,,-;=£#### ####£=;-,,
,,,-;=£### ###£=;-,,,
,,,,-;=£## ##£=;-,,,,
,,,,,-;=£# #£=;-,,,,,
,,,,-;=£## ##£=;-,,,,
,,,-;=£### train dream ###£=;-,,,
,,-;=£#### ######,,,,,-,,,,##################### ####£=;-,,
,,,-;=£### ;;; ###£=;-,,,
,,,,-;=£## - ##£=;-,,,,
,,,,,-;=£# - #£=;-,,,,,
,,,,-;=£## ##£=;-,,,,
,,,-;=£### (situation) ###£=;-,,,
,,-;=£#### ####£=;-,,
,,,-;=£### you find yourself in a rift - a ###£=;-,,,
,,,,-;=£## clearing, narrow but immeasurably long. ##£=;-,,,,
,,,,,-;=£# to your sides are walls made of trees, #£=;-,,,,,
,,,,-;=£## thick and ready to swallow you. the sun ##£=;-,,,,
,,,-;=£### is nowhere to be seen, but nontheless ###£=;-,,,
,,-;=£#### it is very bright - the air feels light ####£=;-,,
,,,-;=£### blue, almost white. ###£=;-,,,
,,,,-;=£## ##£=;-,,,,
,,,,,-;=£# along the span of the clearing lay two #£=;-,,,,,
,,,,-;=£## parallel silvery lines, dark hard ##£=;-,,,,
,,,-;=£### metal. somehow you can see how heavy ###£=;-,,,
,,-;=£#### they are. ####£=;-,,
,,,-;=£### ###£=;-,,,
,,,,-;=£## they emit a high pitched whine... ##£=;-,,,,
,,,,,-;=£# #£=;-,,,,,
,,,,-;=£## - ##£=;-,,,,
,,,-;=£### ,,=,, ###£=;-,,,
,,-;=£#### - ####£=;-,,
,,,-;=£### ###£=;-,,,
,,,,-;=£## (situation) ##£=;-,,,,
,,,,,-;=£# #£=;-,,,,,
,,,,-;=£## youre at the train station, on a ##£=;-,,,,
,,,-;=£### catwalk above the rails. your train is ###£=;-,,,
,,-;=£#### late, or you are late to the train. ####£=;-,,
,,,-;=£### it's a summer afternoon and the station ###£=;-,,,
,,,,-;=£## is busy, full of relaxed confidence. ##£=;-,,,,
,,,,,-;=£# #£=;-,,,,,
,,,,-;=£## you're in high spirits, although a bit ##£=;-,,,,
,,,-;=£### stressed about the time, while moving ###£=;-,,,
,,-;=£#### up the stairs to your platform. the ####£=;-,,
,,,-;=£### station is in several levels, all ###£=;-,,,
,,,,-;=£## placed within eachother by some ##£=;-,,,,
,,,,,-;=£# intelligent designer, and full of #£=;-,,,,,
,,,,-;=£## stairs, elevators, shortcuts, ##£=;-,,,,
,,,-;=£### bazaars... you sight your train through ###£=;-,,,
,,-;=£#### some glass windows. it's... not where ####£=;-,,
,,,-;=£### it's supposed to be? ###£=;-,,,
,,,,-;=£## ##£=;-,,,,
,,,,,-;=£# - #£=;-,,,,,
,,,,-;=£## ,,£,, ##£=;-,,,,
,,,-;=£### - ###£=;-,,,
,,-;=£#### ####£=;-,,
,,,-;=£### (situation) ###£=;-,,,
,,,,-;=£## ##£=;-,,,,
,,,,,-;=£# you're finally entering the city. while #£=;-,,,,,
,,,,-;=£## it is indeed a very high speed train ##£=;-,,,,
,,,-;=£### you're traveling in, the journey has ###£=;-,,,
,,-;=£#### been long. but it's about to end! ####£=;-,,
,,,-;=£### ###£=;-,,,
,,,,-;=£## society is growing denser around you, ##£=;-,,,,
,,,,,-;=£# through the windows you see first small #£=;-,,,,,
,,,,-;=£## shacks, built of metal and stone, then ##£=;-,,,,
,,,-;=£### proper houses with mortar to keep them ###£=;-,,,
,,-;=£#### together... who in turn make way for ####£=;-,,
,,,-;=£### the industrial buildings, the urban ###£=;-,,,
,,,,-;=£## maze, protective walls, jungle ##£=;-,,,,
,,,,,-;=£# network... #£=;-,,,,,
,,,,-;=£## ##£=;-,,,,
,,,-;=£### the tracks leave the ground, which is ###£=;-,,,
,,-;=£#### needed for other purposes. you are ####£=;-,,
,,,-;=£### carried gently, curving upwards until ###£=;-,,,
,,,,-;=£## you're moving upward along the wall of ##£=;-,,,,
,,,,,-;=£# a building. it's made of slabby stone, #£=;-,,,,,
,,,,-;=£## with great glassless window holes ##£=;-,,,,
,,,-;=£### looking out the way you came. it is ###£=;-,,,
,,-;=£#### pitch black inside. ####£=;-,,
,,,-;=£### ###£=;-,,,
,,,,-;=£## ##£=;-,,,,
,,,,,-;=£# #£=;-,,,,,
,,,,-;=£## ##£=;-,,,,
,,,-;=£### ###£=;-,,,