,@,,@,,@,,                                          @,,@@,@@,@
,@,@@,@@,,                                          @,@,@,,@,@
,@,,@,,@,,                                          @,@,@,@@,@
,@,@@,@@,@                                          @,@,@,,@,@
,@,,@,,@,,                                          @,@,@,@@,@
,@,@@,@@,@                                          @,@,@,,@,@
,@,,@,,@,,                 ,,*###*,,                @,@,@,@@,@
,@,@@,@@,@       ~~ PITTSBURGH ELECTRONICS ~~       @,@,@,,@,@
,@,,@,,@,,             == LIFEFORMS ==              @,@,@,@@,@
,@,@@,@@,@               == SV ONE ==               @,@,@,,@,@
,@,,@,,@,,                                          @,@,@,@@,@
,@,@@,@@,@ THIS IS A EURORACK  MODULE BUT  I BOUGHT @,@,@,,@,@
,@,,@,,@,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @,@,@,@@,@
,@,@@,@@,@                                          @,@,@,,@,@
,@,,@,,@,, IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. @,@,@,@@,@
,@,@@,@@,@                                          @,@,@,,@,@
,@,,@,,@,,             ,$£ CONTAINS £$,             @,@,@,@@,@
,@,@@,@@,@           MIDI TO CV CONVERTER           @,@,@,,@,@
,@,,@,,@,,                TWO VCO'S                 @,@,@,@@,@
,@,@@,@@,@ FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER @,@,@,,@,@
,@,,@,,@,,       TWO SUB OSCILLATORS I THINK        @,@,@,@@,@
,@,@@,@@,@         TWO ONE TO TWO SPLITTERS         @,@,@,,@,@
,@,,@,,@,,          WHITE NOISE GENERATOR           @,@,@,@@,@
,@,@@,@@,@              SAMPLE AND HOLD             @,@,@,,@,@
,@,,@,,@,,          LFO PLUS A DIGITAL LFO          @,@,@,@@,@
,@,@@,@@,@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @,@,@,,@,@
,@,,@,,@,,               ADSR ENVELOPE              @,@,@,@@,@
,@,@@,@@,@                  ONE VCA                 @,@,@,,@,@
,@,,@,,@,,               HEADPHONE AMP              @,@,@,@@,@
,@,@@,@@,@         FOURTY NINE PATCHPOINTS!         @,@,@,,@,@
,@,,@,,@,,                                          @,@,@,@@,@
,@,@@,@@,@                 ,~###~,                  @,@,@,,@,@
,@,,@,,@,,           =$$ SO WHAT NOW $$=            @,@,@,@@,@
,@,@@,@@,@                 ,~###~,                  @,@,@,,@,@
,@,,@,,@,,                                          @,@,@,@@,@
,@,@@,@@,@ CLOCK IO  GOES TO  ASDR  IN I  THINK AND @,@,@,,@,@
,@,,@,,@,, MAYBE ALSO TO  THE SAMPLE AND HOLD.  PUT @,@,@,@@,@
,@,@@,@@,@ SUBBASE AND NOISE IN  CHANNEL THREE  AND @,@,@,,@,@
,@,,@,,@,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @,@,@,@@,@
,@,@@,@@,@ TWO, AND OSCILLATOR  TWO  SAW TO CHANNEL @,@,@,,@,@
,@,,@,,@,, ONE.  SAMPLE  AND   HOLD  OUT   TO   THE @,@,@,@@,@
,@,@@,@@,@   FILTER... MAYBE... RESONANCE AT HALF.  @,@,@,,@,@
,@,,@,,@,, SOME  FREQUENCY IN  THE FIRST OSCILLATOR @,@,@,@@,@
,@,@@,@@,@ AND  THEN THE SECOND OSC FOUR  SEMITONES @,@,@,,@,@
,@,,@,,@,,                  HIGHER.                 @,@,@,@@,@
,@,@@,@@,@                                          @,@,@,,@,@
,@,,@,,@,,                  ~=@£@=~                 @,@,@,@@,@
,@,@@,@@,@          =** DESKTOP SYNTH **=           @,@,@,,@,@
,@,,@,,@,,                 ~=@£@=~                  @,@,@,@@,@
,@,@@,@@,@                                          @,@,@,,@,@
,@,,@,,@,,                                          @,@,@,@@,@
,@,@@,@@,@                                          @,@,@,,@,@
,@,,@,,@,,                                          @,@,@,@@,@
,@,@@,@@,@                                          @,@,@,,@,@
,@,,@,,@,,                                          @,@,@,@@,@