.^-\*@§##@ @##§@*\-^.
.^-\***§§§ §§§***\-^.
.^-\*@§#@# #@#§@*\-^.
.^-\*@§#@# #@#§@*\-^.
......^\@# #@\^......
.^-\*§#@## the last song on side b (and to some ##@#§*\-^.
.^-*@§#@## extent the first song on side a) talks ##@#§@*-^.
.^-*@§#@## for the whole album, not just their ##@#§@*-^.
.^-\*@§#@# side. the last song on side b is #@#§@*\-^.
.^-\*@§#@# probably the most important #@#§@*\-^.
.^-\*@§#@# opportunity, the most charged slot. #@#§@*\-^.
.....^\*§# #§*\^.....
.....^-*§# .###. #§*-^.....
.^-\*@§#@@ @@#§@*\-^.
.^-\*@§§§# the album is a singularity, an anomaly #§§§@*\-^.
.^-\*@§#@# in spacetime, a creature that knows #@#§@*\-^.
.^-\*@§#@# exactly how beautiful it is. #@#§@*\-^.
......^\@§ . §@\^......
...^^-\@§@ and the thing is: it sees itself in @§@\-^^...
.^-\*@§### three d. it knows that it's dying. ###§@*\-^.
....^--*@# #@*--^....
.^-\*@§#@# **@@**@@**@@**@@**@§§@**@@**@@**@@**@@** #@#§@*\-^.
.^-\*@§#@# #@#§@*\-^.
.^-\*@§#@# ^ dolphins and cats ^ #@#§@*\-^.
.^-\*@§@## bring us ##@§@*\-^.
.^-\*@§#@# . flowers and honey . #@#§@*\-^.
.^-*@§#@## ##@#§@*-^.
......--*§ ^ dolphins and cats ^ §*--......
....-\@§## bring us ##§@\-....
.^-\*@§### . fairies and bees . ###§@*\-^.
.^-\*@§#@# #@#§@*\-^.
^-\*@§#@## our boat is afloat ##@#§@*\-^
.^-\*@§### on a surface of lilies ###§@*\-^.
.^-\*@§#@# ^ dolphins and cats ^ #@#§@*\-^.
.^-\*@§#@# drag us down #@#§@*\-^.
.^-\*@§#@# .-* underneath *-. #@#§@*\-^.
.^-\*@@§§# #§§@@*\-^.
.^-\*@§§## **@@**@@**@@**@@**@§§@**@@**@@**@@**@@** ##§§@*\-^.
.^-\*§#@## ##@#§*\-^.
.^-\*@§#@# side a is foresty, and side b might #@#§@*\-^.
.^-\*@§#@@ be lizardy. but the last song is full @@#§@*\-^.
....-\*@§@ of space. @§@*\-....
.^-\*@§#@@ @@#§@*\-^.
.^-\*@§#@@ @@#§@*\-^.
....^---*§ §*---^....
.^-\****@# #@****\-^.
.......-*§ §*-.......