##@£*$*»,, ,,»*$*£@##
#@£*$*»,,, ,,,»*$*£@#
@£*$*»,,,, ,,,,»*$*£@
£*$*»,,,,, ,,,,,»*$*£
@£*$*»,,,, ,,,,»*$*£@
#@£*$*»,,, train dream ,,,»*$*£@#
##@£*$*»,, ######,,,,,»,,,,##################### ,,»*$*£@##
###@£*$*», *** ,»*$*£@###
##@£*$*»,, » ,,»*$*£@##
#@£*$*»,,, » ,,,»*$*£@#
@£*$*»,,,, ,,,,»*$*£@
£*$*»,,,,, (situation) ,,,,,»*$*£
@£*$*»,,,, ,,,,»*$*£@
#@£*$*»,,, you find yourself in a rift - a ,,,»*$*£@#
##@£*$*»,, clearing, narrow but immeasurably long. ,,»*$*£@##
###@£*$*», to your sides are walls made of trees, ,»*$*£@###
##@£*$*»,, thick and ready to swallow you. the sun ,,»*$*£@##
#@£*$*»,,, is nowhere to be seen, but nontheless ,,,»*$*£@#
@£*$*»,,,, it is very bright - the air feels light ,,,,»*$*£@
£*$*»,,,,, blue, almost white. ,,,,,»*$*£
@£*$*»,,,, ,,,,»*$*£@
#@£*$*»,,, along the span of the clearing lay two ,,,»*$*£@#
##@£*$*»,, parallel silvery lines, dark hard ,,»*$*£@##
###@£*$*», metal. somehow you can see how heavy ,»*$*£@###
##@£*$*»,, they are. ,,»*$*£@##
#@£*$*»,,, ,,,»*$*£@#
@£*$*»,,,, they emit a high pitched whine... ,,,,»*$*£@
£*$*»,,,,, ,,,,,»*$*£
@£*$*»,,,, » ,,,,»*$*£@
#@£*$*»,,, ,,$,, ,,,»*$*£@#
##@£*$*»,, » ,,»*$*£@##
###@£*$*», ,»*$*£@###
##@£*$*»,, (situation) ,,»*$*£@##
#@£*$*»,,, ,,,»*$*£@#
@£*$*»,,,, youre at the train station, on a ,,,,»*$*£@
£*$*»,,,,, catwalk above the rails. your train is ,,,,,»*$*£
@£*$*»,,,, late, or you are late to the train. ,,,,»*$*£@
#@£*$*»,,, it's a summer afternoon and the station ,,,»*$*£@#
##@£*$*»,, is busy, full of relaxed confidence. ,,»*$*£@##
###@£*$*», ,»*$*£@###
##@£*$*»,, you're in high spirits, although a bit ,,»*$*£@##
#@£*$*»,,, stressed about the time, while moving ,,,»*$*£@#
@£*$*»,,,, up the stairs to your platform. the ,,,,»*$*£@
£*$*»,,,,, station is in several levels, all ,,,,,»*$*£
@£*$*»,,,, placed within eachother by some ,,,,»*$*£@
#@£*$*»,,, intelligent designer, and full of ,,,»*$*£@#
##@£*$*»,, stairs, elevators, shortcuts, ,,»*$*£@##
###@£*$*», bazaars... you sight your train through ,»*$*£@###
##@£*$*»,, some glass windows. it's... not where ,,»*$*£@##
#@£*$*»,,, it's supposed to be? ,,,»*$*£@#
@£*$*»,,,, ,,,,»*$*£@
£*$*»,,,,, » ,,,,,»*$*£
@£*$*»,,,, ,,*,, ,,,,»*$*£@
#@£*$*»,,, » ,,,»*$*£@#
##@£*$*»,, ,,»*$*£@##
###@£*$*», (situation) ,»*$*£@###
##@£*$*»,, ,,»*$*£@##
#@£*$*»,,, you're finally entering the city. while ,,,»*$*£@#
@£*$*»,,,, it is indeed a very high speed train ,,,,»*$*£@
£*$*»,,,,, you're traveling in, the journey has ,,,,,»*$*£
@£*$*»,,,, been long. but it's about to end! ,,,,»*$*£@
#@£*$*»,,, ,,,»*$*£@#
##@£*$*»,, society is growing denser around you, ,,»*$*£@##
###@£*$*», through the windows you see first small ,»*$*£@###
##@£*$*»,, shacks, built of metal and stone, then ,,»*$*£@##
#@£*$*»,,, proper houses with mortar to keep them ,,,»*$*£@#
@£*$*»,,,, together... who in turn make way for ,,,,»*$*£@
£*$*»,,,,, the industrial buildings, the urban ,,,,,»*$*£
@£*$*»,,,, maze, protective walls, jungle ,,,,»*$*£@
#@£*$*»,,, network... ,,,»*$*£@#
##@£*$*»,, ,,»*$*£@##
###@£*$*», the tracks leave the ground, which is ,»*$*£@###
##@£*$*»,, needed for other purposes. you are ,,»*$*£@##
#@£*$*»,,, carried gently, curving upwards until ,,,»*$*£@#
@£*$*»,,,, you're moving upward along the wall of ,,,,»*$*£@
£*$*»,,,,, a building. it's made of slabby stone, ,,,,,»*$*£
@£*$*»,,,, with great glassless window holes ,,,,»*$*£@
#@£*$*»,,, looking out the way you came. it is ,,,»*$*£@#
##@£*$*»,, pitch black inside. ,,»*$*£@##
###@£*$*», ,»*$*£@###
##@£*$*»,, ,,»*$*£@##
#@£*$*»,,, ,,,»*$*£@#
@£*$*»,,,, ,,,,»*$*£@
£*$*»,,,,, ,,,,,»*$*£