#¶@§†††=^.                                          .^=†††§@¶#
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¶¶¶§@§†=^.                                          .^=†§@§¶¶¶
##¶§@§†=^.                                          .^=†§@§¶##
##¶§@§†=^.                ..@###@..                 .^=†§@§¶##
##¶§@§†=^.       ^^ PITTSBURGH ELECTRONICS ^^       .^=†§@§¶##
###¶§@§=^.              == LIFEFORMS ==             .^=§@§¶###
##¶§@§†=^.               †† SV ONE ††               .^=†§@§¶##
#¶¶§@§†=^.                                          .^=†§@§¶¶#
##¶§@§†=^. THIS IS A EURORACK MODULE BUT  I  BOUGHT .^=†§@§¶##
###§@§†=^. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. .^=†§@§###
#¶@†^.....                                          .....^†@¶#
##¶§@§†=^. IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. .^=†§@§¶##
#¶§@†=^...                                          ...^=†@§¶#
##¶§@§†=^.             .§¶ CONTAINS ¶§.             .^=†§@§¶##
##¶§@§†=^.           MIDI TO CV CONVERTER           .^=†§@§¶##
§§@†^.....                 TWO VCO'S                .....^†@§§
#§§†===^.. FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER ..^===†§§#
##¶§@§†=^.       TWO SUB OSCILLATORS I THINK        .^=†§@§¶##
###§@§†=^.         TWO ONE TO TWO SPLITTERS         .^=†§@§###
¶@††===...           WHITE NOISE GENERATOR          ...===††@¶
¶@§†=.....              SAMPLE AND HOLD             .....=†§@¶
¶§§===....          LFO PLUS A DIGITAL LFO          ....===§§¶
¶§§§==....   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ....==§§§¶
##¶§@§†=^.               ADSR ENVELOPE              .^=†§@§¶##
##¶§@§†=^.                 ONE VCA                  .^=†§@§¶##
§@@†==....               HEADPHONE AMP              ....==†@@§
###¶§@§=^.         FOURTY NINE PATCHPOINTS!         .^=§@§¶###
##¶§@§†=^.                                          .^=†§@§¶##
##¶§@§†=^.                 .^###^.                  .^=†§@§¶##
#§@††^....           =§§ SO WHAT NOW §§=            ....^††@§#
§§§=......                  .^###^.                 ......=§§§
§§§§§==...                                          ...==§§§§§
¶@@§=^.... CLOCK IO  GOES  TO  ASDR IN I THINK  AND ....^=§@@¶
###§@§†=^. MAYBE  ALSO TO THE SAMPLE AND  HOLD. PUT .^=†§@§###
###§@§†=^. SUBBASE AND NOISE IN CHANNEL  THREE  AND .^=†§@§###
###¶@§†=^. FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL .^=†§@¶###
##¶§@§†=^. TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL .^=†§@§¶##
¶¶¶§@§†=^. ONE.  SAMPLE  AND  HOLD   OUT   TO   THE .^=†§@§¶¶¶
¶§§§††^...   FILTER... MAYBE... RESONANCE AT HALF.  ...^††§§§¶
##¶§@§†=^. SOME  FREQUENCY IN  THE FIRST OSCILLATOR .^=†§@§¶##
§§§†††^^.. AND  THEN THE SECOND OSC FOUR  SEMITONES ..^^†††§§§
§§††^.....                 HIGHER.                  .....^††§§
#¶§§@§†=^.                                          .^=†§@§§¶#
#§§@§==...                 ^=§¶§=^                  ...==§@§§#
§§§§§†^^..           †@@ DESKTOP SYNTH @@†          ..^^†§§§§§
§§==......                  ^=§¶§=^                 ......==§§
#§§§=^....                                          ....^=§§§#
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##¶§@§†=^.                                          .^=†§@§¶##
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##¶§@§†=^.                                          .^=†§@§¶##