,,,,,,~*&#                                          #&*~,,,,,,
,,~=*$&###                                          ###&$*=~,,
,,~=**$&&&                                          &&&$**=~,,
,,,,~=$&&#                                          #&&$=~,,,,
,,~~==$&&#                                          #&&$==~~,,
,,~=*$&### Delay  Delay  D,La#  & *A,  , ,#   ~   , ###&$*=~,,
,,,,==*$&#                                          #&$*==,,,,
,~=*$&####                                          ####&$*=~,
,,~=*$&###                                          ###&$*=~,,
,,,,,~=*&#                                          #&*=~,,,,,
,,~=*$&&&& "Delay" Means Repetiton Or Likewise,     &&&&$*=~,,
,,~=*$&### But It'S Mainly Useless Without          ###&$*=~,,
,,,,,,,=$& Feedback,                                &$=,,,,,,,
,,,,,~*$&# To Allow The Delay To Eat Of It'S Own    #&$*~,,,,,
,,~=*$&### Tail, Like One Of Those Eaty Serpents.   ###&$*=~,,
,,,,,~**&# Thus: It'S The Serpent Effect!           #&**~,,,,,
,,~=**$&##                                          ##&$**=~,,
,,~=*$&### It'S To Be Revered As A Creator Of       ###&$*=~,,
,,~=*$&### Ambience And Of Space, If You Treat It   ###&$*=~,,
,,,,,~**$& Right. A Somewhat More Solid And         &$**~,,,,,
,,~=$&#### Slippery Sibling Of Reverb.              ####&$=~,,
,,~=*$&###                                          ###&$*=~,,
,,~=*$&###                                          ###&$*=~,,
,,~=*$&###                                          ###&$*=~,,
,,~=*$&###                                          ###&$*=~,,
,,~=*$&###                                          ###&$*=~,,