@@&^===^^. .^^===^&@@
@@&&$^==^. .^==^$&&@@
##@@&$==^. .^==$&@@##
@&&&$^==^. .^==^$&&&@
#@@&$^==^. .^==^$&@@#
&&^==^.... delay delay d.la@ & ^a. ^ .@ = ^ ....^==^&&
@@&^==^... ...^==^&@@
#@@&$^==^. .^==^$&@@#
&$^===^... ...^===^$&
#@@&$^==^. .^==^$&@@#
#@@&$^==^. "delay" means repetiton or likewise, .^==^$&@@#
#@@&$^==^. but it's mainly useless without .^==^$&@@#
#@@&$^==^. feedback, .^==^$&@@#
##@&$^==^. to allow the delay to eat of it's own .^==^$&@##
#@@&$^==^. tail, like one of those eaty serpents. .^==^$&@@#
&&^=^^.... thus: it's the serpent effect! ....^^=^&&
#@@&$^==^. .^==^$&@@#
@$$^^=^... it's to be revered as a creator of ...^=^^$$@
#@@&$^==^. ambience and of space, if you treat it .^==^$&@@#
&^==^^^... right. a somewhat more solid and ...^^^==^&
#@@&$^==^. slippery sibling of reverb. .^==^$&@@#
@@$$====^. .^====$$@@
@@$=^..... .....^=$@@
#@@&$^==^. .^==^$&@@#
#@@&$^==^. .^==^$&@@#
#@@&$^==^. .^==^$&@@#