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¨,~;§@£¶@# # the name is a little mis- # #@¶£@§;~,¨
¨¨¨¨¨,~§£@ ~ giving, because of course there is ~ @£§~,¨¨¨¨¨
¨¨¨¨¨,;§£¶ no real geometry in the caves. you may ¶£§;,¨¨¨¨¨
¨,~;§@£¶@# feel as if you are venturing into some #@¶£@§;~,¨
¨¨¨¨,,;;@¶ vast structure, but you are in fact ¶@;;,,¨¨¨¨
¨,~;;;§£¶@ leaving any such thing at the entrance. @¶£§;;;~,¨
¨,~;§@£££¶ ¶£££@§;~,¨
¨¨¨¨,,~;@£ leaving physical tethers behind, £@;~,,¨¨¨¨
¨¨,,;§@@£¶ submitting to an inescapable darkness, ¶£@@§;,,¨¨
¨,~;§@£¶@# the world around you becomes more of a #@¶£@§;~,¨
¨,~;§@£¶@# manifestation of your mind, or a #@¶£@§;~,¨
¨¨¨¨¨~§§§£ collective mind, with a shape and a £§§§~¨¨¨¨¨
¨,~;§@£¶@# direction and a taste. #@¶£@§;~,¨
¨¨¨¨~~;@££ ££@;~~¨¨¨¨
¨,~;§@££¶¶ inescapeable darkness, because if you ¶¶££@§;~,¨
¨,~;§@£¶@# bring a candle or mount electrical #@¶£@§;~,¨
¨,~;§@£¶@# lights, the walls only serves as #@¶£@§;~,¨
¨¨¨¨¨,;§£¶ markers to where the tiny spatial ¶£§;,¨¨¨¨¨
¨¨¨~~;@@£@ existence ends and the darkness beneath @£@@;~~¨¨¨
¨,~;@£¶@## it begins. ##@¶£@;~,¨
¨,~;§@£¶@@ @@¶£@§;~,¨
¨,~;§@£¶@# like an inverted mandelbrot, the real #@¶£@§;~,¨
¨,~;§@£¶@# cave is actually not the pockets, but #@¶£@§;~,¨
¨¨¨¨¨,~§@£ the black around them. keep that in £@§~,¨¨¨¨¨
¨,~;§@£¶¶@ mind. @¶¶£@§;~,¨
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¨¨¨¨~;§££¶ the moisture that permeates any cave ¶££§;~¨¨¨¨
¨,~;§@¶@## worth it's name... it's the water the ##@¶@§;~,¨
¨,~;§@£¶@# world rose from. it's the water you #@¶£@§;~,¨
¨,~;§@£¶@# drown in, in your dreams. #@¶£@§;~,¨
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¨¨¨,,~§£¶¶ the only sounds in the cave are those ¶¶£§~,,¨¨¨
¨,~;§@£¶¶¶ that you make yourselves. they may be ¶¶¶£@§;~,¨
¨,~;§@£¶@# distorted by the stone structure, and #@¶£@§;~,¨
¨,~;§@££¶@ amplified by your mind. try not to be @¶££@§;~,¨
¨,~;§@£¶@# alarmed, try to remember the persons #@¶£@§;~,¨
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