##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ train dream ¨¨.~;§§£@#
##@£§§;~.¨ ######¨¨¨¨.~..¨¨##################### ¨.~;§§£@##
#@£§§;~.¨¨ ;;; ¨¨.~;§§£@#
##@£§§;~.¨ ~ ¨.~;§§£@##
#@£§§;~.¨¨ ~ ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ (situation) ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ you find yourself in a rift - a ¨¨.~;§§£@#
##@£§§;~.¨ clearing, narrow but immeasurably long. ¨.~;§§£@##
#@£§§;~.¨¨ to your sides are walls made of trees, ¨¨.~;§§£@#
##@£§§;~.¨ thick and ready to swallow you. the sun ¨.~;§§£@##
#@£§§;~.¨¨ is nowhere to be seen, but nontheless ¨¨.~;§§£@#
##@£§§;~.¨ it is very bright - the air feels light ¨.~;§§£@##
#@£§§;~.¨¨ blue, almost white. ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ along the span of the clearing lay two ¨¨.~;§§£@#
##@£§§;~.¨ parallel silvery lines, dark hard ¨.~;§§£@##
#@£§§;~.¨¨ metal. somehow you can see how heavy ¨¨.~;§§£@#
##@£§§;~.¨ they are. ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ they emit a high pitched whine... ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ ~ ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨§¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ ~ ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ (situation) ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ youre at the train station, on a ¨.~;§§£@##
#@£§§;~.¨¨ catwalk above the rails. your train is ¨¨.~;§§£@#
##@£§§;~.¨ late, or you are late to the train. ¨.~;§§£@##
#@£§§;~.¨¨ it's a summer afternoon and the station ¨¨.~;§§£@#
##@£§§;~.¨ is busy, full of relaxed confidence. ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ you're in high spirits, although a bit ¨.~;§§£@##
#@£§§;~.¨¨ stressed about the time, while moving ¨¨.~;§§£@#
##@£§§;~.¨ up the stairs to your platform. the ¨.~;§§£@##
#@£§§;~.¨¨ station is in several levels, all ¨¨.~;§§£@#
##@£§§;~.¨ placed within eachother by some ¨.~;§§£@##
#@£§§;~.¨¨ intelligent designer, and full of ¨¨.~;§§£@#
##@£§§;~.¨ stairs, elevators, shortcuts, ¨.~;§§£@##
#@£§§;~.¨¨ bazaars... you sight your train through ¨¨.~;§§£@#
##@£§§;~.¨ some glass windows. it's... not where ¨.~;§§£@##
#@£§§;~.¨¨ it's supposed to be? ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ ~ ¨¨.~;§§£@#
##@£§§;~.¨ ..§.. ¨.~;§§£@##
#@£§§;~.¨¨ ~ ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ (situation) ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ you're finally entering the city. while ¨¨.~;§§£@#
##@£§§;~.¨ it is indeed a very high speed train ¨.~;§§£@##
#@£§§;~.¨¨ you're traveling in, the journey has ¨¨.~;§§£@#
##@£§§;~.¨ been long. but it's about to end! ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ society is growing denser around you, ¨.~;§§£@##
#@£§§;~.¨¨ through the windows you see first small ¨¨.~;§§£@#
##@£§§;~.¨ shacks, built of metal and stone, then ¨.~;§§£@##
#@£§§;~.¨¨ proper houses with mortar to keep them ¨¨.~;§§£@#
##@£§§;~.¨ together... who in turn make way for ¨.~;§§£@##
#@£§§;~.¨¨ the industrial buildings, the urban ¨¨.~;§§£@#
##@£§§;~.¨ maze, protective walls, jungle ¨.~;§§£@##
#@£§§;~.¨¨ network... ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ the tracks leave the ground, which is ¨¨.~;§§£@#
##@£§§;~.¨ needed for other purposes. you are ¨.~;§§£@##
#@£§§;~.¨¨ carried gently, curving upwards until ¨¨.~;§§£@#
##@£§§;~.¨ you're moving upward along the wall of ¨.~;§§£@##
#@£§§;~.¨¨ a building. it's made of slabby stone, ¨¨.~;§§£@#
##@£§§;~.¨ with great glassless window holes ¨.~;§§£@##
#@£§§;~.¨¨ looking out the way you came. it is ¨¨.~;§§£@#
##@£§§;~.¨ pitch black inside. ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#
##@£§§;~.¨ ¨.~;§§£@##
#@£§§;~.¨¨ ¨¨.~;§§£@#