,^=*=*#### ####*=*=^,
.,,~/$$£## ##£$$/~,,.
,,«;**¶@## ##@¶**;«,,
.,^==$£@## ##@£$==^,.
¨--^%¤£### ###£¤%^--¨
¨,^»^*%### statuette ###%*^»^,¨
¨:«†**¶### ###¶**†«:¨
,¨.»^^§@## §%§£$$%*§&*£§££&~»-=»=--@$§$*%¤$$%%%%$¤* ##@§^^».¨,
,,-=%£@### £&&£%*%%§ ###@£%=-,,
¨.:»:†££## ##££†:»:.¨
¨-~=*¤@@## forests around my childhood home. thick ##@@¤*=~-¨
.¨,~†*¤#@# pine arcades that were planted and #@#¤*†~,¨.
..-\*£@### forgotten. wild boars roaming ###@£*\-..
,.-~;*$@## underneath, sniffing at the ground. it ##@$*;~-.,
¨:-^*§#### is dark and moist, the canopy having ####§*^-:¨
,,~«\$*#@# already soaked up all the sun. #@#*$\«~,,
.~-=*%#### ####%*=-~.
,.-~^*%£## there's a river passing by, from east ##£%*^~-.,
¨,~=*$#@## to west, getting broader and deeper and ##@#$*=~,¨
.,.=/%£¶## slower as it goes. equisetum grow just ##¶£%/=.,.
,^-=†%£### where the pine hands start to let ###£%†=-^,
.¨,»^%$### through light, horsemint on the rocky ###$%^»,¨.
¨,=^%£@### river bed. ###@£%^=,¨
,,,=\*£### ###£*\=,,,
.~-/†%#@## \ ##@#%†/-~.
,,:-;§§£## ##£§§;-:,,
,^»:$%@### the riverbanks reek of magic. tonight ###@%$:»^,
¨¨,==*%@## they had been a swampworld with sylvan ##@%*==,¨¨
.:~^%$¶@## water, stone rings and floating moss. ##@¶$%^~:.
,¨~~:%&@@# you could've found me wallowing around #@@&%:~~¨,
.:=†*££### on the southern shores until i got ###££*†=:.
,¨,=†*## bitten. ###&*†=,¨,
.,«\†%#@## ##@#%†\«,.
.,.»\*£### but now i'm further back, on solid ###£*\».,.
¨-»=*§@@## ground, in shoulder-high grass, with an ##@@§*=»-¨
,.,-=†$### orange tin radio and a translucent ###$†=-,.,
¨~-:$%@### umbrella which i'm sitting on. ###@%$:-~¨
,,,-*†$@@# #@@$†*-,,,
.~~/†$@### / ###@$†/~~.
..:~;*£@## ##@£*;~:..
.-=/%£@### somethings moving in the grass. it's ###@£%/=-.
¨.,~:†££## invisible to my eyes but i can feel ##££†:~,.¨
¨,~*%$#@## through the ground just how large it is. ##@#$%*~,¨
¨¨^-\=£@@# #@@£=\-^¨¨
,,=*%%£### the soil is muddy. i slip when trying ###£%%*=,,
.,.»:^&£## to get up, still looking at the ##£&^:».,.
¨.~^*&@@## direction of sound rather than at my ##@@&*^~.¨
..,»^§§@## hands, who are busy putting things in ##@§§^»,..
,-~;%§#@## my pockets. ##@#§%;~-,
,.^«^*$@@# #@@$*^«^.,
,:=†*§@### then i run east toward my home. ###@§*†=:,
.,~»*=£@@# #@@£=*»~,.
¨.«†^@@### † ###@@^†«.¨
¨,~«\†@@@# #@@@†\«~,¨
¨-~^$£@@## i am not followed, and slow down in the ##@@£$^~-¨
¨,^»^=$@@# clearing where you at first can spot #@@$=^»^,¨
.-~\$&£@## the house, not yet really in the ##@£&$\~-.
,.~~*$@# backyard. from my pockets i retrieve my #@#&$*~~.,
,~»\$§@### radio (now dented) but also a small ###@§$\»~,
,¨,=^$$£## clay figure i've never seen before. it ##£$$^=,¨,
.,«;†%@### must have been laying in the wet dirt, ###@%†;«,.
..~»/$*¶@# and i must've picked it up with my #@¶*$/»~..
¨:»†*§#@## other belongings. ##@#§*†»:¨
¨¨-«††*£## ##£*††«-¨¨
,:~^%&¶### it's a statuette of a girl laying naked ###¶&%^~:,
¨.^«/%¤#@# on her stomach, feet in the air, #@#¤%/«^.¨
.:«††£#### roughly seven centimeters long. it's ####£††«:.
.,.==§$¶## freshly made, not yet completely dried. ##¶$§==.,.
,:~^†&£### ###£&†^~:,
.,^==$£@## my mom is here now. i ask her for some ##@£$==^,.
¨-«==@#@## particle board for it to dry on, but ##@#@==«-¨
.¨-=†=%¶## she is worried and wants me to ##¶%=†=-¨.
,,-=*%#@## throw it away. ##@#%*=-,,
¨,:=/%$¶## ##¶$%/=:,¨
.-~/§&@@## ##@@&§/~-.
.¨~-^†$@## ##@$†^-~¨.
¨-~;$%£@## ##@£%$;~-¨
¨.~-/§&¶@# #@¶&§/-~.¨
¨:-/=§#### ####§=/-:¨