¨«^^@&@@## ##@@&@^^«¨
.¨«\§§&@## ##@&§§\«¨.
,-=*$##@## ##@##$*=-,
.¨«^$$&£## ##£&$$^«¨.
¨~:*$£#@## ##@#£$*:~¨
¨.«==£§### statuette ###§£==«.¨
,-^*¤§@### ###@§¤*^-,
..~:$@&@## £&@¤£¤%%£**@*£%*=-~~==«~$**&%%$££¤$*%§£% ##@&@$:~..
,~^**@£### %%£%$¤$@£ ###£@**^~,
¨,~;†££@## ##@££†;~,¨
¨«†^%£¶### forests around my childhood home. thick ###¶£%^†«¨
,,»\*£@# pine arcades that were planted and #@£#&*\»,,
.-:†£&@### forgotten. wild boars roaming ###@&£†:-.
¨,~^%$&¶## underneath, sniffing at the ground. it ##¶&$%^~,¨
¨~;%*§¶### is dark and moist, the canopy having ###¶§*%;~¨
¨.~=%%§@@# already soaked up all the sun. #@@§%%=~.¨
¨~=*$§@@## ##@@§$*=~¨
¨,»\%$@@## there's a river passing by, from east ##@@$%\»,¨
,~;*%§#### to west, getting broader and deeper and ####§%*;~,
¨,«\§$#### slower as it goes. equisetum grow just ####$§\«,¨
.«:**§@@## where the pine hands start to let ##@@§**:«.
.,«;*%£@## through light, horsemint on the rocky ##@£%*;«,.
.»=†%££@## river bed. ##@££%†=».
¨.~;†$@@@# #@@@$†;~.¨
,»:%£&@### † ###@&£%:»,
.,~;†$£### ###£$†;~,.
.-:§$§#@## the riverbanks reek of magic. tonight ##@#§$§:-.
..~;*$£@## they had been a swampworld with sylvan ##@£$*;~..
¨»†%¶### water, stone rings and floating moss. ###¶#&%†»¨
,,~^*&¤@## you could've found me wallowing around ##@¤&*^~,,
,-;*#### on the southern shores until i got #####&*;-,
.,~/*§§@## bitten. ##@§§*/~,.
.-^%%¤@@## ##@@¤%%^-.
..=*%§¤### but now i'm further back, on solid ###¤§%*=..
,=†*%@¶@## ground, in shoulder-high grass, with an ##@¶@%*†=,
.¨~:*¤§@@# orange tin radio and a translucent #@@§¤*:~¨.
.~;=§##### umbrella which i'm sitting on. #####§=;~.
,,-=§§¤@## ##@¤§§=-,,
¨»;=£@@### : ###@@£=;»¨
.¨=\^%¤¶## ##¶¤%^\=¨.
,»††§¤#@## somethings moving in the grass. it's ##@#¤§††»,
¨,~*$&§#@# invisible to my eyes but i can feel #@#§&$*~,¨
.~^^%§@@## through the ground just how large it is. ##@@§%^^~.
¨,«**$££## ##££$**«,¨
¨~**$££@## the soil is muddy. i slip when trying ##@££$**~¨
,,=\*¤&¶@# to get up, still looking at the #@¶&¤*\=,,
,=;*%#@### direction of sound rather than at my ###@#%*;=,
,,«/$§@### hands, who are busy putting things in ###@§$/«,,
¨~†§£§¶### my pockets. ###¶§£§†~¨
¨.«†*%§#@# #@#§%*†«.¨
.~/=££#@## then i run east toward my home. ##@#££=/~.
¨.»*$¤#@## ##@#¤$*».¨
.»\=%§#@## ^ ##@#§%=\».
..-^**§£@# #@£§**^-..
¨-\%$&£### i am not followed, and slow down in the ###£&$%\-¨
.,~†%%#@## clearing where you at first can spot ##@#%%†~,.
.»^^£§#### the house, not yet really in the ####§£^^».
..=†%%£¶## backyard. from my pockets i retrieve my ##¶£%%†=..
,»\^@£#### radio (now dented) but also a small ####£@^\»,
..~==§§¶## clay figure i've never seen before. it ##¶§§==~..
¨~^%%§£### must have been laying in the wet dirt, ###£§%%^~¨
,,»=%§&@@# and i must've picked it up with my #@@&§%=»,,
,-†**§@### other belongings. ###@§**†-,
,.~\†£@### ###@£†\~.,
,~:*$£#### it's a statuette of a girl laying naked ####£$*:~,
.¨«†*¤§¶@# on her stomach, feet in the air, #@¶§¤*†«¨.
,==%%@#### roughly seven centimeters long. it's ####@%%==,
¨.»†^§¤### freshly made, not yet completely dried. ###¤§^†».¨
.-*$$#£### ###£#$$*-.
¨¨=^%%##@# my mom is here now. i ask her for some #@##%%^=¨¨
¨=/*%§#### particle board for it to dry on, but ####§%*/=¨
¨,=**¤#¶## she is worried and wants me to ##¶#¤**=,¨
¨-†%*&£### throw it away. ###£&*%†-¨
¨,»/*£§@@# #@@§£*/»,¨
¨-*%£#@### ###@#£%*-¨
,¨~†*%## ###&%*†~¨,
.~=†£¤#@## ##@#¤£†=~.
,¨~†$¤#### ####¤$†~¨,
¨~\*§@#### ####@§*\~¨