..,~:*£@## ##@£*:~,..
.,~:*£@### ###@£*:~,.
..,~:*£@## ##@£*:~,..
...,~:*£@# #@£*:~,...
....,~:*£@ @£*:~,....
...,~:*£@# the last song on side b (and to some #@£*:~,...
..,~:*£@## extent the first song on side a) talks ##@£*:~,..
.,~:*£@### for the whole album, not just their ###@£*:~,.
..,~:*£@## side. the last song on side b is ##@£*:~,..
...,~:*£@# probably the most important #@£*:~,...
....,~:*£@ opportunity, the most charged slot. @£*:~,....
...,~:*£@# #@£*:~,...
..,~:*£@## .###. ##@£*:~,..
.,~:*£@### ###@£*:~,.
..,~:*£@## the album is a singularity, an anomaly ##@£*:~,..
...,~:*£@# in spacetime, a creature that knows #@£*:~,...
....,~:*£@ exactly how beautiful it is. @£*:~,....
...,~:*£@# . #@£*:~,...
..,~:*£@## and the thing is: it sees itself in ##@£*:~,..
.,~:*£@### three d. it knows that it's dying. ###@£*:~,.
..,~:*£@## ##@£*:~,..
...,~:*£@# **££**££**££**££**£@@£**££**££**££**££** #@£*:~,...
....,~:*£@ @£*:~,....
...,~:*£@# , dolphins and cats , #@£*:~,...
..,~:*£@## bring us ##@£*:~,..
.,~:*£@### . flowers and honey . ###@£*:~,.
..,~:*£@## ##@£*:~,..
...,~:*£@# , dolphins and cats , #@£*:~,...
....,~:*£@ bring us @£*:~,....
...,~:*£@# . fairies and bees . #@£*:~,...
..,~:*£@## ##@£*:~,..
.,~:*£@### our boat is afloat ###@£*:~,.
..,~:*£@## on a surface of lilies ##@£*:~,..
...,~:*£@# , dolphins and cats , #@£*:~,...
....,~:*£@ drag us down @£*:~,....
...,~:*£@# .~* underneath *~. #@£*:~,...
..,~:*£@## ##@£*:~,..
.,~:*£@### **££**££**££**££**£@@£**££**££**££**££** ###@£*:~,.
..,~:*£@## ##@£*:~,..
...,~:*£@# side a is foresty, and side b might #@£*:~,...
....,~:*£@ be lizardy. but the last song is full @£*:~,....
...,~:*£@# of space. #@£*:~,...
..,~:*£@## ##@£*:~,..
.,~:*£@### ###@£*:~,.
..,~:*£@## ##@£*:~,..
...,~:*£@# #@£*:~,...
....,~:*£@ @£*:~,....