¶&***«,,,, ,,,,«***&¶
¶¶**««:,,, ,,,:««**¶¶
&*«,,,,,,, ,,,,,,,«*&
¶******«:, ,:«******¶
¶**«,,,,,, ,,,,,,«**¶
##¶&***«:, the last song on side b (and to some ,:«***&¶##
&&**««,,,, extent the first song on side a) talks ,,,,««**&&
##@¶***«:, for the whole album, not just their ,:«***¶@##
#@¶&***«:, side. the last song on side b is ,:«***&¶@#
@¶&**«:,,, probably the most important ,,,:«**&¶@
@@¶&***«:, opportunity, the most charged slot. ,:«***&¶@@
##@¶***«:, ,:«***¶@##
@¶¶&***«:, ,¶#¶, ,:«***&¶¶@
#@¶&***«:, ,:«***&¶@#
##@&***«:, the album is a singularity, an anomaly ,:«***&@##
#@¶&***«:, in spacetime, a creature that knows ,:«***&¶@#
@&&****«:, exactly how beautiful it is. ,:«****&&@
@&*****«:, , ,:«*****&@
¶&***«,,,, and the thing is: it sees itself in ,,,,«***&¶
@¶***::,,, three d. it knows that it's dying. ,,,::***¶@
#@¶&***«:, ,:«***&¶@#
&****:::,, *******************&&******************* ,,:::****&
¶&**«::,,, ,,,::«**&¶
&**:,,,,,, : dolphins and cats : ,,,,,,:**&
##@¶***«:, bring us ,:«***¶@##
¶¶&****«:, , flowers and honey , ,:«****&¶¶
&&***:,,,, ,,,,:***&&
¶¶¶&***«:, : dolphins and cats : ,:«***&¶¶¶
&*«:,,,,,, bring us ,,,,,,:«*&
¶&**:,,,,, , fairies and bees , ,,,,,:**&¶
#@¶&***«:, ,:«***&¶@#
#@¶&***«:, our boat is afloat ,:«***&¶@#
#@¶&***«:, on a surface of lilies ,:«***&¶@#
@&***«:,,, : dolphins and cats : ,,,:«***&@
#@¶&***«:, drag us down ,:«***&¶@#
&&**««::,, ,«* underneath *«, ,,::««**&&
&*«::,,,,, ,,,,,::«*&
¶&***«,,,, *******************&&******************* ,,,,«***&¶
#@¶&***«:, ,:«***&¶@#
#@¶&***«:, side a is foresty, and side b might ,:«***&¶@#
@@¶&***«:, be lizardy. but the last song is full ,:«***&¶@@
¶******«:, of space. ,:«******¶
&*****:,,, ,,,:*****&
¶&**:,,,,, ,,,,,:**&¶
#@¶&***«:, ,:«***&¶@#
@¶*****«:, ,:«*****¶@
@¶¶&***«:, ,:«***&¶¶@