,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ TRAIN DREAM @@&§%\«:,,
,:«\%§&@@# ######,,,,:«::,,##################### #@@&§%\«:,
,,:«\%§&@@ \\\ @@&§%\«:,,
,:«\%§&@@# « #@@&§%\«:,
,,:«\%§&@@ « @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ (SITUATION) @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ YOU FIND YOURSELF IN A RIFT - A @@&§%\«:,,
,:«\%§&@@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@@&§%\«:,
,,:«\%§&@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@&§%\«:,,
,:«\%§&@@# THICK AND READY TO SWALLOW YOU. THE SUN #@@&§%\«:,
,,:«\%§&@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @@&§%\«:,,
,:«\%§&@@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@@&§%\«:,
,,:«\%§&@@ BLUE, ALMOST WHITE. @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@&§%\«:,,
,:«\%§&@@# PARALLEL SILVERY LINES, DARK HARD #@@&§%\«:,
,,:«\%§&@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@&§%\«:,,
,:«\%§&@@# THEY ARE. #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# THEY EMIT A HIGH PITCHED WHINE... #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# « #@@&§%\«:,
,,:«\%§&@@ ,,%,, @@&§%\«:,,
,:«\%§&@@# « #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# (SITUATION) #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# YOURE AT THE TRAIN STATION, ON A #@@&§%\«:,
,,:«\%§&@@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @@&§%\«:,,
,:«\%§&@@# LATE, OR YOU ARE LATE TO THE TRAIN. #@@&§%\«:,
,,:«\%§&@@ IT'S A SUMMER AFTERNOON AND THE STATION @@&§%\«:,,
,:«\%§&@@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@@&§%\«:,
,,:«\%§&@@ STRESSED ABOUT THE TIME, WHILE MOVING @@&§%\«:,,
,:«\%§&@@# UP THE STAIRS TO YOUR PLATFORM. THE #@@&§%\«:,
,,:«\%§&@@ STATION IS IN SEVERAL LEVELS, ALL @@&§%\«:,,
,:«\%§&@@# PLACED WITHIN EACHOTHER BY SOME #@@&§%\«:,
,,:«\%§&@@ INTELLIGENT DESIGNER, AND FULL OF @@&§%\«:,,
,:«\%§&@@# STAIRS, ELEVATORS, SHORTCUTS, #@@&§%\«:,
,,:«\%§&@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @@&§%\«:,,
,:«\%§&@@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@@&§%\«:,
,,:«\%§&@@ IT'S SUPPOSED TO BE? @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ « @@&§%\«:,,
,:«\%§&@@# ::§:: #@@&§%\«:,
,,:«\%§&@@ « @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ (SITUATION) @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@&§%\«:,,
,:«\%§&@@# IT IS INDEED A VERY HIGH SPEED TRAIN #@@&§%\«:,
,,:«\%§&@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @@&§%\«:,,
,:«\%§&@@# BEEN LONG. BUT IT'S ABOUT TO END! #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# SOCIETY IS GROWING DENSER AROUND YOU, #@@&§%\«:,
,,:«\%§&@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @@&§%\«:,,
,:«\%§&@@# SHACKS, BUILT OF METAL AND STONE, THEN #@@&§%\«:,
,,:«\%§&@@ PROPER HOUSES WITH MORTAR TO KEEP THEM @@&§%\«:,,
,:«\%§&@@# TOGETHER... WHO IN TURN MAKE WAY FOR #@@&§%\«:,
,,:«\%§&@@ THE INDUSTRIAL BUILDINGS, THE URBAN @@&§%\«:,,
,:«\%§&@@# MAZE, PROTECTIVE WALLS, JUNGLE #@@&§%\«:,
,,:«\%§&@@ NETWORK... @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ THE TRACKS LEAVE THE GROUND, WHICH IS @@&§%\«:,,
,:«\%§&@@# NEEDED FOR OTHER PURPOSES. YOU ARE #@@&§%\«:,
,,:«\%§&@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @@&§%\«:,,
,:«\%§&@@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@@&§%\«:,
,,:«\%§&@@ A BUILDING. IT'S MADE OF SLABBY STONE, @@&§%\«:,,
,:«\%§&@@# WITH GREAT GLASSLESS WINDOW HOLES #@@&§%\«:,
,,:«\%§&@@ LOOKING OUT THE WAY YOU CAME. IT IS @@&§%\«:,,
,:«\%§&@@# PITCH BLACK INSIDE. #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,
,:«\%§&@@# #@@&§%\«:,
,,:«\%§&@@ @@&§%\«:,,