¨¨@¨@¨@¨¨@ ¨¨@@¨¨@@@@
¨@@¨@¨@¨@¨ ¨@¨@¨@¨@@@
¨¨@¨@¨@¨@¨ ¨@¨@¨@¨¨@@
¨@@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ L U S H ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ A R P E G G I O ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ WHAT ARE THESE THINGS IF NOT BIRDSONG? ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ BLACKBIRD + NOISE CASCADE. ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ THE COMMODORE SOUND MAYBE. DIRTY, ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ MIRRORING, DISTORTED FLUTE, ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ ¨ ¨ ¨ ¨ ¨ ¨¨ ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ DDRREEAAMMYY SSLLIIDDEESS ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ MIRAGES IN SOUND. ARPEGGIOS, CHORDS ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ MULTIPLEXED IN THE TIME DOMAIN, ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ REFACTORED, REFRACTORED, REMADE ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ , , ¨ ¨ ¨ ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ ^ ^ ^ ^ * ^ ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ £ * £ * £ £ £ £ * ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ # # # # # ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨@@¨@¨@¨@¨ ¨@¨@¨@¨@¨@
¨¨@¨@¨@¨@¨ ¨@¨@¨@¨@¨@