.@..@@..@. .....@@@@.
@@.@.@.@@@ ....@...@.
.@@@@@@..@ ...@@..@@@
@.....@.@. ..@.@.@..@
@....@@@@@ .@@@@@@.@.
@...@..... TRAIN DREAM @.....@@@@
@..@@..... ######....~~~~..##################### @....@....
@.@.@..... \\\ @...@@...@
@@@@@....@ ~ @..@.@..@.
....@...@. ~ @.@@@@.@@@
...@@..@@@ @@...@@..@
..@.@.@..@ (SITUATION) .@..@.@.@@
.@@@@@@.@@ @@.@@@@@.@
@.....@@.@ YOU FIND YOURSELF IN A RIFT - A .@@....@@@
@....@.@@. CLEARING, NARROW BUT IMMEASURABLY LONG. @.@...@...
@...@@@.@. TO YOUR SIDES ARE WALLS MADE OF TREES, @@@..@@..@
@..@..@@@@ THICK AND READY TO SWALLOW YOU. THE SUN ..@.@.@.@.
@.@@.@.... IS NOWHERE TO BE SEEN, BUT NONTHELESS .@@@@@@@@@
@@.@@@.... IT IS VERY BRIGHT - THE AIR FEELS LIGHT @.........
.@@..@.... BLUE, ALMOST WHITE. @........@
@.@.@@...@ @.......@@
@@@@.@..@. ALONG THE SPAN OF THE CLEARING LAY TWO @......@..
...@@@.@@. PARALLEL SILVERY LINES, DARK HARD @.....@@.@
..@..@@.@. METAL. SOMEHOW YOU CAN SEE HOW HEAVY @....@.@@@
.@@.@.@@@. THEY ARE. @...@@@..@
@.@@@@..@@ @..@..@.@@
@@...@.@.. THEY EMIT A HIGH PITCHED WHINE... @.@@.@@@..
.@..@@@@.. @@.@@..@.@
@@.@...@.. ~ .@@.@.@@@@
.@@@..@@.. ..*.. @.@@@@....
@..@.@.@.. ~ @@...@....
@.@@@@@@.@ .@..@@...@
@@.....@@. (SITUATION) @@.@.@..@.
.@....@.@@ .@@@@@.@@@
@@...@@@.. YOURE AT THE TRAIN STATION, ON A @....@@..@
.@..@..@.@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @...@.@.@.
@@.@@.@@@@ LATE, OR YOU ARE LATE TO THE TRAIN. @..@@@@@@.
.@@.@@.... IT'S A SUMMER AFTERNOON AND THE STATION @.@.....@@
@.@@.@...@ IS BUSY, FULL OF RELAXED CONFIDENCE. @@@....@.@
@@.@@@..@. ..@...@@@.
.@@..@.@@. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .@@..@..@@
@.@.@@@.@. STRESSED ABOUT THE TIME, WHILE MOVING @.@.@@.@.@
@@@@..@@@. UP THE STAIRS TO YOUR PLATFORM. THE @@@@.@@@@.
...@.@..@@ STATION IS IN SEVERAL LEVELS, ALL ...@@...@@
..@@@@.@.. PLACED WITHIN EACHOTHER BY SOME ..@.@..@.@
.@...@@@.@ INTELLIGENT DESIGNER, AND FULL OF .@@@@.@@@@
@@..@..@@@ STAIRS, ELEVATORS, SHORTCUTS, @...@@...@
.@.@@.@..@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @..@.@..@.
@@@.@@@.@. SOME GLASS WINDOWS. IT'S... NOT WHERE @.@@@@.@@.
..@@..@@@. IT'S SUPPOSED TO BE? @@...@@.@@
.@.@.@..@@ .@..@.@@.@
@@@@@@.@.@ ~ @@.@@@.@@@
.....@@@@. ~~£~~ .@@..@@...
....@...@. ~ @.@.@.@...
...@@..@@. @@@@@@@...
..@.@.@.@@ (SITUATION) ......@...
.@@@@@@@.. .....@@...
@......@.. YOU'RE FINALLY ENTERING THE CITY. WHILE ....@.@...
@.....@@.. IT IS INDEED A VERY HIGH SPEED TRAIN ...@@@@..@
@....@.@.. YOU'RE TRAVELING IN, THE JOURNEY HAS ..@...@.@.
@...@@@@.. BEEN LONG. BUT IT'S ABOUT TO END! .@@..@@@@@
@..@...@.. @.@.@.....
@.@@..@@.@ SOCIETY IS GROWING DENSER AROUND YOU, @@@@@....@
@@.@.@.@@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL ....@...@.
.@@@@@@..@ SHACKS, BUILT OF METAL AND STONE, THEN ...@@..@@@
@.....@.@. PROPER HOUSES WITH MORTAR TO KEEP THEM ..@.@.@..@
@....@@@@@ TOGETHER... WHO IN TURN MAKE WAY FOR .@@@@@@.@.
@...@..... THE INDUSTRIAL BUILDINGS, THE URBAN @.....@@@@
@..@@..... MAZE, PROTECTIVE WALLS, JUNGLE @....@....
@.@.@..... NETWORK... @...@@...@
@@@@@....@ @..@.@..@.
....@...@. THE TRACKS LEAVE THE GROUND, WHICH IS @.@@@@.@@@
...@@..@@@ NEEDED FOR OTHER PURPOSES. YOU ARE @@...@@..@
..@.@.@..@ CARRIED GENTLY, CURVING UPWARDS UNTIL .@..@.@.@@
.@@@@@@.@@ YOU'RE MOVING UPWARD ALONG THE WALL OF @@.@@@@@.@
@.....@@.@ A BUILDING. IT'S MADE OF SLABBY STONE, .@@....@@@
@....@.@@. WITH GREAT GLASSLESS WINDOW HOLES @.@...@...
@...@@@.@. LOOKING OUT THE WAY YOU CAME. IT IS @@@..@@..@
@..@..@@@@ PITCH BLACK INSIDE. ..@.@.@.@.
@.@@.@.... .@@@@@@@@@
@@.@@@.... @.........
.@@..@.... @........@
@.@.@@...@ @.......@@
@@@@.@..@. @......@..