.~=^*&@### ###@&*^=~.
..~=^*&@## ##@&*^=~..
...~=^*&@# #@&*^=~...
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..~=^*&@## L U S H ##@&*^=~..
...~=^*&@# A R P E G G I O #@&*^=~...
..~=^*&@## . . . . . . . . . . ##@&*^=~..
.~=^*&@### ###@&*^=~.
..~=^*&@## WHAT ARE THESE THINGS IF NOT BIRDSONG? ##@&*^=~..
...~=^*&@# BLACKBIRD + NOISE CASCADE. #@&*^=~...
..~=^*&@## ##@&*^=~..
.~=^*&@### THE COMMODORE SOUND MAYBE. DIRTY, ###@&*^=~.
..~=^*&@## MIRRORING, DISTORTED FLUTE, ##@&*^=~..
...~=^*&@# #@&*^=~...
..~=^*&@## . . . . . .. ##@&*^=~..
.~=^*&@### ###@&*^=~.
..~=^*&@## DDRREEAAMMYY SSLLIIDDEESS ##@&*^=~..
...~=^*&@# #@&*^=~...
..~=^*&@## MIRAGES IN SOUND. ARPEGGIOS, CHORDS ##@&*^=~..
.~=^*&@### MULTIPLEXED IN THE TIME DOMAIN, ###@&*^=~.
..~=^*&@## ##@&*^=~..
...~=^*&@# REFACTORED, REFRACTORED, REMADE #@&*^=~...
..~=^*&@## ~ ~ . . . ##@&*^=~..
.~=^*&@### ^ ^ ^ ^ * ^ ###@&*^=~.
..~=^*&@## & * & * & & & & * ##@&*^=~..
...~=^*&@# # # # # # #@&*^=~...
..~=^*&@## ##@&*^=~..
.~=^*&@### ###@&*^=~.
..~=^*&@## ##@&*^=~..
...~=^*&@# #@&*^=~...
..~=^*&@## ##@&*^=~..
.~=^*&@### ###@&*^=~.