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..¤¤¤.¤¤¤. # .¤¤.¤¤¤¤..
..¤..¤¤..¤ .LIZARDRY .¤.¤¤...¤.
..¤¤.¤.¤.¤ ~ @ #@ ### ################## ¤¤¤¤.¤..¤¤
¤.¤.¤¤¤¤¤¤ ## THE ART OF C:NNECTING ....¤¤¤.¤.
¤¤¤¤¤..... . WITH THE OLD MIND ¤...¤..¤¤¤
.....¤.... ¤¤..¤¤.¤..
.....¤¤... MY MIND IS BEING SKEWED. MI ..¤.¤.¤¤¤.
.....¤.¤.. SKELETON IS STRINGY AND OLD AND ALIEN ..¤¤¤¤¤..¤
¤....¤¤¤¤. THE SITUATION IS LITERALLY ¤.¤....¤.¤
.¤...¤...¤ PRESSED OUT THROUGH MY EYES, IT'S .¤¤¤...¤¤¤
¤¤¤..¤¤..¤ ECHOING LIKE ¤¤..¤..¤..
¤..¤.¤.¤.¤ THE SUNSET OF THE ETERNAL ..¤.¤¤.¤¤.
¤¤.¤¤¤¤¤¤¤ OCEAN ..¤¤¤.¤¤.¤
..¤¤...... PERSISTENTLY AGAINST MY EMULSION ¤.¤..¤¤.¤¤
¤.¤.¤..... .¤¤¤.¤.¤¤.
¤¤¤¤¤¤.... IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤..¤¤¤¤.¤
......¤... HUMANS ARE DOING AND ABSTRACTING, ..¤.¤...¤¤
¤.....¤¤.. AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤.¤¤¤¤..¤.
¤¤....¤.¤. HOW LONG A TIME HAS PASSED, FOR THEM? .¤¤...¤.¤¤
..¤...¤¤¤¤ . .¤.¤..¤¤¤.
..¤¤..¤... . ... . ................ @@@@@@@ .¤¤¤¤.¤..¤
¤.¤.¤.¤¤.. CONTINUOUSLY I'M CROWDING THROUGH .¤...¤¤¤.¤
.¤¤¤¤¤¤.¤. . THE FOURTH WALL :OUTWARDS IS WHAT . ¤¤¤..¤..¤¤
¤¤.....¤¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤..¤.¤¤.¤.
¤.¤....¤.. . . NARRATOR IS INTRODUCED, OCCASIONALLY .¤.¤¤¤.¤¤¤
.¤¤¤...¤¤. : : AWARE OF THE PREVIOUS ONE, DEEPER . .¤¤¤..¤¤..
.¤..¤..¤.¤ : : DOWN IN THE DRAGONS THROAT. .¤..¤.¤.¤.
.¤¤.¤¤.¤¤¤ : .¤¤.¤¤¤¤¤¤
¤¤.¤¤.¤¤.. : ¤¤.¤¤.....
¤.¤¤.¤¤.¤. ..¤¤.¤....
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