.:=*%£&@## ##@&£%*=:.
.:=*%£## ###&£%*=:.
.....:*££& &££*:.....
...==%%&@@ @@&%%==...
.:=*%£&@## ##@&£%*=:.
....==%£&& # &&£%==....
.:=*%£&@## .LizardRy ##@&£%*=:.
.:=*%£&@## = @ #@ ### ################## ##@&£%*=:.
.:=*%£@### ## The Art Of C:Nnecting ###@£%*=:.
.:=*%&@### . With The Old Mind ###@&%*=:.
.:=*%£&@## ##@&£%*=:.
.:=*%£&@@# My Mind Is Being Skewed. Mi #@@&£%*=:.
.....::*%& Skeleton Is Stringy And Old And Alien &%*::.....
.:=*%£&& The Situation Is Literally #&&&£%*=:.
.:=*%£@### Pressed Out Through My Eyes, It'S ###@£%*=:.
.:=*%£&@## EchoIng Like ##@&£%*=:.
.:=*%£&@## The Sunset Of The Eternal ##@&£%*=:.
.:=*%£&@## Ocean ##@&£%*=:.
......=*£& Persistently Against My Emulsion &£*=......
...:=*%££& &££%*=:...
....=*%%&& It'S Ungraspable To Me, What Other &&%%*=....
.:=*%££& HumanS Are Doing And Abstracting, #&&££%*=:.
.:=*%£&@## And Above All Else, What Time They Use? ##@&£%*=:.
.:=*£&@### How Long A Time Has Passed, For Them? ###@&£*=:.
.:=*%£&@@@ . @@@&£%*=:.
.:=*%£&@## . ... . ................ @@@@@@@ ##@&£%*=:.
.:=*%£&@## Continuously I'M Crowding Through ##@&£%*=:.
.....=**£& . The Fourth wall :Outwards Is What . &£**=.....
......=*%& .. I'M Thinking But It'S Wrong.. A New &%*=......
...=**£&@# . . Narrator Is Introduced, Occasionally #@&£**=...
.=*%£&@### : : Aware Of The Previous One, Deeper . ###@&£%*=.
..:=*%%%&@ : : Down In The DragonS Throat. @&%%%*=:..
....==*££& : &££*==....
.::=*%%£@# : #@£%%*=::.
......=%£@ @£%=......
....=*%£&@ @&£%*=....
....=*£££@ @£££*=....
.:==*%£&&@ @&&£%*==:.
.:=*%£&@## ##@&£%*=:.
.:=*%£&@## ##@&£%*=:.