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#..###.#.# .#.##.#.#.
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#.#..#.#.# .#.##.#.#.
#.#.##.#.# .#..#.#.#.
#.#..#.#.# A DYSTOPIAN MC DONALDS TOILET STEALS MY .#.##.#.#.
#.#.##.#.# AGENCY. TOO MUCH AGENCY ALREADY IN THIS .#..#.#.#.
#.#..#.#.# ROOM. SATURATED. I CAN ONLY DO WHAT IT .#.##.#.#.
#.#.##.#.# WANTS IN THE WAY IT WANTS. .#..#.#.#.
#.#..#.#.# .#.##.#.#.
#.#.##.#.# « = « « = « « = « .#..#.#.#.
#.#..#.#.# .#.##.#.#.
#.#.##.#.# BUT: IN A MIRACOLOUS FRACTION OF A .#..#.#.#.
#.#..#.#.# SECOND, ITS TRUE THOUGHTS SLIP THROUGH .#.##.#.#.
#.#.##.#.# TO ME, PREVIOUSLY UNHEARD EVEN BY ITS .#..#.#.#.
#.#..#.#.# BUILDERS (THE ROOM WAS THOUGHT TO BE .#.##.#.#.
#.#.##.#.# WITHOUT CONSCIOUSNESS). .#..#.#.#.
#.#..#.#.# .#.##.#.#.
#.#.##.#.# THE ROOM THINKS ABOUT CREATURES LYING .#..#.#.#.
#.#..#.#.# DOWN, GOING OFF TO SLEEP, MAKING .#.##.#.#.
#.#.##.#.# THEMSELVES COMFORTABLE FIRST... IS THIS .#..#.#.#.
#.#..#.#.# ONLY OPTIMIZING A RESTING POSITION FOR .#.##.#.#.
#.#.##.#.# THE BODY? OR IS THERE ANOTHER WILL .#..#.#.#.
#.#..#.#.# INVOLVED? .#.##.#.#.
#.#.##.#.# .#..#.#.#.
#.#..#.#.# A DARK LISTENING TAKING PLACE, .#.##.#.#.
#.#.##.#.# A SILENT CONCERT. .#..#.#.#.
#.#..#.#.# .#.##.#.#.
#.#.##.#.# IS THERE ANOTHER DESIRE INJECTED AT .#..#.#.#.
#.#..#.#.# HYPNAGOGIA? SOMETHING FROM THE OTHER .#.##.#.#.
#.#.##.#.# SIDE, GUIDING THEM, .#..#.#.#.
#.#..#.#.# ARRANGING THEIR BODIES. .#.##.#.#.
#.#.##.#.# .#..#.#.#.
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