##@§%$:~.¨                                          ¨.~:$%§@##
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##@§%$:~.¨                                          ¨.~:$%§@##
§$~.¨¨¨¨¨¨                                          ¨¨¨¨¨¨.~$§
##@§%$:~.¨                                          ¨.~:$%§@##
##@§%$:~.¨  OPPOSER.DREAM                           ¨.~:$%§@##
##@§%$:~.¨ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¨.~:$%§@##
##@§%$:~.¨                                          ¨.~:$%§@##
#§%$$$:~.¨  INTRINSICALLY WEAVED WITHIN THE SPACE   ¨.~:$$$%§#
@%$~.....¨ BETWEEN WHAT  THE  BRAIN CONSTRUCTS  AND ¨.....~$%@
@%%$::.¨¨¨ THE  REAL,  THE SPACE  WHICH WE  USUALLY ¨¨¨.::$%%@
§$~~..¨¨¨¨       CALL THE AETHER, DISTORTIONS,      ¨¨¨¨..~~$§
##@§%$:~.¨       ANOMALIES, CAN APPEAR UNDER        ¨.~:$%§@##
##@§%$:~.¨ CIRCUMSTANCES, PECULIAR ONES, FOLDED IN  ¨.~:$%§@##
§%:::.¨¨¨¨ LIKE  LIQUID CRYSTALS,  APPEARING  AS IF ¨¨¨¨.:::%§
##@§%$:~.¨ YOU  SUDDENLY  ROTATE  YOUR HEAD IN SOME ¨.~:$%§@##
###@§$:~.¨ FOURTH  DIMENSION (USUALLY MORE OR  LESS ¨.~:$§@###
#@§$$~~¨¨¨              UNCOMFORTABLE)              ¨¨¨~~$$§@#
##@§%$:~.¨                                          ¨.~:$%§@##
§$~~~¨¨¨¨¨ THE OPPOSER LOOKS LIKE A CONCAVE  SQUARE ¨¨¨¨¨~~~$§
##@§%$:~.¨ BALANCING   ON  A   CORNER,  WITH  ROUND ¨.~:$%§@##
@%:..¨¨¨¨¨ CUTOUTS ALONG  ITS EDGES MAKING IT  LOOK ¨¨¨¨¨..:%@
@%$~.¨¨¨¨¨ LIKE  A POINTY CROSS,  OR SOMETHING FROM ¨¨¨¨¨.~$%@
§%%%$~~..¨                  TWEWY                   ¨..~~$%%%§
@%$:.¨¨¨¨¨                                          ¨¨¨¨¨.:$%@
##@§%$:~.¨ IT'S  HOSTILE, MAYBE  NOT  CONSCIOUS BUT ¨.~:$%§@##
##@§%$:~.¨     ACTIVE, PERCEIVING, ALIVE IN SOME    ¨.~:$%§@##
##@§%$:~.¨ SENSE. BUT I FEEL AS IF THAT MIGHT BE  A ¨.~:$%§@##
§$:~.¨¨¨¨¨   REDUCTION, THAT I'M INTERPRETING THE   ¨¨¨¨¨.~:$§
##@§%$:~.¨ TIP OF  SOMETHING  MUCH LARGER AND ALIEN ¨.~:$%§@##
###§%$:~.¨ TO  ME.  MAYBE  NOT  ALIVE,   THEN,  BUT ¨.~:$%§###
##@§%$:~.¨             SOMETHING WORSE.             ¨.~:$%§@##
##@§%$:~.¨                                          ¨.~:$%§@##
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@§§%$:.¨¨¨                                          ¨¨¨.:$%§§@
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##@§%$:~.¨                                          ¨.~:$%§@##
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##@§%$:~.¨                                          ¨.~:$%§@##
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@§%%:::~.¨                                          ¨.~:::%%§@
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@@%::~¨¨¨¨                                          ¨¨¨¨~::%@@
#@%:.¨¨¨¨¨   IT APPEARS IN IT'S TRUEST FALSE FORM   ¨¨¨¨¨.:%@#
§$$$$~¨¨¨¨  INSCRIBED ALL OVER YOUR VISION, IN THE  ¨¨¨¨~$$$$§
@%$~...¨¨¨ CASE OF NIGHTMARES, EVIL MEDITATION, OR  ¨¨¨...~$%@
@@@§%$:~.¨    DRUG-INDUCED TRANSCENDENTAL STATES.   ¨.~:$%§@@@
§$~...¨¨¨¨ LIVING BEHIND THE CURTAIN, SO TO SPEAK,  ¨¨¨¨...~$§
@§§$$$:~.¨ IN THE LIQUID BETWEEN YOU AND THE WORLD  ¨.~:$$$§§@
#§§§%$:~.¨                YOU'RE IN.                ¨.~:$%§§§#
@§%:..¨¨¨¨                                          ¨¨¨¨..:%§@
@%$$~.¨¨¨¨   BUT EVEN IN CALMER TIMES, IT'S NEVER   ¨¨¨¨.~$$%@
##@§%$:~.¨  TOO FAR AWAY, AND YOU CAN FIND YOURSELF ¨.~:$%§@##
##@§%$:~.¨    TRANSFIXED BY FLOOR TILES, JEWELRY    ¨.~:$%§@##
##@§%$:~.¨   (TOTEMS? CHARMS?), TREES, AND OTHER    ¨.~:$%§@##
##@§%$:~.¨              SUCH THINGS...              ¨.~:$%§@##
##@§%$:~.¨                                          ¨.~:$%§@##
###@%$:~.¨                                          ¨.~:$%@###
##@§%$:~.¨                                          ¨.~:$%§@##
##@§%$:~.¨                                          ¨.~:$%§@##
§§$~.¨¨¨¨¨                                          ¨¨¨¨¨.~$§§