¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## train dream ##@§§=~:¨¨
¨:~=§§@### ######¨¨¨¨:~::¨¨##################### ###@§§=~:¨
¨¨:~=§§@## === ##@§§=~:¨¨
¨:~=§§@### ~ ###@§§=~:¨
¨¨:~=§§@## ~ ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## (situation) ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## you find yourself in a rift - a ##@§§=~:¨¨
¨:~=§§@### clearing, narrow but immeasurably long. ###@§§=~:¨
¨¨:~=§§@## to your sides are walls made of trees, ##@§§=~:¨¨
¨:~=§§@### thick and ready to swallow you. the sun ###@§§=~:¨
¨¨:~=§§@## is nowhere to be seen, but nontheless ##@§§=~:¨¨
¨:~=§§@### it is very bright - the air feels light ###@§§=~:¨
¨¨:~=§§@## blue, almost white. ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## along the span of the clearing lay two ##@§§=~:¨¨
¨:~=§§@### parallel silvery lines, dark hard ###@§§=~:¨
¨¨:~=§§@## metal. somehow you can see how heavy ##@§§=~:¨¨
¨:~=§§@### they are. ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### they emit a high pitched whine... ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### ~ ###@§§=~:¨
¨¨:~=§§@## ¨¨§¨¨ ##@§§=~:¨¨
¨:~=§§@### ~ ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### (situation) ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### youre at the train station, on a ###@§§=~:¨
¨¨:~=§§@## catwalk above the rails. your train is ##@§§=~:¨¨
¨:~=§§@### late, or you are late to the train. ###@§§=~:¨
¨¨:~=§§@## it's a summer afternoon and the station ##@§§=~:¨¨
¨:~=§§@### is busy, full of relaxed confidence. ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### you're in high spirits, although a bit ###@§§=~:¨
¨¨:~=§§@## stressed about the time, while moving ##@§§=~:¨¨
¨:~=§§@### up the stairs to your platform. the ###@§§=~:¨
¨¨:~=§§@## station is in several levels, all ##@§§=~:¨¨
¨:~=§§@### placed within eachother by some ###@§§=~:¨
¨¨:~=§§@## intelligent designer, and full of ##@§§=~:¨¨
¨:~=§§@### stairs, elevators, shortcuts, ###@§§=~:¨
¨¨:~=§§@## bazaars... you sight your train through ##@§§=~:¨¨
¨:~=§§@### some glass windows. it's... not where ###@§§=~:¨
¨¨:~=§§@## it's supposed to be? ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## ~ ##@§§=~:¨¨
¨:~=§§@### ::§:: ###@§§=~:¨
¨¨:~=§§@## ~ ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## (situation) ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## you're finally entering the city. while ##@§§=~:¨¨
¨:~=§§@### it is indeed a very high speed train ###@§§=~:¨
¨¨:~=§§@## you're traveling in, the journey has ##@§§=~:¨¨
¨:~=§§@### been long. but it's about to end! ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### society is growing denser around you, ###@§§=~:¨
¨¨:~=§§@## through the windows you see first small ##@§§=~:¨¨
¨:~=§§@### shacks, built of metal and stone, then ###@§§=~:¨
¨¨:~=§§@## proper houses with mortar to keep them ##@§§=~:¨¨
¨:~=§§@### together... who in turn make way for ###@§§=~:¨
¨¨:~=§§@## the industrial buildings, the urban ##@§§=~:¨¨
¨:~=§§@### maze, protective walls, jungle ###@§§=~:¨
¨¨:~=§§@## network... ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## the tracks leave the ground, which is ##@§§=~:¨¨
¨:~=§§@### needed for other purposes. you are ###@§§=~:¨
¨¨:~=§§@## carried gently, curving upwards until ##@§§=~:¨¨
¨:~=§§@### you're moving upward along the wall of ###@§§=~:¨
¨¨:~=§§@## a building. it's made of slabby stone, ##@§§=~:¨¨
¨:~=§§@### with great glassless window holes ###@§§=~:¨
¨¨:~=§§@## looking out the way you came. it is ##@§§=~:¨¨
¨:~=§§@### pitch black inside. ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨
¨:~=§§@### ###@§§=~:¨
¨¨:~=§§@## ##@§§=~:¨¨