#.#..##.## ...##.##..
#.#.#.#..# ..#.#..#.#
#.#.#.#.## .##.#.##..
#.#.#.#..# ..#.#..#.#
#.#.#.#.## .##.#.##..
#.#.#.#..# slightly distorted sine, maybe a little ..#.#..#.#
#.#.#.#.## tri/sq-ish,,... no tips. bind velocity .##.#.##..
#.#.#.#..# to semitone, to fine tune ############## ..#.#..#.#
#.#.#.#.## ##### one fifty bpm .##.#.##..
#.#.#.#..# ##### dark drone . ..#.#..#.#
#.#.#.#.## ##### more and more .##.#.##..
#.#.#.#..# ##### chaos and a ..#.#..#.#
#.#.#.#.## ##### little bit too .##.#.##..
#.#.#.#..# much ..#.#..#.#
#.#.#.#.## a woman an octave abov .##.#.##..
#.#.#.#..# e, a crudely looped aaah as a lead instr ..#.#..#.#
#.#.#.#.## ument, and drums from the microphone (?) .##.#.##..
#.#.#.#..# ..#.#..#.#
#.#.#.#.## .##.#.##..
#.#.#.#..# ..#.#..#.#
#.#.#.#.## .##.#.##..
#.#.#.#..# ..#.#..#.#
#.#.#.#.## .##.#.##..