¨¨¨¨¨¨~=§& &§=~¨¨¨¨¨¨
¨-~==§§&&# #&&§§==~-¨
¨¨¨-==§&&@ @&&§==-¨¨¨
¨-~==§&@@@ @@@&§==~-¨
¨-~==§&@## ##@&§==~-¨
¨-~==§&@@@ delay delay d¨la# & =a¨ - ¨@ ~ - @@@&§==~-¨
¨-~==§&@@# #@@&§==~-¨
¨-~==§&@## ##@&§==~-¨
¨-~==§&### ###&§==~-¨
¨¨¨-====&# #&====-¨¨¨
¨-~==§&@## "delay" means repetiton or likewise, ##@&§==~-¨
¨-~==§&@## but it's mainly useless without ##@&§==~-¨
¨-~==§&@## feedback, ##@&§==~-¨
¨-~==§&@## to allow the delay to eat of it's own ##@&§==~-¨
¨¨¨¨¨~=&@# tail, like one of those eaty serpents. #@&=~¨¨¨¨¨
¨-~===§§&# thus: it's the serpent effect! #&§§===~-¨
¨-~==§&@## ##@&§==~-¨
¨-~=====§& it's to be revered as a creator of &§=====~-¨
¨¨¨-===&&# ambience and of space, if you treat it #&&===-¨¨¨
¨-~==§&@## right. a somewhat more solid and ##@&§==~-¨
¨-~==§&&@# slippery sibling of reverb. #@&&§==~-¨
¨-~==§&@## ##@&§==~-¨
¨-~==§&@## ##@&§==~-¨
¨¨-~==§§&@ @&§§==~-¨¨
¨-~==§&@## ##@&§==~-¨
¨-~==§&@## ##@&§==~-¨