##£#§§^=,,                                          ,,=^§§#£##
#£#§§^=,,,                                          ,,,=^§§#£#
##£#§§^=,,                                          ,,=^§§#£##
#£#§§^=,,,                                          ,,,=^§§#£#
##£#§§^=,,                                          ,,=^§§#£##
#£#§§^=,,, delay  delay  d,la#  # §a,  , ,£   =   , ,,,=^§§#£#
##£#§§^=,,                                          ,,=^§§#£##
#£#§§^=,,,                                          ,,,=^§§#£#
##£#§§^=,,                                          ,,=^§§#£##
#£#§§^=,,,                                          ,,,=^§§#£#
##£#§§^=,, "delay" means repetiton or likewise,     ,,=^§§#£##
#£#§§^=,,, but it's mainly useless without          ,,,=^§§#£#
##£#§§^=,, feedback,                                ,,=^§§#£##
#£#§§^=,,, to allow the delay to eat of it's own    ,,,=^§§#£#
##£#§§^=,, tail, like one of those eaty serpents.   ,,=^§§#£##
#£#§§^=,,, thus: it's the serpent effect!           ,,,=^§§#£#
##£#§§^=,,                                          ,,=^§§#£##
#£#§§^=,,, it's to be revered as a creator of       ,,,=^§§#£#
##£#§§^=,, ambience and of space, if you treat it   ,,=^§§#£##
#£#§§^=,,, right. a somewhat more solid and         ,,,=^§§#£#
##£#§§^=,, slippery sibling of reverb.              ,,=^§§#£##
#£#§§^=,,,                                          ,,,=^§§#£#
##£#§§^=,,                                          ,,=^§§#£##
#£#§§^=,,,                                          ,,,=^§§#£#
##£#§§^=,,                                          ,,=^§§#£##
#£#§§^=,,,                                          ,,,=^§§#£#