,~«**£&@## ##@&£**«~,
,,~«**£&@# #@&£**«~,,
,,,~«**£&@ @&£**«~,,,
,,,,~«**£& &£**«~,,,,
,,,~«**£&@ @&£**«~,,,
,,~«**£&@# L U S H #@&£**«~,,
,~«**£&@## A R P E G G I O ##@&£**«~,
,,~«**£&@# , , , , , , , , , , #@&£**«~,,
,,,~«**£&@ @&£**«~,,,
,,,,~«**£& WHAT ARE THESE THINGS IF NOT BIRDSONG? &£**«~,,,,
,,,~«**£&@ BLACKBIRD + NOISE CASCADE. @&£**«~,,,
,,~«**£&@# #@&£**«~,,
,~«**£&@## THE COMMODORE SOUND MAYBE. DIRTY, ##@&£**«~,
,,~«**£&@# MIRRORING, DISTORTED FLUTE, #@&£**«~,,
,,,~«**£&@ @&£**«~,,,
,,,,~«**£& , , , , , ,, &£**«~,,,,
,,,~«**£&@ @&£**«~,,,
,,~«**£&@# DDRREEAAMMYY SSLLIIDDEESS #@&£**«~,,
,~«**£&@## ##@&£**«~,
,,~«**£&@# MIRAGES IN SOUND. ARPEGGIOS, CHORDS #@&£**«~,,
,,,~«**£&@ MULTIPLEXED IN THE TIME DOMAIN, @&£**«~,,,
,,,,~«**£& &£**«~,,,,
,,,~«**£&@ REFACTORED, REFRACTORED, REMADE @&£**«~,,,
,,~«**£&@# ~ ~ , , , #@&£**«~,,
,~«**£&@## * * * * * * ##@&£**«~,
,,~«**£&@# £ * £ * £ £ £ £ * #@&£**«~,,
,,,~«**£&@ # # # # # @&£**«~,,,
,,,,~«**£& &£**«~,,,,
,,,~«**£&@ @&£**«~,,,
,,~«**£&@# #@&£**«~,,
,~«**£&@## ##@&£**«~,
,,~«**£&@# #@&£**«~,,
,,,~«**£&@ @&£**«~,,,