,,,,,,=$$@                                          @$$=,,,,,,
,,,.====@@                                          @@====.,,,
,.==$@@###                                          ###@@$==.,
,.==$@@#@#                                          #@#@@$==.,
,,,,==@@@@                                          @@@@==,,,,
,,,,.=$@#@                                          @#@$=.,,,,
,.==$@@#@#                 ,,@@#@@,,                #@#@@$==.,
,,,====$@@       .. PITTSBURGH ELECTRONICS ..       @@$====,,,
,.==$@@@##             == LIFEFORMS ==              ##@@@$==.,
,,,.==$@@#               == SV ONE ==               #@@$==.,,,
,,,.==@@##                                          ##@@==.,,,
,,,,,=$@@@ THIS IS A EURORACK  MODULE  BUT I BOUGHT @@@$=,,,,,
,.==$@@#@# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #@#@@$==.,
,.==$@@#@#                                          #@#@@$==.,
,.==$@@@## IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ##@@@$==.,
,.==$@@#@#                                          #@#@@$==.,
,.==$@@#@#             ,$# CONTAINS #$,             #@#@@$==.,
,,,====$@@           MIDI TO CV CONVERTER           @@$====,,,
,.==$@@#@#                 TWO VCO'S                #@#@@$==.,
,.=====@@# FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER #@@=====.,
,,,,,,=$$@        TWO SUB OSCILLATORS I THINK       @$$=,,,,,,
,,,,.==$@@         TWO ONE TO TWO SPLITTERS         @@$==.,,,,
,.==$@@###          WHITE NOISE GENERATOR           ###@@$==.,
,,,==$@@#@              SAMPLE AND HOLD             @#@@$==,,,
,,,,.=@@@@          LFO PLUS A DIGITAL LFO          @@@@=.,,,,
,.==$@@#@@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @@#@@$==.,
,.==$@@#@#               ADSR ENVELOPE              #@#@@$==.,
,,,..=$@@@                  ONE VCA                 @@@$=..,,,
,.==$@@#@#               HEADPHONE AMP              #@#@@$==.,
,.==$@@#@#         FOURTY NINE PATCHPOINTS!         #@#@@$==.,
,.==$@@#@#                                          #@#@@$==.,
,,,,,.=$@#                  ,.@#@.,                 #@$=.,,,,,
,.==$@@#@#            =$$ SO WHAT NOW $$=           #@#@@$==.,
,,,,,..=$@                 ,.@#@.,                  @$=..,,,,,
,,,,=$$$@@                                          @@$$$=,,,,
,.===$$@@# CLOCK  IO GOES TO  ASDR IN I  THINK  AND #@@$$===.,
,.==$@@### MAYBE  ALSO  TO THE SAMPLE AND HOLD. PUT ###@@$==.,
,,,,...=@@ SUBBASE AND NOISE IN  CHANNEL THREE  AND @@=...,,,,
,,,,,.==$@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @$==.,,,,,
,.==$@#@## TWO,  AND OSCILLATOR TWO SAW  TO CHANNEL ##@#@$==.,
,.==$@@#@@ ONE.   SAMPLE   AND  HOLD  OUT   TO  THE @@#@@$==.,
,.====@@##   FILTER... MAYBE... RESONANCE AT HALF.  ##@@====.,
,,,,,=$$@@ SOME FREQUENCY IN  THE FIRST  OSCILLATOR @@$$=,,,,,
,,,,,=$@@# AND THEN THE  SECOND  OSC FOUR SEMITONES #@@$=,,,,,
,.==$@@###                  HIGHER.                 ###@@$==.,
,.====@@@#                                          #@@@====.,
,..====$@@                 .=@#@=.                  @@$====..,
,,,,,,=$@#           =@@ DESKTOP SYNTH @@=          #@$=,,,,,,
,.==$@@@#@                  .=@#@=.                 @#@@@$==.,
,.==$@@#@#                                          #@#@@$==.,
,.==$@@#@#                                          #@#@@$==.,
,.==$@@###                                          ###@@$==.,
,.==$@@#@#                                          #@#@@$==.,
,,,,,,=$@@                                          @@$=,,,,,,
,.==$@@#@@                                          @@#@@$==.,