###@#¤**=- -=**¤#@###
##@#¤**=-, ,-=**¤#@##
#@#¤**=-,, ,,-=**¤#@#
@#¤**=-,,, ,,,-=**¤#@
#¤**=-,,,, ,,,,-=**¤#
¤**=-,,,,, #### ##### ,,,,,-=**¤
**=-,,,,,, tape dream ,,,,,,-=**
*=-,,,,,,, #### ##### ,,,,,,,-=*
=-,,,,,,,, ,,,,,,,,-=
-,,,,,,,,, for storing music on. also data but ,,,,,,,,,-
,,,,,,,,,, at this point in time that's not ,,,,,,,,,,
,,,,,,,,,, really important i think. ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
-,,,,,,,,, ,,,,,,,,,-
=-,,,,,,,, ******** types of tape ******** ,,,,,,,,-=
*=-,,,,,,, ,,,,,,,-=*
**=-,,,,,, class i - "bad" iron ,,,,,,-=**
¤**=-,,,,, class ii - good chromium ,,,,,-=**¤
#¤**=-,,,, class iii - bad iron part two ,,,,-=**¤#
@#¤**=-,,, class iv - dangerous metals ,,,-=**¤#@
#@#¤**=-,, ,,-=**¤#@#
##@#¤**=-, rumors exist about a secret class v tape ,-=**¤#@##
###@#¤**=- that is actually useful. -=**¤#@###
##@#¤**=-, ,-=**¤#@##
#@#¤**=-,, ** bias ** ,,-=**¤#@#
@#¤**=-,,, ,,,-=**¤#@
#¤**=-,,,, class i uses one hundred and twenty ,,,,-=**¤#
¤**=-,,,,, micro-something while the others all ,,,,,-=**¤
**=-,,,,,, use seventy of the same unit. ,,,,,,-=**
*=-,,,,,,, ,,,,,,,-=*
=-,,,,,,,, ,,,,,,,,-=
-,,,,,,,,, ********* aha and ********* ,,,,,,,,,-
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, class iv is apparently too strong to ,,,,,,,,,,
,,,,,,,,,, be used on class i players. it will ,,,,,,,,,,
-,,,,,,,,, sound too lound and it cannot be ,,,,,,,,,-
=-,,,,,,,, completely erased. this is very well. ,,,,,,,,-=
*=-,,,,,,, maybe some wonderful blending effects ,,,,,,,-=*
**=-,,,,,, could be achieved? ,,,,,,-=**
¤**=-,,,,, ,,,,,-=**¤
#¤**=-,,,, they also gnaw at the tape heads a bit ,,,,-=**¤#
@#¤**=-,,, better than earlier tape types. ,,,-=**¤#@
#@#¤**=-,, ,,-=**¤#@#
##@#¤**=-, ,-=**¤#@##
###@#¤**=- ******** artifacts ******** -=**¤#@###
##@#¤**=-, ,-=**¤#@##
#@#¤**=-,, good tapes are decent and have a good ,,-=**¤#@#
@#¤**=-,,, high frequency presence, bad tapes are ,,,-=**¤#@
#¤**=-,,,, lofi if not outright bad. idk, i kinda ,,,,-=**¤#
¤**=-,,,,, like it. ,,,,,-=**¤
**=-,,,,,, ,,,,,,-=**
*=-,,,,,,, bias loss: if you forget the bias who ,,,,,,,-=*
=-,,,,,,,, knows whats even on there anymore ,,,,,,,,-=
-,,,,,,,,, ,,,,,,,,,-
,,,,,,,,,, flutter: kinda quick pitch variations. ,,,,,,,,,,
,,,,,,,,,, beautiful, wonderful, extraordinary. ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
-,,,,,,,,, wow: a slower flutter, usually several ,,,,,,,,,-
=-,,,,,,,, seconds long. what up. both of these ,,,,,,,,-=
*=-,,,,,,, increase when tape speed decreases. ,,,,,,,-=*
**=-,,,,,, ,,,,,,-=**
¤**=-,,,,, print through: tapes rub sound on each ,,,,,-=**¤
#¤**=-,,,, other if theyre alone for too long ,,,,-=**¤#
@#¤**=-,,, ,,,-=**¤#@
#@#¤**=-,, ,,-=**¤#@#
##@#¤**=-, ,-=**¤#@##
###@#¤**=- -=**¤#@###
##@#¤**=-, ,-=**¤#@##
#@#¤**=-,, ,,-=**¤#@#