.@@...@@@@ @@@.@@...@
@.@..@...@ ..@@.@..@@
@@@.@@..@@ .@.@@@.@..
..@@.@.@.. @@@..@@@.@
.@.@@@@@.. ..@.@..@@@
@@@....@.@ TRAIN DREAM .@@@@.@..@
..@...@@@@ ######....,=,,..##################### @...@@@.@.
.@@..@...@ *** @..@..@@@.
@.@.@@..@@ = @.@@.@..@.
@@@@.@.@.. = @@.@@@.@@@
...@@@@@.@ .@@..@@...
..@....@@@ (SITUATION) @.@.@.@...
.@@...@... @@@@@@@...
@.@..@@..@ YOU FIND YOURSELF IN A RIFT - A ......@...
@@@.@.@.@. CLEARING, NARROW BUT IMMEASURABLY LONG. .....@@..@
..@@@@@@@@ TO YOUR SIDES ARE WALLS MADE OF TREES, ....@.@.@.
.@........ THICK AND READY TO SWALLOW YOU. THE SUN ...@@@@@@.
@@.......@ IS NOWHERE TO BE SEEN, BUT NONTHELESS ..@.....@.
.@......@. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .@@....@@@
@@.....@@@ BLUE, ALMOST WHITE. @.@...@..@
.@....@... @@@..@@.@.
@@...@@..@ ALONG THE SPAN OF THE CLEARING LAY TWO ..@.@.@@@.
.@..@.@.@@ PARALLEL SILVERY LINES, DARK HARD .@@@@@..@@
@@.@@@@@.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY @....@.@.@
.@@....@.@ THEY ARE. @...@@@@@.
@.@...@@@. @..@....@.
@@@..@..@. THEY EMIT A HIGH PITCHED WHINE... @.@@...@@@
..@.@@.@@. @@.@..@...
.@@@.@@.@@ = .@@@.@@...
@..@@.@@.. ..^.. @..@@.@...
@.@.@@.@.@ = @.@.@@@..@
@@@@.@@@@@ @@@@..@.@.
...@@....@ (SITUATION) ...@.@@@@@
..@.@...@. ..@@@....@
.@@@@..@@. YOURE AT THE TRAIN STATION, ON A .@..@...@@
@...@.@.@. CATWALK ABOVE THE RAILS. YOUR TRAIN IS @@.@@..@.@
@..@@@@@@. LATE, OR YOU ARE LATE TO THE TRAIN. .@@.@.@@@.
@.@.....@. IT'S A SUMMER AFTERNOON AND THE STATION @.@@@@..@@
@@@....@@. IS BUSY, FULL OF RELAXED CONFIDENCE. @@...@.@..
..@...@.@@ .@..@@@@.@
.@@..@@@.. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@.@...@@@
@.@.@..@.. STRESSED ABOUT THE TIME, WHILE MOVING .@@@..@..@
@@@@@.@@.. UP THE STAIRS TO YOUR PLATFORM. THE @..@.@@.@.
....@@.@.. STATION IS IN SEVERAL LEVELS, ALL @.@@@.@@@@
...@.@@@.. PLACED WITHIN EACHOTHER BY SOME @@..@@...@
..@@@..@.@ INTELLIGENT DESIGNER, AND FULL OF .@.@.@..@@
.@..@.@@@. STAIRS, ELEVATORS, SHORTCUTS, @@@@@@.@.@
@@.@@@..@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .....@@@@@
.@@..@.@.@ SOME GLASS WINDOWS. IT'S... NOT WHERE ....@.....
@.@.@@@@@@ IT'S SUPPOSED TO BE? ...@@.....
@@@@...... ..@.@....@
...@...... = .@@@@...@.
..@@...... ,,*,, @...@..@@.
.@.@...... = @..@@.@.@.
@@@@.....@ @.@.@@@@@.
...@....@. (SITUATION) @@@@....@@
..@@...@@@ ...@...@.@
.@.@..@..@ YOU'RE FINALLY ENTERING THE CITY. WHILE ..@@..@@@@
@@@@.@@.@. IT IS INDEED A VERY HIGH SPEED TRAIN .@.@.@...@
...@@.@@@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @@@@@@..@.
..@.@@.... BEEN LONG. BUT IT'S ABOUT TO END! .....@.@@.
.@@@.@.... ....@@@.@.
@..@@@.... SOCIETY IS GROWING DENSER AROUND YOU, ...@..@@@.
@.@..@...@ THROUGH THE WINDOWS YOU SEE FIRST SMALL ..@@.@..@@
@@@.@@..@@ SHACKS, BUILT OF METAL AND STONE, THEN .@.@@@.@..
..@@.@.@.. PROPER HOUSES WITH MORTAR TO KEEP THEM @@@..@@@.@
.@.@@@@@.. TOGETHER... WHO IN TURN MAKE WAY FOR ..@.@..@@@
@@@....@.@ THE INDUSTRIAL BUILDINGS, THE URBAN .@@@@.@..@
..@...@@@@ MAZE, PROTECTIVE WALLS, JUNGLE @...@@@.@.
.@@..@...@ NETWORK... @..@..@@@.
@.@.@@..@@ @.@@.@..@.
@@@@.@.@.. THE TRACKS LEAVE THE GROUND, WHICH IS @@.@@@.@@@
...@@@@@.@ NEEDED FOR OTHER PURPOSES. YOU ARE .@@..@@...
..@....@@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @.@.@.@...
.@@...@... YOU'RE MOVING UPWARD ALONG THE WALL OF @@@@@@@...
@.@..@@..@ A BUILDING. IT'S MADE OF SLABBY STONE, ......@...
@@@.@.@.@. WITH GREAT GLASSLESS WINDOW HOLES .....@@..@
..@@@@@@@@ LOOKING OUT THE WAY YOU CAME. IT IS ....@.@.@.
.@........ PITCH BLACK INSIDE. ...@@@@@@.
@@.......@ ..@.....@.
.@......@. .@@....@@@
@@.....@@@ @.@...@..@
.@....@... @@@..@@.@.
@@...@@..@ ..@.@.@@@.