&&^^====^¨ ¨^====^^&&
##@#&§^=^¨ ¨^=^§@##
#@#&§^==^¨ ¨^==^§@#
&&§§§^==^¨ ¨^==^§§§&&
@@#&§^==^¨ ¨^==^§@@
&^======^¨ the last song on side b (and to some ¨^======^&
&^^====^¨¨ extent the first song on side a) talks ¨¨^====^^&
#@#&§^==^¨ for the whole album, not just their ¨^==^§@#
@@#&§^==^¨ side. the last song on side b is ¨^==^§@@
##@#&§==^¨ probably the most important ¨^==§@##
&^^===^¨¨¨ opportunity, the most charged slot. ¨¨¨^===^^&
#@#&§^==^¨ ¨^==^§@#
###&§^==^¨ ¨###¨ ¨^==^§##
#@#&§^==^¨ ¨^==^§@#
#@#&§^==^¨ the album is a singularity, an anomaly ¨^==^§@#
##@&§^==^¨ in spacetime, a creature that knows ¨^==^§&@##
#@#&§^==^¨ exactly how beautiful it is. ¨^==^§@#
#§^^=^¨¨¨¨ ¨ ¨¨¨¨^=^^§#
###&§^==^¨ and the thing is: it sees itself in ¨^==^§##
##@#&§^=^¨ three d. it knows that it's dying. ¨^=^§@##
#@#&§^==^¨ ¨^==^§@#
@&&§^^==^¨ ^^§§^^§§^^§§^^§§^^§&&§^^§§^^§§^^§§^^§§^^ ¨^==^^§&&@
###&§^==^¨ ¨^==^§##
#@#&§^==^¨ ^ dolphins and cats ^ ¨^==^§@#
##@&§^==^¨ bring us ¨^==^§&@##
#@#&§^==^¨ ¨ flowers and honey ¨ ¨^==^§@#
@#&&§^==^¨ ¨^==^§&@
@@#&§^==^¨ ^ dolphins and cats ^ ¨^==^§@@
###&§^==^¨ bring us ¨^==^§##
#@#&§^==^¨ ¨ fairies and bees ¨ ¨^==^§@#
@##&§^==^¨ ¨^==^§#@
###&§^==^¨ our boat is afloat ¨^==^§##
&&&^====^¨ on a surface of lilies ¨^====^&&&
&§§==^¨¨¨¨ ^ dolphins and cats ^ ¨¨¨¨^==§§&
#@#&§^==^¨ drag us down ¨^==^§@#
#@#&§^==^¨ ¨=^ underneath ^=¨ ¨^==^§@#
&^^=====^¨ ¨^=====^^&
#@#&§^==^¨ ^^§§^^§§^^§§^^§§^^§&&§^^§§^^§§^^§§^^§§^^ ¨^==^§@#
&§^^=^¨¨¨¨ ¨¨¨¨^=^^§&
#§§^==^¨¨¨ side a is foresty, and side b might ¨¨¨^==^§§#
#@#&§^==^¨ be lizardy. but the last song is full ¨^==^§@#
#@#&§^==^¨ of space. ¨^==^§@#
##§^=^^¨¨¨ ¨¨¨^^=^§##
#@#&§^==^¨ ¨^==^§@#
&&&§§^==^¨ ¨^==^§§&&&
@@#&§^==^¨ ¨^==^§@@
#@#&§^==^¨ ¨^==^§@#