#%;^,,,,,, ,,,,,,^;%#
#%%%««^,,, ,,,^««%%%#
###&%%;«^, ,^«;%%##
#%%;«^,,,, ,,,,^«;%%#
###&%%;«^, ,^«;%%##
####&%;«^, TRAIN DREAM ,^«;%###
###&%%;«^, ######,,,,^«^^,,##################### ,^«;%%##
###&%%;«^, ;;; ,^«;%%##
###&%%;«^, « ,^«;%%##
###&%%;«^, « ,^«;%%##
##%;;«^^,, ,,^^«;;%##
&&%;;«^,,, (SITUATION) ,,,^«;;%&&
&%%%%;^^^, ,^^^;%%%%&
&&%%%««,,, YOU FIND YOURSELF IN A RIFT - A ,,,««%%%&&
&%;«,,,,,, CLEARING, NARROW BUT IMMEASURABLY LONG. ,,,,,,«;%&
#&%%%%;«^, TO YOUR SIDES ARE WALLS MADE OF TREES, ,^«;%%%%
&&%%«^^,,, THICK AND READY TO SWALLOW YOU. THE SUN ,,,^^«%%&&
###&%%;«^, IS NOWHERE TO BE SEEN, BUT NONTHELESS ,^«;%%##
##%%%%;«^, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,^«;%%%%##
&%%%%««,,, BLUE, ALMOST WHITE. ,,,««%%%%&
###&%%;«^, ,^«;%%##
###&%%;«^, ALONG THE SPAN OF THE CLEARING LAY TWO ,^«;%%##
###&%%;«^, PARALLEL SILVERY LINES, DARK HARD ,^«;%%##
###&%%;«^, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,^«;%%##
###&%%;«^, THEY ARE. ,^«;%%##
###&%%;«^, ,^«;%%##
###&%%;«^, THEY EMIT A HIGH PITCHED WHINE... ,^«;%%##
&%%%%;^,,, ,,,^;%%%%&
&%%;^,,,,, « ,,,,,^;%%&
#%;;;«««^, ,,%,, ,^«««;;;%#
###&%%;«^, « ,^«;%%##
###&%%;«^, ,^«;%%##
###&%%;«^, (SITUATION) ,^«;%%##
&&&%%«^^^, ,^^^«%%&&&
&%«,,,,,,, YOURE AT THE TRAIN STATION, ON A ,,,,,,,«%&
&&%%%;«,,, CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,,,«;%%%&&
&%;«^,,,,, LATE, OR YOU ARE LATE TO THE TRAIN. ,,,,,^«;%&
###&%%;«^, IT'S A SUMMER AFTERNOON AND THE STATION ,^«;%%##
###&%%;«^, IS BUSY, FULL OF RELAXED CONFIDENCE. ,^«;%%##
###&%%;«^, ,^«;%%##
&%;^,,,,,, YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,,,,,,^;%&
###&%%;«^, STRESSED ABOUT THE TIME, WHILE MOVING ,^«;%%##
#&%%;^,,,, UP THE STAIRS TO YOUR PLATFORM. THE ,,,,^;%%
#&%%%%;«^, STATION IS IN SEVERAL LEVELS, ALL ,^«;%%%%
#&&%%%;«^, PLACED WITHIN EACHOTHER BY SOME ,^«;%%%&
&&%%%%;«^, INTELLIGENT DESIGNER, AND FULL OF ,^«;%%%%&&
###&%%;«^, STAIRS, ELEVATORS, SHORTCUTS, ,^«;%%##
#%;««««,,, BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,,,««««;%#
&&%%%;^^,, SOME GLASS WINDOWS. IT'S... NOT WHERE ,,^^;%%%&&
###&%%;«^, IT'S SUPPOSED TO BE? ,^«;%%##
&%%%;;;«^, ,^«;;;%%%&
###&%%;«^, « ,^«;%%##
###&%%;«^, ^^%^^ ,^«;%%##
###&%%;«^, « ,^«;%%##
###&%%;«^, ,^«;%%##
&&%%;;«,,, (SITUATION) ,,,«;;%%&&
##&%«,,,,, ,,,,,«%#
&%«^,,,,,, YOU'RE FINALLY ENTERING THE CITY. WHILE ,,,,,,^«%&
###&%%;«^, IT IS INDEED A VERY HIGH SPEED TRAIN ,^«;%%##
###&%%;«^, YOU'RE TRAVELING IN, THE JOURNEY HAS ,^«;%%##
###&%%;«^, BEEN LONG. BUT IT'S ABOUT TO END! ,^«;%%##
&%%«^,,,,, ,,,,,^«%%&
###&%%;«^, SOCIETY IS GROWING DENSER AROUND YOU, ,^«;%%##
&&%%%%;«^, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,^«;%%%%&&
#&%%;;;«^, SHACKS, BUILT OF METAL AND STONE, THEN ,^«;;;%%
#%%;;«,,,, PROPER HOUSES WITH MORTAR TO KEEP THEM ,,,,«;;%%#
###&%%;«^, TOGETHER... WHO IN TURN MAKE WAY FOR ,^«;%%##
&&&&%%;«^, THE INDUSTRIAL BUILDINGS, THE URBAN ,^«;%%&&&&
#%%«,,,,,, MAZE, PROTECTIVE WALLS, JUNGLE ,,,,,,«%%#
##&%%%;«^, NETWORK... ,^«;%%%#
###&%%;«^, ,^«;%%##
###&%%;«^, THE TRACKS LEAVE THE GROUND, WHICH IS ,^«;%%##
#&%%;^,,,, NEEDED FOR OTHER PURPOSES. YOU ARE ,,,,^;%%
###&%%;«^, CARRIED GENTLY, CURVING UPWARDS UNTIL ,^«;%%##
###&%%;«^, YOU'RE MOVING UPWARD ALONG THE WALL OF ,^«;%%##
###&%%;«^, A BUILDING. IT'S MADE OF SLABBY STONE, ,^«;%%##
###&%%;«^, WITH GREAT GLASSLESS WINDOW HOLES ,^«;%%##
##&&%%;«^, LOOKING OUT THE WAY YOU CAME. IT IS ,^«;%%&#
###&%%;«^, PITCH BLACK INSIDE. ,^«;%%##
###&%%;«^, ,^«;%%##
&&&&%%;«^, ,^«;%%&&&&
&&%«,,,,,, ,,,,,,«%&&
###&%%;«^, ,^«;%%##
####&%%;«^ ^«;%%###