.--=*¤£@@@ @@@£¤*=--.
.---=**¤££ ££¤**=---.
.--=*¤¤¤¤£ £¤¤¤¤*=--.
......-*¤£ £¤*-......
......--*£ £*--......
.--=*¤£@@# A DYSTOPIAN MC DONALDS TOILET STEALS MY #@@£¤*=--.
.--=*¤£@@# AGENCY. TOO MUCH AGENCY ALREADY IN THIS #@@£¤*=--.
...---=¤££ ROOM. SATURATED. I CAN ONLY DO WHAT IT ££¤=---...
.--=*¤££@@ WANTS IN THE WAY IT WANTS. @@££¤*=--.
.--=*¤£@@# #@@£¤*=--.
.--=*¤£@@# - = - - = - - = - #@@£¤*=--.
.....-*¤¤@ @¤¤*-.....
......-=¤£ BUT: IN A MIRACOLOUS FRACTION OF A £¤=-......
.--=*¤£@@# SECOND, ITS TRUE THOUGHTS SLIP THROUGH #@@£¤*=--.
.--=*¤£@@@ TO ME, PREVIOUSLY UNHEARD EVEN BY ITS @@@£¤*=--.
.--=*¤£@@# BUILDERS (THE ROOM WAS THOUGHT TO BE #@@£¤*=--.
....--=*£@ WITHOUT CONSCIOUSNESS). @£*=--....
.--=*¤£@@@ @@@£¤*=--.
....--***£ THE ROOM THINKS ABOUT CREATURES LYING £***--....
..-----*¤@ DOWN, GOING OFF TO SLEEP, MAKING @¤*-----..
.....-**££ THEMSELVES COMFORTABLE FIRST... IS THIS ££**-.....
.--=*¤£@@# ONLY OPTIMIZING A RESTING POSITION FOR #@@£¤*=--.
.--=*¤£@@# THE BODY? OR IS THERE ANOTHER WILL #@@£¤*=--.
.--*¤£@@## INVOLVED? ##@@£¤*--.
.--=*¤£@@@ @@@£¤*=--.
.....--=*£ A DARK LISTENING TAKING PLACE, £*=--.....
..--=**££@ A SILENT CONCERT. @££**=--..
....-***¤@ @¤***-....
.--=*¤£@@# IS THERE ANOTHER DESIRE INJECTED AT #@@£¤*=--.
.--=*¤£@@@ HYPNAGOGIA? SOMETHING FROM THE OTHER @@@£¤*=--.
.-----=¤@@ SIDE, GUIDING THEM, @@¤=-----.
.--=*¤£@@# ARRANGING THEIR BODIES. #@@£¤*=--.
.....-*£@@ @@£*-.....
.--=*¤£££@ @£££¤*=--.
.--=*¤£££@ @£££¤*=--.
......-=¤@ @¤=-......
.....-**£@ @£**-.....