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,,-/%%&#@# #@#&%%/-,,
,,-/%%&##@ @##&%%/-,,
,,,,,,,/%# #%/,,,,,,,
,,,,,//%%& &%%//,,,,,
,,-/%%&@## L U S H ##@&%%/-,,
,,,,,-%%&# A R P E G G I O #&%%-,,,,,
,,,,,,-/%& , , , , , , , , , , &%/-,,,,,,
,,,-//%%%# #%%%//-,,,
,,,---%&## WHAT ARE THESE THINGS IF NOT BIRDSONG? ##&%---,,,
,,-/%%&#@# BLACKBIRD + NOISE CASCADE. #@#&%%/-,,
,,,--/%%&# #&%%/--,,,
,,-/%%&#@# THE COMMODORE SOUND MAYBE. DIRTY, #@#&%%/-,,
,,-/%%&#@# MIRRORING, DISTORTED FLUTE, #@#&%%/-,,
,,-/%%&#@@ @@#&%%/-,,
,,-/%%%%%# , , , , , ,, #%%%%%/-,,
,,-/%%%&&& &&&%%%/-,,
,,-/%%%&&# DDRREEAAMMYY SSLLIIDDEESS #&&%%%/-,,
,,,,,-%%## ##%%-,,,,,
,,--/%%%&@ MIRAGES IN SOUND. ARPEGGIOS, CHORDS @&%%%/--,,
,,,,,,,/%# MULTIPLEXED IN THE TIME DOMAIN, #%/,,,,,,,
,,-/%%&#@# #@#&%%/-,,
,,,,,//%%# REFACTORED, REFRACTORED, REMADE #%%//,,,,,
,,-/%%&#@# , , , , , #@#&%%/-,,
,,,,-//%&# / / / / % / #&%//-,,,,
,,-/%%&&#@ % % % % % % % % % @#&&%%/-,,
,,-/%%&@## @ @ @ @ @ ##@&%%/-,,
,,-/%%&@## ##@&%%/-,,
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