,-~†*£#### ####£*†~-,
,,--†*£### ###£*†--,,
,-~†*£#### ####£*†~-,
,-~†*£#### ####£*†~-,
,-~†*£#### ####£*†~-,
,-~†††££## the last song on side b (and to some ##££†††~-,
,,,,-~~*£# extent the first song on side a) talks #£*~~-,,,,
,,,,,,~†*# for the whole album, not just their #*†~,,,,,,
,-~†*£#### side. the last song on side b is ####£*†~-,
,,-----†*# probably the most important #*†-----,,
,-~†*£#### opportunity, the most charged slot. ####£*†~-,
,-~†*£#### ####£*†~-,
,,,--†*£## ,###, ##£*†--,,,
,,,,-~*£## ##£*~-,,,,
,,,,,~**£# the album is a singularity, an anomaly #£**~,,,,,
,-~†*£#### in spacetime, a creature that knows ####£*†~-,
,-~†*£#### exactly how beautiful it is. ####£*†~-,
,-~~~~†££# , #££†~~~~-,
,-~†*£#### and the thing is: it sees itself in ####£*†~-,
,-~†£##### three d. it knows that it's dying. #####£†~-,
,-~†*£#### ####£*†~-,
,-~†*£#### **££**££**££**££**£##£**££**££**££**££** ####£*†~-,
,-~†*£#### ####£*†~-,
,-~†*£#### - dolphins and cats - ####£*†~-,
,-~†*##### bring us #####*†~-,
,-~†*£#### , flowers and honey , ####£*†~-,
,--~~*£### ###£*~~--,
,-~†*£#### - dolphins and cats - ####£*†~-,
,-~†*£#### bring us ####£*†~-,
,-~†*£#### , fairies and bees , ####£*†~-,
,-~†*£#### ####£*†~-,
,-~†*£#### our boat is afloat ####£*†~-,
,,,~~~††£# on a surface of lilies #£††~~~,,,
,-~†*£#### - dolphins and cats - ####£*†~-,
,-~†*£#### drag us down ####£*†~-,
,-~†*£#### ,~* underneath *~, ####£*†~-,
,,,-~~**£# #£**~~-,,,
,-~†*£#### **££**££**££**££**£##£**££**££**££**££** ####£*†~-,
,-~†*£#### ####£*†~-,
,,,,,,,~*# side a is foresty, and side b might #*~,,,,,,,
,-~†*£#### be lizardy. but the last song is full ####£*†~-,
,-~†*£#### of space. ####£*†~-,
,,,-~†***# #***†~-,,,
,-~†*£#### ####£*†~-,
,-~†*£#### ####£*†~-,
,-~†*£#### ####£*†~-,
,-~†**£### ###£**†~-,