&$*/=:,,,,                                          ,,,,:=/*$&
#&$*/=:,,,                                          ,,,:=/*$&#
@#&$*/=:,,                                          ,,:=/*$&#@
#@#&$*/=:,                                          ,:=/*$&#@#
@#&$*/=:,,                                          ,,:=/*$&#@
#&$*/=:,,,                                          ,,,:=/*$&#
&$*/=:,,,,                 ,,$@#@$,,                ,,,,:=/*$&
$*/=:,,,,,       :: PITTSBURGH ELECTRONICS ::       ,,,,,:=/*$
*/=:,,,,,,             == LIFEFORMS ==              ,,,,,,:=/*
/=:,,,,,,,               // SV ONE //               ,,,,,,,:=/
=:,,,,,,,,                                          ,,,,,,,,:=
/=:,,,,,,, THIS IS  A EURORACK MODULE  BUT I BOUGHT ,,,,,,,:=/
*/=:,,,,,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,,,:=/*
$*/=:,,,,,                                          ,,,,,:=/*$
&$*/=:,,,, IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ,,,,:=/*$&
#&$*/=:,,,                                          ,,,:=/*$&#
@#&$*/=:,,             ,*# CONTAINS #*,             ,,:=/*$&#@
#@#&$*/=:,           MIDI TO CV CONVERTER           ,:=/*$&#@#
@#&$*/=:,,                 TWO VCO'S                ,,:=/*$&#@
#&$*/=:,,, FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER ,,,:=/*$&#
&$*/=:,,,,       TWO SUB OSCILLATORS I THINK        ,,,,:=/*$&
$*/=:,,,,,         TWO ONE TO TWO SPLITTERS         ,,,,,:=/*$
*/=:,,,,,,          WHITE NOISE GENERATOR           ,,,,,,:=/*
/=:,,,,,,,              SAMPLE AND HOLD             ,,,,,,,:=/
=:,,,,,,,,          LFO PLUS A DIGITAL LFO          ,,,,,,,,:=
/=:,,,,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,,,,,:=/
*/=:,,,,,,               ADSR ENVELOPE              ,,,,,,:=/*
$*/=:,,,,,                  ONE VCA                 ,,,,,:=/*$
&$*/=:,,,,              HEADPHONE AMP               ,,,,:=/*$&
#&$*/=:,,,         FOURTY NINE PATCHPOINTS!         ,,,:=/*$&#
@#&$*/=:,,                                          ,,:=/*$&#@
#@#&$*/=:,                 ,:@#@:,                  ,:=/*$&#@#
@#&$*/=:,,            =** SO WHAT NOW **=           ,,:=/*$&#@
#&$*/=:,,,                  ,:@#@:,                 ,,,:=/*$&#
&$*/=:,,,,                                          ,,,,:=/*$&
$*/=:,,,,, CLOCK IO  GOES TO ASDR IN  I  THINK  AND ,,,,,:=/*$
*/=:,,,,,, MAYBE ALSO TO THE  SAMPLE  AND HOLD. PUT ,,,,,,:=/*
/=:,,,,,,, SUBBASE AND NOISE  IN CHANNEL  THREE AND ,,,,,,,:=/
=:,,,,,,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,,,,,,,:=
/=:,,,,,,, TWO, AND  OSCILLATOR TWO SAW  TO CHANNEL ,,,,,,,:=/
*/=:,,,,,, ONE.  SAMPLE  AND   HOLD   OUT   TO  THE ,,,,,,:=/*
$*/=:,,,,,  FILTER... MAYBE... RESONANCE AT HALF.   ,,,,,:=/*$
&$*/=:,,,, SOME FREQUENCY IN THE  FIRST  OSCILLATOR ,,,,:=/*$&
#&$*/=:,,, AND THEN  THE SECOND  OSC FOUR SEMITONES ,,,:=/*$&#
@#&$*/=:,,                  HIGHER.                 ,,:=/*$&#@
#@#&$*/=:,                                          ,:=/*$&#@#
@#&$*/=:,,                 :=&#&=:                  ,,:=/*$&#@
#&$*/=:,,,           /$$ DESKTOP SYNTH $$/          ,,,:=/*$&#
&$*/=:,,,,                  :=&#&=:                 ,,,,:=/*$&
$*/=:,,,,,                                          ,,,,,:=/*$
*/=:,,,,,,                                          ,,,,,,:=/*
/=:,,,,,,,                                          ,,,,,,,:=/
=:,,,,,,,,                                          ,,,,,,,,:=
/=:,,,,,,,                                          ,,,,,,,:=/
*/=:,,,,,,                                          ,,,,,,:=/*