¨..¨,^*%$§ §$%*^,¨..¨
.,~:=§$¤¶@ @¶¤$§=:~,.
.,:-»«†^†£ £†^†«»-:,.
,,~\**## ###&**\~,,
,.==%%&@## ##@&%%==.,
.,=*§%#@ statuette @##&%§*=,.
.,¨,,:@¤§# #§¤@:,,¨,.
.,,=~»^@£# %%%%*%$§§%$@$$£*»»=~-»««@¤$£$@£%¤%§*$%$£ #£@^»~=,,.
¨,,--;*£§§ @@&¤%&$%* §§£*;--,,¨
.¨¨¨,/§§&@ @&§§/,¨¨¨.
,,«\†;$$¤@ forests around my childhood home. thick @¤$$;†\«,,
,,¨,.:=«%§ pine arcades that were planted and §%«=:.,¨,,
,^~:%%@### forgotten. wild boars roaming ###@%%:~^,
,^-%&@#### underneath, sniffing at the ground. it ####@&%-^,
,¨,¨,=;*§@ is dark and moist, the canopy having @§*;=,¨,¨,
¨:=;%¤££## already soaked up all the sun. ##££¤%;=:¨
,-~=$&§@¶# #¶@§&$=~-,
¨,»;§$&£@# there's a river passing by, from east #@£&$§;»,¨
¨^-;$*@¶## to west, getting broader and deeper and ##¶@*$;-^¨
.-~/§%¤£#@ slower as it goes. equisetum grow just @#£¤%§/~-.
.--/*$@### where the pine hands start to let ###@$*/--.
¨:~†=^*%*# through light, horsemint on the rocky #*%*^=†~:¨
,-«†%@@¶£# river bed. #£¶@@%†«-,
.,,,-=%%%# #%%%=-,,,.
¨:«†%$¤@@¶ \ ¶@@¤$%†«:¨
.¨^~~%†§@@ @@§†%~~^¨.
,,«;%@§¶@# the riverbanks reek of magic. tonight #@¶§@%;«,,
¨,¨¨.--%@¤ they had been a swampworld with sylvan ¤@%--.¨¨,¨
.,,.,^~^$& water, stone rings and floating moss. &$^~^,.,,.
¨.»^†£§@@# you could've found me wallowing around #@@§£†^».¨
,:«*=£#@ on the southern shores until i got @##&£=*«:,
.~~†%&£### bitten. ###£&%†~~.
¨,=†*¤¤@@# #@@¤¤*†=,¨
.:-/$@## but now i'm further back, on solid ###&@$/-:.
¨:-=$$¤£§£ ground, in shoulder-high grass, with an £§£¤$$=-:¨
,,~†*§§### orange tin radio and a translucent ###§§*†~,,
¨¨,.,,††%@ umbrella which i'm sitting on. @%††,,.,¨¨
,,.,¨-=\&¶ ¶&\=-¨,.,,
.,~^=#¶### = ###¶#=^~,.
¨~»/§£@### ###@£§/»~¨
¨..,^/**@£ somethings moving in the grass. it's £@**/^,..¨
¨.«=†/%*£@ invisible to my eyes but i can feel @£*%/†=«.¨
,..¨,¨-=¤@ through the ground just how large it is. @¤=-¨,¨..,
.^-/*@§@@# #@@§@*/-^.
¨:»\$$@¶## the soil is muddy. i slip when trying ##¶@$$\»:¨
..,«*%=£§@ to get up, still looking at the @§£=%*«,..
,:-**$£§¤@ direction of sound rather than at my @¤§£$**-:,
¨¨¨..~/^$& hands, who are busy putting things in &$^/~..¨¨¨
¨,.¨¨,«†¤¤ my pockets. ¤¤†«,¨¨.,¨
¨¨¨:^\†%£# #£%†\^:¨¨¨
¨...,..«=£ then i run east toward my home. £=«..,...¨
¨,¨,~*%##£ £##%*~,¨,¨
.^~*%¤¤¶## : ##¶¤¤%*~^.
..:.»§%@ @#&%§».:..
,.»^*¤#£## i am not followed, and slow down in the ##£#¤*^».,
¨¨¨,-./†%& clearing where you at first can spot &%†/.-,¨¨¨
¨...,¨»*¤# the house, not yet really in the #¤*»¨,...¨
¨:=:%$#@## backyard. from my pockets i retrieve my ##@#$%:=:¨
,,=**%@@## radio (now dented) but also a small ##@@%**=,,
.¨.,~/=@#& clay figure i've never seen before. it @=/~,.¨.
,-«\*¤#### must have been laying in the wet dirt, ####¤*\«-,
,:»;*$£@## and i must've picked it up with my ##@£$*;»:,
¨¨,«=†$§§@ other belongings. @§§$†=«,¨¨
¨.,¨^-,-§§ §§-,-^¨,.¨
¨:»^†$*=¤# it's a statuette of a girl laying naked #¤=*$†^»:¨
,,~†%%@¶@# on her stomach, feet in the air, #@¶@%%†~,,
.:«^*§&@## roughly seven centimeters long. it's ##@&§*^«:.
,,¨,^~*§¤£ freshly made, not yet completely dried. £¤§*~^,¨,,
¨~^^££#@## ##@#££^^~¨
¨.¨.~~§^££ my mom is here now. i ask her for some ££^§~~.¨.¨
.:-/^£¤£## particle board for it to dry on, but ##£¤£^/-:.
.,¨~=†^*§@ she is worried and wants me to @§*^†=~¨,.
,,~/*@¤@¶# throw it away. #¶@¤@*/~,,
¨~~=§### ####&§=~~¨
¨¨.:^»==$£ £$==»^:.¨¨
,:~\†$@@@# #@@@$†\~:,
,,»;*%@£## ##£@%*;»,,
,^»/=£§#§# #§#§£=/»^,
,--\†$¤### ###¤$†\--,