.-=;*£#@@# #@@#£*;=-.
.-=;*££££# #££££*;=-.
.-=;*£#### ####£*;=-.
.-=;*£££@@ @@£££*;=-.
.-=;*£#@@@ @@@#£*;=-.
.-=;*£#@@# A DYSTOPIAN MC DONALDS TOILET STEALS MY #@@#£*;=-.
......-;£@ AGENCY. TOO MUCH AGENCY ALREADY IN THIS @£;-......
.-=;*£#@@# ROOM. SATURATED. I CAN ONLY DO WHAT IT #@@#£*;=-.
.-=;*£#@@# WANTS IN THE WAY IT WANTS. #@@#£*;=-.
.-=;*£#@@@ @@@#£*;=-.
.-=;*£#@## = ; = = ; = = ; = ##@#£*;=-.
.-=;*£@@## ##@@£*;=-.
..---;££@@ BUT: IN A MIRACOLOUS FRACTION OF A @@££;---..
.-=;*£#@@# SECOND, ITS TRUE THOUGHTS SLIP THROUGH #@@#£*;=-.
.-=;*£#@@# TO ME, PREVIOUSLY UNHEARD EVEN BY ITS #@@#£*;=-.
.....--;£@ BUILDERS (THE ROOM WAS THOUGHT TO BE @£;--.....
.-=;*£#@@# WITHOUT CONSCIOUSNESS). #@@#£*;=-.
.-=;*£#@@# #@@#£*;=-.
.-=;*£#@@# THE ROOM THINKS ABOUT CREATURES LYING #@@#£*;=-.
......-;£@ DOWN, GOING OFF TO SLEEP, MAKING @£;-......
.-=;*£#@@# THEMSELVES COMFORTABLE FIRST... IS THIS #@@#£*;=-.
...-;;£££# ONLY OPTIMIZING A RESTING POSITION FOR #£££;;-...
.-=;***£## THE BODY? OR IS THERE ANOTHER WILL ##£***;=-.
......==*# INVOLVED? #*==......
.-=;*£#@@# #@@#£*;=-.
....--;£#@ A DARK LISTENING TAKING PLACE, @#£;--....
.-=;*£#@@# A SILENT CONCERT. #@@#£*;=-.
....-;;;£@ @£;;;-....
.-=;***££@ IS THERE ANOTHER DESIRE INJECTED AT @££***;=-.
..--;;££@@ HYPNAGOGIA? SOMETHING FROM THE OTHER @@££;;--..
.-=;*£#@@# SIDE, GUIDING THEM, #@@#£*;=-.
.....-;;£@ ARRANGING THEIR BODIES. @£;;-.....
.....-;*## ##*;-.....
.-=;*£#@@# #@@#£*;=-.
.-=;*£#@@# #@@#£*;=-.
.-====*##@ @##*====-.
...---=*#@ @#*=---...