@@@,@,,@,@                                          ,@@,@,@@,,
,@@,@,@@,,                                          @,@,@,,@,@
,,@,@,,@,@                                          @,@,@,@@,@
,@@,@,@@,@                                          @,@,@,,@,@
,,@,@,,@,@                                          @,@,@,@@,@
,@@,@,@@,@                                          @,@,@,,@,@
,,@,@,,@,@                ,,@###@,,                 @,@,@,@@,@
,@@,@,@@,@       ,, Pittsburgh Electronics ,,       @,@,@,,@,@
,,@,@,,@,@             == Lifeforms ==              @,@,@,@@,@
,@@,@,@@,@               ^^ Sv One ^^               @,@,@,,@,@
,,@,@,,@,@                                          @,@,@,@@,@
,@@,@,@@,@ This Is A Eurorack Module  But  I Bought @,@,@,,@,@
,,@,@,,@,@ The  Blackbox  One  So  It'S  Also  Not. @,@,@,@@,@
,@@,@,@@,@                                          @,@,@,,@,@
,,@,@,,@,@ It  Ships With  Too  Few  Patch  Cables. @,@,@,@@,@
,@@,@,@@,@                                          @,@,@,,@,@
,,@,@,,@,@             ,=# Contains #=,             @,@,@,@@,@
,@@,@,@@,@           Midi To Cv Converter           @,@,@,,@,@
,,@,@,,@,@                 Two Vco'S                @,@,@,@@,@
,@@,@,@@,@ Four Channel Or Two  X Two Channel Mixer @,@,@,,@,@
,,@,@,,@,@        Two Sub Oscillators I Think       @,@,@,@@,@
,@@,@,@@,@         Two One To Two Splitters         @,@,@,,@,@
,,@,@,,@,@          White Noise Generator           @,@,@,@@,@
,@@,@,@@,@              Sample And Hold             @,@,@,,@,@
,,@,@,,@,@          Lfo Plus A Digital Lfo          @,@,@,@@,@
,@@,@,@@,@   Filter (Lowpass, Bandpass, Highpass)   @,@,@,,@,@
,,@,@,,@,@               Adsr Envelope              @,@,@,@@,@
,@@,@,@@,@                  One Vca                 @,@,@,,@,@
,,@,@,,@,@               Headphone Amp              @,@,@,@@,@
,@@,@,@@,@         Fourty Nine Patchpoints!         @,@,@,,@,@
,,@,@,,@,@                                          @,@,@,@@,@
,@@,@,@@,@                 ,,###,,                  @,@,@,,@,@
,,@,@,,@,@           === So What Now ===            @,@,@,@@,@
,@@,@,@@,@                  ,,###,,                 @,@,@,,@,@
,,@,@,,@,@                                          @,@,@,@@,@
,@@,@,@@,@ Clock  Io  Goes To Asdr In I  Think  And @,@,@,,@,@
,,@,@,,@,@ Maybe  Also  To The Sample And Hold. Put @,@,@,@@,@
,@@,@,@@,@ Subbase And  Noise  In Channel Three And @,@,@,,@,@
,,@,@,,@,@ Four.  Oscillator  One  Saw  To  Channel @,@,@,@@,@
,@@,@,@@,@ Two, And Oscillator Two  Saw To  Channel @,@,@,,@,@
,,@,@,,@,@ One.   Sample   And  Hold   Out  To  The @,@,@,@@,@
,@@,@,@@,@  Filter... Maybe... Resonance At Half.   @,@,@,,@,@
,,@,@,,@,@ Some Frequency In  The  First Oscillator @,@,@,@@,@
,@@,@,@@,@ And  Then The Second Osc Four  Semitones @,@,@,,@,@
,,@,@,,@,@                 Higher.                  @,@,@,@@,@
,@@,@,@@,@                                          @,@,@,,@,@
,,@,@,,@,@                 ,=@#@=,                  @,@,@,@@,@
,@@,@,@@,@           ^@@ Desktop Synth @@^          @,@,@,,@,@
,,@,@,,@,@                 ,=@#@=,                  @,@,@,@@,@
,@@,@,@@,@                                          @,@,@,,@,@
,,@,@,,@,@                                          @,@,@,@@,@
,@@,@,@@,@                                          @,@,@,,@,@
,,@,@,,@,@                                          @,@,@,@@,@
,@@,@,@@,@                                          @,@,@,,@,@
,,@,@,,@,@                                          @,@,@,@@,@