...,,~=¤¤@                                          @¤¤=~,,...
.,~==¤¤¤@#                                          #@¤¤¤==~,.
....,~===¤                                          ¤===~,....
.,~==¤¤@##                                          ##@¤¤==~,.
.,~==¤@###                                          ###@¤==~,.
.,~===¤¤@@ delay  delay  d.la#  ¤ =a.  , .@   ~   , @@¤¤===~,.
.,~==¤¤¤¤@                                          @¤¤¤¤==~,.
..,,~~=¤¤¤                                          ¤¤¤=~~,,..
....,,~=¤@                                          @¤=~,,....
....,,~=¤@                                          @¤=~,,....
.,~==¤¤@## "delay" means repetiton or likewise,     ##@¤¤==~,.
....~~==¤¤ but it's mainly useless without          ¤¤==~~....
.,~==¤¤@## feedback,                                ##@¤¤==~,.
.,~==¤¤@## to allow the delay to eat of it's own    ##@¤¤==~,.
.,~==¤¤@## tail, like one of those eaty serpents.   ##@¤¤==~,.
.,~==¤¤### thus: it's the serpent effect!           ###¤¤==~,.
.,~==¤¤@##                                          ##@¤¤==~,.
.,~==¤¤@## it's to be revered as a creator of       ##@¤¤==~,.
....,==¤¤¤ ambience and of space, if you treat it   ¤¤¤==,....
.,~==¤¤@## right. a somewhat more solid and         ##@¤¤==~,.
.,~==¤¤@## slippery sibling of reverb.              ##@¤¤==~,.
....,===¤@                                          @¤===,....
.,~==¤¤@##                                          ##@¤¤==~,.
.,~==¤¤¤¤¤                                          ¤¤¤¤¤==~,.
....~~=¤¤¤                                          ¤¤¤=~~....
.,~==¤¤@##                                          ##@¤¤==~,.