@@@£&%†~,. .,~†%&£@@@
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@&&%~~.... ....~~%&&@
@@&%††~~,. .,~~††%&@@
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##@@&%†~,. delay delay d.la@ £ %a. , .@ ~ , .,~†%&@@##
£&%%%~.... ....~%%%&£
@@@£&%†~,. .,~†%&£@@@
@@@£&%†~,. .,~†%&£@@@
#@@£&%†~,. .,~†%&£@@#
#@@£&%†~,. "delay" means repetiton or likewise, .,~†%&£@@#
#@@£&%†~,. but it's mainly useless without .,~†%&£@@#
#@@£&%†~,. feedback, .,~†%&£@@#
@&%%~,.... to allow the delay to eat of it's own ....,~%%&@
#@@£&%†~,. tail, like one of those eaty serpents. .,~†%&£@@#
#@@£&%†~,. thus: it's the serpent effect! .,~†%&£@@#
@@@£&%†~,. .,~†%&£@@@
@@£%~~.... it's to be revered as a creator of ....~~%£@@
##@£&%†~,. ambience and of space, if you treat it .,~†%&£@##
#@@£&%†~,. right. a somewhat more solid and .,~†%&£@@#
##@@&%†~,. slippery sibling of reverb. .,~†%&@@##
#@@£&%†~,. .,~†%&£@@#
##@£&%†~,. .,~†%&£@##
#@@£&%†~,. .,~†%&£@@#
@££&%%†~,. .,~†%%&££@
#@@£&%†~,. .,~†%&£@@#