@&%«,,,,,, ,,,,,,«%&@
#&*«,,,,,, ,,,,,,«*&#
#&%%%««,,, ,,,««%%%&#
#@#&&%*«,, ,,«*%&&#@#
#&&&&%*«,, ,,«*%&&&&#
&&*««,,,,, opposer.dream ,,,,,««*&&
##@#&%*«,, «««««««««««««««««««««««««««««««««««««««« ,,«*%&#@##
##&%*,,,,, ,,,,,*%&##
#@#&&%*«,, intrinsically weaved within the space ,,«*%&&#@#
@#&%%%*«,, between what the brain constructs and ,,«*%%%&#@
#&%«««««,, the real, the space which we usually ,,«««««%&#
###&&%*«,, call the aether, distortions, ,,«*%&&###
#@#&&%*«,, anomalies, can appear under ,,«*%&&#@#
#&%««,,,,, circumstances, peculiar ones, folded in ,,,,,««%&#
#@#&&%*«,, like liquid crystals, appearing as if ,,«*%&&#@#
#@#&&%*«,, you suddenly rotate your head in some ,,«*%&&#@#
##@#&&*«,, fourth dimension (usually more or less ,,«*&&#@##
&&**«,,,,, uncomfortable) ,,,,,«**&&
#@#&&%*«,, ,,«*%&&#@#
#&&*,,,,,, the opposer looks like a concave square ,,,,,,*&&#
#&%*,,,,,, balancing on a corner, with round ,,,,,,*%&#
#@#&&%*«,, cutouts along its edges making it look ,,«*%&&#@#
@@#&&%*«,, like a pointy cross, or something from ,,«*%&&#@@
#@#&&%*«,, twewy ,,«*%&&#@#
#&%«,,,,,, ,,,,,,«%&#
##@#&%*«,, it's hostile, maybe not conscious but ,,«*%&#@##
#@#&&%*«,, active, perceiving, alive in some ,,«*%&&#@#
&&&&&%*«,, sense. but i feel as if that might be a ,,«*%&&&&&
&&&*,,,,,, reduction, that i'm interpreting the ,,,,,,*&&&
#@#&&%*«,, tip of something much larger and alien ,,«*%&&#@#
#@#&&%*«,, to me. maybe not alive, then, but ,,«*%&&#@#
###&&%*«,, something worse. ,,«*%&&###
@&&&***«,, ,,«***&&&@
&%%*,,,,,, ,,,,,,*%%&
#@#&&%*«,, , ,,«*%&&#@#
&&%«««,,,, * ,,,,«««%&&
@#&&&%*«,, ,, %% ,, ,,«*%&&&#@
#@#&&%*«,, ««««««,,, %%% ,,«««, ,,«*%&&#@#
#@#&&%*«,, «««,, «&&& ,,,,,«« ,,«*%&&#@#
@#&&%*«,,, «« &&&&« «, ,,,«*%&&#@
#&&&&%*«,, ,« *&&&&&& , ,,«*%&&&&#
#@#&&%*«,, ###* * ,,«*%&&#@#
@&&&&%*«,, ** @ ,,«*%&&&&@
&%*«,,,,,, «««&&&****%###% *&*«««««, ,,,,,,«*%&
###&&%*«,, ,,,«&&&&&** %@#@@*****&&&&&%%%*,,, ,,«*%&&###
#@#&&%*«,, « *@* &&«««, ,,«*%&&#@#
#@#&&%*«,, *#* * ,,«*%&&#@#
#@#&&%*«,, ,« *&&&&&* ,,«*%&&#@#
##@#&&%«,, «« «&&&&& «, ,,«%&&#@##
#&**,,,,,, ,««, &&& ««, ,,,,,,**&#
##@#&&%«,, ««««,,,, %%« ,,«««««« ,,«%&&#@##
@@#&&%*«,, ** ,,,,, ,,«*%&&#@@
@@#&&%*«,, * ,,«*%&&#@@
#&&%*««,,, , ,,,««*%&&#
@@#&&%*«,, ,,«*%&&#@@
@@#&&%*«,, various forms like these ,,«*%&&#@@
&&&&&%*«,, ,,«*%&&&&&
#@#&&%*«,, %#% ,,«*%&&#@#
&%%%%«,,,, ,&@@&* ,,,,«%%%%&
##&%**««,, ,&&, ,,««**%&##
@@#&&%*«,, ,, ,,«*%&&#@@
##&&*«,,,, ,, ,,,,«*&&##
#@#&&%*«,, ,, ,,«*%&&#@#
&&&&*,,,,, ,, ,,,,,*&&&&
#@#&&%*«,, ,&&, ,,«*%&&#@#
#@#&&%*«,, , ,*&@@&*, , ,,«*%&&#@#
###&&%*«,, %@#%«,,, ,,,,«%#@####@#%«,,, ,,,,«%#@% ,,«*%&&###
#@#&&%*«,, %#@#%«,,,, ,,,«%#@####@#%«,,,, ,,,«%#@#% ,,«*%&&#@#
##&%«,,,,, «, ,*&@@&*, ,« ,,,,,«%&##
#@#&&%*«,, ,&&, ,,«*%&&#@#
##@#&&*«,, ,, ,,«*&&#@##
#@#&&%*«,, ,, ,,«*%&&#@#
&&&&%««,,, ,, ,,,««%&&&&
#&&&*«,,,, ,, ,,,,«*&&&#
#&%**,,,,, ,&&, ,,,,,**%&#
##&&&%*«,, *&@@&, ,,«*%&&&##
&&*««,,,,, %#% ,,,,,««*&&
#@#&&%*«,, ,,«*%&&#@#
@&&&&%*«,, it morphs ,,«*%&&&&@
&&&&%%*«,, ,,«*%%&&&&
###&&%*«,, # ,,«*%&&###
&&%%%%*«,, # ,,«*%%%%&&
@&&*,,,,,, @@* ,,,,,,*&&@
#@#&&%*«,, *###* ,,«*%&&#@#
#&*,,,,,,, «&&«&&««&« ,,,,,,,*&#
#&&&&%*«,, «« %% ««« ,,«*%&&&&#
#&&&*«««,, ,** ,,«««*&&&#
@@#&&%*«,, ««« ,,«*%&&#@@
###&&%*«,, *« ,,,,,,, &«« ,,«*%&&###
&&%*,,,,,, %**#*« «,**«,,,,,,,,,««,, «&&** ,,,,,,*%&&
@##&&%*«,, %%@@##&&&«,,,«,,,, ,,,,«,,,%&&&&##@###%% ,,«*%&&##@
#@#&&%*«,, **#* ,,,,,,, ««&#**%% ,,«*%&&#@#
@##&&%*«,, * ,«««« &« ,,«*%&&##@
###&&%*«,, ** ,,«*%&&###
&%*«,,,,,, &&« % «&&« ,,,,,,«*%&
#@#&&%*«,, «&&«&«&&&« ,,«*%&&#@#
#@#&&%*«,, *&&&&* ,,«*%&&#@#
###&&%*«,, *### ,,«*%&&###
#@#&&%*«,, ## ,,«*%&&#@#
#@#&&%*«,, # ,,«*%&&#@#
@#&&*,,,,, ,,,,,*&&#@
@@#&&%*«,, it appears in it's truest false form ,,«*%&&#@@
#&%«,,,,,, inscribed all over your vision, in the ,,,,,,«%&#
#@#&&%*«,, case of nightmares, evil meditation, or ,,«*%&&#@#
#@#&&%*«,, drug-induced transcendental states. ,,«*%&&#@#
&&&%%*««,, living behind the curtain, so to speak, ,,««*%%&&&
@&&&**,,,, in the liquid between you and the world ,,,,**&&&@
&%%*,,,,,, you're in. ,,,,,,*%%&
@#&%««,,,, ,,,,««%&#@
@##&&%*«,, but even in calmer times, it's never ,,«*%&&##@
&%%%«,,,,, too far away, and you can find yourself ,,,,,«%%%&
###&&%*«,, transfixed by floor tiles, jewelry ,,«*%&&###
#@#&&%*«,, (totems? charms?), trees, and other ,,«*%&&#@#
#&&%*«,,,, such things... ,,,,«*%&&#
#@#&&%*«,, ,,«*%&&#@#
@@#&&%*«,, ,,«*%&&#@@
##@#&&%*«, ,«*%&&#@##
&%*,,,,,,, ,,,,,,,*%&
&%«,,,,,,, ,,,,,,,«%&