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.....^†%&@ TRAIN DREAM @&%†^.....
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..^^--%%&# (SITUATION) #&%%--^^..
.^-†%£&#@# #@#&£%†-^.
..^--%%&#@ YOU FIND YOURSELF IN A RIFT - A @#&%%--^..
....^-%£&@ CLEARING, NARROW BUT IMMEASURABLY LONG. @&£%-^....
.^-†%%££&& TO YOUR SIDES ARE WALLS MADE OF TREES, &&££%%†-^.
.....-%&#@ THICK AND READY TO SWALLOW YOU. THE SUN @#&%-.....
.^-†%£&#@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@#&£%†-^.
.^-†%£&#@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@#&£%†-^.
.^-†%£&#@# BLUE, ALMOST WHITE. #@#&£%†-^.
.^-†%£&#@# #@#&£%†-^.
.^-†%£&#@# ALONG THE SPAN OF THE CLEARING LAY TWO #@#&£%†-^.
.^-†£&#@## PARALLEL SILVERY LINES, DARK HARD ##@#&£†-^.
.^-†%%%%&@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @&%%%%†-^.
.^-†%£&##@ THEY ARE. @##&£%†-^.
....--†%&& &&%†--....
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.^-%£&#@## ##@#&£%-^.
.^-†%£#@## YOURE AT THE TRAIN STATION, ON A ##@#£%†-^.
.^-†%£&### CATWALK ABOVE THE RAILS. YOUR TRAIN IS ###&£%†-^.
.^-†%£&#@# LATE, OR YOU ARE LATE TO THE TRAIN. #@#&£%†-^.
.^-†%£&#@# IT'S A SUMMER AFTERNOON AND THE STATION #@#&£%†-^.
.^-†%£&#@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@#&£%†-^.
.^----†%&@ @&%†----^.
.^-%£&#@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@#&£%-^.
.^-†%£&@## STRESSED ABOUT THE TIME, WHILE MOVING ##@&£%†-^.
.....^†%&# UP THE STAIRS TO YOUR PLATFORM. THE #&%†^.....
.^-†%£&##@ STATION IS IN SEVERAL LEVELS, ALL @##&£%†-^.
..^--†%£## PLACED WITHIN EACHOTHER BY SOME ##£%†--^..
.^-†%£#@## INTELLIGENT DESIGNER, AND FULL OF ##@#£%†-^.
.^-†%£&#@@ STAIRS, ELEVATORS, SHORTCUTS, @@#&£%†-^.
.^-†%£&##@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @##&£%†-^.
.^--††££&& SOME GLASS WINDOWS. IT'S... NOT WHERE &&££††--^.
.^-†%£&#@# IT'S SUPPOSED TO BE? #@#&£%†-^.
.^-†%£#@## ##@#£%†-^.
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...^^†%&&@ YOU'RE FINALLY ENTERING THE CITY. WHILE @&&%†^^...
^-†%£&#@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@#&£%†-^
.^-†%£&#@# YOU'RE TRAVELING IN, THE JOURNEY HAS #@#&£%†-^.
....-%%&#@ BEEN LONG. BUT IT'S ABOUT TO END! @#&%%-....
...^^^-†£# #£†-^^^...
.^-†%£&#@# SOCIETY IS GROWING DENSER AROUND YOU, #@#&£%†-^.
.....^-†£# THROUGH THE WINDOWS YOU SEE FIRST SMALL #£†-^.....
.^-†%£&#@# SHACKS, BUILT OF METAL AND STONE, THEN #@#&£%†-^.
......^-%& PROPER HOUSES WITH MORTAR TO KEEP THEM &%-^......
.....-%&&# TOGETHER... WHO IN TURN MAKE WAY FOR #&&%-.....
...--%£&## THE INDUSTRIAL BUILDINGS, THE URBAN ##&£%--...
.^-†£&#@## MAZE, PROTECTIVE WALLS, JUNGLE ##@#&£†-^.
.^-†%£&#@# NETWORK... #@#&£%†-^.
.^-†%£&#@@ @@#&£%†-^.
....^†£&#@ THE TRACKS LEAVE THE GROUND, WHICH IS @#&£†^....
.^-†%£&### NEEDED FOR OTHER PURPOSES. YOU ARE ###&£%†-^.
.^-†%£&#@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@#&£%†-^.
......-†%& YOU'RE MOVING UPWARD ALONG THE WALL OF &%†-......
.^-†††£&&# A BUILDING. IT'S MADE OF SLABBY STONE, #&&£†††-^.
.^-†%£&#@# WITH GREAT GLASSLESS WINDOW HOLES #@#&£%†-^.
.^-†£&#@## LOOKING OUT THE WAY YOU CAME. IT IS ##@#&£†-^.
...^^†£££# PITCH BLACK INSIDE. #£££†^^...
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