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,,,,,**££# #££**,,,,,
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,,,,,-=£££ AGENCY. TOO MUCH AGENCY ALREADY IN THIS £££=-,,,,,
,,,,,,,-=£ ROOM. SATURATED. I CAN ONLY DO WHAT IT £=-,,,,,,,
,,,,,,-=££ WANTS IN THE WAY IT WANTS. ££=-,,,,,,
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,,-*=££@## ##@££=*-,,
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,,,,,,*==£ SECOND, ITS TRUE THOUGHTS SLIP THROUGH £==*,,,,,,
,,,,,-*=£# TO ME, PREVIOUSLY UNHEARD EVEN BY ITS #£=*-,,,,,
,,-*==£££# BUILDERS (THE ROOM WAS THOUGHT TO BE #£££==*-,,
,,,,-*£££# WITHOUT CONSCIOUSNESS). #£££*-,,,,
,,-*=££@## ##@££=*-,,
,,-*=££@## THE ROOM THINKS ABOUT CREATURES LYING ##@££=*-,,
,,-*=£££@@ DOWN, GOING OFF TO SLEEP, MAKING @@£££=*-,,
,,-*****££ THEMSELVES COMFORTABLE FIRST... IS THIS ££*****-,,
,,-*=££@## ONLY OPTIMIZING A RESTING POSITION FOR ##@££=*-,,
,,-*=££@## THE BODY? OR IS THERE ANOTHER WILL ##@££=*-,,
,,-*=££@@# INVOLVED? #@@££=*-,,
,,-*=££@## ##@££=*-,,
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,,,,-*=£@# A SILENT CONCERT. #@£=*-,,,,
,,-*=££@## ##@££=*-,,
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,,,,-*=£££ ARRANGING THEIR BODIES. £££=*-,,,,
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