..¤.¤.¤.¤. ¤¤.¤¤¤¤¤¤¤
.¤¤¤¤¤¤¤¤¤ .¤¤......¤
¤......... ¤.¤.....¤¤
¤........¤ ¤¤¤....¤..
¤.......¤. ..¤...¤¤.¤
¤......¤¤. #### ##### .¤¤..¤.¤¤.
¤.....¤.¤. TAPE DREAM ¤.¤.¤¤¤.¤¤
¤....¤¤¤¤¤ #### ##### ¤¤¤¤..¤¤..
¤...¤....¤ ...¤.¤.¤.¤
¤..¤¤...¤¤ FOR STORING MUSIC ON. ALSO DATA BUT ..¤¤¤¤¤¤¤.
¤.¤.¤..¤.. AT THIS POINT IN TIME THAT'S NOT .¤......¤¤
¤¤¤¤¤.¤¤.¤ REALLY IMPORTANT I THINK. ¤¤.....¤..
....¤¤.¤¤¤ .¤....¤¤.¤
...¤.¤¤... ¤¤...¤.¤¤¤
..¤¤¤.¤... \\\\\\\\ TYPES OF TAPE \\\\\\\\ .¤..¤¤¤..¤
.¤..¤¤¤... ¤¤.¤..¤.¤¤
¤¤.¤..¤..¤ CLASS I - "BAD" IRON .¤¤¤.¤¤¤.¤
.¤¤¤.¤¤.¤. CLASS II - GOOD CHROMIUM ¤..¤¤..¤¤.
¤..¤¤.¤¤¤¤ CLASS III - BAD IRON PART TWO ¤.¤.¤.¤.¤.
¤.¤.¤¤...¤ CLASS IV - DANGEROUS METALS ¤¤¤¤¤¤¤¤¤¤
¤¤¤¤.¤..¤. ..........
...¤¤¤.¤¤. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .........¤
..¤..¤¤.¤¤ THAT IS ACTUALLY USEFUL. ........¤¤
.¤¤.¤.¤¤.¤ .......¤.¤
¤.¤¤¤¤.¤¤¤ \\ BIAS \\ ......¤¤¤¤
¤¤...¤¤... .....¤....
.¤..¤.¤..¤ CLASS I USES ONE HUNDRED AND TWENTY ....¤¤...¤
¤¤.¤¤¤¤.¤. MICRO-SOMETHING WHILE THE OTHERS ALL ...¤.¤..¤¤
.¤¤...¤¤¤. USE SEVENTY OF THE SAME UNIT. ..¤¤¤¤.¤..
¤.¤..¤..¤. .¤...¤¤¤..
¤¤¤.¤¤.¤¤¤ ¤¤..¤..¤.¤
..¤¤.¤¤..¤ ††††††††† AHA AND ††††††††† .¤.¤¤.¤¤¤.
.¤.¤¤.¤.¤. ¤¤¤.¤¤..¤.
¤¤¤.¤¤¤¤¤¤ CLASS IV IS APPARENTLY TOO STRONG TO ..¤¤.¤.¤¤.
..¤¤.....¤ BE USED ON CLASS I PLAYERS. IT WILL .¤.¤¤¤¤.¤¤
.¤.¤....¤. SOUND TOO LOUND AND IT CANNOT BE ¤¤¤...¤¤.¤
¤¤¤¤...¤¤. COMPLETELY ERASED. THIS IS VERY WELL. ..¤..¤.¤¤¤
...¤..¤.¤. MAYBE SOME WONDERFUL BLENDING EFFECTS .¤¤.¤¤¤...
..¤¤.¤¤¤¤. COULD BE ACHIEVED? ¤.¤¤..¤...
.¤.¤¤...¤. ¤¤.¤.¤¤...
¤¤¤.¤..¤¤¤ THEY ALSO GNAW AT THE TAPE HEADS A BIT .¤¤¤¤.¤...
..¤¤¤.¤..¤ BETTER THAN EARLIER TAPE TYPES. ¤...¤¤¤..¤
.¤..¤¤¤.¤. ¤..¤..¤.¤¤
¤¤.¤..¤¤¤. ¤.¤¤.¤¤¤.¤
.¤¤¤.¤..¤. \\\\\\\\ ARTIFACTS \\\\\\\\ ¤¤.¤¤..¤¤.
¤..¤¤¤.¤¤¤ .¤¤.¤.¤.¤.
¤.¤..¤¤..¤ GOOD TAPES ARE DECENT AND HAVE A GOOD ¤.¤¤¤¤¤¤¤¤
¤¤¤.¤.¤.¤. HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤¤........
..¤¤¤¤¤¤¤. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .¤.......¤
.¤......¤. LIKE IT. ¤¤......¤¤
¤¤.....¤¤. .¤.....¤.¤
.¤....¤.¤. BIAS LOSS: IF YOU FORGET THE BIAS WHO ¤¤....¤¤¤.
¤¤...¤¤¤¤. KNOWS WHATS EVEN ON THERE ANYMORE .¤...¤..¤.
.¤..¤...¤¤ ¤¤..¤¤.¤¤¤
¤¤.¤¤..¤.. FLUTTER: KINDA QUICK PITCH VARIATIONS. .¤.¤.¤¤..¤
.¤¤.¤.¤¤.. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ¤¤¤¤¤.¤.¤.
¤.¤¤¤¤.¤.. ....¤¤¤¤¤.
¤¤...¤¤¤.¤ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ...¤....¤¤
.¤..¤..¤¤¤ SECONDS LONG. WHAT UP. BOTH OF THESE ..¤¤...¤..
¤¤.¤¤.¤..¤ INCREASE WHEN TAPE SPEED DECREASES. .¤.¤..¤¤..
.¤¤.¤¤¤.¤¤ ¤¤¤¤.¤.¤.¤
¤.¤¤..¤¤.. PRINT THROUGH: TAPES RUB SOUND ON EACH ...¤¤¤¤¤¤¤
¤¤.¤.¤.¤.¤ OTHER IF THEYRE ALONE FOR TOO LONG ..¤.......
.¤¤¤¤¤¤¤¤¤ .¤¤......¤
¤......... ¤.¤.....¤¤
¤........¤ ¤¤¤....¤..
¤.......¤. ..¤...¤¤.¤
¤......¤¤. .¤¤..¤.¤¤.
¤.....¤.¤. ¤.¤.¤¤¤.¤¤