,,,,,-/$&& &&$/-,,,,,
,.-/%$&@## ##@&$%/-.,
,.-/%$&&&# #&&&$%/-.,
,.-/%%%&&# #&&%%%/-.,
,.-/%$&@## ##@&$%/-.,
,,,,,,-/$& delay delay d,la# & %a, . ,@ - . &$/-,,,,,,
,.-/%$&@## ##@&$%/-.,
,,,,./%%$& &$%%/.,,,,
,.-/%$&&&# #&&&$%/-.,
,,,,,../%& &%/..,,,,,
,,,,,,./$@ "delay" means repetiton or likewise, @$/.,,,,,,
,.-/%$&@## but it's mainly useless without ##@&$%/-.,
,.-/%$&### feedback, ###&$%/-.,
,,,,,./$@@ to allow the delay to eat of it's own @@$/.,,,,,
,.-/%$&@## tail, like one of those eaty serpents. ##@&$%/-.,
,.-/%$&&&# thus: it's the serpent effect! #&&&$%/-.,
,.-/%$&@## ##@&$%/-.,
,.-/%$&### it's to be revered as a creator of ###&$%/-.,
,.-/%$&@## ambience and of space, if you treat it ##@&$%/-.,
,....--/$& right. a somewhat more solid and &$/--....,
,,,..-/%&@ slippery sibling of reverb. @&%/-..,,,
,.-/%$&@## ##@&$%/-.,
,,,,..-/$@ @$/-..,,,,
,,,,,,./%& &%/.,,,,,,
,,,,,,-%$@ @$%-,,,,,,
,.-/%$&@@@ @@@&$%/-.,