###&%%*~-, ,-~*%%##
#&&&%%*~-, ,-~*%%&&
##&%*-,,,, ,,,,-*%#
###&%%*~-, ,-~*%%##
&&&&%%*~-, ,-~*%%&&&&
#&%~~,,,,, #&#&#&#&#&#&#&#&#&#& ,,,,,~~%
#&%%**---, & BUILDINGS, TOWERS IN THE "GOLDEN & ,---**%%
#%%%%*~~-, & BAY" (EVERYTHING MADE OF SANDSTONE). & ,-~~*%%%%#
###&%%*~-, # FIVE PARTICULAR HOUSES FOURTY # ,-~*%%##
##&&%%*~-, # STORIES TALL, HUNDRED METERS APART, # ,-~*%%&#
&%%%%**~-, & IN A SLIGHT ARC INWARDS. & ,-~**%%%%&
###&%%*~-, & & ,-~*%%##
###&%%*~-, # BETWEEN TWO MOUNTAINS; TO THE RIGHT # ,-~*%%##
###&%%*~-, # AND LEFT THE CITY CLIMBS QUICKLY. # ,-~*%%##
&%%~~,,,,, & THE RIGHT PLATEAU HOSTS A LUSH AND & ,,,,,~~%%&
##%***~~-, & SHADED GARDEN WHICH MORPHS INTO A & ,-~~***%##
##&&%%*~-, # TERRACE OVERLOOKING THE SEA AND # ,-~*%%&#
###&%%*~-, # THE BUILDINGS. # ,-~*%%##
##%%%*~,,, & & ,,,~*%%%##
&%*~--,,,, & TO THE LEFT THE HOUSES CLIMB & ,,,,--~*%&
###&%%*~-, # SIMILARLY BUT A LOT OF TUNNELS AND # ,-~*%%##
&&%%%%*~-, # HALLS HAVE BEEN DUG FROM THE # ,-~*%%%%&&
###&%%*~-, & MOUNTAIN. SOME HOUSES STAND & ,-~*%%##
#&%*~--,,, & COMPLETELY "INSIDE". BECAUSE OF CAVE & ,,,--~*%
&&%~,,,,,, # CONDITIONS THE LOWER FLOORS HERE # ,,,,,,~%&&
#&%~,,,,,, # ARE COVERED IN DARK ALGAE THAT THE # ,,,,,,~%
&%*-,,,,,, & CITY LONG AGO STOPPED TRYING TO & ,,,,,,-*%&
&%%%*~,,,, & REMOVE. ESTABLISHMENTS USE NEON & ,,,,~*%%%&
###&%%*~-, # SIGNS AS AN ACCENT TO THE DARK. # ,-~*%%##
&&%*~~,,,, # THERE'S A CASINO. # ,,,,~~*%&&
&%%~-,,,,, & THERE'S AN INTERNET CAFE. & ,,,,,-~%%&
&&%~~-,,,, & & ,,,,-~~%&&
#%%~-,,,,, # MOST PEOPLE LIVING HERE HAVE LONG # ,,,,,-~%%#
###&%%*~-, # SNOUTS AND BIG EARS. ALL SPACE IS # ,-~*%%##
###&%%*~-, & SHARED (FEW ROOMS HAVE LOCKS OR & ,-~*%%##
##%*~-,,,, & EVEN DOORS). INTERIOR DESIGN IS & ,,,,-~*%##
&%%*~,,,,, # MOSTLY ART NOUVEAU AND MADE # ,,,,,~*%%&
&%%%%*~~-, # OUT OF COPPER. # ,-~~*%%%%&
#%*--,,,,, &#&#&#&#&###&#&#&#&#&& ,,,,,--*%#
##&%~~-,,, ,,,-~~%#
###&%%*~-, ,-~*%%##
&%%*~~~-,, ,,-~~~*%%&
###&%%*~-, ,-~*%%##
###&%%*~-, ,-~*%%##