THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE GLASS  FACTORY THAT BORE  OUR FAMILY 
 NAME.  IT HAD CHANGED OWNERS MANY  TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR  A  LONG   WHILE. 
 FINALLY,  THE  NATURAL  END  STATION FOR 
 THE BUILDINGS  THAT  SURVIVE:  A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A LONG  TIME  SINCE  MY  FAMILY 
 MADE  ANYTHING.  BY MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN FACTORY  BUILDINGS, 
 DOMED  THINGS OF SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT NARROW  WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF  COURSE, LARGE AND 
 LEADED, AND ASHEN. A BIT TOO DARK  TO BE 
 PRACTICAL.  ON  THE   EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER  ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH WAX  FIGURES OF  MY GREAT 
 GREAT GREAT  GRANDFATHER, OR  SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS) LAID  OUT ON 
 TABLES, WITH EXPLAINING  TEXTS. A LOT OF 
 GLASS      OF     VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND  CLIMB INTO THE 
 OTHER   BUILDING.    THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR  A   LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER  THE   FLOOR.  NO 
 ELECTRIC LIGHTS,  BUT I CAN SEE  BY  THE 
 LIGHT THAT  SHINES  IN WHEREVER THE DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER, THE  GREATEST DIFFERENCE IS THE 
 HIGHER FLOORS: THIS  BUILDING  HAS NONE. 
 IT  IS ONE MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE  UP THERE 
 IS  SOME  GREAT IRON  LATTICEWORK,  FROM 
 WHERE CHAINS  ARE  SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS, IN  THE  MIDDLE  OF THE  GREAT 
 HALL,  A  THIN  SPIRAL  STAIRCASE   THAT 
 LEADS UP THERE.  I SNEAK OVER THERE, AND 
 TAKE  A FEW  RELUCTANT STEPS. AFTER JUST 
 A REVOLUTION,  I NOTICE  THAT  FOR  EACH 
 STEP THE BUILDING  STARTS  TO  GLOW, THE 
 BRICKS  TURNING  A  DARK  RED, AND  THEN 
 ORANGE,  ALL THE  PILED UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY TO  RUN  DOWN  AND OUT, BUT 
 THERE'S  SOMEONE  ELSE ON THE  STAIRCASE 
 WITH  ME   NOW,  PRESSED   CLOSE.   HE'S 
 LOOKING  LIKE  ME,  SHORT HAIR AND  THIN 
 ARMS, BUT  WITH EARS  FROM  SOME ANIMAL, 
 AND MORE DISTURBINGLY,  COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY FEAR  HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS  OPERATING  LEVERS AND  DIALS SET 
 IN  THE CENTER OF THE STAIRCASE. SLOWLY, 
 IT STARTS  SPINNING,  CIRCLING  UPWARDS. 
 IT'S  AN   ELEVATOR!  I  START   TO  RUN 
 DOWNWARDS,   BUT   NOW  THE  LIQUID  BOY 
 CREATURE  GRABS HOLD  OF  ME. I  TRY  TO 
 SHAKE HIM OFF,  BUT HE'S TOO STRONG, AND 
 PULLS   ME   BACK    UP    BESIDE   HIM. 
                                          
 THIS TIME, I  TURN  ANGRY  INSTEAD. WHAT 
 THE HELL?  WHO IS THIS  GUY, ACTING LIKE 
 THIS? I REACH OUT MY FREE ARM  AND  SLAM 
 A  RANDOM  LEVER.  SOME  METAL   BAR  IS 
 SUDDENLY  RELEASED BETWEEN  US,  HITTING 
 HIM  ON  THE ARM,  FORCING MY RELEASE. I 
 SHOVE HIM OFF  OF ME, AND HE  FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN IS  DROPPED AROUND  ME.  BUT THE 
 ELEVATOR ALSO  SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE   FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY EYES  AND 
 CURL  INTO A  BALL. BUT THEN, THE  GLASS 
 BOY   SCREAMS,  A  PIERCING  SOUND  THAT 
 FORCES MY EYES  BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID, HIS  BODY  POOLING 
 DOWN  IN HIS NOW MASSIVE  TAIL,  AND THE 
 TIP OF IT SUDDENLY BREAKS OF IN  A GLASS 
 DROP  THAT   FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON THE STAIRS,  UNABLE TO 
 KEEP HIS BODY UPRIGHT. CAN'T  REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS BODY  IS  TURNING  INTO  DARK 
 PEARLS. FINALLY, HE'S LOST  TOO MUCH  OF 
 HIMSELF  AND  THE  SCREAM  IS CUT SHORT. 
 THE    LAST   OF    HIM   RAINS    DOWN. 
                                          
 I STILL  CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN MY  CAGE.  LOOKING UP, I  TRY  TO 
 MAKE OUT THE  CEILING, BUT  IT'S  ALL  A 
 WHIRLING SEA  OF COLOURS. BELOW ME GLOWS 
 THE HELLFIRE OF THE  FACTORY  WALLS, BUT 
 VERY  FAINT.  I SIT DOWN, CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS  ME BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL  MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME THE  LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I   SLOWLY  DISMOUNT   THE  STAIRS. 
                                          
 SHAKING AND CRYING,  I MAKE MY  WAY OVER 
 THE  FACTORY  FLOOR, WADING THROUGH DARK 
 GLASS MARBLES. A QUICK GLANCE DOWN,  AND 
 I  SEE  THERE'S  SOMETHING FAINT  INSIDE 
 THEM.   EMBRYOS?   ARE    THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.