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##.#.##.#.                                          .#..#.#.#.
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##.#.##.#.               TRAIN DREAM                .#..#.#.#.
.#.#..#.#.   ######....^~^^..#####################  .#.##.#.#.
##.#.##.#.                    ===                   .#..#.#.#.
.#.#..#.#.                    ~                     .#.##.#.#.
##.#.##.#.                     ~                    .#..#.#.#.
.#.#..#.#.                                          .#.##.#.#.
##.#.##.#.               (SITUATION)                .#..#.#.#.
.#.#..#.#.                                          .#.##.#.#.
##.#.##.#. YOU   FIND  YOURSELF  IN  A   RIFT  -  A .#..#.#.#.
.#.#..#.#.  CLEARING, NARROW BUT IMMEASURABLY LONG. .#.##.#.#.
##.#.##.#. TO YOUR SIDES  ARE  WALLS MADE OF TREES, .#..#.#.#.
.#.#..#.#. THICK AND READY TO SWALLOW YOU.  THE SUN .#.##.#.#.
##.#.##.#. IS NOWHERE  TO  BE  SEEN, BUT NONTHELESS .#..#.#.#.
.#.#..#.#. IT IS VERY BRIGHT - THE  AIR FEELS LIGHT .#.##.#.#.
##.#.##.#.           BLUE, ALMOST WHITE.            .#..#.#.#.
.#.#..#.#.                                          .#.##.#.#.
##.#.##.#. ALONG  THE SPAN OF THE CLEARING LAY  TWO .#..#.#.#.
.#.#..#.#.    PARALLEL SILVERY LINES, DARK HARD     .#.##.#.#.
##.#.##.#. METAL.  SOMEHOW YOU  CAN  SEE HOW  HEAVY .#..#.#.#.
.#.#..#.#.                THEY ARE.                 .#.##.#.#.
##.#.##.#.                                          .#..#.#.#.
.#.#..#.#. THEY   EMIT  A  HIGH  PITCHED   WHINE... .#.##.#.#.
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##.#.##.#.                  ..†..                   .#..#.#.#.
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##.#.##.#.                                          .#..#.#.#.
.#.#..#.#.                (SITUATION)               .#.##.#.#.
##.#.##.#.                                          .#..#.#.#.
.#.#..#.#. YOURE  AT   THE   TRAIN STATION,   ON  A .#.##.#.#.
##.#.##.#. CATWALK ABOVE THE RAILS.  YOUR TRAIN  IS .#..#.#.#.
.#.#..#.#. LATE, OR  YOU  ARE  LATE  TO  THE TRAIN. .#.##.#.#.
##.#.##.#. IT'S A SUMMER AFTERNOON AND THE  STATION .#..#.#.#.
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##.#.##.#.                                          .#..#.#.#.
.#.#..#.#. YOU'RE IN HIGH  SPIRITS,  ALTHOUGH A BIT .#.##.#.#.
##.#.##.#. STRESSED ABOUT  THE  TIME,  WHILE MOVING .#..#.#.#.
.#.#..#.#. UP  THE  STAIRS  TO  YOUR PLATFORM.  THE .#.##.#.#.
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.#.#..#.#.      PLACED WITHIN EACHOTHER BY SOME     .#.##.#.#.
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.#.#..#.#.      STAIRS, ELEVATORS, SHORTCUTS,       .#.##.#.#.
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.#.#..#.#. SOME GLASS WINDOWS.  IT'S...  NOT  WHERE .#.##.#.#.
##.#.##.#.           IT'S SUPPOSED TO BE?           .#..#.#.#.
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##.#.##.#.               (SITUATION)                .#..#.#.#.
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##.#.##.#. YOU'RE FINALLY ENTERING THE CITY.  WHILE .#..#.#.#.
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.#.#..#.#. BEEN  LONG.  BUT  IT'S  ABOUT  TO   END! .#.##.#.#.
##.#.##.#.                                          .#..#.#.#.
.#.#..#.#. SOCIETY IS  GROWING  DENSER AROUND  YOU, .#.##.#.#.
##.#.##.#. THROUGH THE  WINDOWS YOU SEE FIRST SMALL .#..#.#.#.
.#.#..#.#. SHACKS, BUILT  OF METAL  AND STONE, THEN .#.##.#.#.
##.#.##.#. PROPER HOUSES WITH  MORTAR  TO KEEP THEM .#..#.#.#.
.#.#..#.#. TOGETHER... WHO IN  TURN  MAKE  WAY  FOR .#.##.#.#.
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##.#.##.#.                NETWORK...                .#..#.#.#.
.#.#..#.#.                                          .#.##.#.#.
##.#.##.#. THE TRACKS LEAVE  THE  GROUND,  WHICH IS .#..#.#.#.
.#.#..#.#. NEEDED  FOR  OTHER  PURPOSES.   YOU  ARE .#.##.#.#.
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##.#.##.#. A BUILDING. IT'S  MADE  OF SLABBY STONE, .#..#.#.#.
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##.#.##.#. LOOKING OUT THE  WAY  YOU  CAME.  IT  IS .#..#.#.#.
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