§§*\^,,,,,                                          ,,,,,^\*§§
#§§\^^^^,,                                          ,,^^^^\§§#
#§§\^,,,,,                                          ,,,,,^\§§#
###§§*\=^,                                          ,^=\*§§###
###§§*\=^,                                          ,^=\*§§###
§§§*\\=^,, Delay  Delay  D,La#  § *A,  ^ ,#   =   ^ ,,^=\\*§§§
#§§\=^^^,,                                          ,,^^^=\§§#
§§§***\=^,                                          ,^=\***§§§
#§§*=^^,,,                                          ,,,^^=*§§#
##§§\^^^^,                                          ,^^^^\§§##
#§§*=,,,,, "Delay" Means Repetiton Or Likewise,     ,,,,,=*§§#
§§§§*\=^,, But It'S Mainly Useless Without          ,,^=\*§§§§
###§§*\=^, Feedback,                                ,^=\*§§###
#§\\^,,,,, To Allow The Delay To Eat Of It'S Own    ,,,,,^\\§#
###§§*\=^, Tail, Like One Of Those Eaty Serpents.   ,^=\*§§###
§§\\^,,,,, Thus: It'S The Serpent Effect!           ,,,,,^\\§§
§**\==,,,,                                          ,,,,==\**§
###§§*\=^, It'S To Be Revered As A Creator Of       ,^=\*§§###
###§§*\=^, Ambience And Of Space, If You Treat It   ,^=\*§§###
###§§*\=^, Right. A Somewhat More Solid And         ,^=\*§§###
##§*\^^^^, Slippery Sibling Of Reverb.              ,^^^^\*§##
###§§*\=^,                                          ,^=\*§§###
##§*=,,,,,                                          ,,,,,=*§##
###§§*\=^,                                          ,^=\*§§###
###§§*\=^,                                          ,^=\*§§###
###§§*\=^,                                          ,^=\*§§###