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= the glass factory. =
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#@#@=/=:.. several centuries after it had last ..:=/=@#@#
##@#@=/=:. belonged to us, we went on an outing to .:=/=@#@##
#@#@=/=:.. the glass factory that bore our family ..:=/=@#@#
@#@=/=:... name. it had changed owners many times ...:=/=@#@
#@#@=/=:.. since our ancestors death, and then ..:=/=@#@#
##@#@=/=:. stood abandoned for a long while. .:=/=@#@##
#@#@=/=:.. finally, the natural end station for ..:=/=@#@#
@#@=/=:... the buildings that survive: a museum, ...:=/=@#@
#@#@=/=:.. and a gift shop. ..:=/=@#@#
##@#@=/=:. .:=/=@#@##
#@#@=/=:.. there's a long time since my family ..:=/=@#@#
@#@=/=:... made anything. by many, we would be ...:=/=@#@
#@#@=/=:.. considered poor. ..:=/=@#@#
##@#@=/=:. .:=/=@#@##
#@#@=/=:.. there are two main factory buildings, ..:=/=@#@#
@#@=/=:... domed things of several floors, made in ...:=/=@#@
#@#@=/=:.. yellow brick. large but narrow windows, ..:=/=@#@#
##@#@=/=:. reminescent of some cathedral. .:=/=@#@##
#@#@=/=:.. custom-made glass, of course, large and ..:=/=@#@#
@#@=/=:... leaded, and ashen. a bit too dark to be ...:=/=@#@
#@#@=/=:.. practical. on the eastern building, ..:=/=@#@#
##@#@=/=:. some are shattered. .:=/=@#@##
#@#@=/=:.. ..:=/=@#@#
@#@=/=:... the other one is publicly open. there's ...:=/=@#@
#@#@=/=:.. a museum, with wax figures of my great ..:=/=@#@#
##@#@=/=:. great great grandfather, or something. .:=/=@#@##
#@#@=/=:.. various tools (or replicas) laid out on ..:=/=@#@#
@#@=/=:... tables, with explaining texts. a lot of ...:=/=@#@
#@#@=/=:.. glass of varying thickness. ..:=/=@#@#
##@#@=/=:. .:=/=@#@##
#@#@=/=:.. == ..:=/=@#@#
@#@=/=:... == == ...:=/=@#@
#@#@=/=:.. ======= = = ======= ..:=/=@#@#
##@#@=/=:. == == .:=/=@#@##
#@#@=/=:.. == ..:=/=@#@#
@#@=/=:... ...:=/=@#@
#@#@=/=:.. i quickly sneak out, and climb into the ..:=/=@#@#
##@#@=/=:. other building. the contrast is .:=/=@#@##
#@#@=/=:.. overwhelming. it must have stood ..:=/=@#@#
@#@=/=:... derelict for a long time, windows ...:=/=@#@
#@#@=/=:.. broken, metallic trash and pools of ..:=/=@#@#
##@#@=/=:. dark glass all over the floor. no .:=/=@#@##
#@#@=/=:.. electric lights, but i can see by the ..:=/=@#@#
@#@=/=:... light that shines in wherever the dark ...:=/=@#@
#@#@=/=:.. windows are missing a pane. ..:=/=@#@#
##@#@=/=:. .:=/=@#@##
#@#@=/=:.. however, the greatest difference is the ..:=/=@#@#
@#@=/=:... higher floors: this building has none. ...:=/=@#@
#@#@=/=:.. it is one massive hall, stretching away ..:=/=@#@#
##@#@=/=:. infinitely above me. somewhere up there .:=/=@#@##
#@#@=/=:.. is some great iron latticework, from ..:=/=@#@#
@#@=/=:... where chains are suspended, and parts ...:=/=@#@
#@#@=/=:.. of machinery has been falling down. ..:=/=@#@#
##@#@=/=:. .:=/=@#@##
#@#@=/=:.. there is, in the middle of the great ..:=/=@#@#
@#@=/=:... hall, a thin spiral staircase that ...:=/=@#@
#@#@=/=:.. leads up there. i sneak over there, and ..:=/=@#@#
##@#@=/=:. take a few reluctant steps. after just .:=/=@#@##
#@#@=/=:.. a revolution, i notice that for each ..:=/=@#@#
@#@=/=:... step the building starts to glow, the ...:=/=@#@
#@#@=/=:.. bricks turning a dark red, and then ..:=/=@#@#
##@#@=/=:. orange, all the piled up debree being .:=/=@#@##
#@#@=/=:.. lit from behind. ..:=/=@#@#
@#@=/=:... ...:=/=@#@
#@#@=/=:.. i stop ready to run down and out, but ..:=/=@#@#
##@#@=/=:. there's someone else on the staircase .:=/=@#@##
#@#@=/=:.. with me now, pressed close. he's ..:=/=@#@#
@#@=/=:... looking like me, short hair and thin ...:=/=@#@
#@#@=/=:.. arms, but with ears from some animal, ..:=/=@#@#
##@#@=/=:. and more disturbingly, completely made .:=/=@#@##
#@#@=/=:.. of dark liquid glass. ..:=/=@#@#
@#@=/=:... ...:=/=@#@
#@#@=/=:.. == ..:=/=@#@#
##@#@=/=:. == == .:=/=@#@##
#@#@=/=:.. ======= = = ======= ..:=/=@#@#
@#@=/=:... == == ...:=/=@#@
#@#@=/=:.. == ..:=/=@#@#
##@#@=/=:. .:=/=@#@##
#@#@=/=:.. my fear holds me in place while he ..:=/=@#@#
@#@=/=:... starts operating levers and dials set ...:=/=@#@
#@#@=/=:.. in the center of the staircase. slowly, ..:=/=@#@#
##@#@=/=:. it starts spinning, circling upwards. .:=/=@#@##
#@#@=/=:.. it's an elevator! i start to run ..:=/=@#@#
@#@=/=:... downwards, but now the liquid boy ...:=/=@#@
#@#@=/=:.. creature grabs hold of me. i try to ..:=/=@#@#
##@#@=/=:. shake him off, but he's too strong, and .:=/=@#@##
#@#@=/=:.. pulls me back up beside him. ..:=/=@#@#
@#@=/=:... ...:=/=@#@
#@#@=/=:.. this time, i turn angry instead. what ..:=/=@#@#
##@#@=/=:. the hell? who is this guy, acting like .:=/=@#@##
#@#@=/=:.. this? i reach out my free arm and slam ..:=/=@#@#
@#@=/=:... a random lever. some metal bar is ...:=/=@#@
#@#@=/=:.. suddenly released between us, hitting ..:=/=@#@#
##@#@=/=:. him on the arm, forcing my release. i .:=/=@#@##
#@#@=/=:.. shove him off of me, and he falls into ..:=/=@#@#
@#@=/=:... the levers, messing them up. ...:=/=@#@
#@#@=/=:.. immediately, a thin rusty chainmail ..:=/=@#@#
##@#@=/=:. curtain is dropped around me. but the .:=/=@#@##
#@#@=/=:.. elevator also speeds up significantly. ..:=/=@#@#
@#@=/=:... ...:=/=@#@
#@#@=/=:.. the walls are flaring now, yellow, ..:=/=@#@#
##@#@=/=:. white, almost blue. i close my eyes and .:=/=@#@##
#@#@=/=:.. curl into a ball. but then, the glass ..:=/=@#@#
@#@=/=:... boy screams, a piercing sound that ...:=/=@#@
#@#@=/=:.. forces my eyes back open. i watch as he ..:=/=@#@#
##@#@=/=:. becomes too liquid, his body pooling .:=/=@#@##
#@#@=/=:.. down in his now massive tail, and the ..:=/=@#@#
@#@=/=:... tip of it suddenly breaks of in a glass ...:=/=@#@
#@#@=/=:.. drop that falls toward the factory ..:=/=@#@#
##@#@=/=:. floor. .:=/=@#@##
#@#@=/=:.. ..:=/=@#@#
@#@=/=:... he's crawling on the stairs, unable to ...:=/=@#@
#@#@=/=:.. keep his body upright. can't reach the ..:=/=@#@#
##@#@=/=:. levers, claws at my chainmail cage, .:=/=@#@##
#@#@=/=:.. while his body is turning into dark ..:=/=@#@#
@#@=/=:... pearls. finally, he's lost too much of ...:=/=@#@
#@#@=/=:.. himself and the scream is cut short. ..:=/=@#@#
##@#@=/=:. the last of him rains down. .:=/=@#@##
#@#@=/=:.. ..:=/=@#@#
@#@=/=:... i still can't reach the levers from ...:=/=@#@
#@#@=/=:.. within my cage. looking up, i try to ..:=/=@#@#
##@#@=/=:. make out the ceiling, but it's all a .:=/=@#@##
#@#@=/=:.. whirling sea of colours. below me glows ..:=/=@#@#
@#@=/=:... the hellfire of the factory walls, but ...:=/=@#@
#@#@=/=:.. very faint. i sit down, curl back up, ..:=/=@#@#
##@#@=/=:. become still. .:=/=@#@##
#@#@=/=:.. ..:=/=@#@#
@#@=/=:... == ...:=/=@#@
#@#@=/=:.. == == ..:=/=@#@#
##@#@=/=:. ======= = = ======= .:=/=@#@##
#@#@=/=:.. == == ..:=/=@#@#
@#@=/=:... == ...:=/=@#@
#@#@=/=:.. ..:=/=@#@#
##@#@=/=:. a large clunk shakes my entire body, .:=/=@#@##
#@#@=/=:.. and snaps me back into reality. i'm ..:=/=@#@#
@#@=/=:... back at the factory floor, but the ...:=/=@#@
#@#@=/=:.. stairs are still moving slightly, ..:=/=@#@#
##@#@=/=:. clicking in place, carrying me the last .:=/=@#@##
#@#@=/=:.. few centimeters. i came from below, ..:=/=@#@#
@#@=/=:... somehow. the chainmail is retracted, ...:=/=@#@
#@#@=/=:.. and i slowly dismount the stairs. ..:=/=@#@#
##@#@=/=:. .:=/=@#@##
#@#@=/=:.. shaking and crying, i make my way over ..:=/=@#@#
@#@=/=:... the factory floor, wading through dark ...:=/=@#@
#@#@=/=:.. glass marbles. a quick glance down, and ..:=/=@#@#
##@#@=/=:. i see there's something faint inside .:=/=@#@##
#@#@=/=:.. them. embryos? are these eggs? ..:=/=@#@#
@#@=/=:... ...:=/=@#@
#@#@=/=:.. i shudder, and climb back out. ..:=/=@#@#
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