.~«\*%¤¶## ##¶¤%*\«~.
.....«**¤¶ ¶¤**«.....
...~~«*%¶¶ ¶¶%*«~~...
....~\\%¶¶ ¶¶%\\~....
.~«\*%¤¶## ##¶¤%*\«~.
.~«\*%¤¶## L U S H ##¶¤%*\«~.
.~«\*%¤¶## A R P E G G I O ##¶¤%*\«~.
.~«\*%¤¤¶# . . . . . . . . . . #¶¤¤%*\«~.
.~«\*%¤¶## ##¶¤%*\«~.
.....~~\%¶ WHAT ARE THESE THINGS IF NOT BIRDSONG? ¶%\~~.....
.~«\*¤¶### BLACKBIRD + NOISE CASCADE. ###¶¤*\«~.
.~«\%¤¶### ###¶¤%\«~.
......«*%¤ THE COMMODORE SOUND MAYBE. DIRTY, ¤%*«......
.~«\*%¤¶## MIRRORING, DISTORTED FLUTE, ##¶¤%*\«~.
.~«\*%¤¶¶# #¶¶¤%*\«~.
...~\*%¤¶# . . . . . .. #¶¤%*\~...
.....~\*¤# #¤*\~.....
.~«\*%¤¶## DDRREEAAMMYY SSLLIIDDEESS ##¶¤%*\«~.
.~~~\***¤¤ ¤¤***\~~~.
.~«\*¤¶### MIRAGES IN SOUND. ARPEGGIOS, CHORDS ###¶¤*\«~.
..~~«\*%¤¤ MULTIPLEXED IN THE TIME DOMAIN, ¤¤%*\«~~..
...~\**%¤¶ ¶¤%**\~...
....~««*¤¶ REFACTORED, REFRACTORED, REMADE ¶¤*««~....
.~«\*¤¶### ~ ~ . . . ###¶¤*\«~.
...~«***%¤ \ \ \ \ * \ ¤%***«~...
.~«\*%¤¶## % * % * % % % % * ##¶¤%*\«~.
....~\\*%¶ # # # # # ¶%*\\~....
.~«\*%¤¶## ##¶¤%*\«~.
...~«\*%¤¶ ¶¤%*\«~...
.~«\*%¤¶## ##¶¤%*\«~.
..~«««\\%¤ ¤%\\«««~..
....~~\%¶# #¶%\~~....
.~«\*¤¶### ###¶¤*\«~.