,,,,,«;=£# #£=;«,,,,,
,,,,,,«;=£ £=;«,,,,,,
,,,,,«;=£# #£=;«,,,,,
,,,,«;=£#@ @#£=;«,,,,
,,,«;=£#@# #@#£=;«,,,
,,«;=£#@## @@@@ ##### ##@#£=;«,,
,,,«;=£#@# TAPE DREAM #@#£=;«,,,
,,,,«;=£#@ #### @@@@@ @#£=;«,,,,
,,,,,«;=£# #£=;«,,,,,
,,,,,,«;=£ FOR STORING MUSIC ON. ALSO DATA BUT £=;«,,,,,,
,,,,,«;=£# AT THIS POINT IN TIME THAT'S NOT #£=;«,,,,,
,,,,«;=£#@ REALLY IMPORTANT I THINK. @#£=;«,,,,
,,,«;=£#@# #@#£=;«,,,
,,«;=£#@## ##@#£=;«,,
,,,«;=£#@# ;;;;;;;; TYPES OF TAPE ;;;;;;;; #@#£=;«,,,
,,,,«;=£#@ @#£=;«,,,,
,,,,,«;=£# CLASS I - "BAD" IRON #£=;«,,,,,
,,,,,,«;=£ CLASS II - GOOD CHROMIUM £=;«,,,,,,
,,,,,«;=£# CLASS III - BAD IRON PART TWO #£=;«,,,,,
,,,,«;=£#@ CLASS IV - DANGEROUS METALS @#£=;«,,,,
,,,«;=£#@# #@#£=;«,,,
,,«;=£#@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@#£=;«,,
,,,«;=£#@# THAT IS ACTUALLY USEFUL. #@#£=;«,,,
,,,,«;=£#@ @#£=;«,,,,
,,,,,«;=£# ;; BIAS ;; #£=;«,,,,,
,,,,,,«;=£ £=;«,,,,,,
,,,,,«;=£# CLASS I USES ONE HUNDRED AND TWENTY #£=;«,,,,,
,,,,«;=£#@ MICRO-SOMETHING WHILE THE OTHERS ALL @#£=;«,,,,
,,,«;=£#@# USE SEVENTY OF THE SAME UNIT. #@#£=;«,,,
,,«;=£#@## ##@#£=;«,,
,,,«;=£#@# #@#£=;«,,,
,,,,«;=£#@ ========= AHA AND ========= @#£=;«,,,,
,,,,,«;=£# #£=;«,,,,,
,,,,,,«;=£ CLASS IV IS APPARENTLY TOO STRONG TO £=;«,,,,,,
,,,,,«;=£# BE USED ON CLASS I PLAYERS. IT WILL #£=;«,,,,,
,,,,«;=£#@ SOUND TOO LOUND AND IT CANNOT BE @#£=;«,,,,
,,,«;=£#@# COMPLETELY ERASED. THIS IS VERY WELL. #@#£=;«,,,
,,«;=£#@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@#£=;«,,
,,,«;=£#@# COULD BE ACHIEVED? #@#£=;«,,,
,,,,«;=£#@ @#£=;«,,,,
,,,,,«;=£# THEY ALSO GNAW AT THE TAPE HEADS A BIT #£=;«,,,,,
,,,,,,«;=£ BETTER THAN EARLIER TAPE TYPES. £=;«,,,,,,
,,,,,«;=£# #£=;«,,,,,
,,,,«;=£#@ @#£=;«,,,,
,,,«;=£#@# ;;;;;;;; ARTIFACTS ;;;;;;;; #@#£=;«,,,
,,«;=£#@## ##@#£=;«,,
,,,«;=£#@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@#£=;«,,,
,,,,«;=£#@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @#£=;«,,,,
,,,,,«;=£# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #£=;«,,,,,
,,,,,,«;=£ LIKE IT. £=;«,,,,,,
,,,,,«;=£# #£=;«,,,,,
,,,,«;=£#@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @#£=;«,,,,
,,,«;=£#@# KNOWS WHATS EVEN ON THERE ANYMORE #@#£=;«,,,
,,«;=£#@## ##@#£=;«,,
,,,«;=£#@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@#£=;«,,,
,,,,«;=£#@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @#£=;«,,,,
,,,,,«;=£# #£=;«,,,,,
,,,,,,«;=£ WOW: A SLOWER FLUTTER, USUALLY SEVERAL £=;«,,,,,,
,,,,,«;=£# SECONDS LONG. WHAT UP. BOTH OF THESE #£=;«,,,,,
,,,,«;=£#@ INCREASE WHEN TAPE SPEED DECREASES. @#£=;«,,,,
,,,«;=£#@# #@#£=;«,,,
,,«;=£#@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@#£=;«,,
,,,«;=£#@# OTHER IF THEYRE ALONE FOR TOO LONG #@#£=;«,,,
,,,,«;=£#@ @#£=;«,,,,
,,,,,«;=£# #£=;«,,,,,
,,,,,,«;=£ £=;«,,,,,,
,,,,,«;=£# #£=;«,,,,,
,,,,«;=£#@ @#£=;«,,,,
,,,«;=£#@# #@#£=;«,,,