#**==--,,,                                          ,,,--==**#
@##%*===-,                                          ,-===*%##@
####%*\=-,                                          ,-=\*%####
@##*\-,,,,                                          ,,,,-\*##@
#@@#%*\=-,                                          ,-=\*%#@@#
#*=-,,,,,,                                          ,,,,,,-=*#
#**\=,,,,,                ,,%@#@%,,                 ,,,,,=\**#
@@@#%*\=-,       -- PITTSBURGH ELECTRONICS --       ,-=\*%#@@@
##*=,,,,,,              == LIFEFORMS ==             ,,,,,,=*##
@@@#%*\=-,               \\ SV ONE \\               ,-=\*%#@@@
#@@#%*\=-,                                          ,-=\*%#@@#
@@#***\=-, THIS IS A EURORACK  MODULE  BUT I BOUGHT ,-=\***#@@
@##*===-,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,-===*##@
@##*===,,,                                          ,,,===*##@
@@@#%*\=-, IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ,-=\*%#@@@
@@#**==,,,                                          ,,,==**#@@
@@@#%*\=-,             ,*@ CONTAINS @*,             ,-=\*%#@@@
@%%\-,,,,,           MIDI TO CV CONVERTER           ,,,,,-\%%@
#%\==--,,,                TWO VCO'S                 ,,,--==\%#
#@@#%*\=-, FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ,-=\*%#@@#
@%%\=-,,,,        TWO SUB OSCILLATORS I THINK       ,,,,-=\%%@
##@@#%*=-,         TWO ONE TO TWO SPLITTERS         ,-=*%#@@##
##@@#%*\=,          WHITE NOISE GENERATOR           ,=\*%#@@##
#@@#%*\=-,             SAMPLE AND HOLD              ,-=\*%#@@#
#@@#%*\=-,          LFO PLUS A DIGITAL LFO          ,-=\*%#@@#
##@#%*\=-,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,-=\*%#@##
#@@#%*\=-,              ADSR ENVELOPE               ,-=\*%#@@#
#@@#%*\=-,                 ONE VCA                  ,-=\*%#@@#
#@@#%*\=-,              HEADPHONE AMP               ,-=\*%#@@#
#@@#%*\=-,         FOURTY NINE PATCHPOINTS!         ,-=\*%#@@#
#@@#%*\=-,                                          ,-=\*%#@@#
@#*\\----,                 ,-@#@-,                  ,----\\*#@
@@#%\===-,            =** SO WHAT NOW **=           ,-===\%#@@
@@%%\--,,,                 ,-@#@-,                  ,,,--\%%@@
#**=-,,,,,                                          ,,,,,-=**#
#%%*=-,,,, CLOCK  IO GOES TO  ASDR IN  I THINK  AND ,,,,-=*%%#
@@@#%*\=-, MAYBE ALSO TO  THE SAMPLE  AND HOLD. PUT ,-=\*%#@@@
###**=-,,, SUBBASE  AND NOISE IN  CHANNEL THREE AND ,,,-=**###
@@@#%*\=-, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,-=\*%#@@@
#@@#%*\=-, TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL ,-=\*%#@@#
##@#%*\=-, ONE.  SAMPLE   AND  HOLD  OUT   TO   THE ,-=\*%#@##
@@@#%*\=-,   FILTER... MAYBE... RESONANCE AT HALF.  ,-=\*%#@@@
@#*=,,,,,, SOME FREQUENCY IN  THE FIRST  OSCILLATOR ,,,,,,=*#@
#@@#%*\=-, AND THEN  THE SECOND OSC FOUR  SEMITONES ,-=\*%#@@#
##*=--,,,,                 HIGHER.                  ,,,,--=*##
##*\==,,,,                                          ,,,,==\*##
#@@#%*\=-,                 -=#@#=-                  ,-=\*%#@@#
###*\\\=-,           \%% DESKTOP SYNTH %%\          ,-=\\\*###
##@@#*\=-,                 -=#@#=-                  ,-=\*#@@##
@@@#%*\=-,                                          ,-=\*%#@@@
#@@#%*\=-,                                          ,-=\*%#@@#
##**=--,,,                                          ,,,--=**##
#%\-,,,,,,                                          ,,,,,,-\%#
#@@#%*\=-,                                          ,-=\*%#@@#
#%**=-,,,,                                          ,,,,-=**%#