,.»**¤#£## ##£#¤**».,
,,.»**¤#£# #£#¤**».,,
,,,.»**¤#£ £#¤**».,,,
,,,,.»**¤# #¤**».,,,,
,,,,,.»**¤ ¤**».,,,,,
,,,,,,.»** train dream **».,,,,,,
,,,,,.»**¤ ######,,,,.»..,,##################### ¤**».,,,,,
,,,,.»**¤# *** #¤**».,,,,
,,,.»**¤#£ » £#¤**».,,,
,,.»**¤#£# » #£#¤**».,,
,.»**¤#£## ##£#¤**».,
,,.»**¤#£# (situation) #£#¤**».,,
,,,.»**¤#£ £#¤**».,,,
,,,,.»**¤# you find yourself in a rift - a #¤**».,,,,
,,,,,.»**¤ clearing, narrow but immeasurably long. ¤**».,,,,,
,,,,,,.»** to your sides are walls made of trees, **».,,,,,,
,,,,,.»**¤ thick and ready to swallow you. the sun ¤**».,,,,,
,,,,.»**¤# is nowhere to be seen, but nontheless #¤**».,,,,
,,,.»**¤#£ it is very bright - the air feels light £#¤**».,,,
,,.»**¤#£# blue, almost white. #£#¤**».,,
,.»**¤#£## ##£#¤**».,
,,.»**¤#£# along the span of the clearing lay two #£#¤**».,,
,,,.»**¤#£ parallel silvery lines, dark hard £#¤**».,,,
,,,,.»**¤# metal. somehow you can see how heavy #¤**».,,,,
,,,,,.»**¤ they are. ¤**».,,,,,
,,,,,,.»** **».,,,,,,
,,,,,.»**¤ they emit a high pitched whine... ¤**».,,,,,
,,,,.»**¤# #¤**».,,,,
,,,.»**¤#£ » £#¤**».,,,
,,.»**¤#£# ,,*,, #£#¤**».,,
,.»**¤#£## » ##£#¤**».,
,,.»**¤#£# #£#¤**».,,
,,,.»**¤#£ (situation) £#¤**».,,,
,,,,.»**¤# #¤**».,,,,
,,,,,.»**¤ youre at the train station, on a ¤**».,,,,,
,,,,,,.»** catwalk above the rails. your train is **».,,,,,,
,,,,,.»**¤ late, or you are late to the train. ¤**».,,,,,
,,,,.»**¤# it's a summer afternoon and the station #¤**».,,,,
,,,.»**¤#£ is busy, full of relaxed confidence. £#¤**».,,,
,,.»**¤#£# #£#¤**».,,
,.»**¤#£## you're in high spirits, although a bit ##£#¤**».,
,,.»**¤#£# stressed about the time, while moving #£#¤**».,,
,,,.»**¤#£ up the stairs to your platform. the £#¤**».,,,
,,,,.»**¤# station is in several levels, all #¤**».,,,,
,,,,,.»**¤ placed within eachother by some ¤**».,,,,,
,,,,,,.»** intelligent designer, and full of **».,,,,,,
,,,,,.»**¤ stairs, elevators, shortcuts, ¤**».,,,,,
,,,,.»**¤# bazaars... you sight your train through #¤**».,,,,
,,,.»**¤#£ some glass windows. it's... not where £#¤**».,,,
,,.»**¤#£# it's supposed to be? #£#¤**».,,
,.»**¤#£## ##£#¤**».,
,,.»**¤#£# » #£#¤**».,,
,,,.»**¤#£ ..¤.. £#¤**».,,,
,,,,.»**¤# » #¤**».,,,,
,,,,,.»**¤ ¤**».,,,,,
,,,,,,.»** (situation) **».,,,,,,
,,,,,.»**¤ ¤**».,,,,,
,,,,.»**¤# you're finally entering the city. while #¤**».,,,,
,,,.»**¤#£ it is indeed a very high speed train £#¤**».,,,
,,.»**¤#£# you're traveling in, the journey has #£#¤**».,,
,.»**¤#£## been long. but it's about to end! ##£#¤**».,
,,.»**¤#£# #£#¤**».,,
,,,.»**¤#£ society is growing denser around you, £#¤**».,,,
,,,,.»**¤# through the windows you see first small #¤**».,,,,
,,,,,.»**¤ shacks, built of metal and stone, then ¤**».,,,,,
,,,,,,.»** proper houses with mortar to keep them **».,,,,,,
,,,,,.»**¤ together... who in turn make way for ¤**».,,,,,
,,,,.»**¤# the industrial buildings, the urban #¤**».,,,,
,,,.»**¤#£ maze, protective walls, jungle £#¤**».,,,
,,.»**¤#£# network... #£#¤**».,,
,.»**¤#£## ##£#¤**».,
,,.»**¤#£# the tracks leave the ground, which is #£#¤**».,,
,,,.»**¤#£ needed for other purposes. you are £#¤**».,,,
,,,,.»**¤# carried gently, curving upwards until #¤**».,,,,
,,,,,.»**¤ you're moving upward along the wall of ¤**».,,,,,
,,,,,,.»** a building. it's made of slabby stone, **».,,,,,,
,,,,,.»**¤ with great glassless window holes ¤**».,,,,,
,,,,.»**¤# looking out the way you came. it is #¤**».,,,,
,,,.»**¤#£ pitch black inside. £#¤**».,,,
,,.»**¤#£# #£#¤**».,,
,.»**¤#£## ##£#¤**».,
,,.»**¤#£# #£#¤**».,,
,,,.»**¤#£ £#¤**».,,,
,,,,.»**¤# #¤**».,,,,