.^~=*£@@## ##@@£*=~^.
..^~=*£@@# #@@£*=~^..
...^~=*£@@ @@£*=~^...
..^~=*£@@# #@@£*=~^..
.^~=*£@@## ##@@£*=~^.
..^~=*£@@# A DYSTOPIAN MC DONALDS TOILET STEALS MY #@@£*=~^..
...^~=*£@@ AGENCY. TOO MUCH AGENCY ALREADY IN THIS @@£*=~^...
..^~=*£@@# ROOM. SATURATED. I CAN ONLY DO WHAT IT #@@£*=~^..
.^~=*£@@## WANTS IN THE WAY IT WANTS. ##@@£*=~^.
..^~=*£@@# #@@£*=~^..
...^~=*£@@ ~ = ~ ~ = ~ ~ = ~ @@£*=~^...
..^~=*£@@# #@@£*=~^..
.^~=*£@@## BUT: IN A MIRACOLOUS FRACTION OF A ##@@£*=~^.
..^~=*£@@# SECOND, ITS TRUE THOUGHTS SLIP THROUGH #@@£*=~^..
...^~=*£@@ TO ME, PREVIOUSLY UNHEARD EVEN BY ITS @@£*=~^...
..^~=*£@@# BUILDERS (THE ROOM WAS THOUGHT TO BE #@@£*=~^..
.^~=*£@@## WITHOUT CONSCIOUSNESS). ##@@£*=~^.
..^~=*£@@# #@@£*=~^..
...^~=*£@@ THE ROOM THINKS ABOUT CREATURES LYING @@£*=~^...
..^~=*£@@# DOWN, GOING OFF TO SLEEP, MAKING #@@£*=~^..
.^~=*£@@## THEMSELVES COMFORTABLE FIRST... IS THIS ##@@£*=~^.
..^~=*£@@# ONLY OPTIMIZING A RESTING POSITION FOR #@@£*=~^..
...^~=*£@@ THE BODY? OR IS THERE ANOTHER WILL @@£*=~^...
..^~=*£@@# INVOLVED? #@@£*=~^..
.^~=*£@@## ##@@£*=~^.
..^~=*£@@# A DARK LISTENING TAKING PLACE, #@@£*=~^..
...^~=*£@@ A SILENT CONCERT. @@£*=~^...
..^~=*£@@# #@@£*=~^..
.^~=*£@@## IS THERE ANOTHER DESIRE INJECTED AT ##@@£*=~^.
..^~=*£@@# HYPNAGOGIA? SOMETHING FROM THE OTHER #@@£*=~^..
...^~=*£@@ SIDE, GUIDING THEM, @@£*=~^...
..^~=*£@@# ARRANGING THEIR BODIES. #@@£*=~^..
.^~=*£@@## ##@@£*=~^.
..^~=*£@@# #@@£*=~^..
...^~=*£@@ @@£*=~^...
..^~=*£@@# #@@£*=~^..
.^~=*£@@## ##@@£*=~^.