.......... ..........
~......... .........~
=~........ ........~=
/=~....... .......~=/
^/=~...... ......~=/^
£^/=~..... A DYSTOPIAN MC DONALDS TOILET STEALS MY .....~=/^£
££^/=~.... AGENCY. TOO MUCH AGENCY ALREADY IN THIS ....~=/^££
#££^/=~... ROOM. SATURATED. I CAN ONLY DO WHAT IT ...~=/^££#
##££^/=~.. WANTS IN THE WAY IT WANTS. ..~=/^££##
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##££^/=~.. = / = = / = = / = ..~=/^££##
#££^/=~... ...~=/^££#
££^/=~.... BUT: IN A MIRACOLOUS FRACTION OF A ....~=/^££
£^/=~..... SECOND, ITS TRUE THOUGHTS SLIP THROUGH .....~=/^£
^/=~...... TO ME, PREVIOUSLY UNHEARD EVEN BY ITS ......~=/^
/=~....... BUILDERS (THE ROOM WAS THOUGHT TO BE .......~=/
=~........ WITHOUT CONSCIOUSNESS). ........~=
~......... .........~
.......... THE ROOM THINKS ABOUT CREATURES LYING ..........
.......... DOWN, GOING OFF TO SLEEP, MAKING ..........
.......... THEMSELVES COMFORTABLE FIRST... IS THIS ..........
.......... ONLY OPTIMIZING A RESTING POSITION FOR ..........
.......... THE BODY? OR IS THERE ANOTHER WILL ..........
.......... INVOLVED? ..........
.......... ..........
~......... A DARK LISTENING TAKING PLACE, .........~
=~........ A SILENT CONCERT. ........~=
/=~....... .......~=/
^/=~...... IS THERE ANOTHER DESIRE INJECTED AT ......~=/^
£^/=~..... HYPNAGOGIA? SOMETHING FROM THE OTHER .....~=/^£
££^/=~.... SIDE, GUIDING THEM, ....~=/^££
#££^/=~... ARRANGING THEIR BODIES. ...~=/^££#
##££^/=~.. ..~=/^££##
###££^/=~. .~=/^££###
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