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,,~:^&£@## ,LIZARDRY ##@£&^:~,,
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,,~:^&£@## ## THE ART OF C,NNECTING ##@£&^:~,,
,,~:^&@### , WITH THE OLD MIND ###@&^:~,,
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,,,~~~:^&£ MY MIND IS BEING SKEWED. MI £&^:~~~,,,
,,~:^&£@@# SKELETON IS STRINGY AND OLD AND ALIEN #@@£&^:~,,
,,~:^&£@## THE SITUATION IS LITERALLY ##@£&^:~,,
,,~:^&££££ PRESSED OUT THROUGH MY EYES, IT'S ££££&^:~,,
,,~:^&£@## ECHOING LIKE ##@£&^:~,,
,,~:^&£@## THE SUNSET OF THE ETERNAL ##@£&^:~,,
,,,,,::^^£ OCEAN £^^::,,,,,
,,~:^&@### PERSISTENTLY AGAINST MY EMULSION ###@&^:~,,
,,~:^&£££@ @£££&^:~,,
,,,~~::&@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@&::~~,,,
,,~:^&£@## HUMANS ARE DOING AND ABSTRACTING, ##@£&^:~,,
,,~:^&£@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@£&^:~,,
,,~:^^^^£@ HOW LONG A TIME HAS PASSED, FOR THEM? @£^^^^:~,,
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,,~~::&&&£ CONTINUOUSLY I'M CROWDING THROUGH £&&&::~~,,
,,~:^&£@## , THE FOURTH WALL ,OUTWARDS IS WHAT , ##@£&^:~,,
,,~:^&£@## ,, I'M THINKING BUT IT'S WRONG.. A NEW ##@£&^:~,,
,,,,::^^&@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @&^^::,,,,
,,,,,,:&@# , , AWARE OF THE PREVIOUS ONE, DEEPER , #@&:,,,,,,
,,~:^&£@## , , DOWN IN THE DRAGONS THROAT. ##@£&^:~,,
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