,,,,««;&§§ §§&;««,,,,
,,«;$&&§§@ @§§&&$;«,,
,,«;$&§@@@ @@@§&$;«,,
,,«;$&§@@# #@@§&$;«,,
,,«;$&§@@@ @@@§&$;«,,
,,«;$&§@@# delay delay d,la@ § $a, , ,@ « , #@@§&$;«,,
,,,,,,;$§§ §§$;,,,,,,
,,,,,,«$$§ §$$«,,,,,,
,,«;$&§@## ##@§&$;«,,
,,,,,,;$$§ §$$;,,,,,,
,,««;$$$&§ "delay" means repetiton or likewise, §&$$$;««,,
,,,,,«;$§@ but it's mainly useless without @§$;«,,,,,
,,,,,,,«$§ feedback, §$«,,,,,,,
,,«;$&§@@@ to allow the delay to eat of it's own @@@§&$;«,,
,,«;$&§@@# tail, like one of those eaty serpents. #@@§&$;«,,
,,«;$&§@@# thus: it's the serpent effect! #@@§&$;«,,
,,«;$$$$§§ §§$$$$;«,,
,,«««$$§§@ it's to be revered as a creator of @§§$$«««,,
,,«;$&§@@# ambience and of space, if you treat it #@@§&$;«,,
,,,,,«;&&@ right. a somewhat more solid and @&&;«,,,,,
,,,,;;&&&@ slippery sibling of reverb. @&&&;;,,,,
,,«;$&§§§@ @§§§&$;«,,
,,,,,,«$&§ §&$«,,,,,,
,,«;$&§@@# #@@§&$;«,,
,,«;$&§@@@ @@@§&$;«,,
,,«;$&§@@# #@@§&$;«,,