,,,,.~:^&£ £&^:~.,,,,
,,,,,.~:^& &^:~.,,,,,
,,,,.~:^&£ £&^:~.,,,,
,,,.~:^&£¶ ¶£&^:~.,,,
,,.~:^&£¶@ @¶£&^:~.,,
,.~:^&£¶@# the last song on side b (and to some #@¶£&^:~.,
,,.~:^&£¶@ extent the first song on side a) talks @¶£&^:~.,,
,,,.~:^&£¶ for the whole album, not just their ¶£&^:~.,,,
,,,,.~:^&£ side. the last song on side b is £&^:~.,,,,
,,,,,.~:^& probably the most important &^:~.,,,,,
,,,,.~:^&£ opportunity, the most charged slot. £&^:~.,,,,
,,,.~:^&£¶ ¶£&^:~.,,,
,,.~:^&£¶@ ,¶#¶, @¶£&^:~.,,
,.~:^&£¶@# #@¶£&^:~.,
,,.~:^&£¶@ the album is a singularity, an anomaly @¶£&^:~.,,
,,,.~:^&£¶ in spacetime, a creature that knows ¶£&^:~.,,,
,,,,.~:^&£ exactly how beautiful it is. £&^:~.,,,,
,,,,,.~:^& , &^:~.,,,,,
,,,,.~:^&£ and the thing is: it sees itself in £&^:~.,,,,
,,,.~:^&£¶ three d. it knows that it's dying. ¶£&^:~.,,,
,,.~:^&£¶@ @¶£&^:~.,,
,.~:^&£¶@# ^^&&^^&&^^&&^^&&^^&££&^^&&^^&&^^&&^^&&^^ #@¶£&^:~.,
,,.~:^&£¶@ @¶£&^:~.,,
,,,.~:^&£¶ . dolphins and cats . ¶£&^:~.,,,
,,,,.~:^&£ bring us £&^:~.,,,,
,,,,,.~:^& , flowers and honey , &^:~.,,,,,
,,,,.~:^&£ £&^:~.,,,,
,,,.~:^&£¶ . dolphins and cats . ¶£&^:~.,,,
,,.~:^&£¶@ bring us @¶£&^:~.,,
,.~:^&£¶@# , fairies and bees , #@¶£&^:~.,
,,.~:^&£¶@ @¶£&^:~.,,
,,,.~:^&£¶ our boat is afloat ¶£&^:~.,,,
,,,,.~:^&£ on a surface of lilies £&^:~.,,,,
,,,,,.~:^& . dolphins and cats . &^:~.,,,,,
,,,,.~:^&£ drag us down £&^:~.,,,,
,,,.~:^&£¶ ,~^ underneath ^~, ¶£&^:~.,,,
,,.~:^&£¶@ @¶£&^:~.,,
,.~:^&£¶@# ^^&&^^&&^^&&^^&&^^&££&^^&&^^&&^^&&^^&&^^ #@¶£&^:~.,
,,.~:^&£¶@ @¶£&^:~.,,
,,,.~:^&£¶ side a is foresty, and side b might ¶£&^:~.,,,
,,,,.~:^&£ be lizardy. but the last song is full £&^:~.,,,,
,,,,,.~:^& of space. &^:~.,,,,,
,,,,.~:^&£ £&^:~.,,,,
,,,.~:^&£¶ ¶£&^:~.,,,
,,.~:^&£¶@ @¶£&^:~.,,
,.~:^&£¶@# #@¶£&^:~.,
,,.~:^&£¶@ @¶£&^:~.,,