
 THE   LAST   OF    HIM    RAINS    DOWN. 
                                          
 I  STILL  CAN'T  REACH THE  LEVERS  FROM 
 WITHIN  MY CAGE. LOOKING UP,  I  TRY  TO 
 MAKE OUT  THE  CEILING,  BUT IT'S ALL  A 
 WHIRLING  SEA OF COLOURS. BELOW ME GLOWS 
 THE HELLFIRE OF  THE FACTORY  WALLS, BUT 
 VERY  FAINT.  I SIT  DOWN, CURL BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE  CLUNK SHAKES  MY  ENTIRE BODY, 
 AND SNAPS  ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME  THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY  DISMOUNT  THE   STAIRS. 
                                          
 SHAKING AND CRYING, I MAKE  MY  WAY OVER 
 THE FACTORY  FLOOR, WADING THROUGH  DARK 
 GLASS MARBLES. A QUICK GLANCE  DOWN, AND 
 I  SEE  THERE'S  SOMETHING  FAINT INSIDE 
 THEM.   EMBRYOS?   ARE    THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.